3) Spanish and other European immigrants that were encouraged to settle in Cuba as per attempts to "bleach" the island. This was the first time anything like this was seriously proposed since Haiti earned its independence. This is important to note because the "spectre" of Haiti loomed ominously over Spanish and Cuban whites for a century and most of their policies towards Cuba's Blacks were reflective of it. The following year, the Cuban Ward Connerly of his day, Martin Morúa Delgado was elected Speaker in Cuba's Senate. The year after that, Morúa introduced legislation that became known as the Morúa Amendment and it outlaws the PIC because is was based on race and racism was supposedly eradicated in Cuba. Just before the vote was taken to enact this bill into law, Estonez and other PIC leaders were imprisoned and were kept in jail until after the law was passed.
Who are they? [Raoul Peck] works primarily with an ensemble made up of [Sarah]'s family and members of the infamous TonTon Macoute. It's these men operating outside civilian and military law, who imbue "The Man By The Shore" with its thick taste of dread and fear. For it quickly becomes obvious that they can threaten, maim, even kill anyone at anytime for the least of slights. Janvier (Jean Michel Martial), the chief of the Macoutes here, wields unbridled power, making him one of the most fearsome screen villians in recent times. "The Man By The shore" combines the terror of the Duvalier regime and Haiti's natural beauty in a gripping story. Audiences may leave questioning whether it's better to remember or to forget!
"I think it's a joke," Miami-based Haitian business woman and [Jean-Bertrand Aristide] supporter Lucie Tondreau told The Times. "These same people talking about they are representing the industrial class are the ones that are paying people 68 U.S. cents a day for 17 hours of work. These are the same people who have just fired over 300 poor people without indemnity. These are the same people who over the years in Haiti have refused to pay taxes, electricity, who have not invested in the infrastructure, in the schools of Haiti, and today they are coming here talking about democracy?," Tondreau wondered. "He" (Aristide) "was at the basis of reinforcement of polarization," said [Apaid]. "He was prone to keep our country divided. He knew our mentality and rather than try to correct it he was accentuating it while making deals behind the palace door with the very people he was attacking. So there was a hypocrisy in it and it's just traditional political behavior. We want to go beyond that." While Apaid described the current situation in Haiti as slow with a lot of problems but moving in the right direction, Tondreau described Haiti as a place where people have no right to demonstrate without being killed. "We need the duly elected president back in Haiti," said Tondreau.
One of the things attracting tourists has taught us is to value the habit of preservation. We have to depend on devoted scholars and archeology diggers and always, tenacious individuals like Dr. Walter Roth. He was a medical man of German stock who moved to Guyana by way of Australia and was the moving spirit in the rise of Georgetown's museum of natural history. As a youth I made many trips to this museum and was fascinated by its presentation and displays; for instance the diorama of gold-digging operations in the far interior, the lighted fish tanks with fish such as the blood-thirsty pirai, a lifelike representation on the wall of the world's biggest freshwater fish, the arapaima, caught in Guyana. A huge live anaconda pans have all but vanished.
"The children were killed so that they wouldn't grow up and become criminals, that's the philosophy of the people in power here. Being Black is as negative as it gets - it's a lot different from living here in England. I was really surprised when I came to Britain, to see Black people on TV, driving nice cars and dressing in fine clothes - it was a real surprise. In Brazil that would not happen. The only people you would see doing well would be the people with blue eyes and blonde hair." Earlier this year the Brazilian Centre for Expression of Marginalised Populations (CEAPM) planned to sue Transport Minister Eliseu Padilha after ahe made a racist remark about one of Brazil's national heroes, footballer Pele. A Brazilian Embassy spokesman told The Voice that it's not racism but rather the distribution of wealth that puts Blacks on the bottom of the pile. The spokeswoman said: "I am not denying that racism exists in Brazil but racism is a universal thing. The UK is more racist than Brazil. The main problem with my country is an economic/class one - the Black people do not have the economic muscle to climb to the top. The roots of this are deep in our history.
It's only after Jean-Bertrand was airborne - on a U.S government aircraft - and the genocide had just about run its course, that Mr. Global Panacea himself, George Bush, announced that he was sending marines "...to help bring order to Haiti." He's the same person who, early in the crisis stated that any Haitian refugees who attempted to enter the US would be returned to Haiti. Here in North America it's `tribalism' of another kind; the police call the players "gangs," their issues... "gang violence." [Ooops! I would be remiss if I didn't thank the Bush-Blair tandem, but especially President George Bush, on the first anniversary of that stupendous victory over Iraq - what with it's ominous repertoire of weapons of mass destruction and all. It brought an end to Saddam Hussein's decades-old reign of terror and, more importantly, the "liberation of the Iraqi people..."
AFRICANDO Arts and Culture Festival, a collaboration between the Foundation for Democracy in Africa and Miami-Dade County, is a one-day event that will feature contemporary African, Afro-American, Caribbean & Afro-Latino cultures. MDCC and the Black Heritage Museum will display masks, statues and murals from the Caribbean, South America, Brazil and Cuba. A special "Children's Activities Village" will feature traditional African and Caribbean folk tales, puppet shows, African mask and instrument making, African textile weaving, Miami Metrozoo's exotic animal show and more. The festival, which is the closing event for AFRICANDO 2001, will be promoted in Africa, AFRICANDO organizers say. A trade delegation from Miami and Washington, D.C., will conduct trade seminars promoting the conference and festival in Nigeria, Mali, Ghana, Senegal, South Africa, Botswana, Zimbabwe, Kenya and Tanzania.
Very few people have ever heard of the war between the Blacks and Mulattoes in Haiti. This was a war between light-skinned Blacks and dark skinned Blacks. Interestingly, outsiders who had a stake in dividing Haiti's victorious army engineered this war. The old adage of divide and conquer that was used and is still used. If the students at Howard University who devised the paper bag test had only read of the war between mulattoes and black in Haiti they would have been ashamed of their actions. Other African Americans immigrated to Haiti, stayed, and became prominent members of Haitian society. Hezekiah Grice was an Afro American leader, and a supporter of emigration by Blacks to Haiti. He was convinced that there would never be full emancipation for Blacks in this country. Outraged at the treatment of his people in America, he immigrated to Haiti, and became the director of Public Works in Port-Au-Prince.
According to MercoPress, an independent online news agency, Afro-Brazilians represent the largest ethnic group in Brazil, making up more than 49 percent of the population.
Davis' recipe of curried lamb and rice and peas proved to whet the most appetites and now supermarket giant Sainsbury's is preparing to sell it as a ready-made meal in its stores nationwide. "I don't know what will happen next, if something comes out of this it will be great and if it nothing does, then that will be my 15 minutes of fame. But I would love to be a full-time TV chef - I'm in a different world when I am there," he grinned. Check out the follow-up programme which sees Garfield's TV Dinner being created for Sainsbury's supermarket on BBC1 on June 3.
We have never been able to hold a proper debate about Black genetics because the subject was hijacked by mad White nationalists to promote their ideas of how `inferior' Black people are - `great bodies but small minds'. On the other hand, it is also used by Black nationalists to argue the case for supposed Black genetic superiority.
The celebration officially started with a combination press conference and job fair at FIU's Biscayne Campus. Co-sponsored by Miami-Dade County and the South Florida Workforce, the FIU event featured a luncheon hosted by Emiline Alexis of the County Mayor's office. The job fair was held in honor of Haitian Labor Day and was held in the lobby and patio of FIU's Wolfe Center. Sunday was an especially busy day with a book reading at the Mapou Bookstore in Little Haiti, a complimentary buffet featuring foods (and music) from all nine of Haiti's Departments (provinces), and an infectious and intoxicating display of Haitian drumming and vocal performances called "Zaka" in the Design Destrict.
The news media showed pictures of the immediate family and family friends. What I found amazing is that it appears that only light-skinned Cubans are trying to escape from their homeland. I saw the Cuban basketball team in the late Olympics. I have also seen pictures of Cubans in a television special one by Harry Belafonte. What I saw were dark-skinned Cubans having the time of their lives. It made me wonder, in light of what I have been told by African people living in Florida, that the light-skinned Cubans are more racist that some southerners. What is really going on in Cuba, and what is this Elian Gonzales issue about? The more I got into thinking this way, the more questions were raised. Why are most of the people trying to escape from Cuba light-skinned? Why are the majority of the athletics in the Olympics dark-skinned? The women's basketball team and the volleyballs teams were the bomb. They were some big, pretty sisters. I also thought of the Haitians. Why are Haitians sent back to Haiti and Cubans allowed to stay in America? They are both supposedly oppressed people. The Haitians are dark and the Cubans, who are trying to escape, light. Is there something more than meets the eye?
