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"Orgulloso de mi Caserio y de Quien Soy": Race, Place, and Space in Puerto Rican Reggaeton

Collection:
Black Caribbean Literature (BCL)
Contributor:
Rivera,Petra Raquel (Author)
Format:
Dissertation/Thesis
Publication Date:
2010
URL:
http://search.proquest.com/docview/1080812365/fulltextPDF/76F6341DA0AF41FAPQ/1?accountid=14553
Published:
California: University of California, Berkeley
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Subject Term:
Caribbean area, Blacks, Race relations, Puerto Rico, African diaspora, Communications, Music, Reggaeton
Notes:
169 p., Examines entanglements of race, place, gender, and class in Puerto Rican reggaetón. Based on ethnographic and archival research in San Juan, Puerto Rico, and in New York, New York, I argue that Puerto Rican youth engage with an African diasporic space via their participation in the popular music reggaetón. By African diasporic space, the author refers to the process by which local groups incorporate diasporic resources such as cultural practices or icons from other sites in the African diaspora into new expressions of blackness that respond to their localized experiences of racial exclusion. Participation in African diasporic space not only facilitates cultural exchange across different African diasporic sites, but it also exposes local communities in these sites to new understandings and expressions of blackness from other places. As one manifestation of these processes in Puerto Rico, reggaetón refutes the hegemonic construction of Puerto Rican national identity as a "racial democracy."