The article focuses on Caribbean women who traveled to Great Britain after World War II to train as state-registered nurses and then migrated to Canada. The author provides brief biographical information about the interviewees featured in the paper, compares their recollections with the predominant images and ideas of Black women in Great Britain during that time, and discusses the women's reactions to nursing in Canada. She also explores the interviewees' revelations about their occupation, involvement in organisations that represented their interest, and the lessons they wish to pass on to future generations.
Using data on U.S.-born and Caribbean-born black women from the 1980-2000 U.S. Censuses and the 2000-2007 waves of the American Community Survey, documents the impact of cohort of arrival, tenure of U.S. residence, and country/region of birth on the earnings and earnings assimilation of black women born in the English-, French-, and Spanish-speaking Caribbean.
The concept of the ghetto, referring to specifically urban experiences of sociospatial marginalization, has played a prominent role in black popular culture. This article explores the role of the ghetto as a discursive space of immobility and traces its global journey as a mobile imaginary.
The article discusses the history of Santo Domingo (which was renamed the Dominican Republic) under the French General Jean-Louis Ferrand from 1804 through 1809. Particular focus is given to Ferrand's efforts, under the direction of the French Emperor Napoleon I, to re-enslave Santo Domingo and overthrow Haiti's ruler Toussaint Louverture. An overview of the slavery laws in Santo Domingo is provided. Ferrand's use of black Haitian captives as slaves, including the Haitians captured by the French who lived near the border with Santo Domingo, is provided.
Can musical sounds reveal history, or collective identity, or new notions of geography, in different ways than texts or migrating people themselves? This essay offers the idea that the sounds of music, with their capacity to index memories and associations, become sonic points on a cognitive compass that orients diasporic people in time and space. Explores grassroots religious musical productions to show that Afro-Caribbean groups can stake out multiple diasporic identities in overlapping diasporic spaces through the various political registers of tribe, kingdom, and nation.
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303 p, A book containing over 500 rare photographs which give a visual picture of a Caribbean society in the process of change in the years after Emancipation.
Attempts to understand what the presence of Black music means in the absence of Black people. Is this an expression of a global circulation of Afro-Caribbean cultural trends as symbols of belonging and difference among urban youngsters? Does it take us back to the history of Quintana Roo as a Caribbean region and the Black Atlantic? Is it a form of revision of Mexican national ethnic mixture and inclusion of other population groups? Adapted from the source document.
Several theories of stress exposure, including the stress process and the family stress model for economically disadvantaged families, suggest that family processes work similarly across race/ethnic groups. Much of this research, however, treats African-Americans as a monolithic group and ignores potential differences in family stress processes within race that may emerge across ethnic groups. This study examines whether family stress processes differ intraracially in African-American and Black Caribbean families.
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294 p., Documents the lives and work of black individuals and organizations in the West Indies from 1900 to 1989, centered on the worlds of labor and black journalism. The French Caribbean is not covered here. Focuses on historical information as well as information on relationships between the two main "servant" minorities of the British Empire: Caribbeans originally from Africa and from India/Pakistan.
Examines the depiction of first-wave West Indian immigrants to the United States in Black print culture in the early 20th century. The authors conduct a series of content analyses of four newspapers that had wide circulation in the Black community between 1910 and 1940. Each content analysis serves as an empirical test one of four common hypotheses about ethnic differentiation between West Indians and African Americans: (a) the group consciousness hypothesis, (b) the racial nationalism hypothesis, (c) the radical politics hypothesis, and (d) the model minority hypothesis. The authors find very little empirical support for either the group consciousness hypothesis or the racial nationalism hypothesis and find only a modicum of support for the radical politics hypothesis. Finally, the authors find evidence confirming the model minority hypothesis. They also find that the Black press presented an accurate portrayal of the West Indian immigrants' socioeconomic advantages to native-born Blacks.
The combination of rice and beans was introduced in the nineteenth century by Afro-Caribbean migrant railroad workers. Notwithstanding elite self-perception of Costa Rica as a white, European nation, economic necessity during the Great Depression helped gallo pinto gain middle class acceptance. This case illustrates both the importance of social and economic history in shaping cultural symbols and also the ways that lower-class foods can become central to national identities.
Develops a theoretical framework of biopolitical performance with which to approach the 1957 televised broadcast of Duke Ellington and Billy Strayhorn's A Drum Is a Woman. Presented on the drama anthology program The United States Steel Hour, this theater-music-dance suite fused elements of Afro-Caribbean rhythm with swing and bebop to tell a history of jazz, featuring acclaimed performers such as Carmen de Lavallade, Margaret Tynes, Joya Sherrill, and Talley Beatty. Argues that through their experimentation Ellington and Strayhorn created a hybrid performance in the mode of "calypso theater": a formal and thematic engagement with an Afro-Caribbean performance history.
159 p., Metamorphic literatures is both the identification of a cohesive group of texts, as well as the assertion that these particular texts are part of a global literary movement. The literatures coming out of this movement fundamentally seek to (1) resist colonization and enslavement, (2) re-vision history and resurface figures of redress, and (3) reimagine gender, sexualities, and the queer diasporic body. The tropes of this new literary movement that are expanded upon in the following work will organize the language, characteristics, and outlines of this movement of contemporary diasporic writers.