Blacks have accused Cubans of taking advantage of their White complexions while simultaneoulsy being "minorities" when it is convenient for them. When opportunities for government contracts and grants for "minorities" are created, Cuban's apply as "minorities." When affirmative action policies are enacted for "minorities," Cuban's are also the beneficiaries. But somewhere down the line these police officers forgot they were "minorities." It took the two retired white officers, who cooperated fully with the FBI, to remind them.
Collectively, these works, done in a burned-looking technique called 'soleil brulé', spell out Haiti. While visiting his daughters, who live in Inverrary, TIGA proudly displayed stacks of the paintings - each different and haunting, each either spiritual or personal portrayals of Haitian vodou gods and goddesses or his beloved relatives. Haiti through the lens of a camera is portrayed in "Haiti: Land of Contrasts," from May 7 to 29, at the African American Research Library and Cultural Center in Fort Lauderdale. It features the images of Roberto Stephenson, author of Les Interiors d'Haiti, and Daniel Kedar, whose books include Reflections, Haiti from Above, and Portrait of a Country. The final event of the month takes place at 7 p.m. on May 22 at the Broward County Main Library, when Dr. Alex Stepick will speak on "Perception of the Haitian Profile." He'll be followed by another lecturer, Terry Rey of Florida International University, who'll discuss "Religion and Politics in Haitian History."
Biographer Delia Jarrett-Macauley stumbled across Marson's name while doing research for another book. The book has been well-received throughout Britain. Copies have sold out during every one of Jarrett-Macauley's book-signings and scheduled talks. "I saw this clipping that said, `Una Marson, the well-known BBC producer is now on holiday in Jamaica.' And I said: `What! You mean we had a black woman producer at the BBC as early as 1945 and we don't know about it.' I decided her story must be known," she said. Marson joined the BBC in 1936 and made an immediate impact, rising rapidly through the ranks. In 1942 she became the West Indies producer and created the Caribbean Voices programme, which won exposure and respectability for Caribbean writers and poets.
Haitian konpa groups have developed a reputation as one of the liveliest facets of the West Indian celebrations. "Everybody agreed to bring costumes, which could mean that they will be all in uniformity and coordinated with the leader of the group of whichever band it is," said Jean Alexander, spokeswoman for the Carnival Association. "They are going to be visited by some of the members, to see what it is they are portraying." Haitian konpa groups have developed a reputation as one of the liveliest facets of the West Indian celebrations. "Everybody agreed to bring costumes, which could mean that they will be all in uniformity and coordinated with the leader of the group of whichever band it is," said Jean Alexander, spokeswoman for the Carnival Association. "They are going to be visited by some of the members, to see what it is they are portraying."
Beneficiaries thus far include: West Yorkshire's Cosmos, assigned L30,000 to stage a year-long exhibition for local ethnic communities; Liverpool's Nigerian Community Development Project, given L90,000 to refurbish its Grade II listed building; Wales's Gateway historic parks and gardens access project, granted L113,000; Brixton's National Museum and Archive of Black History, handed L302,000; and central London's Coram's Fields play area for children, awarded £1m for a complete restoration. [Helen Jackson] says there are many ways in which HLF can benefit the black community and that it is particularly keen to address issues such as social exclusion, depravation and young people's concerns. "We want to ensure lottery funding goes to all groups," she says. "We are aware we have more to do in really promoting equality of access to our funding.
"You must understand that we are very different in Cuba," insisted Gabriel Molina Franchossi, director of Gramma newspaper, the official organ of the communist party in Cuba. "To Afro-Cubans, big lips and big backsides are objects of beauty. To us, such images represent the feminine ideal." Afro Cubans also seem naive. Cubans are fond of saying that Fidel Castro abolished racism when he came into power 40 years ago, as though this can be accomplished by a simple decree. What they really mean, of course, is that Castro outlawed discrimination And again, who am I to say he hasn't? In the United States, discrimination didn't become illegal until the mid-60s when Congress passed a series of civil rights laws effecting voting rights, equal employment, and fair housing. By 1968, Richard Nixon was ending a wave of white backlash into power and the process of undermining those gains began. Blacks appear to have had a different experience in Cuba, where better than 40 percent of the population is either Black or mestizo (mixed) and where a fair percentage of those who are considered "white" acknowledge some degree of African or mestizo blood in their heritage. "We in Cuba are not so easily categorized as in the United States," said Reynaldo Calviac Lafferte, director of the International Press Center. He pointed to a wall in his office. "In the same family, there are some who are as white as that wall." Then he slapped his patent leathers. "And there are some who are as black as my shoes. For us, race is not an issue like it is for you."
The daytime workshops will be complemented by evening community programs held at the Historic Lyric Theatre, 819 NW Second Avenue in Overtown. On Monday, June 18 at 5:30 p.m. a special "Maroon Double Feature" film showing will celebrate the Pan African spirit of resistance with a presentation of "Maluala" by Cuban filmmaker Sergio Giral and "Quilombo" by Brazilian filmmaker Carlos Diegues. Both have become modern classics. Based on historical fact, these powerful dramas depict the struggle of those who dared to escape from slavery and establish independent, fiercely defended Maroon communities. Time will be allowed for discussion after the films. June 19 is officially celebrated in several states as "Juneteenth," commemorating that date in 1865 when the last of the enslaved African American population in East texas received word of the Emancipation Proclamation at the end of the Civil War. Because "No one was really free until everyone was free," this date, shortened by custom over the years to "Juneteenth." was considered the true end of the institution of slavery in the United States.
"Our goal is to make sure that we have the most accurate and updated listing of Black media in the industry. We pride ourselves on that fact," said Nakia Bowling, Media Specialist for Black PRWire. "We work consistently to build and sustain relationships in the Black community. Our massive database and community tide is the lifeline of our company. We understand that we can never falter on either of these factors and that is what makes us unique."
Protesters gathered at the corner of 64th Street and 22nd Ave., carrying yellow placards reading "Stop Using Black Men as Target Practice," and "Free Haitian Refugees." "If we can't vote people in the positions to do the right thing then we have no other alternative than to protest," said [Lorraine Goddard], who held a sign that read "No Justice, No Transit Tax." "We demand that the police who have been guilty of killing our youth be prosecuted and put in jail," said Mel Reeves, an organizer with the coalition. "We also demand that they free the Haitian refugees who are being held in the Chrome detention center."
A number of high-profile posts were to follow and Guyana's independence in 1966 brought fresh demands on his time. First he became Attorney-General and then, after a series of ministerial positions during the late '60s and early '70s, he was appointed Secretary-General of the Commonwealth. It has been speculated that his relentless pursuit for just international relations, and for trade based on justice, ultimately hindered his chances of being appointed Secretary-General of the United Nations. But to this day, Sir Shridath presses on. Sir Arthur Lewis IN 1979, Sir Arthur Lewis became a standard-bearer for Black intellectuals. He became the first person from the Caribbean ever to gain a Nobel Prize, winning the award for economics in 1979.
Portuguese and Spanish slavers supplied the Americas with "los Negros," the Blacks. Only those young and strong, impervious to European disease and able to withstand months of torturous living packed in the cruel quarters of slave shipholds survived the middle passage. Those who arrived, stunned and malnourished, lost in a foreign land, were easy prey to the slavers. Removed from a world that had nourished them, left to the mercy of those whose own lack of humanity prevented the recognition of theirs, they were utterly dependent and at the mercy of their captors. Vestiges of racism threaten to dismantle further progress in South America, as they do here. The prophecies of Willie Lynch, a slave owner who created a divisive plan to keep Blacks separate by fostering dissent among them, are coming true. Lynch outlined the differences in physical characteristics among the slaves-skin shade, hair texture, height, etc. By playing up these differences, Lynch promised, "The Black slave, after receiving this indoctrination, shall carry on and will become self-refueling and self-generating for hundreds of years, maybe thousands." Throughout North and South America, Lynch's plan lives on. Color lines rule, with the predominantly European strains remaining in power, and those of darker skin and crisper hair texture continue to be oppressed. It is a chilling reality that echoes down from the brutal suppression of the native peoples of Chiapas to the continued repression of Mexicans here and in their own country, to the harsh discrimination shown the Blacks of Brazil and America.
Arbitrary detention of Haitian refugees should not be part of U.S. foreign policy. Minors should not be held captive, nor should any of the refugees be denied due process or the right to legal representation. In the past, all Haitian refugees were considered economic refugees. Today, even the president of Haiti, Jean-Bertrand Aristide, is claiming that he is being persecuted. While the U.S. Special Forces and the State Department are busy chasing Al Qaeda fighters in Afghanistan, on the island nation of Haiti, a powerful and deadly drama is unfolding. Mob killings of reporters and shootouts in broad daylight between mayors and congressmen have become common occurrence.
