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204 p., International adoptions are both high-profile and controversial, with the celebrity adoptions and critically acclaimed movies such as Casa de los babys of recent years increasing media coverage and influencing public opinion. Neither celebrating nor condemning cross-cultural adoption, the author considers the political symbolism of children in an examination of adoption and migration controversies in North America, Cuba, and Guatemala. The book tells the interrelated stories of Cuban children caught in Operation Peter Pan, adopted Black and Native American children who became icons in the Sixties, and Guatemalan children whose 'disappearance' today in transnational adoption networks echoes their fate during the country's brutal civil war. Drawing from extensive research as well as from her critical observations as an adoptive parent, the author aims to move adoption debates beyond the current dichotomy of 'imperialist kidnap' versus 'humanitarian rescue.'.
Looks at the attempts of the Communist international to organise amongst African and Caribbean workers in Europe, and particularly in France and Britain during the inter-war period. It locates these attempts within the overall objectives of the Comintern to organise all workers, to organise in the colonies and to address what was referred to at that time as the 'Negro Question' - that is the liberation of all those of African descent. The paper particularly highlights the role of communists of African and Caribbean origin and the organisations they formed.
Examines if commonly used distress measures, rates of psychiatric disorders, and chronic health conditions are affected by alternate measures of race-ethnicity for African Americans and Caribbean blacks.
For women writers of the Caribbean as well as for larger marginalized communities, the relationship between oral traditions and written texts is a part of the defining thread of Caribbean historiography. This article draws on Waugh and Hutcheon to examine the use of such texts by women writers of the Hispanophone Caribbean in order to highlight narrative strategies of historically marginalized groups to contest hegemonic constructions of the nation.
Reads Carnival-related performances in relationship to the colonial and national histories of the circulation of Indian and black women's bodies in Trinidad and Tobago, asking what is at stake in these occupations of genre, form, and performative presence in the latest global scenes of late capitalism (where image and sound, as cultural productions, are always in circulation beyond the scope of the nation, and their own "original" referents).
The United States Virgin Islands (USVI) is a complex society with multiple diverse ethnic groups: Black Virgin Islanders, Eastern Caribbean islanders, Puerto Ricans, Spanish Dominicans, French Islanders, Americans (Continentals), Arabs and Asians. These ethnic differences as well as United States cultural imperialism have stymied any uniform Virgin Islands identity. Nonetheless, social identity in the USVI can be conceptualized into the bi-level structural analysis of national and trans-Caribbean.
For most Ghanaians, the tenets of Pan-Africanism are remote principles that bear little relevance in daily life, in which kinship, linguistic, ethnic, and national affiliations are primary markers of identity. This presents challenges for repatriated Rastafarians from the Caribbean, United States, and Europe, who attempt to establish a home and a place within Ghanaian society while retaining Rastafarian ways of living and spiritual philosophies drawn from a Pan-African ethos.
The head of Citizenship and Immigration Services, Alejandro Mayorkas, says his agency can't eliminate its fees, but it has the power to waive them for people who can prove they are poor. He has promised that his employees will treat applicants with a "generosity of spirit." This would be a refreshing change for an agency notorious for bureaucrats expert in finding a way to say no.
While helping applicants take their place on the line, Richard Champagne, current President of the Haitian Lawyers Association (HLA)stated, "This is an opportunity for the HLA and participating attorneys to give back to our community. Haitian immigrants have been suffering for a long time, and after the Obama administration granted TPS, it was our duty to assist. It has been a great opportunity to partner with the city of North Miami, given the concentration of Haitian nationals in the city.
Florida-based [Andre Berto], holder of the World Boxing Council (WBC) welterweight title, announced in a press release last month that he was ""physically and emotionally unable to prepare" for his clash with [Shane Mosley] and withdrew from the Jan. 30 main bout in Las Vegas. "I'm sorry for the losses that Andre and all of the Haitian people are suffering. I have everyone in my prayers," Mosley added.
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187 p., Looks primarily at Negrismo and Negritude, two literary movements that appeared in the Francophone and Hispanic Caribbean as well as in Africa at the beginning of the twentieth century. It draws on speeches and manifestos, and use cultural studies to contextualize ideas.
203 p., Explores the work experiences of professional Caribbean immigrant English-speaking women in the United States. Much study has been dedicated to the experiences and success of Caribbean immigrant women and men in service and domestic roles. The study explores these professional immigrant women's experiences attaining career success in the United States racial society. Data was obtained from 12 professional Caribbean immigrant women using semi-structured interviews conducted by the researcher.
Explores the experiences of Caribbean women teachers who are recruited to teach in a mid sized Southern city. Narrative methods were used to analyze four Barbadian women teachers' perspectives on their: initial experiences and challenges; teaching philosophies and approaches to teaching American students; and successful transition into Louisville, Kentucky's public schools after five years of teaching. In an age where school districts across the nation seek educators from overseas to address the well-documented teacher shortage, this study has implications for helping future international teacher candidates transition into U.S. public schools.
101 p., Little published research describes views of intimate heterosexual relationships among non-Western samples of women. This study represents a first attempt to document Afro-Caribbean women's views about their intimate relationships. A small sample of 53 Afro-Caribbean women from the island of Barbados were interviewed in their homes for a larger study of body image. Included in the measures were questionnaires about the extent to which women's expectations were or were not met in their current heterosexual relationships and if symptoms of depression were experienced. The women in this study generally reported, like Western women, that their relationships met their expectations (whatever those expectations may have been), that they contributed more positive than negative behaviors to the relationship, and that they experienced mostly mild or infrequent depressive symptoms. Unlike findings for Western samples, however, neither relationship duration, women's level of education, nor the extent to which they reported depressive symptoms covaried with whether they reported that their expectations were met or not. In summary, this study did not shed light on possible sources of Afro-Caribbean women's relationship satisfaction, although it potentially ruled out a few.
After [Jean-Jacques Dessalines]' death, [Henri Christophe] assumed leadership of Haiti, but the mulatto minority South set up its own republic under Pétion. Christophe committed suicide in 1820 amid an uprising over his forced labor policies. Pétion's successor, JeanPierre Boyer, reformed the two republics into one Haiti. Boyer ruled until his government collapsed in 1843 due to political rivalry. Until 1915, only two of the 21 governments since 1843 were not dismantled by coups d'états or political in-fighting. Except for agreement on the abolition of slavery, the state and nation were headed in opposite or different directions before the L'Ouverture adherents took over in 1804. The literature on Haiti, from Trinidadian C. L. R. James' classic book The Black Jacobins, to TransAfrica founder Randall Robinson's An Unbroken Agony, all tell the awful consequences of the "color curtain" in claustrophobic Haiti.