Examines death and barrenness images prevalent in literature produced by black women during the 1970s and 1980s, taking for study the novels Bluest Eye (1970), Praisesong for the Widow (1983), Corregidora (1975), and Mama Day (1988). Argues that images in these narratives represent contemporary manifestations of social death that directly relate to what belief in the American dream, and that these images symbolize the ways in which decisions made had a deadening effect on black communities, primarily experienced as a loss of social sensibility and vitality of relationships.
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274 p., Explores a broad range of power relationships and struggles for authority in the early 19th century British Atlantic, focusing on the Caribbean colony of Berbice. I aim to understand how enslaved people and their enslavers negotiated their relationships and forged their lives within multiple, interconnected networks of power in a notoriously brutal society. Focuses on politics and culture writ large and small, zooming in to see the internal conflicts, practices, and hierarchies that governed individual plantations, communities, and families; and zooming out to explore the various ways that imperial officials, colonial administrators, and metropolitan antislavery activists tried to shape Caribbean area slavery during the era of amelioration-a crucial period of transformation in the Atlantic world. Sources used include travel narratives, trial records, missionary correspondence, and official government documents. Most important are the records of the Berbice fiscals and protectors of slaves, officials charged with hearing enslaved peoples' grievances and enforcing colonial laws.
116 p., Using Trinidadian writer Samuel Selvon's 1956 novel The Lonely Londoners as a textual example, argues that Selvon's presentation of the experiences of migrant working-class Afro-Caribbean men in post-war London opens up space for an unconventional reading of "queer masculinity" as shaped by the intersections of gender, race, class and sexuality under the influence of the socio-political ideology of the period both in the Caribbean and in Britain. The resulting form of masculine identification for these Afro-Caribbean migrants is constructed through an expression of hypersexuality where the pursuit of pleasure becomes an act of resistance to social marginalization.
Focuses on African American and Afro-Hispanic literature and folklore. Employs Fernando Ortiz's theory of transculturation. Ortiz makes the case that a new Afro-Cuban identity is created with the intermingling of African, Spanish and native inhabitants of Cuba. Using Ortiz's critical framework as the foundation of this study, critiques of Zora Neale Hurston's portrayal of African American identity. Examines the parallel between her work and that of Lydia Cabrera, a Cuban ethnographer whose work represents Afro-Cuban identity as a transcultural one.
351 p., Explores the racial and gender decolonization of New York and Curaçaoan women in a select group of novels, paintings and performance text by women from Curaçao and New York City. The Curaçaoan novels are: Aliefka Bijlsma's Gezandstraald [Sandblasted] (2007); Loeki Morales' Bloedlijn Overzee: Een Familiezoektocht [Overseas Bloodline: A Family Search] (2002); Myra Römer's Het Geheim van Gracia [The Secret of Gracia] (2008). The Curaçaoan painters are: Jean Girigori (1948), Minerva Lauffer (1957) and Viviana (1972). The New York novels and performance text are: Black Artemis' Picture Me Rollin' (2005), Angie Cruz's Soledad (2003) and Nelly Rosario's Song of the Water Saints (2002) and Josefina Báez's Dominicanish (2000). The ways the women characters, figures, images and voices align to subvert gendered delineations as well as the stifling cultural and colonial imprints on their bodies and their selves in Curaçao and New York are central to the decolonizing project explored here.
282 p., Challenges how critical scholarship on race and racism in Latin America has traditionally understood racial subalterns in Cuba and Puerto Rico as people who are prevented from acting as black political subjects because of the hegemonic power of discourses of nationhood premised on ideas of mestizaje and racial fraternity. By providing an intellectual history of several important yet largely ignored Cuban and Puerto Rican activists intellectuals of color who lived and worked between the Caribbean and the U.S. at the turn of the 20th century, the author shows that instead of being tricked by creole elite national narratives, they attempted to redefine ideas of nationhood to challenge racism, colonialism, and imperialism at local, national, and transnational levels.
Examines in the transnational conversation on the place of Afro-descendants in the republican nation-state that occurred in New-World historical literature during the 19th century. Tracing the evolution of republican thought in the Americas from the classical liberalism of the independence period to the more democratic forms of government that took hold in the late 1800s, the pages that follow will chart the circulation of ideas regarding race and republican citizenship in the Atlantic World during the long nineteenth century, the changes that those ideas undergo as they circulate, and the racialized tensions that surface as they move between and among Europe and various locations throughout the Americas. Focusing on a diverse group of writers--including the anonymous Cuban author of Jicoténcal; the North Americans Thomas Jefferson, James Fenimore Cooper, and Mary Mann; the Argentines Domingo Faustino Sarmiento and Eduarda Mansilla de García; the Dominican Manuel de Jesús Galván; the Haitian Émile Nau; and the Brazilian Euclides da Cunha.
237 p., Free people of color held an ambiguous place in Caribbean slave societies. On the one hand they were nominally free, but the reality of their daily lives was often something less than free. This work examines how free people of color, or libres de color , in nineteenth-century Cuba attempted to carve out lives for themselves in the face of social, economic, and political constraints imposed on them by white Cubans and Spaniards living in the island. It focuses on how through different Afro-Cuban associations some libres de color used public music and dance performances to self-fashion identities on their own terms.