CAFTA is also a step backward for labor rights. Under CAFTA, Central American countries are only obligated to uphold their own labor laws, which have been judged inadequate by the International Labor Organization in more than 20 ways. What's more, the enforcement of these deficient laws cannot be encouraged through the use of dispute settlement, fines or trade sanctions. Even putting labor conditions aside, CAFTA is bad the health of people of co south of the U.S. border. The countries of Central America have high rates of infection of HIV/AIDS and other diseases, rates that go up even more if you look at just the Afro-Latino communities. Provisions in CAFTA would actually delay or limit the introduction of cheaper, generic drugs to combat or cure many diseases and other health conditions. The result? Many of the 275,000 Central America living with HIV/AIDS will not be able to afford antiretroviral drugs. This impact will hit especially hard on Afro-Latinos, who make up a third of Latin America's population but represent 40 percent of Latin America's poor Maybe that's why Doctors Without Borders, the American Public Health Association and many others have come out strongly against CAFTA.
CIN TV, the only Caribbean TV network in the US, in association with Harlem Week 2004, is proud to announce the launching of the annual CIN Caribbean Lecture Series. The event takes place this year on Sunday, September 19 at the Schomburg Center, 515 Malcolm X Blvd., New York starting at 3 p.m. sharp. Hill's lecture will focus attention on the strategic role that Harlem and New York played in the making of the modern Caribbean, culturally, politically, and economically and the importance that Marcus Garvey and the Universal Negro Improvement Association (UNIA) occupies in the history of this relationship. Garvey and the UNIA are a window through which to view the whole New York-Caribbean axis. Hill will also explore some intriguing aspects of this story that have been overlooked in asking - Why Garvey? Why Harlem? Why New York?
Artist [Guy S. Fleury] began to to paint at the age of 12. After emigrating to the United States in 1970, he painted consistently until 1974. Fleury studied Haitian art and history with notable Haitian artist Wilfrid Austin, known as "Frido." He also studied the fine art and is strained in art restoration and expert framing. Each of Fleury's paintings has a unique touch and it is very difficult to recognize his paintings unless you are very familiar with the painter himself. Fleury remains true to his images of Haitian subjects but not in a typical or traditional way. Fleury paints scenery of his native town of St. Marc depicting personage, way of life - the coumbite, historical events, spiritualism, traditional values, etc.
Gazing at the amalgam of rich Caribbean artistic expression - bold colors intertwining on canvas, delicately woven wire sculptures, sheer pieces of cloth with intricate handmade designs - one might think she was roaming the corridors of the Metropolitan Museum of Art or the prestigious Guggenheim rather than viewing the one-bedroom Harlem apartment of Caribbean art dealer Anderson Pilgrim. "One of the reasons that Caribbean art has yet to penetrate the New York scene is that it has yet to be fully explored even among Caribbeans", Pilgrim said. "Because of the colonization of the Caribbean islands, and the stifling post-colonial effects, many native Caribbeans didn't begin to explore their abilities until the 1970s, which was a period of real artistic revolution on the islands". A few of the artists he represented were medal winners at the prestigious Biennial Caribbean Festival, held in the Dominican Republic and featuring artists from the Caribbean and Countries in Central America which border the Caribbean.
"If you were going to put two ads for me, put one instead and donate the money for the other to the children at the Cyril Ross Nursery in Tunapuna," [Wendy Fitzwilliam] stated. Persons residing in the New York metropolitan areas wishing to make contributions to the Nursery can forward their donations directly to Steve Solomon, Executive Secretary, St. Vincent de Paul Society, c/o Cyril Ross Nursery, Tunapuna, Trinidad, Caribbean. Make money orders payable to the Society. The NDP administration has been in charge in that tiny Caribbean island ever since it defeated the now defunct St. Vincent Labor Party (SVLP) in the 1984 general election. At that time, attorney-at-law Milton Cato, the insland's first prime minister, led the SVLP, but lost by a margin of 9 to 4.
In 1984, the association opened an expanded Historical Museum at the Miami-Dade Cultural Center in downtown Miami. This 40,000-square-foot facility includes a permanent exhibition that traces the history of South Florida and the Caribbean, a temporary exhibition gallery that features several new exhibitions each year, a theater and classroom area for variety of educational programs, and storage areas for the museum's extensive collections of artifacts and archival materials, including books, manuscripts, maps and more than one million photographs related to the region. In recent year, the Historical Museum has directed increasing attention to Miami's role as a gateway of the Americas. To explore Miami's multifaceted connections with the Caribbean and Latin America, a new program series, Miami: The Gateway City, was introduced in Spring 1999. The objective of the 12-month series is to use the museum as a central forum for public dialogue about current issues facing Miami and as a space for related artistic presentations.
It may also have helped English-speaking migrants from the Caribbean that Florida served as a broad entry point for Caribbean migrants from Cuba, Haiti, and other countries: Where an area has a strong tradition of immigration, prevailing social attitudes are not likely to be as parochial as those in traditionally closed communities. Again, this is not to minimize the difficulties that particular migrants have faced; it is to acknowledge the fairly obvious point that some communities are less impenetrable for outsiders than others. A recent study by the British Cabinet Office has found that Caribbean women constitute a significant success story at the professional level. Specifically, for the generation born between 1940 and 1959, as many as 45 percent of the black women from the Caribbean, or who are of Caribbean heritage, now hold professional or managerial jobs, as against 27.3 percent of the black men in the same category. For the generation born between 1960 and 1979, 38.1 percent of the black women with Caribbean roots are professionals or managers, in comparison with 28.6 percent of the black men. These figures warn us that gender is now a significant factor in determining the prospects of Caribbean migrants to Britain, and they highlight the need for a broader examination of the factors that determine success for those who, in Claude McKay's words, may find themselves "a long way from home."
It is not surprising that the Caribbean woman pushes her daughter toward higher education, for she sees education as the greatest tool for social mobility. Education becomes more than just a means of expanding one's realm; it is seen as an armor of protection against hostile forces, an opportunity to be successful so that no one can "tek step wid yuh." Traditionally, women have been the custodians of culture. The Caribbean woman must continuously face this question: "How can I keep the culture intact, maintain our song and dance in these changing times, this electronic age of computer, when our children are struggling against the reins of our value system and often we are so perplexed, not knowing what to do? This, then, is the most valuable lesson the Caribbean mother passes on to her daughter: how to be firm in the midst of society's pressures and remain her individual self and nurture her talents and resources to love her mate and nurture her children, even while she pursues her own dreams. The songs and dance continue.
Here in Florida, Caribbean people may not celebrate with Junkonoos, but with their cousins the Mocko Jumbies. All over South Florida the Kwuya or stilt dance has become quite popular and includes the participation of children as well. This ritual dance is especially popular among Trinidadians. A newly-formed parang group, the Punto Finale, is testimony to the enduring appeal of Caribbean Christmas celebrations even when one is miles away from home. Led y Ruby Limare, with Dr. Dawn Batson as one of the 12 members, this group has been serenading South Floridians with lively Spanish-style Christmas music that has been part of the season's celebrations in Trinidad for centuries. Kwanzaa, which means first fruits of harvest, is a celebration that many Caribbean people can relate to because of its Afro-Centric base and its focus on family life, self-reliance, and culture. Although Kwanzaa begins the day after Christmas, its celebrations embraces this age-old tradition of Christmas day.
The genesis of these carnivals carries the intent of resisting on some level, by Caribbean migrants, the otherwise alienating conditions of life in migration, to "carnivalise" these landscapes with some of the joy and space commensurate with Caribbean carnival. Indeed, Caribbean intellectual contributions have had successful impact on the development of U.S., European and African thought. Still, the Caribbean in most imaginings, and in particular to those who do not know it well, is the place of "sun and fun," a vacation land devoid of serious engagement with the world. Caribbean carnival then is the climax of all those "sun and fun" constructions. Yet, there is a history and politics to carnival - a "carnival of resistance" beyond the outer face of "carnival of tourism" - that demands exposure.
They continued to avoid the racially-motivated behavior of many in the Cuban population in South Florida. In fact, the Caribbean (black?) organizers of the carnival care so little that they were happily prepared to give away the carnival's culture-driven economic and social enterprise to the Cuban community, even if the Cubans didn't really want anything to do with it, like Jewish Miami Beach and WASP downtown didn't. Does this mean that the huge economic infusion that was offered to other communities for acceptance is going to be realized by the people in Opa-Locka? Because, suddenly, it's as if some people belatedly became a little blacker; after all, they're home, they claim, to Opa-Locka. Yeah, right. The carnival organizers have some cojones, if not much sense of appropriateness. They outdid themselves in their fantasizing (but then, that's carnival). They opted for Hialeah and tried to hitch their wagon to Mayor Penelas' new coattail. Somebody needed to remind them of some of the politics involved. Seems Mayor Alex and Mayor [Raul Martinez] `don't tek tea', as we say in the Caribbean. Probably something to do with Alex backing the candidate who ran against Raul. Next stop, Hialeah City Hall. The rest, they say, is history.