The French called the Island St. Domingue, and began importing thousands of African slaves to clear much of the land and build plantations. By the late 1700s, there were over half a million African slaves in St. Domingue, and dose to 40,000 whites, as well as almost as many "mulattos." (The word "mulatto" derives from the Spanish term meaning a young mule.) They were the "free people of color," the result of white men taking many slave women. [Adam Hochchild] goes on to tell us how very rich France became through its plantocracy on St. Domingue alone: "The colony's eight thousand plantations accounted for more than one third of France's foreign trade, and its own foreign trade equaled that of the newly born United States." White planters and merchants on the island lived a life of luxury unrivaled in "the New World." Hochchild tells us that on that fateful August night "a large group of slaves representing many plantations met under the night sky in a remote spot called Alligator Woods..." and these are the words reportedly shouted to the throng by a revolt leader: '"Throw away the image of the god of the whites who thirsts for our tears, and listen to the voice of liberty which speaks in the hearts of all of us."
117 p., Literary scholars frequently analyze the allusions to Western Christianity apparent in Toni Morrison's novels, but these studies overlook the ways in which some of her novels are informed by a Caribbean presence. This study argues that Rastafari themes, symbols, and ideologies are recurrent in Toni Morrison's Tar Baby, Beloved, and Song of Solomon. Rastafari is a social movement primarily concerned with restoring the image of Africa to a holy place. A Rastafari analysis of these texts broadens the literary spectrum to suggest that these novels highlight Morrison's attempt to write about the multifaceted element of the black community, which remains deeply connected to its American, African, and Caribbean roots.
327 p., "This research is in response to the general academic need to examine how black histories have been conceived and written. Instead of folklore, I look to the Osainistas (healers and herbalists initiated into the secrets of Osain) in Cuba as possible partners in a conversation in collaborative conservation. My study of Lucumí (Yorùbá-derived) religion and Osain (deity of the sacred forests, herbs and healings) reveals an embodied understanding of nature through which the boundaries of subject as well as material and spiritual become collapsed and traversed through specialized communication techniques. Ways of knowing through invocations, praise poetry, music and dance are essential to nearly all Yorùbá ritual in which spiritual forces are actualized-evoking and thus invoking spirit into physical form. Yorùbá employ these embodied techniques to transcend boundaries and open communication among spirit, material, temporal and spatial worlds, particularly to understand and work with natural resources. This embodied knowledge is, as Yvonne Daniel argues in her book Dancing Wisdom , "rich and viable and should be referenced among other kinds of knowledge" (2005:4). This intermittently conducted 2003-06 ethnographic study, relies on what I am calling evocative ethnography, which is organized around ethnography using visual and cognitive techniques along with archival research to explore how Lucumí conceptualize nature and how I can translate these embodied perceptions." --The Author.
207 p., Explores the expression of Afro-Cuban identity and its illustration by Afro-Cuban writers and filmmakers within the context of the Cuban Revolution. It answers two questions. First, how does Afro-Cuban artistic expression of Afro-Cuban reality change from the 1970s to the 1990s? and second, how can we reread works from Afro-Cuban writers and filmmakers within the context of the Cuban Revolution in light of the ideological disconnects between Revolution, racial discourse, and artistic expression? To answer these questions the author looks to a diverse group of Afro-Cuban artists who produced groundbreaking works during the 1970s and 1990s. Beginning with Nancy Morejón as an example of a well-known literary figure in Afro-Cuban arts, the dissertation delves deeper into the evolution of Afro-Cuban aesthetics with the cinematic works of Nicolas Guillen Landrian in the 1960s, Sara Gómez and Sergio Giral in the 1970s and finally Gloria Rolando in the 1990s. These are all artists whose work has previously never been considered in concert, but together, their works engage in an interesting dialogue and provide a collective answer to the research questions on which this project is based.
220 p., Employs a black feminist diaspora literary lens to identify, define, trace, and speak to the African Diaspora as it functions in black women's diaspora fiction and informs our understanding of black women's diaspora identity. Considers three authors and novels by women of, in, and across the African Diaspora. The study centers on Sandra Jackson-Opoku's The River Where Blood Is Born as a primary site of analysis of diaspora formation and theorization, Dionne Brand's At the Full and Change of the Moon and Maryse Condé's Desirada as comparative textual and theoretical sites.
369 p., Reconstructs the process of migration, assimilation, and the realization of full sociopolitical participation in the United States in terms of the relationship between peoples of African descent--who were compelled to migrate as slaves across the Middle Passage, and who also voluntarily immigrated from various localities within the Black Atlantic--and select groups of immigrants from other locations around the globe. The author concentrates on novels by William Faulkner, Paule Marshall, James Baldwin, and cartoonist Chris Ware, and examine closely how these authors, in their respective texts, work to restructure, reimagine, and thereby challenge the enshrined American narratives of national belonging and acculturation through literary constructions of the identities and experiences of peoples of African descent, as migrants themselves, in tandem with their social, political, economic, sexual, racial, and cultural engagements with other immigrants to the nation-state.
186 p., Preacher's Cave, an archaeological site in North Eleuthera, Bahamas, is arguably one of the most important historical places in that country. This large cave, isolated in a natural setting, has long been associated in the popular imagination with the first English colonists who shipwrecked in the Bahamas in 1648 and laid the foundation for the modern nation. Before the present work, no systematic scientific archaeological work had ever been conducted at this site. These excavations, in conjunction with the written record, also suggest that the area surrounding the site is the location of the first free black community in the country.
306 p., Investigates the shifts in gender constructions currently taking place in Jamaica, a peripheral nation-state, during a period which is characterized by hegemonic dissolution in the world-system. These shifts are defined by class- and gender-based conflicts over the norms, values and aesthetics associated with the traditional bourgeois classes. The fulcrum for investigation is Jamaica's Dancehall culture, which currently exhibits changes in the field of masculinity, in which clashes over the body occur constantly. These conflicts center around dress, gendered dancing styles and adornment.
178 p., This dissertation is about the role that conservative religious notions of racial ideology played in the historical origins of black nationalism and pan-Africanism. Focuses on the writings of an African Caribbean, Edward Blyden, as the centerpiece of the study. Blyden, a native of Saint Thomas (Virgin Islands) and considered one of the "fathers" of both pan-Africanism and African nationalism, was a particularly complex diasporic intellectual. Traveling first to the United States in the pre-Civil War period, then to Africa and Britain at the height of the European imperial venture - and Christian missionary efforts - Blyden served as a conduit between the West (the United States and Britain) and both a traditional and a Muslim Africa. He saw his role as one of mediating (critiquing/translating) these divergent voices and ideologies with the object of constituting a "modern," pan-African subject.
195 p., Paule Marshall's The Chosen Place, The Timeless People (1969), Gayl Jones' Corregidora (1975), and Octavia Butler's Kindred (1979) enhance our conceptualization of black aestheticism and black nationalism as cultural and political movements. The writers use the novel as genre to question the ideological paradigm of a black nationalist aesthetic by providing alternative definitions of community, black women's sexuality, and race relations. Because of the ways in which these writers respond to black aestheticism and black nationalism, they transform our understanding of movements often perceived as sexist, racist, homophobic, and anti-Semitic.