301 p., In many of the francophone Caribbean's most influential texts, a black messiah conquers his enemies and takes over the land. This man is a superman, who hears the cry of his people and delivers them from slavery and the Code Noir (a black code). He draws strength from Voodoo and Roman Catholicism to set his people free or die trying. Argues that scholars have not studied the extent to which the messiah figure dominates French Caribbean fiction and how this trend colors our perceptions of black leadership. After presenting messianism in the history of Martinique, Guadeloupe, and Haiti, the author considers key messianic passages in francophone literature and highlight where rhetorical devices and figurative language transcribe metaphysical beliefs. These close readings correct the misconception that the French Caribbean and its religions are not messianic.
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212 p., This dissertation project aims to contribute to the current scholarship on transnational black feminisms. The project adds to the refining of nuanced theoretical approaches to specific experiences of black women. The author engages in close readings of four black women writers, Michelle Cliff, Joan Riley, Gayl Jones and Audre Lorde, as well as writings from two Black British collectives, the Organisation of Women of Asian and African Decent (OWAAD), and the Outwrite collective, distributers of Outwrite a Women's Newspaper. The readings result in several tropes within black women's discourse of this period, which include belonging and unbelonging, visitation and dismemberment, and living affectivity. The writings and conscious articulations are critical for locating transnational black feminist discourse as a distinct area of theoretical inquiry.
448 p., This applied anthropology study, guided by a feminist perspective and in particular, Black Feminist Thought is an outgrowth of an evaluation study of the Partnership for Peace Program (PFP) in Grenada, West Indies. The PFP is a Caribbean-specific model that was built into a sixteen-week cycle program by the United Nations Entity for Gender Equality and Empowerment of Women (UNWomen). Since 2005, the PFP has been geared towards Grenadian men, who have used violence against women to express their masculine identities. PFP focuses exclusively on rehabilitating male perpetrators with a goal to protect the human rights of women. This research evaluated the PFP program, using qualitative and quantitative methods to measure the program's impact based on the behavioral changes that male participants adopted to avoid violence against women.
196 p., Argues that practitioners of Palo Monte/Mayombe in the city of Santiago de Cuba construct a religious genealogy inclusive of spirits to affirm their sense of an "African" identity in contemporary Cuba. Demonstrates that these practitioners' sense of being African includes an understanding that they are the ritual descendants and stewards of the blended spiritual knowledge created by sixteenth and seventeenth century AmerIndian Taíno and Kongolese inhabitants of eastern/Oriente, Cuba.
480 p., This dissertation examines the role of the Haitian Revolution and Haiti's national history in the construction of Black Internationalism and Black Atlantic intellectual culture in the first half of the twentieth century. The author argues for the centrality of Haiti in the genesis of Black internationalism, contending that revolutionary Haiti played a major place in Black Atlantic thought and culture in the time covered. Suggests viewing the dynamics between the Harlem Renaissance, Haitian Indigenism, and Negrtude and key writers and intellectuals in terms of interpenetration, interindepedence, and mutual reciprocity and collaboration.
204 p., This dissertation examines the roles played by jazz and blues in African American fiction of the post-World War II era. The author contends that scholars of jazz and blues fiction generally discuss the authors' treatment of the music in terms of how it shows up, is alluded to, or is played; however, few address performative elements that are central to much African American literature. Their performances, whether as narratives or geosocial movements, often draw upon forms of flight as defining actions that send them into new territories and necessitate acts of improvisation. Forms of flight manifest themselves as improvised solos in numerous ways, including in this dissertation the path of Ellison's narrator going north and ultimately underground in Invisible Man , brothers leaving their Harlem pasts and coming together while on ever-divergent paths in James Baldwin's "Sonny's Blues," Milkman Dead discovering the secret of literal flight by improvising through a journey to his familial past in Toni Morrison's Song of Solomon , or the members of Macon Street's "flesh-and-blood triangle" choosing the expatriate route of Paris instead of America in Paule Marshall's The Fisher King.
76 p., This preliminary Belizean racial project connects how Black identity was used as a political platform through a Pan-African framework to overthrow colonialism and neo-colonial aspects of what developed into a contemporary nationalist outlook. This project utilized a subjective outlook derived from historiographical materials, memoirs, periodicals and journal articles to show how Black collectivity as a tool for liberation (Pan-Africanism) was used as a racial project and later developed into a national project in Belize.
391 p., Argues for a revisionist periodization of neo-slave literature as well as a reorientation away from a US-based literary history that has been dominated by the mode of realism and toward a more comparative view defined by the geography, history, and aesthetics of the Caribbean. The canon of slave narratives was first dominated by the assumption both of narrative as the major and sometimes only genre of slave writing and of a linear temporality emplotting the journey from slavery to an attenuated freedom. In contrast, most twentieth-century neo-slave narratives rethink the genre from the twin standpoints of temporality and narratology: how both the "neo" and "narrative" descriptors have produced an entrenched and unnecessarily restrictive view of this evolving archive.
280 p., Examines how Cubans mobilized the memory of their wars of independence as the symbolic and narrative foundations of their nationhood. Argues that the creation of a set of heroes, icons, and parables was crucial to consolidation of the Cuban republic and to the establishment of political and racial norms that sustained it. Cuban independence was threatened from its outset by the prospect of U.S. intervention. In this context, securing political stability and social unity became matters of national survival. The sanctification of national heroes enabled Cubans to demonstrate the historical legitimacy of their fragile republic, and Cubans circulated narratives emphasizing the cooperation of black and white Cubans in the anti-colonial struggle to deny and forestall conflicts over racial inequality.