"But equally important, it was a celebration of the showbiz pioneers who met the standards of excellence that have enabled the Black community to lead the world of entertainment in Britain today." Songstress Beverley Knight, who became the envy of every woman in the land when she belted her heart out alongside sexy soulster Lynden David Hall, described the evening as "an history event." Roachford said: "I was honoured to be asked to perform."
While Blacks fight for their survival, Colombia's wealthy have other preoccupations. In the highbrow, rarified and polluted air of Santafe de Bogota, the Miss Columbia contest parades its select young women before an expectant nation. The announcers painstakingly describe each aspirant, even to the color of her skin. Save for a few Euro-Indians and a couple of light-skinned Black contestants, all are "white." Miss Santefe de Bogota, the long-legged, white-skinned audience favorite emerges the winner. Barely two hours later and the new Miss Columbia launches her reign by visiting the Black beaches of Cartagena, the port-city through which all enslaved Africans entered Columbia. There, to the delight of the world's photographers, Miss Columbia contrasts her white beauty with the Black skins of heavy-set women from maroon (escaped slaves) communities. The headlines and photos run, front page and center: "Carolina between Maroons," an unabashed reference to the old maxim, "a rise between two thorns." Three years ago the wealthy matron who organizes the Miss Columbia pageant claimed the country was not ready for a Black Miss Columbia.
August 14, 1991, will mark the Bicentennial of the "Bios-Caiman" ceremony which led to the general insurrection of the slaves of St. Dominique on the night of the 22nd and dawn of the 23 of August 1791. That gave us: the first triumphant anti-slavery movement. After 121⁄2 years of fierce fighting independence was obtained in Haiti on January 1, 1804. History perceived the ceremony of August 14, 1791, in a confused manner. They will also have space available for Vendors at the encouraging price of $25.00. Inquire now for spaces are limited. Planned Events 14th of August 1991: Conference at Toussaint Louverture Elementary School. Guests: Anthropologist, Ernest Mirville, Wolley Enriquez Ethnology, Claude Charles, Professor, Jean-Claude Exullien.
What is Eiery Furnace Films? A film production company established by a group of Caribbean immigrants, predominantly Jamaicans, to produce community based films about the real Caribbean immigrant experience in this country. Their films portray the peoples' stories in an unrelenting honest and straight forward manner. Like the musical works of their courageous predecessor, Bob Marley, there is no "sugar coating" to the message of why people are struggling, as their lives are vividly portrayed on film. There is one industry always flourishing in the "ghetto" - that is the drug trade. Who profits from the drug trade? the big "drug lords," who live nowhere near the ghetto. If the only available jobs are those involved in the drug trade, that is what some people will go towards out of necessity. The majority of people don't get involved in all of that. They work very hard, many with two and three jobs, to support their children and send money home as well. Kevin Porter is a producer and writer with tremendous talents whose creative efforts are responsible for the publishing of "Inspirations of the God Within" (A Book of Classical Poems), and the production of "Rasta-Life and The Truth," an award winning film on the contributions and benefits of the Rastafarians.
These articles mostly concerned [Castro]'s cracking down on terrorism and crime committed against tourists in Cuba. In reaction to incidents of hotel bombings, and in one case, the murder of an Italian tourist, Castro's government had passed a series of strict new laws to deter crimes that would further injure the country's leading source of foreign currency - tourism. One evening in Santago de Cuba, I was discussing the race issue with a few Cuban friends, among whom was a loyal Castro supporter who had fought for four years in Angola with the Cuban army. He argued that what was happening in his country wasn't so much a problem of racism as it was an honest attempt on Castro's part to protect the country's main source of revenue, tourism, upon which the U.S. embargo had made Cuba dependent. Although the once-again blatant debasing of my friend's civil rights incensed me, I did understand his point. Most of the tourists now coming to Cuba are from predominately white European countries, or they are upper-class whites from Latin America. Most of the tourists now coming to Cuba are from predominately white European countries, or they are upper-class whites from Latin America. Most of these white tourists come to Cuba with racism ingrained in them from their own cultures. In fact, it is unofficially acknowledged that a large percentage of the foreign currency in Cuba comes from sex tourism, which generally comprises white men drawn to Cuba by the lure of "exotic" mulatto women.
The CIA created a covert operation called JM WAVE which was based in South Miami. It's mission was to assassinate [Fidel Castro] and repatriate this area's Cubans back to their land. This undertaking had over 15,000 exiles on it's bankroll and had a budget of over $50 million dollars, which is worth over $350 million dollars in today's market.
The fall season is always a kickoff for months of celebrations. From Rosh Hashanah to Columbus Day to Veteran's Day and of course Thanksgiving fall becomes a season of celebrations. And Caribbean folk in their usual creative manner fit their traditions and celebrations right into the thick of things. "Ethnic Brides is all about acknowledging the rich heritage of our African and cosmopolitan background, of mixing traditional with contemporary to make one's wedding memorable, exciting and rich in heritage," says Jacqui Scott, who hosted the event. Especially thought provoking was the poem "Dat bumpy Head Gal", inspired by her real-life experience where she was criticized by some members of the Jamaican public for wearing her "chiney bump" hairstyle on television.
"They were walking toward me on the street, then they pulled up their locks, shook them back in, and smiled," she recalled, with a laugh. "I shook my locks at them, too. They would go, 'Yo!' And I'd say, 'Yo!' It was fun to get that type of acknowledgement. It showed how we are connected as Africans. There's nothing that can make that go away." [Russo], she added, also discussed now Cubans might benefit from a more open relationship with the U.S.A., even though it may change Cuba's moral character. While [Linda Jennings] hopes better communication is achieved through the blockade's elimination, she is worried that America's dominant influence would alter Cuba's innocence. It seems like today, in our communities, the lack of material items makes Black people feel inferior. Cubans don't, seem to have that problem, Jennings said. Black people have propelled themselves to a more material, individualistic society, which has made too many of them forget who they truly are to themselves. Having seen Cuba's society in person I don't understand why a Cuban would want to defect here."
On August 11th, the Mayor will march in New York City's largest Dominican parade in Manhattan, which will celebrate the anniversary of The Restoration of the Dominican Constitution on August 16, 1863, when a group of patriots led by Santiago Rodriguez crossed the Dominican border from Haiti and raised the Dominican flag. The other two Dominican parades were held in the Bronx and in Brooklyn earlier in July. The reception included music by "king" of the merengue sound Oro Solido, children performing traditional folk dancing, and was attended by elected officials and representatives of the Dominican community.
"Currently the districts only dilute the voting strength of Haitian-Americans," he said. "If the county does not increase the number of seats, the chances are that within the next 10 years you will see a Haitian American and an African American fighting for the same seat," he said. "This would cause deep ethnic division. And we already have enough ethnic division." "In the past Commissioner Gwen Margolis has supported the idea in principal. And Commissioner Dorrin Rolle has questioned the timing of it," he said.
Recipients of the fellowships, funded by the International Development Research Center in Canada, are Lester Wilkinson of Trinidad and Tobago; Margaret Brito of Barbados; and Jamaicans Diana Thorburn, Lisa Ann Taylor and Charles Edwards. The cultural studies initiative is the UWI's response to the perceived need to address the issue of Caribbean development and an acknowledgment that leadership in the region can only be as good as the critical analytical performance of those responsible for developmental planning. Ms. Brito is in the second year of an M.Phil. program at the UWI's Cave Hill Campus in Barbados. Her research will examine the economic potential of Barbados' cultural manifestations such as its popular music, dancer, theater and religion.
"Gonaives... my heart is being torn apart, too many mothers have lost too many children," [Wyclef] sings in Creole, while distributing WFP food rations. "We wanted to capture the raw essence of Gonaives and give people inspiration. Not like: 'Be sad for us,' but asking how can we as people really help Gonaives," he said.
At a recent conference in Martinique, entitled "36 hours for the Caribbean", that focused on better means of cooperation between French West Indian departments and their independent neighbors, Martiniquan lawyer Alain Manville spoke about "Law, judicial practices and human traffic in the Caribbean." "France wishes to maintain her Caribbean departments in a state of indifference towards their natural environment," said Mr. Manville. "For Nearly 10 years one has witnessed a complicity between the Prefecture of Martinique and the French embassy of St. Lucia to deny visas to nationals from St. Lucia and Dominica and when these visas are accorded, the time taken is exorbitant and stay periods are reduced to a minimum," says Mr. Manville.
Head of Arsenal in the community Alan Sefton said: "We are looking forward to our second visit to Guadeloupe in the summer, when Arsenal community coaches will deliver coaching sessions to the island's young coaches and young footballers."