362 p., This study not only confirms the long presence of same-sex desiring peoples in the twin-island Republic of Trinidad and Tobago, but it focuses in upon the artistry and community-building techniques of these subjects as part of a paradigmatic shift in Caribbean cultural analysis. By foregrounding the work and the perspectives of same-sex desiring Trinbagonians in an analysis of Carnival masquerade, Calypso music and HIV/AIDS activism, this project also proposes a novel theoretical framework for the study of subjectivity.
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249 p., Investigates the role of music in 20th century literature of the Americas. It expands the concept of the New Negro Renaissance in terms of time, place, and language. Previous studies have diminished the geographical and temporal extent of this defining moment, locating it in Harlem, starting in 1919 with the end of WWI and the Great Migration, and ending with the 1930 Great Depression. This project departs from this traditional account, demonstrating that what is usually perceived as a North American phenomenon was, in fact, international from its inception. Paying particular attention to the United States and the Caribbean, it examines "The New Negro Flow," which represents the discussion occurring during the first half of the 20th century between places in the Americas where there had been a large transplanted Black population.
289 p., This qualitative study examines five young Afro-Franco Caribbean males in the Diaspora and their experiences with systems of technology as a tool of oppression and liberation. The study utilized interpretive biography and participatory video research to examine the issues of identity, power/control, surveillance technology, love and freedom. The study made use of a number of data collection methods including interviews, round table discussions, and personal narratives.
113 p., Jamaican folk songs have become a definitive characteristic of Jamaican culture. They are exemplars of a culture whose music reflects the lifestyle of most of its citizens. In modern times, their beauty has been show cased in local and foreign performances which exposes an element of the country to the world. Additionally, the arrangements of songs by Jamaican composers like Noel Dexter and Peter Ashbourne have aided in their renaissance in modern times. This research analyzes the arrangements by Noel Dexter and Peter Ashbourne. It explores the transition of Jamaican folk songs from the slave fields to the art music stage.
210 p., This project examines the ways in which several texts written in the late 20th century by African American and Caribbean writers appropriate history and witness trauma. Analyzes the writings of Toni Morrison, Ernest Gaines, Paule Marshall, and Fred D'Aguiar as they offer distinct approaches to history and the resulting effects such reconstituted, discovered, or, in some cases, imagined histories can have on the affirmation of the self as a subject. Explores the values of the African diaspora cross-culturally as manifested in the representational practices of these writers.
380 p., This work brings an anti-colonial reading to the production and maintenance of racial logic in Cuban schooling, through conversations with, and surveys of Cuban teachers, as well as through analyses of secondary and primary documents. The study undertaken seeks to contribute to the limited existent research on race relations in Cuba, with a research focus on the Cuban educational context. Teasing and staking out a middle ground between the blinding and often hollow pro-Cuba fanaticism and the deafening anti-Cuban rhetoric from the left and right respectively, this project seeks a more nuanced, complete and dialogical understanding of race and race relations in Cuba, with a specific focus on the educational context. This work investigates and explicates an apparent contradiction inherent in teachers' work and discourse on the island, revealing a flawed and complex form of Cuban anti-racism.
335 p., A central premise of this project is that individuals and communities perceive the significance of history differently depending on their historical conditions. Indeed, much of the emphasis on memory studies in the last two decades has been informed by an awareness of changing perspectives on the past. Thus, given its focus on black peoples in the United States and the Caribbean, this dissertation aims to illuminate an emergent historical consciousness in the African Diaspora in the late 20th century. This dissertation is divided into two sections. In Part I, "Ancestors: Exploring Historical Inheritances," I analyze Maryse Conde's Les derniers rois mages (1993) and Patrick Chamoiseau's Texaco (1993) as they interrogate the concept of familial lineage and query the significance of the past imagined as an inheritance. Whereas Chamoiseau questions the ability of written history to represent memory and experience, Conde empties the idea of heritage of all significance as new relationships to the past come to the fore. In Part II, "New Birth: Exploring Discourses of Reproduction," I focus on Gayl Jones' Corregidora (1975) and Audre Lorde's Zami: A New Spelling of My Name (1982) as they reveal the limitations of genealogical discourse. By creating their pasts and imagining their heritage, the characters in these texts challenge the primacy of lineage as they point toward other, more viable networks of community and belonging.
251 p., Analysis of characteristic traits of Afrodescendants in the Atabaque and the Conférence Haïtienne des Religieux et Religieuses research work. These publications are used to bring to light the Afro-Brazilian and Haitian theological reflection as an expression of their commitment to multicultural and mestizo Brazil as well as black Haiti. Based on the comparative study of the content of these theologies developed in Brazil and in Haiti, highlights two separate currents from 1986 to 2004 in theological databases. This delimitation corresponds to the phase of publication of results of three consultations about black theologies in Brazil in 1986, in 1995 and 2004. The CHR's works date from 1991 to 1999. This study aims to trace their practice of the Christian faith, as well as their development and their evolution.
Chicago: Chicago School of Professional Psychology
Location:
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107 p, This research attempts to understand the way Jamaican immigrants conceptualize psycho-spiritual illness in the socio-cultural context of Obeah, a West African religious tradition sharing an affinity with Vodou. In particular, this research will examine Jamaican immigrants' knowledge of, or experience with Obeah and how they construe psycho-spiritual illness in light of indigenous beliefs.
59 p., Investigates the demands made in negotiations between white colonists, gens de couleurs, and insurgents in the opening months of the Haitian Revolution. Argues that, at least initially, demands for general emancipation were not made, but instead that insurgents sought the amelioration of working conditions on plantations and gens de couleur asked for political rights.
205 p., Analyzes the poetry of the African American Langston Hughes and the Jamaican Louise Bennett during the 1940s. Through an examination of the unique similarities of their poetic projects, namely their engagement of performance to build their audiences, their experiments with poetic personae to represent vernacular social voices, their doubleness as national and transnational figures, their circulation of poetry in radio and print journalism and their use of poetry as pedagogy to promote reading, this dissertation establishes a new perspective on the role of poetry in decolonizing language practices. While Hughes and Bennett are often celebrated for their representation of oral language and folk culture, this project reframes these critical discussions by drawing attention to how they engage performance to foster an embodied form of reading that draws on Creole knowledge systems.