370 p., Examines three general geographical areas in which people who originated in Africa were dispersed to the West during the Transatlantic Trade in Captured Africans. In Africa there was a process of inculcating cultural values while harnessing skills in an authentic education system called retreat schools. These schools were the original African lodges or secret societies that supported the communal system since they made people indigenous. Everyone in a village had an obligation to become initiated in order to learn the secrets of their society. Those individuals who were not indoctrinated were ostracized because they did not experience transformation and pledged an oath of loyalty. The purpose of this study is to investigate the elaborate infrastructure that was historically an integral part of early African institutional character, and aspects of its presentation among New World Africans.
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353 p, Historians and anthropologists consider how marginalized spiritual traditions—such as obeah, Vodou, and Santería—have been understood and represented across the Caribbean since the seventeenth century. In essays focused on Cuba, Haiti, Jamaica, Martinique, Puerto Rico, Trinidad and Tobago, and the wider Anglophone Caribbean, the contributors explore the fields of power within which Caribbean religions have been produced, modified, appropriated, and policed.
238 p., Focuses on a strand of fiction and performance whose ambitious aesthetic aims both work within radical ethnic movements and exceed the identitarian strictures associated with these movements. Black Arts/Black Power, the American Indian Movement (AIM), and the multiethnic Third World Strike were profoundly transnational and cross-racial in their theory and practice. Shows how writers working within and after these movements developed experimental forms and figures that navigate between particular ethnic identities and a universalizable collective political subject. Drawing on a long-standing body of work that has shown the inseparability of politics and aesthetic form, I place revolutionary nationalist aesthetics in dialogue with a recent theoretical tradition that has reimagined universalist politics. Traces collaborations between Henry Dumas and Sun Ra, whose play with ontological categories does not easily fit Black Arts's strongly racialized context, through the fraught relationship between Leslie Marmon Silko's Ceremony and AIM's political theater, to more recent retrospective accounts of nationalist movements by Karen Tei Yamashita and Jamaican novelist and anthropologist Erna Brodber.
230 p., Carlos A. Cooks (1913-1966) was a pan-African leader, street speaker and is remembered as perhaps the most militant advocate of the racial-pride philosophies and self-help programs of Marcus Garvey (1887-1940). Cooks was born in the Dominican Republic and raised in a household where his father was a Garveyite. Cooks arrived in New York City in 1929, joined the ranks of the Universal Negro Improvement Association (UNIA), and later formed his own organization, the African Nationalist Pioneer Movement (ANPM), after Garvey died in 1940. For the following two decades, Cooks struggled to materialize the original objectives of the UNIA, exhibiting the commitment that earned him distinction among Harlem personalities. By the 1960s, Cooks had kept the legacy of Garvey going, worked with leaders fighting for freedom in Africa and the diaspora, and organized cultural and economic activities that became part of the Black Power Movement. T
Proposes that civilizational analysis has yet to fully address the colonial legacy and, to clarify the stakes at play, compares and contrasts the historical sociology of CLR James with the mytho-poetics of Derek Walcott. Both authors, in different ways, have attempted to endow that quintessentially un-civilizable body -- the New World slave -- with subjecthood.
Dessalines became a lieutenant in Papillon's army and followed him to Santo Domingo, where at first he enlisted to serve Spain's military forces against the French then he joined the "real" slave rebellion that was inspired by Dutty Boukman, a voodoo priest, and led by Toussaint.
274 p., Argues that colonialism, or its impact, as a relation of power is threaded through the related themes of gender/sexuality, the environment, and global capitalism in Jamaica Kincaid's work. The author is interested in how the intersection of these themes enhance Kincaid's critique of the impact of colonialism on the people of Antigua and the Anglophone African Caribbean.
320 p., Examines the place of difference in black women's writing of the African diaspora. The works of well-known and canonical writers Toni Morrison, Buchi Emecheta, Jamaica Kincaid, and Audre Lorde illustrate key functions of the poetics of difference. The author reads these writers alongside important but underexplored figures, including Ghanaian-born poet Ama Ata Aidoo, Cuban-born novelist Achy Obejas, Trinidadian-born writer Dionne Brand, and South African/Botswanan writer Bessie Head, as well as younger writers such as U.S.-born playwright Suzan-Lori Parks, Nigerian-born fiction writer Chimamanda Ngozi Adichie, and St. Thomas-born writer Tiphanie Yanique. These writers reframe identity around radical models of difference by: (1) developing and naming hybrid genres; and (2) destabilizing formal conventions of recognizable genres through multiplicities of voice. By highlighting difference as a core component of black female identity, these writers make crucial interventions in several areas, including Afrodiasporic cultural, feminist, queer, and postcolonial theories of identity, as well as feminist, Afrodiasporic cultural, formalist, and narratological conceptions of voice.
While at its inception, the revolutionary ideals of the newly formed nation called Haiti held great promise, the reality as understood today detracts from this plesant image . Still , our rituals and their symbolic associations mirror these revolutionary ideals. For example, soup joummou, the New Year's and Independence Day celebratory pumpkin soup, signifies the communion of equals through the consumption of the once forbidden delicacy reserved for the colonial masters. Today, as family and friends gather around the dinner table, we are clearly proud of our freedom and accomplishments, yet know that there are countless Haitians who are hungry, sleeping under tents. Two hundred and eight years after independence, many Haitians live in abject poverty and have no rights as humans.