The recent push to add a seat to the Miami-Dade County Commission for Haitian Americans should be lauded. However, the proposal made by a coalition of Haitian Americans should to be researched and analyzed more. The proposal just may tip the balance of power away from the Black community it intends to help. In December the Haitian American Grassroots Coalition proposed the charter amendment aimed at carving out two new districts -- one for Haitian Americans and the other for hispanics. The group's proposal would increase the number of commissioners from 13 to 15.
Goodbye Mister Fish 'n' CHIPS: TV chef [Ainsley Harriott] is bringing the. joys of Caribbean cuisine to the nation "I love Caribbean cookery and I think it's very important to get that message across because a lot of Afro-Caribbean people have been living here for almost a generation now," says Ainsley, who lives in south London with his Yorkshire wife Claire and their children Jimmy, 6, and Madeleine, 3. Ainsley is to some the saviour we have been waiting for. The Good Food Show special events steward, Tony Wright, called him "phenomenal" staing: "That's the only word I can use. As soon as Ainsley did ackee and saltfish, I said, `Yes!'. He didn't do the traditional stuff. He did something Caribbean."
"This is a historic day for the state of Florida," [Jeb Bush] said. "But this appointment goes beyond symbolism. It represents a coming of age of a population that has made significant contributions to the state of Florida. Dr. [M. Rony Francois] joins an incredible group of aspiring Haitian Americans who are making a difference in our state." Francois, who will make $155,000 a year in the state post, will succeed Dr. John Agwunobi as secretary of the Department of Health. Agwunobi is leaving Tallahassee to become an assistant secretary in the U.S. Department of Health and Human Services. Francois will take over on Monday. A native of Port-au-Prince, Francois first came to the United States in 1979 and eventually earned a medical degree from USF in Tampa, as well as a master's degree in exercise physiology from the University of Central Florida and a doctoral degree in toxicology from USF.
Last Wednesday, the Haitian American Cultural Society and the Consul General of Haiti recognized non-Haitians of merit in a very special way: with honorary Haitian citizenship. Among the honorees, most notable were Miami-Dade Mayor Alex Penelas, Miami-Dade Commissioner Barbara Carey-Shuler, and Congresswoman Carrie Meek. For Meek, the recognition has added historical significance.
"FANM is a grassroots organization," Bastien said. "When people come here they come here with great hope that we will be able to attend to their needs, but oftentimes because of our financial situation we are unable to." In addition to the information that will be provided at the open house, FANM will present a sampling of Haitian cuisine, Haitian art and a musical presentation by children from the Haitian community. The event is free, but FANM will accept donations to further the work of the organization.
The French called the Island St. Domingue, and began importing thousands of African slaves to clear much of the land and build plantations. By the late 1700s, there were over half a million African slaves in St. Domingue, and dose to 40,000 whites, as well as almost as many "mulattos." (The word "mulatto" derives from the Spanish term meaning a young mule.) They were the "free people of color," the result of white men taking many slave women. [Adam Hochchild] goes on to tell us how very rich France became through its plantocracy on St. Domingue alone: "The colony's eight thousand plantations accounted for more than one third of France's foreign trade, and its own foreign trade equaled that of the newly born United States." White planters and merchants on the island lived a life of luxury unrivaled in "the New World." Hochchild tells us that on that fateful August night "a large group of slaves representing many plantations met under the night sky in a remote spot called Alligator Woods..." and these are the words reportedly shouted to the throng by a revolt leader: '"Throw away the image of the god of the whites who thirsts for our tears, and listen to the voice of liberty which speaks in the hearts of all of us."
"My first thought of Miami was `this is a big city,'" the 17-year-old told The Miami Times. "It was such a beautiful place, but I experienced culture shock once I was here." "Education is more advanced in Haiti and you have to be disciplined," he said. "That played a great part in my success in high school." "I am getting a great opportunity I wouldn't have in Haiti," he said. "I plan to make the best of it."
We must continue to support one another for the future of our community. We need to see more African American leaders coming into the Haitian community, not just during election time but throughout the year. We need to see more solid commitment on the part of the Haitian community also to join different causes in the African American community. These are the only ways we can overcome in this struggle for equality. If we continue to treat our political interests as separate entities, we will never get to partake of the ftuits of democracy. Concerned citizens and political officials in both communities need to let people know that we don't have a Haitian/African American problem. I would hope that the Haitian community can realize that just because Mr. Duke, an African American, was defeated by Mr. [Joe Celestin], a Haitian, that Haitians are not "better" or "tougher" or "stronger" than the African American community. Likewise, the African American community needs the growing Haitian vote in the future. Haitian and African American people are one race, living through different cultural lifestyles. It's okay to have different lifestyles, as long as we respect each others' differences, without animosity or violence. For instance, the Latin community is comprised of Spanish-speaking people from different countries: Cuba, Colombia, Puerto Rico, Guatemala, Nicaragua, etc. Does anyone think that these groups are in complete harmony with one another? The answer is no. The different Spanish-speaking groups do not like one another that much but, in reality, when it comes to standing up for a common cause you see them marching side by side, taking pictures with each other and voting for each other.
"It is a new day," [Phillip J. Brutus] told Caribbean Today. "No longer will Haitian Americans be taken for granted. We are demanding our place at the table." "We need to get Haitians involved in the process," Joseph "Billy" Louis, a spokesperson for the group, told Caribbean Today. "We need numbers in order to be taken seriously." Damian P. Gregory is a freelance writer for Caribbean Today. Caribbean Today's special focus on Haiti begins with Nick Carter's call for the nation to "re-invent" itself on page 9 and continues on page 29 with highlights of events there and in the U.S. marking Haiti's 200th Independence.
It ran for more than six years and playing one of [Desmond]'s barbershop cronies was a highlight of [Ram John Holder]'s long career. "It only had half of the audience of Desmond's, but it had much bigger audiences than the shows they replaced it with." In it, the colourful and exuberant traditions of Trinidad's Carnival provide the setting for a stage event which transforms Handel's Messiah into an musical combining song, dance and spectacle with the spirit of Caribbean storytelling.
In 1996, the colleges and universities of America yielded thousands of graduates, 27% of them black, and of those, 12% were of Caribbean descent. These young Caribbean graduates are a unique entity. They represent a conglomerate of knowledge that could be utilized in America or in the Caribbean. Each year, a new group of Caribbean graduates faces an interesting dilemma: to build a life in the country that has educated them or to build a life in the country that holds their heritage, culture, and traditions. Should a young man from Jamaica who has come to the U.S. to become a doctor not go back to Jamaica at the end of his schooling armed with and American degree and better his own country? Should the young woman from Belize with a B.S. in biology from Cornell not return to Belize and put her knowledge to work for the betterment of her country?
"It was shocking to see the changes made," [Marleine Bastien] told The Times. "The U.S. does not have the capacity to detain all persons that make it to this country. This policy mainly targets Haitians." The U.S. Department of Justice released a statement which said, "Rumors of successful entry into the United States have fueled migration surges, and any perception of a relaxing U.S. immigration policy could cause future migrations at sea ... "Miami Immigration and Naturalization Services Chief of Staff John Shewairy said the revisions have been designed to deter large numbers of Haitians from migrating to the U.S. He told The Times that detention of the asylum-seekers who arrived by boat on Oct. 29 is an effort to thwart "smuggling" of migrants from Haiti.
Dominicans fete late, and even after three nights of nonstop music there must be upwards of 4,000 people waiting to hear the last band. As Haiti's most famous kompa group - Tabou Combo - takes the stage, exhaustion is dispelled by their relaxed "C'est Tambou", an invitation to a dancing-at-dawn session which continues long after the sun has climbed into the sky. The Haitians in the press box break into spontaneous dance, some straying on-stage; couples slip into each others' arms, moving in effortless elegance, and Dominica's minister of tourism, Norris Prevost, inquires whether this is not the best party I've ever seen. Haiti's Magnum Band with St. Lucian Luther Francois on sax blasted away the wee-hours fatigue with flowing funk and konpa over vodou rhythms and soaring lyrical soukous guitar. It was nearly 7:30 a.m. when Guadeloupe's Taxi Creole ended a tight, driving set which drew on zouk, salsa, merengue, beguine, reggae, jazz and funk.
Watching Caryl Phillips' excellent The Final Passage was a difficult process. Not just because it was a brilliant exploration of the last 30 years or so, showing the achievements and limitations of the Windrush generation, but, more importantly, because it exposed how we have been starved of intelligent, well-made Black programmes which offer us the possibility of serious reflection on our condition in this country. Phillips achieves a wonderful thing in his drama - he converts all our individual stories of moving to Britain and setting up home into a mass celebration of common history. The Final Passage thus becomes a template of sorts of the recent beginnings of Black Britain. Whether we are from an African or Caribbean background, there were scenes and emotions which we all recognised from our own histories. Control Many people didn't like The Final Passage because they felt that it yet again reinforced the negative view of Black men. But they need to be reminded that this is a work of fiction, not reality. And Caryl Phillips' main achievement in the series is to give us, in [Michael], the first truly great tragic-heroic Black character on British television. The lessons of his life should resonate in our time - a sort of angled mirror. He will remain a constant reminder of the need to bury the `colonial creation' - the Black man who is only able to manifest himself through his dreams rather than through the reality of day-to-day action.