According to New York Attorney General Andrew Cuomo, several companies in Brooklyn, New York, including Chay Pa Lou Community Center, Inc., Delegue Tax Consultant, Inc., and their owner and operator Jean Michel; as well as Rinchef s Multi-Service, a/k/a Rincher Bookstore, a/k/a Rincher Associates, a/k/a Haitian American Entrepreneur's Group, LLC, and their owners and operators Deslande Seixas-Rincher and Sharlene Seixas-Rincher, targeted the Haitian community with fraudulent immigration services. "In light of the recent devastating earthquake in Port-auPrince, New York's Haitian residents have sadly been a target for immigration scams, bringing further pain to a community that has already suffered so much," said Cuomo. "These cases are a part of my office's ongoing crackdown on immigration scams throughout New York and I urge anyone who has been affected by this type of fraud to contact my office."
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251 p., Explores how Juan Francisco Manzano and Gabriel de la Concepcion Valdés (also known as Plácido) appropriated Hispanic literature to inscribe an African descendant subjectivity in 19th century proto-nationalist Cuban discourse. Revises Mary Louise Pratt's notion of "intercultural texts" and Angel Rama's "literary transculturation", proposing "transculturated colonial literature" to trace the contradictions, re-significations, silences and shifts in the aesthetic and ideological function of Manzano and Plácido's texts. As such, 19th century Afro-Cuban literature is analyzed as an active space of negotiation and exchange disputing racial and religious hierarchies to inscribe an Afro-Cuban religio-cultural subject. The author concludes that both Manzano and Plácido disrupted the aesthetic and ideological norms of the colonial status quo by producing the first instance of literary transculturation in Cuba.
227 p., Considers the often-silenced, tangible traces that the Haitian Revolution and radical anti-slavery have left in the greater Caribbean as they emerge in contemporary cultural productions. The author looks at national trends in the Dominican Republic, Cuba and Jamaica in order to formulate an understanding of the uses of gendered images of slavery and blackness in modern nation-building campaigns. Critically assesses what is left out of these narratives and how these gaps serve specific purposes. Argues for the centrality of the Caribbean in any true understanding of the history of modernity and the contemporary nation-state by investigating the after-shocks of the Haitian Revolution and of radical anti-slavery.
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263 p., A study of the poetics of experimental writing, focusing on the work of W. E. B. Du Bois, Nathaniel Mackey, Suzan-Lori Parks and Kamau Brathwaite. Arguing that conceptions of time tend to be at the heart of political concerns throughout the sites of the African diaspora, this project challenges those notions of black writing that rest on the binary or oppression/resistance. Specifically concerned with poetry, Kamau Brathwaite and Nathaniel Mackey specifically confront and contravene the legacy of the lyric voice in both the presentation and topics of their work. Brathwaite invents a shifting system of fonts, margins and a capacious first-person singular/plural to articulate a time and a "we" of the Caribbean and the diaspora.
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273 p., Explores the iconography of Cuban rumba--a unique AfroCuban dance and music complex that represents the foundation of contemporary Cuban popular culture--and argues that rumba constitutes an essential part of a greater African-based ontology. Rumba dance performance is conceptualized as knowledge embodied, an avatar of nonverbal cultural communication and consciousness, which plays a central role in the organization of daily life and formation of identity. This dissertation demonstrates that concrete continuities exist between the diaspora and mainland Africa through close scrutiny of rumba and parallel performance art traditions in north, west and central Africa. Also attempts to identify specific African-based stylistic conventions as exemplified by Sahara's Imazighen (also known as Berber) peoples, Mali's Mande (known as Gangá in Cuba) and related groups, and the Kongo civilization establishing that although ethno-cultural boundaries exist, they tend to be permeable.
169 p., Examines entanglements of race, place, gender, and class in Puerto Rican reggaetón. Based on ethnographic and archival research in San Juan, Puerto Rico, and in New York, New York, I argue that Puerto Rican youth engage with an African diasporic space via their participation in the popular music reggaetón. By African diasporic space, the author refers to the process by which local groups incorporate diasporic resources such as cultural practices or icons from other sites in the African diaspora into new expressions of blackness that respond to their localized experiences of racial exclusion. Participation in African diasporic space not only facilitates cultural exchange across different African diasporic sites, but it also exposes local communities in these sites to new understandings and expressions of blackness from other places. As one manifestation of these processes in Puerto Rico, reggaetón refutes the hegemonic construction of Puerto Rican national identity as a "racial democracy."
221 p., Carmen (Mérimée 1845, Bizet 1875), the story about the (in)famous Gypsy dancer from Spain, is the second most adapted narrative in the history of world cinema, with over eighty global versions officially recognized to date. Despite the global reach of the Carmen phenomenon, many scholars claim that this tale has hardly been reworked in Spanish America and never in the Caribbean. Following Carmen from Spain to Spanish America, the author shows how the template of Carmen (a love story that reveals the racio-ethnic and gender stratification in Spain) has been artfully but unsuspectingly reappropriated and "creolized" in postcolonial Cuba in the controversial film María Antonia (1991) by Afro-Cuban filmmaker Sergio Giral, based on the landmark play María Antonia (1964) by Afro-Cuban playwright Eugenio Hernández Espinosa.
"There was a real need for a facility like this back in the 1990's," [Jan Mapou] said. "Young people needed to be more aware of their Haitian heritage . . . their real heritage." The bookstore is best known for its excellent collection of Haitian literature much of which is written by Mapou and his advocate group, Sosyete Koukouy, which means "Society of Fire Flies." There are also learning booklets, Bibles translated in French and Creole, folklore novels, paintings, Haitian periodicals, maps and figurines that make up the store's inventory. In addition, the store also offers tasty treats including Kremas Mapou - a Haitian syrupy drink made from a secret family recipe.
284 p., The Garifuna are a diasporic community that positions Yurumein (St. Vincent) at the center of its collective memory, and whose populations primarily reside in Belize, Guatemala, Honduras, Nicaragua, and, more recently, in urban centers in the United States. This multi-sited, historio-ethnographic study traces the group's socio-political struggles over time and space against cultural dislocation, ethnic oppression, and culturally destructive forces.
637 p., Utilizes perceptions and attitudes towards the Haitian Revolution as a means to resituate party conflict and the boundaries of American nationalism in the Early Republic. The concept of nationalism is utilized in both the shaping of political culture and in the institutional formation of the state. As a result, the Haitian Revolution generated contradictory factional responses between the Federalists and Democratic-Republicans to the emergence of revolutionary abolitionism in the Atlantic. On a more popular level, the ordeal of Haiti engendered a fear of black militant abolitionism that hardened American attitudes towards the possibility of further slave emancipation in the United States.
According to historical records and stories passed down by the griots in Haiti, Christophe was born around October 6, 1767 in Grenada and brought to Haiti (then Saint Domingue) as a slave.
Dessalines became a lieutenant in Papillon's army and followed him to Santo Domingo, where at first he enlisted to serve Spain's military forces against the French then he joined the "real" slave rebellion that was inspired by Dutty Boukman, a voodoo priest, and led by Toussaint.