369 p., Looks at contemporary novels of the anglophone African diaspora through the lens of movement, migration, and dislocation, with particular attention to how the selected authors depict black diasporic identity formation, and how they contribute to it through their writings. Thematically, this dissertation examines literary representations of the social, cultural, and psychological consequences that involuntary and voluntary migrations have had for black communities and individuals in North America, the Caribbean, and Britain. It explores the juncture of history, memory, geography, and diasporic identity, as represented by eight contemporary novelists of African and African-Caribbean descent: Charles Johnson ( Middle Passage ), Lawrence Hill ( The Book of Negroes ), Toni Morrison (Sula and Tar Baby ), George Lamming (The Emigrants ), Caryl Phillips (The Final Passage, A State of Independence, and Crossing the River ), Andrea Levy (Small Island ), Cecil Foster (Sleep on, Beloved ), and Edwidge Danticat ( Breath, Eyes, Memory ).
232 p., Calls attention to the renewed popularity of the epistolary novel among Africana contemporary women writers. This work investigates why, since the late nineteen-seventies, there has been a resurgence of this classic form among women writers across the Black Atlantic. The adoption of this genre among women writers in post-colonial contexts is especially significant because the classic epistolary novel was a medium that often endorsed notions of female submission and imperialist ambition. At the same time, the epistolary tradition connotes a revolutionary history. With this idea in mind, the author argues that an examination of how contemporary women revise the epistolary novel offers a crucial perspective regarding the struggles of women throughout various geographic locations and social strata in relation to nation, citizenship, and selfhood. This project focuses on how Sindiwe Magona, Nozipo Maraire, and Paulette Ramsay "reinvent epistolarity," using the epistolary genre to make interventions in the public sphere by depicting Africana women's experiences of education, marriage, inheritance, and health.
Vesey knew the horrors of slavery first hand. Since he had lived in St. Dominique as a youth, he followed the events there with particular interest. Men from the area and surrounding plantations would attack the city, take control of the guardhouse and block the bridges and roads, killing every white person in sight.
From earthquakes, hurricanes and fires to Olympic glory and Independence, The Gleaner started chronicling Jamaica's rollercoaster history ride in 1834, and has had a front-row seat at every major event since. BARCLAYS BANK DCO announced today that to mark the emergence of Jamaica as an independent nation in the Commonwealth, it was as a gift to the Caribbean island an X-ray machine, an electro-cardiograph machine and other equipment for a children's hospital. VARIOUS COMPLAINTS of unfair treatment by certain sections of the police have been lodged by Jamaicans with the London High Commission. One distinct case was brought to the attention of Jamaica's prime minister, Sir Alexander Bustamante, who immediately Save instructions to the amaican Migrant Service to engage legal representation, at a cost to the Jamaican Government, of up to three hundred pounds.
JAMAICA'S PRIME Minister Portia Simpson Miller says athletes who represented the country in last month's Olympic Games in London will be rewarded for their efforts. Earlier this month, Sports Minister Natalie Neita-Headley announced plans to stage celebrations in honour of the athletes on the weekend of National Heroes' Day, around the middle of October.
The world's fastest man had expressed some doubt regarding his participation at the Rio showpiece, which will take place in four years' time. Bolt, after emulating his performance in Beijing four years ago and London, a few weeks ago, the sprinter admitted to being uncertain about the future and a possible target. It seems, however, that the sprinter is now a bit more certain. While admitting that he is likely to be past his prime at the next Olympic Games, in which the sprinter will turn 30 years old, he will certainly compete.
Amidst the shrill of excitement, Olympic athleticism, and national pride, Jamaica, recently celebrated fifty years of independence. Stringers for the Informer, on the ground in London , have eagerly shared photos of the simultaneous celebrations - Independence and medals for superior athleticism won by Jamaican nationals around the globe. Here, we gladly share those photos with our readers, as well as a message prepared especially for the Informer from the Ambassador of Jamaica to the United States, [Stephen C. Vasciannie]. Congratulations!
"I am feeling confident more than ever and I think next year it's going to be really hard for anybody coming up against me because I will be stronger, I will be much fitter and I will be much faster. Each year I grow day by day," said [Yohan Blake], nicknamed The Beast' for his work ethic. During an interview on local television in late 2008, [Bolt] named Blake as "a potential threat" to his reign. "My true potential was not at the Olympics because if you look back at my races after the Olympics I was running really fast. I was really nervous. If you touch me I would have fallen. That's how nervous I was but I covered it up pretty well," said Blake.
Seventy-two Jamaican migrants left yesterday afternoon on the Ascania for Britain. The majority are joining relatives in England. Others are going directly into jobs there. The Ascania arrived yesterday morning from England and docked at No 3 Pier. Two hundred and thirty-six Jamaicans, who had been resident in Britain, returned home on the ship yesterday morning.
[Shelly-Ann Fraser-Pryce] burst on to the scene as a fresh-faced youngster in 2008, winning the local national trials before going on to shock the nation and the crown by claiming the title at the Beijing Olympic Games. Fraser-Pryce clocked an impressive 10.78 seconds to lead a Jamaican sweep of the event finishing ahead of compatriots Sherone Simpson and Kerron Stewart.
"It's hard to explain," [Bolt] said. "I don't really know what went wrong." "I was looking to come here for a good time. I guess it's one of those days," he said. "I just never got going." "I did some starts and I was flying from the blocks so I said, "Yeah, this is good". I can't tell you what happened."