Mayor [Rudolph Giuliani] proclaimed Monday, August 4, "Jamaica Independence Day" in the city. He presented Jamaica's consul general to New York - Fay Baxter-Collins - and Jamaica's permanent representative to the United Nations - Ambassador Patricia Durrant - with a written proclamation of "Jamaica Independence Day".
"I wanted to write a play that celebrated the journey of our parents," explains [Kwame Kwei-Armah]. "A lot of the previous plays tell us the old, grey story about `No Blacks, No Dogs, No Irish,' but that isn't very entertaining. "Growing up, I had a big nose but when Afrocentricty came in the '80s suddenly I had an African nose," recalls Kwame. "[Chris Monks] is White and together we have a play that is accessible to all communities," says Kwame. "It's not just about Black issues, it deals with universal themes like love, feeling inadequate and beauty."
Friday, Oct. 29 was Kweyol Day, a celebration of island identity and culture. While the official language of the Commonwealth of Dominica is English, 80 percent of the population speak Kweyol, a legacy of early French settlement. Kweyol language and folk culture, after being sidelined, dismissed or denigrated during the British colonial period, has played an important role in forging the identity of independent Dominica since 1978. People's irritation with a late start was quickly dissolved. After the Stars, the Vodou rhythms of Haiti's seminal roots music band Boukman Eksperyans reverberated through Festival City. Named after the Vodou priest who presided over the ceremony that ignited Haiti's slave rebellion, Boukman Eksperyans has been at the forefront of taking the Vodou beat into the arena of world music. Tabou Combo, the most famous and long-lived Haitian Konpa band, seemed reluctant to leave the stage, but from 5 a.m., Festival City was overrun by WCK, [Dominica]'s marathon bouyon band, with whom I was still chipping at breakfast time. Not even a large pot of extra-strong Dominican coffee could revive me, and I retired battered and rambling in Kweyol, to recover in Trinidad.
The reception to the idea was favorable. In 1994, further discussions were held with Mexico, Columbia and Venezuela and with Argentina and Chile. The response was positive and to further support the idea, the ambassadors of the Latin American countries who were accredited to Jamaica, and Spain's ambassador, formed the Group of Latin America and the Caribbean as a forum for exchanging ideas and considering financial participation by their governments. In 1994, the Latin American-Caribbean Centre was created to facilitate economic, trade, research and cultural ties between the Caribbean and Latin America. The center's fundamental objective is to build strong commercial, cultural and academic ties between the Caribbean and Latin American regions and among the Caribbean countries. According to Ms. Insanally, "Economic development is one of the principal objectives of LACC. Expanding trade, investment, and tourism between the Caribbean and Latin American countries will generate income and employment, as well as stimulate technological modernization and international competitiveness. Academic and cultural development are important ends in themselves, and they also stimulate business relationships, and vice versa."
Needless to say, it would take more than this short column to list all her accomplishments and all the legislative activities she had been involved in. Suffice it to say, however, she fought very hard, not only for her constituencies, but also for what was right. And this is the point that requires a reflective pause for the Haitian community. The Haitian community, along with some non-Haitian observers, has always felt that it has been discriminated against by U.S. immigration policies. Back in the 1980's and the early 1990's, there were many Haitian activists who took to the streets and to the airwaves to decry these discriminatory policies. However, none of the Haitian activists were elected officials. Certainly, the efforts of these activists were very important and sometimes fruitful in the context of exposing the inequality of these policies to the larger American public.
"Nothing can bring back those days," Mrs [Letitia Rose] declared. "Everything has changed. Nowadays, I don't bother to do a lot of shopping because it is not as enjoyable." "The party was usually held in a big park," she recalled. "There would be lots of food and music playing until late into the night. While the big people danced we used to have our little secret boyfriends and a group of us would to go off and play hide and seek. "As children in Jamaica, we used to organise parties and collect gifts for needy children in the community," said [Iris Gordon], who helped set up the Jamaica Heart Foundation. "Making children happy is what I enjoy most about this time of the year."
The Mystic Revelation of Rastafari, a group of Nyabinghi ceremonial drummers founded by the legendary Count Ossie in the 1950s, is not only making its New York debut but is raising the curtain on the Lincoln Center for the Performing Arts' "Caribbean Roots: Caribbean Routes" festival. Chris Combette, who has been collaborating with Mungal Patasar on several tracks for his new album, opened the show with his beautiful fusion of Caribbean styles - samba, salsa, soca, bossa nova, reggae and zouk sweeping over the auditorium like warm waves. Based in French Guiana, bordering Brazil, Combette has soaked up the melodies of the region, while his lyrics address the nostalgia or alienation of the immigrant, and racist murder in the metropole. Beneath his sinuous, sometimes ethereal music lurked incisive Kwéyol irony and melancholy metaphors. It was left to Kali and his banjo to bring down the curtain on the festival with his brilliant reworking of Martiniquan traditional music, mazurk, biguine, chouval bwa, gwo ka (from Guadeloupe) with reggae, funk and jazz. It was good to hear St. Lucian Luther François, one of the Caribbean's foremost contemporary composers and sax players, adding punch to this excellent band and the finale of a significant festival for Caribbean music.
I don't believe this is because cricket is an inferior game. But, in the eyes of the punters, football rules. This is true, not only in Britain but also in the Caribbean. I was therefore surprised that Channel 4 felt it could cash in on the enthusiasm shown for the Reggae Boyz by putting on a concert at Lords. West Indies tours to Britain in the '60s, '70s and '80s served a much wider purpose that went beyond hearing leather on willow. For those of us oppressed in the context of slavery and colonialism, the black body was something to be despised. It was particularly important for the Windrush generation and during the '50s and '60s, when the factory and the street were open season for racists.
Many have blamed the Windies' decline on the MTV generation, who are more interested in American basketball than cricket. And cricketers, although still idolised in the Caribbean, would never earn the amounts of Michael Jordan or Shaquille O'Neal. In this sense, James placed cricket on the same level as Western literature. "We live in one world," he wrote in a 1969 essay, "and we have to find out what is taking place in the world. And I, a man of the Caribbean, have found that it is in the study of Western literature, Western philosophy and Western history that I have found out the things that I have found out, even about the underdeveloped countries." Throughout his life James viewed cricket as a means of helping unite a disparate set of islands, of establishing a Caribbean as opposed to an island mentality. He had little difficulty in understanding why Norman Tebbit should make cricket the basis of his loyalty test - or why most black people would fail it.
The irony of the black man with his top off - such as almost any black music star you care to mention - is that it doesn't say to me: "Look at this wonderful black man with his six-pack." We were never wanted for our minds, which was why it was illegal to teach slaves to read. We were flesh, a commodity, labour. As today's black man shows off his pride and joy, the modern billboard becomes the equivalent of yesteryear's slave stocks. The tragedy with the flesh doesn't end there. Too many of us are impressed by a black fascism which fails to question the oppressive power structures of idealised family structures or the obsession with genes, blood and national pride.
Occasionally, a rare talent emerges, such as Lauryn Hill or Maxwell, whereas previously the talent came in hordes. Look at the way Lauryn Hill has gone back to Bob Marley and Stevie Wonder for inspiration and technique. She's still a rap artist but here is a woman who has learnt her trade. It's a question of feeling basically unsafe around a generation that has no respect for its elders.
This means that we must find ways of re-making and continuing the Caribbean traditions that our forefathers brought with them when they got off the Windrush. For me, there are three important lessons. The first is what I call the anatomy of Black existence; put simply, the understanding of the key factors that shape one's life. Second, the ability to take no nonsense, particularly from White people and, thirdly, a sense of humour. This cry is not just for schools to do more Black history. They are actually saying that they have no road map, no narrative structure of their existence in this world as Black people. They are disconnected from the strength and depth of those folks who travelled on the Windrush. It's as if they were orphans connected to no meaningful history or narrative other than the White structures around them. These people were spiritual, not in the religious sense with denominations and heavy moralising, but in the way they used the Judeo-Christian tradition in trying to understand the Black story. The most powerful and popular way in which this was expressed was through Rastafarianism. The second Windrush value is the power to get vex and fight racism. One thing I can say for certain in 1998 is that a disproportionately high number of Black males will die in police custody under suspicious circumstances. My parents told me after the Notting Hill riots in the '50s, White people realised `you don't mess with a West Indian'. Schools, the police and politicians must not be allowed to take us for granted.