According to colonial records, he was granted his freedom, given 13 slaves and 15 acres of land and allowed to grow coffee and sugar cane, as a surrogate plantation owner. When this declaration of the rights of all men was denied to the slave population, they revolted and in 1791, the rebellion swept the northern part of the island like a massive tidal wave.
200 p., An interdisciplinary project that combines cultural studies, film, gender, and postcolonial studies to investigate Afro-Caribbean models of masculinity in film and literature. The project details the ways in which imperialist phallocentric masculinity is valorized within African American cinema and exported to the Caribbean where it is mimicked and valorized. Secondly, it introduces Afro-Caribbean masculinity into the scholarly discussion of African American masculinities started by several African American cultural critics such as Mark Anthony Neal and bell hooks. Both of these prominent scholars in African American studies criticize the construction of African American masculinity as presented in African American culture. They, and others, call for a more progressive Black masculinity, one that supports Black feminism and fights homophobia. Much of their critique also applies to Afro-Caribbean culture, which has been strongly influenced by African American culture in regard to the traumatizing transition between boyhood and manhood which has great influence on Black males perspectives on feminism and homophobia. hook's critique in particular challenges the passive acceptance of "soul murder" or, in other words, silent acceptance of trauma as rites of passage into manhood for African American men.
He was born a slave. He was called a genius of the rebellion. He was an 18th century rebel named Toussaint Breda, also known as Toussaint L'Ouverture, and he led the Haitian Revolution to abolish slavery. By the way, translated, L'Ouverture means "the opening."
295 p., Focuses on the function of black vernacular myths and rituals in three primary women's texts of the Americas: Toni Morrison's Song of Solomon (1977), Simone Schwartz-Bart's Pluie et Vent sur Telumee Miracle (1972) and Paule Marshall's Praisesong for the Widow (1983). My project codifies how the black vernacular expressions of mythology and ritual are used to negotiate power between the individual and their community. The author traces how the women in these texts used resources of the black vernacular tradition as social and cultural collateral to empower themselves within an alternative system of values that simultaneously validates self and communal worth.
239 p., Undertakes a critical task of "writing to" and "writing back to" Frantz Fanon on the issues of violence, masculinity, and nation-formation. The author deploys Brian Keith Axel's formulations of "national interruption" to position African diasporic women's novels--specifically Gayl Jones's Corregidora, Tsitsi Dangarembga's Nervous Conditions, and Edwidge Danticat's Breath, Eyes, Memory --as critical interruptions to Fanon's formulations.
223 p., Argues that certain iconic poems have shaped the canon of American poetry. Not merely "canonical" in the usual sense, iconic poems enjoy a special cultural sanction and influence; they have become discourses themselves, generating our notions about American poetry. By "iconic" the author means extraordinarily famous works like Henry Wadsworth Longfellow's "Paul Revere's Ride," Walt Whitman's "Song of Myself," and Claude McKay's "If We Must Die," that do not merely reside in the national memory but that have determined each poet's reception and thus have shaped the history of American poetry.
She said Jamaica is determined to become the model for economic revitalization of the hemisphere and for securing the country's well-being. During the ceremony, [Audrey Marks] was recognized by Martin O'Malley, governor of Maryland, with a citation honoring her as Jamaica's first female ambassador to Washington. The citation was presented by Jamaican-born Shirley Natham-Pulliam, the Maryland House of Assembly delegate.
Sunday, the quartet of Brandon Tomlinson, Bernado Brady, Odane Skeen and Dexter Lee, produced a season best 39.55 seconds to pick up the silver medal in the boy's 4x100, finishing second behind the US, who won in a world-leading time of 38.93 seconds, the second fastest ever at these championships. Trinidad and Tobago picked up their second medal of the Championships as they finished third for the bronze in a season best 39.72 seconds.
In his West Kingston, Jamaica stronghold of Tivoli Gardens, the reputed leader of the notorious "Shower Posse" gang is revered by many. So respected - or perhaps feared - is he that many in the area refer to him as "the President", or "Presi" for short, even though the area is represented in Parliament by Prime Minister Bruce Golding.
American professional basketball player Udonis Haslem will be visiting Jamaica August 11th for the 2nd year to host a Basketball camp (Hoop For Hope) for 500 youths in Ocho Rios Jamaica and in the Mountains of Nine Mile (Home of Bob Marley).
Udonis will make major donations to schools and girls home in the island of Jamaica which includes over 300 pairs of shoes, 100 computers, uniforms, basketballs and feminine products for Windsor Girls Home.
The trip is organized by Jamaican, Wesley Frater who is based in South Florida and the founder of Tournament of Champions, INC a Scholarship Negotiations, Sports Event Planning & Management, Athletic Training, School Consulting, and Caribbean Basketball Scouting Services company.
Former Herbert Morrison Technical star also sprinted his way into the history books, becoming the first athlete to win back-to-back 100m titles at the Championships.
For the last three weeks, the readers of this column have been able to follow Dr. [Anthony P. Maingot]'s speech about Haiti's history of war of liberation and internicine struggles which have been such a burden for the First Black Republic. He began with "the issue of the moment," namely the reparation from France for 200 years of slavery. Haiti's political culture, its "developed legacy of behavior, " is not conducive to development. The second issue studied by Dr. Maingot is the U.S. occupation of Haiti, which "rested on the idea of the White Man's burden" - its Manifest Destiny. But, on balance, the occupation was not entirely negative. The very racism of the White invaders was a reality check for Haitian society. Yes, by treating all Haitians (whether dark skinned or light skinned Mulattoes) as "Niggers," no more no less, the foreign invaders reconciled the subjective ideas of superiority and/or inferiority of the Haitians with their own, i.e., their more objective, non involved, opinions as powerful occupying forces. Thirdly, Dr. Maingot analysed a cultural element that had, and continues to have, a great impact on Haitian society. That major cultural factor, of course, is the syncretic religion called vodoo.
Yes, we owe Haiti. Unfortunately, we have shown little appreciation. My generation has witnessed Haiti in a multi-decades long downward spiral. There have been the dirty Papa Doc regime; the dirty Baby Doc regime; the dirty Aristide regime and dirty everyone else who supposedly had the trust of the people. The United States has sent troops there on various occasions but it was not to strengthened or liberate the people. Preference should be given to Haitian owned businesses in this rebuilding. Partnerships with Haitian and African Americans should be allowed. The money generated from these contracts should stay in Haiti and be taxed by the Haitian government. All, I mean ALL jobs, should be offered first to Haitians with the first right of refusal. It is noble for the world to come to the aid of Haiti but there must be a strategy that will empower the people of Haiti during and afterwards. For the first time in history, we have a chance to make Haiti independent, self sustaining and free.