Bolt will be part of a star-studded cast that includes compatriot Veronica Campbell-Brown in the women's 100, as well as LaShawn Merritt and Oscar Pistorius in the 400, Christian Cantwell and Dylan Armstrong in the shot put, Dayron Robles at 110m hurdles, and Barbora Spotakova in the javelin.
Christoper Hunt co-chairmen of the [David Hunt] 'Wagga' Hunt Memorial Scholarship Fund stands with this year's scholarship recipients, Delroy Matterson of Calabar and Kingston College's Hamani Henry during last Saturday's award ceremony which was held at the Norman Manley Law School at the University of the West Indies. Harmani Henry of Kingston College (KC) and Delroy Matterson of Calabar High are this year's recipients of scholarships, valued at J$100,000 each from the David 'Wagga' Hunt Memorial Scholarship Fund.
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365 p, Discussion of the experience of blackness and cultural difference, black political mobilization, and state responses to Afro-Latin activism throughout Latin America. Its thematic organization and holistic approach set it apart as the most comprehensive and up-to-date survey of these populations and the issues they face currently available.
Holmwood Technical's Shanieke Watson and Munro College's Herbert Thomas were the best junior female and male athletes in their respective categories. Competing in the four-kilometre event for females, Watson recorded 15 minutes 52 seconds for the win, getting the better of the St Jago High duo of Monique McPherson (16:09) and Roshae Burrell (16:11).
"We do it in the rural areas more than we do it in Kingston and I think events such as Kingston Pon Di River really need to happen more. It's a way of giving people a voice. I really congratulate the organisers, and it's one of those events that people should put on their calendar," she said. "I thought the audience reception was very positive. It's encouraging me to write some more stories. Kingston Pon Di River buss me as a creative writer, so mi haffi go through," she told The Gleaner.
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223 p., Through complex explorations of narratives of Spanish Blacks in the Caribbean this collection of essays builds critically on mid and late twentieth century Afro-Hispanist scholarship and thereby amplifies the terms in which Africans in the Americas are generally discussed. Each of these essays deals with a pivotal aspect of the African experience in the Spanish speaking Caribbean from the period of slavery to the present day.
With Bolt emerging as the overall 100m champion of the recently concluded Diamond League series he, along with defending 100m world champion Yohan Blake, qualified for a bye to the World Championships. "I think Blake has earned his right to compete in the 100m by winning the 100m at the last World Championships, so I was always going to run the 100m," he added. "For the 200m, that will have to be determined based on what the JAAA decides, because I think that they are the ones who pick which wild card they want," [Bolt] said.
"The team that Jamaica currently has, I am confident will make us all very proud," [Horace I Burrell]- said, while speaking at a sponsorship announcement cere^ mony for the local coaching school held at the Jamaica Football Federation's (JFF) head office, Wednesday, April 4. "I was speaking with the President of the United States Football' Federation and he tells me that the US are now trembling because they know that Jamaica has a strong front line and of all the teams in CONCACAF, they are afraid of two teams. Jamaica and Mexico." Burrell said.
"Usain (Bolt) and I said let's go to Australia and play some cricket; let's check out the Big Bash and see what it is all about," he noted. "With this hard training in track and field and I know that cricket training is not that hard and I can make the team and it is my first love, I would go to play cricket," he declared. "I want to finish this (athletics) as early as possible, so I can play my cricket: like somewhere around 30, 29, 28. in that region," he added. [Yohan Blake] was last month given the honour of being the first noncricketer to ring the bell at the 'home of cricket', Lord's, in England. He did so ahead of the start of the third Test match between England and South Africa.
"The thing that stands out most, because it is something that people have been asking for, is the opportunity to see the top MVP - remembering that MVP has Asafa [Asafa Powell], Nesta Carter, Michael Frater, among others, versus the top Racers track club team, remembering they have Usain Bolt, Yohan Blake," [Paul Francis] disclosed. MVP fastmen Powell, Carter and Frater are already confirmed for their 4x100m team, and comeet organiser and MVP president, Bruce James, is anticipating Racers team comprising of and Olympic champion Bolt World champion Blake.
Hi-Lyte sport drink brand manager, Julette FoxHosang, says the calm demeanour and character of West Indies Women's all-rounder Stafanie Taylor were two of the reasons behind her company's decision to sign the world-ranked cricketer as a brand ambassador. The one-year deal, which includes cash, kind and incentives, will see Taylor joining 2008 Beijing Olympics 100 metres silver medallist Kerron Stewart as Hi'Lyte 's lead ambassadors.
[Jason Morgan], 30, who broke the national record twice this season, and who along with Traves Smikle became the first two Jamaicans to ever represent the country at the Olympics by achieving the Olympic 'A' standard of 65 metres, went into the Games with a season best of 67.15m. However, at the Games he was a shadow of himself, failing to throw beyond 60 metres and was subsequently eliminated during the preliminary round. "Yes, I should have competed better at the Games but I think I became too relaxed, too complacent," he conceded.
[Jason Morgan], who finished 10th in qualifying at the IAAF World Athletic Championships in Daegu, South Korea, last year with a throw of 61.75m, well below his best, has been improving each week so far this outdoor season. He opened up with a 62.07m throw to win at the McNeese University Cowboy Relays at Lake Charles, Louisiana, in early March. Then, on March 17, he hurled the implement 63.82m for another win at the Louisiana Classics. That throw ranked him seventh in the world this season.