"[Daniel Beauxhomme] comes from the lighter skin mixed class," said Kevin Johnson, who plays Daniel. "It's the story of two different people from two different worlds falling in love. Fate brings them together and fate takes them apart. It's similar to `Romeo and Juliet.'" "In Haiti, it's very confusing. It's fuzzier than here (the United States). A lot of it has more to do with money and name than this," said Shirley Julien, who is Haitian. "And that's what the musical focuses on. Ti Moune means `little orphan' in the play. But, in Haiti it means `little person.' That drives the theme more because she doesn't have a real name. In Haiti every little kid is called ti moune." "I don't think that there is that much of a difference," said Julien, who is also the musical's choreographer. "It's just highlighted more. The division is put on us and we accept it. It's up to us to say `I don't believe this' and take time to learn about Haitians, Jamaicans and Trinidadians. Our commonalities are so much stronger and deep inside of us."
Let me say this again: The Haitian community is not going anywhere. Instead, the Haitian community is looking ahead, to move forward to a better community. We welcome people from different ethnic backgrounds to come and join us in our efforts to move forward. If you don't want to or cannot help the Haitian community to overcome the economic adversity we face, at least don't spread rumors trying to create a false division between the Haitian and Black American communities.
It's clear that most Cubans living in South Florida were those who oppressed the working classes in Cuba, resulting in the class discrimination of white Cubans against Black Cubans. Many of the Cubans controlling South Florida today are heirs to the chicanery, corruption, organization of crime and prostitution, and money laundering practiced by the ruling class when they held power in Cuba. Before the revolution that put [Fidel Castro] in power, Cuba was one big resort, the preferred spot, for the U.S. mafia to spend their free time and take a little vacation. Let me make it clear to everyone that I'm not a communist person and I'm not a member of any communist political party whatsoever. I believe, as a citizen of the world and a conscious Black man, that I have the right to praise anyone that I choose. I have the right to say that the Blacks in power in Cuba would not want the racist Cuban dictators in South Florida to go to the island and contaminate their nonracial environment. When they were in power during the [Fulgencio Batista] regime, the situation for Black people was deplorable. And now, any Black from Cuba who sides with Castro is labeled as a "Communist" or a "traitor". South Florida needs to wake up and ring the bell of freedom in the face of dictatorship. South Florida needs to let the Cuban dictators ruling South Florida know that the practice of censorship is over. We know the problem of the Cubans in South Florida. The real problem is not truly Fidel Castro, but rather the living presence of Black people in power in Cuba and the rapidly growing Black population in Cuba. Today we are going to sing a new song; the title of this song would be "We Know Your Problem". We have recognized the problem for years and now is the time to sing that song.
Let me get something clear. I don't harbor any ill feelings toward the Cuban community. However, it is unequivocally clear that there is pattern we cannot ignore. Even though it would not be fair to condemn a whole community because of the criminal acts committed by a few of its members, the official Cuban leaders need to explain to the public why this widespread conspiracy is permitted within the ranks of the City of Miami Police department. According to various sources, the majorities of the officers indicted are Cuban or from Latin background and conspired to commit crimes against the Black community. My fellow Black American, the proletarian people who have been committed in the struggle to change the status of this racist system, let's not allow the September 11 attacks on our nation preoccupy our minds and distract us from what is going on in our own backyard. Don't let the horrifying events in New York and Washington silence our cry for justice in our community. We are waiving our U.S. flag as a symbol of justice and pride and we expect Black folks to join the crusade and help fight evil abroad. In the meantime, on our own soil, Black people in Overtown, North Miami, Liberty City, Little Haiti, are suffering frequent terrorist attacks from Cuban Police officers. As certainly as we allegedly concentrate on our dedicated fight against the evil in Afghanistan, we must also focus on getting rid of the outrageous psychological behavior displayed by our Cuban police force against the Black community patrolling our community.
Talk to Richard Lue and it becomes clear that not nearly enough Caribbean people are heading `home'. Neither are enough African Americans trying to discover the Caribbean, although their connection with the culture has long been established in the U.S. That's why Lue was appointed Air Jamaica's regional manager for special markets in the southern U.S. Another Air Jamaica representative has been given similar responsibilities for the northern states. "It wasn't neglect," said Lue. "It just wasn't accountability. We've always been there. The problem was internally. We feel we can get more out of that (Caribbean) market." "To me it's no big deal," he said. "The problems in Jamaica are serious, but Jamaica has never been an easy sell. But it is a challenge. It is because of 9/11 that we realized we had to diversify our markets and give importance to all the markets. The challenge is there, but we just have to deliver."
Last May, President Bush signed an Executive Order allowing the Coast Guard to immediately turn back Haitian boat refugees without checking to determine if they were fleeing political persecution. Before that, thousands of Haitians had crowded into unsafe boats to try to get away from their dangerous homeland. The U.S. tagged them "economic" rather than political refugees. "The fact is our government has turned a blind eye to Haitians," said Wade Henderson, director of NAACP's Washington bureau. I have a dream that I intend to make a reality. I'm calling on African Americans and Haitians here in Miami to come together to sit down, talk and work out a plan to help Haitians. But I'm also asking that Hispanics, Jews, Anglos -- everyone -- pitch in to help.
Amid the flurry of designations by the media, law enforcement officials, and advocacy organizations--terms ranging from "migrants" to "asylum-seekers" to "economic refugees"--one thing was clear. The people aboard that boat had fled desperate conditions for safe harbor in the U.S. What awaited them when they touched land was then, and remains, a matter of great contention. When asked about the implications of the designation "migrant," Miami field office INS public relations officer Barbara Gonzalez said that in the context of INS policy, "There is really no such thing as a migrant." She said, "Many use the word," when the correct terminology for what they intend is "non-immigrant." How about the terms "alien" and "refugee?" Amnesty International notes that the term "alien" has been used in U.S. legislation to describe various types of non-citizens, including those Amnesty would call "asylum-seekers." Similarly, the INS describes an alien as any non-citizen or national of the U.S.
Mocko Jumbie, as it is called in the Caribbean, has been a part of the Virgin Islands culture for more than 200 years. The phrase "Mocko Jumbie" may have different meanings according to the different tribes that practices the art. "Mocko" could mean "Mock" or it could mean "Good God."
"We provide this venue as a linkage for Haitians throughout the diaspora," President of the Haitian Heritage Museum Eveline Pierre told The Miami Times. "It's about educating the public about the phenomenal contributions Haitian Americans have made as a people, which will create a legacy for future generations." "In the building's design, we want it to reflect Haitian designs, and for that we want community imput," said [Serge Rodrigue].
There's tendency among some reggae fans to tune out most of today's dancehall deejays, dismissing them as untalented shysters. While that's an essentially justifiable reaction, there are deejays - mostly of the conscious variety - who are worthy of our attention. One in particular is Prezident Brown. Tune out his new release - To Jah Only - and you'll deprive yourself of a relevant body of work that's likely to sway and have you listening for more of this style. To Jah Only is a neat package that adroitly intertwines the traditional with the contemporary. The title track, which leads the album, gently combines slow guitar picks with Nyabinghi drumming, amid Brown's assiduous delivery of some trusty Rasta melodies. The familiar Duppy Conqueror rhythm by Bob Marley is acquired on In This Life, and it's superimposed with a message that counsels mankind about his covetous ways. This theme is also continued with Pomps and Pride. One of the livelier tracks is Micro Chip, and Brown does a nice job keeping pace with a very demanding tempo. But the strongest is undoubtedly Faith - an instant classic that unveils Brown's versatility and true talent. His encyclopedic expressionism sets him apart from the ordinary, and he's truly one of our best links between the past and the present. [Dean Fraser]'s latest album - Retrospect - is a delightfully appetizing reminiscence of classic hits that are masterfully reproduced for everyone's listening pleasure. With 12 tracks, this album takes you back to mento, through ska, roots, and up to the present.
"We're not a Jamaican station. We're not a Trinidadian station. We're not a Bajan [Barbadian] station. We're not an African-American station," [Carl Nelson] says of his station, which broadcasts from Davie, near Fort Lauderdale. "Our target audience is the entire Caribbean [community], and that includes second-generation Caribbean Americans and people [of other nationalities] who like Caribbean-American music." Nature of service "We don't see the radio as a juke box," he says. "We're here to serve the community and just because you put some music on the radio doesn't mean you're serving the community." "Everybody who's advertised with us has reported good results," he says. "That's because they're getting a mix of people. They [reach] people from all the different islands. They get African Americans. They get whites. For them [the advertisers]it's a plus."