Animan Akassi,Clément (Editor) and Lavou,Victorien (Editor)
Format:
Book, Edited
Language:
Spanish, English, and French
Publication Date:
2010
Published:
Perpignan: Presses universitaires de Perpignan
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
358 p., Contents include "The africans and afrodescendants who constructed Veracruz and the jarocho ethos 1521-1778" by Marco Polo Hernàndez-Cuevas; (Re)presentacién afro-panameria en pensamientos del negro cubena: pensamiento afro-panameûo de Carlos Guillermo 'Cubena' Wilson" by Laverne M. Seales-Saley; "Mâs allâ del 'folklore': bunde y bullerengue, ritmos africanos de liberacién en Panamà" by Xiomara Aldeano-Bolton; "Repensando los movimientos sociales afrodescendientes en las Américas y el espacio Caribe" by Jesiis "Chucho" Garcia; "Negrismo and négritude: reflection on two poetics of Caribbean cultural identity" by Mamadou Badiane; "Politicas culturales, la formacién de la identidad hispano-africana y el hombre y la costumbre" by Elisa Rizo; "Movimientos culturales y politicos Afroperuanos entre los arios 1980-2000" by Alexis Rossemond;
First, the two armies all but destroyed the French plantocracy on the island then they defeated a Spanish force and huge English and French armies. In Adam Hochchild's book Bury the Chains, we learn that then-U. S. President George Washington and then-Secretary of State Thomas Jefferson, both slave owners, sent "a thousand muskets, other military supplies, and eventually some $400,000" of U. S. aid to quell the revolt now known as "the Haitian Revolution." Randall Robinson reveals more in his book, An Unbroken Agony: "Some . . . had been brought to Haiti [St. Domingue] from other Caribbean slave colonies men like the storied Boukman from Jamaica and the legendary Makandal from Trinidad, and the great general, Henri Christophe, who was born in Grenada." Blacks who escaped plantations in the United States also joined L'Ouverture's armies. Robinson reports that L'Ouverture had been the intellectual, "the African humanist, the military strategist, the administrator and, not insignificantly, the conciliator." Robinson also writes that [Jean-Jacques Dessalines] "had been, first and last, the hard-nosed soldier who believed that an enemy as manifestly unsalvageable as the French had to be, wherever possible, obliterated."
August 17 marked the 123rd year of PanAfrican leader Marcus Garvey's birth. It is also 35 years since Burning Spear recorded 'Marcus Garvey', one of the seminal albums of popular music. [Spear] agreed, and in a matter of weeks, he and back-up singers Rupert Wellington and Delroy Hines were at Randy's studio in downtown Kingston, where [Ruby] had assembled several of Jamaica's top musicians to record a passionate homage to the country's first national hero.
"I could not believe it," she said. "All I could think about was my mother and two sisters who were in Haiti." Hosted by Koze Ayiti (Conversations in Haiti) and Konbit for Haiti, Pierre and several Haitians gathered in Little Haiti on Saturday to watch the televised Haitian presidential debate at the Konbit for Haiti. The debate was streamed from a restaurant in Petionville, Haiti but was interrupted by multiple power blackouts. Haiti's first-ever publicly broadcast presidential debates were organized in Haiti by KozeAyiti collaborators: Interuniversity Institute of Research and Development (INURED), which is led by Louis Herns Marcelin, an assistant professor of anthropology at the University of Miami and Haiti Aid Watchdog.
A country may qualify for TPS due to the following conditions: ongoing armed conflict (such as civil war), an environmental disaster (such as earthquake or hurricane) or other extraordinary and temporary conditions. In light of the massive earthquake that took place in Haiti on Jan. 12 when thousands were presumed and then confirmed dead, Haiti became a candidate for TPS. "A lot of people don't have the money for the application and so that remains the primary obstacle for them," [Gepsie M. Metellus] said. "Although there is a fee waiver [for which some are eligible], it is a 'process' and it is frustrating."
México, D.F.: Instituto Nacional de Antropología e Historia : Universidad Nacional Autónoma de México, Centro de Investigaciones sobre América Latina y el Caribe : Centro de Estudios Mexicanos y Centroamericanos : Institut de recherche pour le développement
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
"I pray every day for someone to give me a tent. I have 5 children, including a 7 month-old. When it rains everybody gets wet," said Joceline Magloire, 37. "This situation is unbearable. I heard that a lot of people are collecting money on behalf of Haiti. Why don't they buy those tents and ship them to us here," she said angrily. "I am 8-month pregnant. I have to walk a long way and am not feeling well but I have to go there to try to find something to eat," [Marlene Duvernus], whose husband died in the disaster, told NNPA as she walked-her right hand holding her belly. "Otherwise, I am going to die," she said. "I am not sure whether I'll find food today. But if I find, I am not sure how I'll take it home. I hope somebody will help me," Duvernus said as she held a coupon distributed by the [Petion-Ville] Mayor Claire Lydie Parent. The World Pood Program says it has distributed food to nearly 500,000 people since the magnitude-7 earthquake devastated the Haitian capital and the southern provincial areas of Jacmel, Leogane and PetitGoave.
[Mireille Durocher Bertin], 24, was crowned Miss Haiti after Magali Febles, former director of Miss Puerto Rico, organized a modest Miss Haiti contest as a way to promote the beauty of the Haitian people. Bertin, who speaks four languages, lost her luggage on the way to Las Vegas, along with all her pageant gowns, shoes, accessories, but fellow contestants and supporters have loaned her replacement items.
Problems that I think young Haitian American girls face in Bridgeport is learning about who they are as a person. Some Haitian-American girls are afraid to let people know that they are Haitians due to the fact that a lot of people who don't understand the Haitian culture sometimes tend to make fun of others. Growing up, I was one of those girls who were afraid of letting people know that I was Haitian because I always heard people make jokes about how poor and corrupted Haiti is. So, as a child I didn't want anyone to know that that was where I came from. Now that I am older, I have learned to embrace my culture and love everything about it.
Rise Up channels the spirit of the elders with cameos by Fred Locks, Sly Dunbar. Robbie Shakespeare, Lee 'Scratch' Perry, Toots Hibberts and Brushy One String among others. Industry stalwarts like producers Mikey Bennett and Carlo Less are among those narrating the story which highlights the unique musical quality of Jamaicans.
At [Henry Christophe]'s death, Haiti was taken over by General Boyer and civil war ceased. It was Boyer who obtained Haiti's official independence from France for 150 million francs. Unfortunately, Haiti's employment is less than 30 percent and its illiteracy rate is above 50 percent. Though its official language is French, Haiti's most widely spoken language is kreyol. Ninety percent of Haitians are Catholic although 99 percent worship their native religion of voodoo. Despite its tropical resort geography, living conditions in Haiti are comparative to those of many Third World nations. The Haitian economy is almost entirely dependent upon U.S. companies who horde the country's resources and only pay slave wages.