"It's the training of PE teachers, and if they don't have a PE teacher, then another that's interested in physical activity and getting children healthy! its not only about getting them involved in a formal sport, there are many children with abilities and we iust want our children to know now important it is for them to be physical and see the emotional and health benefits of getting that habit from an early age, [Heidi Clarke] added. "It helps to foster leadership, friendships and all of those things to exert energy positively."
[Yohan Blake], who will be defending his 10Om crown in Moscow next summer, is widely known to be an avid fan of the sport. Several decent showings in local cricket competitions were expected to be a precursor to his appearance at the massive Big Bash Twenty20 league in Australia in a few weeks. However, it seems Blake and his coach, Glen Mills, have struck a deal of sorts. "Coach (Glen) Mills had a talk with me and he told me that I have the (100m World) title to defend, so I should focus on that and then the other year (2014) is going to be an off year, so I can play my cricket and also run, so I am just going to wait until next year to look at the cricket," Blake told The Gleaner.
Olympic 400m champion Sanya Richards-Ross presents cheque worth US$10,000 (J$900,000) to her alma mater on Wednesday, October 17. "I expect it to help in a big way. You hear of the parents who have very talented kids but sometimes just can't afford it, and it really breaks my heart because I am very thankful that my parents made the sacrifice to keep me in school. So if I can help the next Sanya Richards -Ross then it's all worth it," Richards-Ross noted.
Cases brought by the Jamaica AntiDoping Commission (JADCo) Disciplinary Panel against track athletes [Dominique Blake] Blake and Ricardo Cunningham have been adjourned until December 3-5 and November 1, respectively, because of the absence of adequate documentation and witnesses. Blake and Dixon were clearly not in favour of an adjournment at the outset, with Dixon pointing out·' "My client is here now, she does not reside in Jamaica and we are here now and believe we can present a good rebuttal. We are prepared to present a case to you." Blake in turn is to file with the JADCo Secretariat a comprehensive brief no later than November 7, 2012.
Olympic 200m bronze medallist Warren Weir, and Kemar Bailey-Cole, a 4x100m relay gold medallist and Jamaica's newest member of the sub-10 seconds 100m club, with a best of 9.97, lead that group, which also includes Jason Young, who has a personal best of 19.86 200m, and World Junior Championships 100m finalist Jazeel Murphy. "It's going to take a little time and depends on how well he adapts to the corrections and training and so forth though," [Mills] warned, before explaining some of the issues the lanky sprinter has had to overcome.
"There are tens of thousands of roofless or windowless homes, schools, healthcare facilities, nursing homes, daycares and cultural centers that were partially or totally destroyed," Jones added.
Reiter,Bernd (Author) and Simmons,Kimberly Eison (Author)
Format:
Book, Edited
Publication Date:
2012
Published:
East Lansing: Michigan State University Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
314 p, By focusing on the ways racism inhibits agency among African descendants and the ways African-descendant groups position themselves in order to overcome obstacles, this interdisciplinary book provides a multi-faceted analysis of one of the gravest contemporary problems in the Americas. Includes Faye V. Harrison's "Building black diaspora networks and meshworks for knowledge, justice, peace, and human rights."
"The LTM and NDTC relationship speaks for itself, we need each other," she said, before continuing to creatively embroider her personal experiences with the NDTC into her speech. With the dance floor of the NDTC studio as the stage, the delightful evening's programme flowed with a message from the chairman of the Rex Nettleford Foundation, Carlton Davis, a vote of thanks from NDTC Musical Director, Marjorie Whylie, and excerpts from the company's' repertoire. The dances were performed by the now generation of dancers.
In her exciting presentation entitled "Stuck in Traffic: Jamaican Culture Outa Road," Dr. Cooper explained that "Jamaican culture, like Jamaican traffic has special challenges." Addressing an overflow audience at the Embassy, she surveyed aspects of Jamaican Culture through a metaphorical review of the traffic situation in the country from the time of Independence.
IN 2008, she was the top Grade Six Achievement Test performer at Our Lady of the Angels Prep School. Four years later, 15-year-old Tiffanie Williams has continued on the path of excellence with her latest achievement landing herself a spot in the National Society of High School Scholars (NSHSS). "I went on a tour of both New York University and Columbia University ... . It's gated and I like that. I also like its Greek-style infrastructure! I just like it," she said. Until I get to know the others, I have my eyea set on Columbia University, [Tiffanie] said. "It's a proud moment .... Tiffanie is an unusual child and she has done well over the years. She is motivated and strong and a leader in her own ways. She has the full support of both parents," Howell said.