Today, Grace, Kennedy & Company is aggressively moving forward to meet new goals with a range of policies and programs designed to ensure its pr-eminent position in both the Caribbean and the world. These efforts include an ambitious brand "re-launch" complete with new logo, vibrant new label designs, and a new advertising campaign driven by a positioning statement reinforcing the company's pre-eminence: "Grace Foods, Genuine Caribbean Taste. Enjoyed Worldwide." While its first priority will always be towards serving the nutritional needs of its Caribbean home and "family," Grace, Kennedy & Company has now embarked on an aggressive new push into another world market, with plans to expand its sales to West Indian "expatriates" living abroad, as well as to the burgeoning number of people everywhere who desire the genuine taste of the Caribbean. Thus, the re-launch of the Grace brand, as a true "world brand" began in May of this year with this new positioning line as its corner stone. The advertising campaign, crated in conjunction with Michigan based consultants Stone & Simons Advertising, includes an overall theme, "The New Face of Grace," designed to address the brand's new logo and labeling, as well as the new "faces" around the world who are choosing Grace Foods for their "Genuine Caribbean Taste."
I am not sure what the reasons why "the arena on Vezina" was left empty on Carifiesta weekend while fans of Caribbean culture had to travel all the way to the West Island from place as far as the South Shore, Cote des Neiges, and La Salle to get a taste of Machel, Tall Pree, Traffik, and others. And perhaps the reasons are really not that important. The CCFA, as public trustees, are in no position to allow private and personal issues to get in the way of denying its use to anyone who wishes to use it for the benefit and promotion of Caribbean culture (save for the fact that they might cause material damages for which the CCFA might be held liable). given the fact that the CCFA is in no position to organize expensive parties (because of current and past financial losses) the next best thing would be to allow private individuals that opportunity. This is something which has been done in the past with some kind of honoraria going to the CCFA.
One group of Black immigrants have become involved in the economic and political life of Miami, and their power is being felt in North Dade. I call this the New Haitian Revolution. It began on many fronts. I remember listening to some Black American men laughing-at Haitians because family members would pool their money to buy a home. Multiple families would live in the house, and then the families would pool together and buy another house. Eventually, all of the Haitian families would own a home. I wonder what those same Black men are saying now, when Haitians now own homes and their detractors are still renting. This was the start of a quiet new Haitian revolution. Haitians working together to improve their economic fortunes - a method employed by other successful immigrant groups such as Jews and Cubans. The revolution took place quietly, but it is now clear that there is a new power group in this community. Haitians have started successful medical practices, radio stations, law firms, and other businesses. They have taken over the politics of the City of North Miami, and are one of the new power groups being courted by anyone running a county wide race.
"It is a play about two people who love each other," explains Greta Mendez, the play's Trinidadian-born director. "The external elements of racism have affected their relationship. "As the battle is raging in Trinidad, [Elvira] and [Rohan] are raging. They are having their own coup and trying to work it out." "I call it the battlefield of heart and soul" "The divide-and-rule syndrome is still happening and the play is saying, `Let us look at that'." * Coups and Calypsos runs until February 28 at the Oval House, 52-54 Kennington Oval, London SE11 at 7.45 pm each night. Tickets from £5.50; box office: 0171-5827680.
President [Fidel Castro] lashed out at Mayor [Giuliani] for excluding him from the posh city parties. "The Mayor says I was a demon, and a demon couldn't be invited to dinner. So I said I'll go hungry the first day in New York" and then Castro laughed and said he wasn't upset by the Mayor's snub because his social calendar was full anyway. He said a friendly and rich family and a group of businessmen including David Rockefeller had invited him to dinner. President Castro says the U.N. don't speak of it. People applauded the independence of the African Countries, Namibia and South Africa. You would have thought the United Nations worked a miracle. There was no mention of Cuba and no mention of the many Cuban soldiers who lost their lives in the war. Yet they spoke of the end of apart-heid in a glorious manner. Castro says when people begin to write history, they forget reality. That is the historical truth, says Mr. Castro and a lot of research should be done on this because they have these nuclear weapons under their control right now. Mr. Castro says Cuba was the only outside country to shed its blood against apartheid and against racism in Africa. He says he agrees all nuclear weapons should be removed. But what is a blockade? "As we were saying today at the United Nations that blockade is like a noiseless atom bomb. It kills people and children. There is no justification for a blockade."
Another report pointed out that prisoners were upset because guards had ignored their allegations that another inmate had tried to sexually assault several prisoners. A strong contingent of police officers from the GUARD and Emergency Branch (GEB) stormed the cell block section of the San Fernando Magistrates' Court to quash a threatened uprising by about 100 prisoners on April 1. One of the country's daily newspapers reported that the prisoners were protesting cramp and overcrowded conditions at the cellblock of the courthouse in southern Trinidad. And they threatened to beat and the handful of police officers assigned to secure them.
Prophet and loss: A [Bob Marley] documentary forms the centrepiece of a Channel 4 special series on the Caribbean The music continues on August 7 with Top Ten: Caribbean, a celebration of Latino, reggae, ragga, hip-hop and everything in between with the 10 most successful Caribbean chart acts in pop history. Representing the lighter side of Caribbean life is rising star Richard Blackwood in a one-off Caribbean special of his entertainment series, The Richard Blackwood Show.
Tanya Quintero, a light-skinned mulatta and prominent independent journalist in Havana, said she was not aware of racial discrimination until she had a daughter with darker skin the than she. Suddenly, some of her friends referred to her child with a Spanish phrase that literally translates as "sour or dark stomach" but figuratively is slang for "a child who comes out darker than her mother," she said. Lighter-skinned children later made fun of her daughter for being a "marron," brown. Also the millions of dollars in "remittances" that Cubans in the United States and elsewhere send their relatives back on the island very year reach few "black" Cubans because more than 90 percent of the exiles are "white." As a result, the long-standing economic gap between darker and lighter Cubans widens. I use quotation marks around "black" and "white" because the terms don't mean the same as they do in the United States, with our traditional "one-drop rule." Race in Cuba, as in the rest of Latin America, is somewhat fluid: You are pretty much what you say you are, even within the same family.
Another established Caribbean tradition runs counter to the claim that racism there is unusual and of recent origin. This is the tendency to account for a person's character by identifying the racial identity of that individual's parents. West Indians, quite spontaneously, account for each other's personality traits with statements such as "Well, after all, his father was white," or "His father was quite dark you know. In Guyana and Trinidad, one hears frequently that East Indians are by nature "cheap". Elsewhere, Syrians and Jews are, reportedly, successful merchants because of their "clannishness". The Caribs of Dominica are described as Creoles as "lazy drunkards", and the Caribs accuse Creoles of being "mean" and "immoral". Throughout the islands, Creoles who are dark are said to be less motivated for success, and those who are lighter are accused of being snobbish and too sober for their own good. Since independence, racial discrimination has been systemically condemned, and with a good deal of success. But racism (at least in the form of the belief that "once we know a person's racial background, we then know much about that persons' abilities and character traits,") is very much ingrained in the thinking of many West Indians. This style of racism has met with no effective challenge comparable to the American Civil Rights Movement of the 1960's. In the absence of racial segregation or the North American type of racial polarization, and with what scholars call the Caribbean "myth of racial harmony," most leaders throughout the region seldom address this insidious racism.
The carnival image of racial harmony When Brazil became a democracy in 1988, the new constitution specified that they should be given land. But in practice, only a handful have. The local priest in Camburi, Father [Alexander Coelho], urges villagers to unite to demand land. He says that Brazil has a race problem which it is only starting to face up to. "Three hundred years of slavery, 300 hundred years of submission - it's hard to teach people to change that mindset," he says. "In Brazil, there was no discussion about race ... there was a pseudo-equality. When we started to talk about it, we were accused of bringing racism to Brazil," he argues.
"We shouldn't celebrate a scheme that brought women from the West Indies to Canada and kept many of them under domination and subordination by Canadian families," says Ms. [Antonia Sealy], a founding member of several community groups. "Personally, I regret making the decision to come on that scheme," she says. "I had a comfortable life in Barbados and a good job in the public service, but I was young and I wanted to travel and seek other opportunities. Had I known better I would have waited and sought out a commonwealth scholarship," she said. Ms. Sealy says that nothing she was told before leaving Barbados could have prepared her for the life of "subordination" at the homes of various families in Toronto.
Jamaica's other medal winners included Veronica Campbell and Michael Frater, who earned a silver in the women's and men's 100 meters, respectively. St. Kitts and Nevis's Kim Collins won a bronze in the men's event as well. The Bahamas finished second and Jamaica third in the men's 4x400 meters relay to earn silver and bronze, respectively. Jamaica's women won a silver medal in that event, while Trinidad and Tobago won its only medal of the meet, a silver in the 4x100 meters for men. Cuba's Osleidys Menendez set a new world record in the women's javelin on her way to the gold medal. Cuba also won gold in the 800 meters for women, and silver medals in the men's and women's triple jump, men's high jump and women's hammer throw.