He was a Jamaican scholar, social critic, choreographer and vice-chancellor emeritus of The University of the West Indies (UWI), the leading research university in the commonwealth of the Caribbean. His contributions to education and the arts are enormous. Jamaica Information Services describes him as a "quintessential Caribbean patriot, whose contributions will forever be etched into the annals of the region's history." According to Jamaica Information Service, [Rex Nettleford] was committed to the exploration of Caribbean cultural identity. One person commented on a blog that "Jamaicans will remember him for his articulation of their craving to be 'smady,' or 'smaddification,' a Jamaican dialect that means to be accepted as somebody with worth and character and not mere hewers of wood and carriers of water in the grand scheme of things." Nettleford co-authored a study of the Rastafarian movement, titled "The Rastafari Movement in Kingston, Jamaica," with M.G. Smith and Roy Augie, two noted Caribbean authors. In addition, his compilation of Norman Manley's speeches and writings gave credibility to his ability as a public historian and social critic.
Where did the team get the idea in their heads to enter the sport? According to Wikipedia.com, it was "George Fitch and William Maloney, Americans with family and business ties to Jamaica, who were responsible for founding the Jamaican bobsled team. While vacationing in Jamaica, the two witnessed a pushcart derby race and saw the similarities to bobsledding." The story of the Jamaican bobsledders not only inspired future entries of the Jamaican bobsled team (in 1992, 1994, 2000, 2006 and 2010) but it also sparked the filming of a major Disney motion picture called "Cool Runnings". Even though the Jamaican bobsled team did not qualify, Caribbean people must never forget the pioneers who dared to mink outside of the box.
A special thanks goes out to evangelist Pat Robertson for illustrating the point of this series with his ignorant-@$$ed commentary on the Haiti earthquake. Notice that Pat is selective about which disasters just happen and which constitute the "judgment of God." Iowa and Florida faced terrible natural disasters with no such pronouncements. When bad things happen to people and areas that reflect Pat's values it's probably the devil. Haiti is supposedly guilty of 'making a pact with Satan' and using the Afrikan-based Voodun spiritual system to gain freedom from enslavement. Interestingly, Pat's god was not offended at all by the Christians who brutally oppressed these people. His god never is offended, especially when the victims are Black.
Vanessa Gidden and Simone Edwards were in impressive form as Jamaica's female basketbailers romped to a historic 69-58 victory over the Virgin Islands, to claim the team's first ever medal at the Central American and Caribbean Games in Mayaguez, Puerto Rico.
"It's a complete tragedy, a complete disregard for human life," said Lemorin's lawyer, Charles Kuck. "Haiti is still an unmitigated disaster.'' In January, the moratorium not in effect will be lifted and U.S. Immigration and Customs Enforcement (ICE) will resume the deportation of Haitian nationals convicted of crimes in the U.S. Lemorin's lawyers says that while his client has no conviction, he is being included with those who do. However, his deportation under the specific circumstances of his case would be highly unusual, according to legal experts. But his ability to remain in the U.S. is not the only issue at hand. He would be forced to leave his wife and their three children who reside in North Miami Beach. His wife, Charlene Mingo Lemorin, 31, is being treated for kidney failure and her medical condition precludes her from moving the family to Haiti. "Without letting us know they'll resume deportation to Haiti, at a time when Haiti is living under its gravest crisis, it's so unfair," said Marliene Bastien, who heads the Haitian Women of Miami. "It's supposed to be a progressive government. We're gravely disappointed."
N'COBRA insists that the Haitian People be the ones to be entrusted - as an honest, hardworking and brilliant nation that they are - in the whole of the recovery and rebuilding effort in Haiti. No sovereign nation can depend on another for such an effort. While it is true that desperately needed aid to Haiti from all corners of the world is always to be appreciated, we firmly believe that it is up to the People and only the People of Haiti to direct and implement this effort as a resourceful nation to whom Re-parations have been long overdue due based on the past history. Contact: Fanuel Seku - 786 539 8239 Ayiti Tamn Tamn/VeyeYo, K.X.A. Rashid - 786 402 5286 N'COBRA National Representative, Sababu K. Shabaka - 443 622 3440 N'COBRA InternationalFatima Mevs - (786) 768 8812 N9COBRA International/ Miami-Dade Green Party.
Cuba's rulers, say activists, see the growing dark face of the opposition as "ingratitude" that requires harsher punishment. They point to the case of Black Communist leader Juan Carlos Robinson, sentenced in 2006 to 12 years in jail for "corruption," an offense for which former foreign minister, Roberto Robaina, who's white, was arrested in 2002 but placed under house arrest. [Orlando Zapata Tamayo]'s ordeal is being spun from the other side of the coin, too - the predominantly white and U.S.-based, right-wing anti-Castro opposition who clearly stand to score political points from the case of a Black martyr. Righteous declarations can be expected from organizations such as Democracy Movement, the Cuban American National Foundation, the Cuban Liberty Council and, especially, the Cuban Democratic Directorate. Many Cuban civil-rights activists accuse these groups of working to corral and control the new internal opposition forces on behalf of interests linked to Cuba's former Jim Crow oligarchy. That's why they see U.S. Rep. Lincoln Diaz-Balart's "indignation" over Zapata's death, as much as president Raul Castro's "regrets," as a double farce. A staunch supporter of the tiny; white elite of wealth that was overthrown in 1959, Diaz-Balart can cry crocodile tears, but during his time in Congress his right-wing, proembargo agenda has only hindered the ability of Black Cubans to improve their lot.
"Actually, the conference came about because of the earthquake," [Mark Hobafcovich] said. "About 26 of us were holding a one-day meeting in Florida to discuss how to meet the needs of the influx of Haitians into the U.S. in the wake of the earthquake. An outcome of the meeting was the need for a second, broader meeting to discuss the spiritual state of Haitians overall." In addition to Southern Baptist efforts to reach Haitians - there are only 45,000 Haitian Southern Baptists in 381 SBC churches - other denominations following suit are the Pentecostals, 30,000 members in 800 churches; American Baptist Convention, 10,000 members in 100 churches; the National Baptist Convention, 5,000 members in 15 churches; all other Baptists, 1,000 members in 15 churches; and all other denominations, 15,000 members in 200 churches. "It's a beautiful spot near the ocean," [Fritz Fontus] said. "I received this vision four years ago. We need a development like this because the people of Haiti are ignored by the top authorities. You routinely have nine people or more sleeping in one room. This is not decent living. We plan to rent the houses for a small amount and, after 10 years, the house becomes theirs."
Guided by the theme 'Jamaican Women Shaping Our Culture' the occasion was marked by a display of colourful and lively performances from guest performers and the 13 parish queens. The contestants, all queens in their own right, made the first of three appearances in long dresses, depicting aspects of their individual parishes. Before they made their entrance, a moat door was lowered unto the recreated courtyard of one of Jamaica's premier historical sites, Fort Charles.' and through the door they emerged, to tumultuous applause from a partisan audience.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
772 p., George Gershwin introduced Afro Cuban Music in America in 1926. Xavier Cugat during the 1930's introduced The Rumba dance. Three great innovations based on Cuban music hit the USA after World War II: the first was Cubop, the latest Latin jazz fusion. The rumbustious conguero Chano Pozo was also important, for he introduced jazz musicians to basic Cuban rhythms. Cuban jazz has continued to be a significant influence. The mambo first entered the United States around 1950, though ideas had been developing in Cuba and Mexico City for some time.
WASHINGTON (NNPA) - As the despair and devastation caused by the 7.0 seismic earthquake that rocked Haiti in January threatens to shift to the periphery of America's consciousness, many of the nation's most respected celebrities, activists and businessmen recently joined forces to secure long-term relief for the ravaged country. Actoractivist Danny Glover and Haitian-born actor Jimmy Jean-Louis were honored at the To Haiti with Love benefit, Sun., March 21, a gathering of Black business leaders and entertainers designed to streamline both strategic and financial relief efforts.
"Employment opportunities arise as actors, directors, production crews, electricians, drivers and props people, among many other persons, are needed. Add up those and the many other jobs on set, and you'll see how many persons are needed. Think about how many stories we have to tell in Jamaica. It would create employment for a lot of young people. It also provides international exposure for local actors and exposes Jamaican culture and heritage - that means more tourism exposure," said [Joan Edwards].
"I don't want to look arrogant, especially with [Cornel West]. But I believe he sat on the side of something he doesn't actually know," [Nancy Morejon] said of the open letter West and 59 other African Americans sent to Cuban President Raul Castro late last year. In it, they accused his government of mistreating civil rights activists and a "callous disregard" for its Black population. "Yes, there is racism in Cuba," Tomas Fernandez Robaina, a prolific writer about the social condition of Black Cubans, told me. The country "engaged in romanticism" when Castro ordered an end to racial discrimination nearly a half-century ago, Fernandez said. "Now we understand it will take more than goodwill to get rid of it, something Americans should know better than Cubans."
This essay analyzes representations and imaginaries of blackness in contemporary Puerto Rico, by focusing on the debates raised by 'Raices'/(Roots) (2001), the Banco Popular video special about traditional Afro-Puerto Rican rhythms of bomba and plena. These debates divided public opinion in Puerto Rico and included members of academia, musicologists, bomba and plena groups, and the San Anton (Ponce) community residents. They refer to the ways Puerto Ricans 'speak the unspoken,' that is, the ways Puerto Ricans talk about race and its intersectionalities on the island and in the diaspora.
Argues that for a truly cosmopolitan anthropology to come about, we need to reflect critically on the conditions of our knowledge production. Using the example of women’s under-representation within anthropology, and the marginalization of the Caribbean, it is argued that we need to think more about the social ground beneath our feet and recognize the differential access that anthropologists across the globe and at home have to the ongoing larger conversation that constitutes the discipline.
The essay uses ethnographic studies to provide insights into the history and historiography of the African-Atlantic winter celebration known alternately as Jankunu, John Canoe, Jonkonnu, Junkanoo, or John Kuner, celebrated in English-speaking areas of the Caribbean and Central America. Some of the subjects include the festival's religious and/or secular nature, 19th century accounts of the festivals originally held by slaves, and similar West African festivals.
This article uses the details of those who fled to Trinidad from the violence of the Venezuelan war of independence in 1814, 1815 and 1816 as a prism through which to view female agency in the southern Caribbean during first two decades of the nineteenth century. In particular it focuses on free coloured women as being able to exploit the poorly controlled edges of empire for their own advantage. Characterised by a self-reliant independence these women were at once highly mobile, independent and influential. These women have been marginalised in the histories of the region and yet this research suggests that they had a far more prevalent and powerful role in shaping its character and history than has been recognised to date. [ABSTRACT FROM AUTHOR].
The article discusses the oral histories of the Arará people in Perico and Agramonte, Cuba, and their roots in African cultural practices. The spiritual Arará religion is discussed. Emphasis is placed on similarities between African and Arará dances, social memory, and communication with the dead. Various Arará deities and religious objects are discussed. Many practitioners of the religion believe such objects came from Africa. Many of the oral stories revolve around the experiences of both African slaves and freed people at the España sugar refinery. It is believed the Arará people are descended from the African Ewe and Fon people, and therefore are strongly influenced by their religious customs.
The link between domestic violence, both at the household and personal levels, other deviant behaviors, and pet care was observed through survey responses from 641 college students in New Providence, The Bahamas. The “link” with domestic violence at the household level was found both when pets were intentionally harmed and when pets were “not well cared for,” and between the respondent being a victim of domestic violence and the intentional harm of pets.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Following a brief introduction to the origins and aesthetics of calypso, soca (the child of calypso), and go-go music, the author suggests that, despite differences in location and sound, both genres share a common goal: offering underrepresented populations the power to negotiate and express their African heritage through music. Both soca and go-go also share three African musical traits: polymetric ensemble drumming, call-and-response techniques, and the use of allusive repetition that can span the works of various artists over a number of years.
Discusses representations of the 'Afro-Cuban-occupied house' in Cuban-American autobiographical narratives of a 1990s return to Cuba. A trope in which island Afro-Cubans inhabit houses once owned or lived in by white Cuban-Americans, the Afro-Cuban-occupied house appears repeatedly in Cuban-American literary and film texts during the period. The article argues that the trope, more than another example of 'literary Afro-Cubanness,' discloses Cuban-American whiteness and its constitutive element, privilege, thus inviting Cuban-American literary and cultural studies to engage in conversations along the lines of a critical Latino whiteness studies.
this article charts the connection between gendered concepts of 'whiteness' in Anglo-Caribbean contexts and in metropolitan discourses surrounding British national identity, as articulated in eighteenth-century colonial legislation and official correspondence, popular texts and personal narratives of everyday life. It explores the extent to which the socio-sexual practices of British West Indian whites imperilled the emerging conflation between whiteness and Britishness.
Examines three ‘cosmopolitan’ traditions in the Caribbean. While the first tradition derives from the universalist intellectual tradition of the European Enlightenment, the other two are linked to vernacular, local Caribbean traditions.
This article presents a conceptual and empirical synthesis of ‘critical action learning’ (CAL) and ‘policy learning’ (PL). We pursue this undertaking by reflecting upon a five-year inquiry into an initiative that aimed to provide business support to an action learning set comprising eight African-Caribbean entrepreneurs. CAL and PL share commitments that are riven with tensions, which we explore in our inquiry in relation to three themes that arose during the course of the investigation.
The use and abuse of alcohol is prevalent in many nations across the globe, but few studies have examined within-group differences found in people of African descent in the United States, in Africa, and in the Caribbean. A review of current research about alcohol use, abuse, and treatment in people of African descent is presented, including information about risk factors and contributors to alcohol use.