It's against this backdrop that filmmaker Roger Boisrond will screen SAK PASE? In the heart of the Haitian community, me grande premiere of his latest unedited documentary on the Haitian community. A Centre Mandela-King Production, the film will give viewers a better understanding of the Haitian presence in Quebec society, and the longtime solidarity that exists between Quebec and Haiti. A discussion will follow the screening.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
257 p, Part One: Engaging the Transnational, Cosmopolitan and Postcolonial in Afro-Hispanic Texts. Introduction to Part One / Antonio D. Tillis ; Roots and Routes: Transnational Blackness in Afro-Costa Rican Literature / Dorothy E. Mosby ; Los nietos de Felicidad Dolores (The Grandchildren of Felicidad Dolores) and the Contemporary Afro-Hispanic Historical Novel: A Postcolonial Reading / Sonja Stephenson Watson ; Cultural Transnationality and Cosmopolitanism in the Poetic Journeys of Nancy Morejón / Antonio D. Tillis. -- Part Two: Africa and African Cosmology and Literary Tradition in Hispanic (Con) Texts. Introduction to Part Two / Antonio D. Tillis ; Yoruba Cosmology as Technique in Malambo by Lucía Charún-Illescas / Aida L. Heredia ; Myth, Legend & Reality: Redesigning the Narrative Style in Manuel Zapata Olivella's Hemingway, the Death Stalker / Cristina Cabral ; Nicomedes Santa Cruz: A Clarion for Black Cultural Traditions in Peru / Martha Ojeda ; Bridging Literary Traditions in the Hispanic World: Equatorial Guinean Drama and the Dictatorial Cultural-Political Order / Elisa Rizo. -- Part Three: Defining and Redefining Identities in Latin American Literature. Introduction to Part Three / Antonio D. Tillis ; Black, Woman, Poor: The Many Identities of Conceição Evaristo / Ana Beatriz Rodrigues Gonçalves ; The Triumph Within: Carolina Maria de Jesus and Strategies for Black Female Empowerment in Brazil / Dawn Duke ; Talking Back with Ana Lydia Vega: Identity, Gender and the Subversive Portrayal of Mestizaje / Emmanuel Harris, III ; Dialogically Redefining the Nation: Hip-hop and the Collective Identity / Lesley Feracho.; "After generations of being rendered virtually invisible by the US academy in critical anthologies and literary histories, writing by Latin Americans of African ancestry has become represented by a booming corpus of intellectual and critical investigation. This volume aims to provide an introduction to the literary worlds and perceptions of national culture and identity of authors from Spanish-America, Brazil, and uniquely, Equatorial Guinea, thus contextually connecting Africa to the history of Spanish colonization. The importance of Latin America literature to the discipline of African Diaspora studies is immeasurable, and this edited collection provides a ripe cultural context for critical comparative analysis among the vast geographies that encompass African and African Diaspora studies. Scholars in the area of African Diaspora Studies, Black Studies, Latin American Studies, and American literature will be able to utilize the eleven essays in this edition to enhance classroom instruction and further academic research."--Publisher's website.
From earthquakes, hurricanes and fires to Olympic glory and Independence, The Gleaner started chronicling Jamaica's roller-coaster history ride in 1834, and has had a front-row seat at every major event since. The Honourable Roy McNeill, minister of home affairs, announced yesterday that he has refused the application of the Reverend Clennon King, a United States citizen, for political asylum in Jamaica. McNeill, according to the official statement, considered King's application and reached the decision that his case is not one that qualifies for political asylum. King, of Albany, Georgia, arrived in Kingston last month and asked for political asylum from what he describes as insidious persecution and official harassment in the United States.
[Nicole Brooks] says part of her mission as an artist, whether in film or theatre, is to really uphold looking at stories about her roots. "And so when I discovered that the catalyst of the witch trials was because a slave named Tituba from Barbados was accused of teaching obeah to young white women in the town, I sat back and reflected on how did these Puritans knew the word 'obeah'," says Brooks. Brooks says she is not breaking any rules or being untraditional because the definition of an opera is "a play that's sung." 'It doesn't have any attachment to say it has to be in classical form or that a particular genre of music makes it an opera," says Brooks who is giving a voice to these women. When she held a workshop of Obeah Opera she had to deal with some people who thought she was critical of the Puritan's Christianity and others, including her mother, who were concerned about her exploration of obeah. She answered them by noting that in the contact between captured Africans and white Puritans, there was a connotation that everything African was bad.
In recent weeks and months, Jamaica's Prime Minister, Portia Simpson Miller, Guyana's new President, Donald Ramotar, Grenada's head of government Tillman Thomas, and a few days ago, Mia Mottley, a former Deputy Prime Minister of Barbados came to New York at the helm of a six member delegation of the Barbados Labor Party to meet the Diaspora. What they all did was deliver an interesting message: nationals of their respective countries must continue to play an invaluable role in the further economic and social development of America's third border. What a pity, then, that Caribbean states haven't done more to integrate their respective Diasporas into national development back home, much like Israel, Ireland and to lesser extent some African states.
No doubt the friendly, but highly-charged rivalry between Jamaica's two world record holders. [Yohan Blake] and Bolt will be the focus of attention after what has been a highlight year for both. But other Caribbean sprinters such as St. Kitts' [Kim Collins] and Trinidad and Tobago's [Richard Thompson] and fellow Jamaican Powell cannot be ruled out of the medal mix in the 100 and 200 meters. The 22-year-old Blake made a show of his aspirations when he easily won last year's World Championships after Bolt was disqualified: he then made a permanent dent in Bolt's armor of invincibility by clobbering him twice (100m and 200m) at Jamaica's Olympic trials earlier this month. Other Caribbean athletes poised to make their mark in London are Grenada's Rondell Bartolomew, (400m), Ryan Braithwaite à former World Championship gold medalist of Barbados, (110m Hurdles); St. Vincent and the Grenadines' Kineke Alexander (Women's 400m), Antiguan sprinter Daniel Bailey, (100m), and Guyana's Aliann Pompey, a former Commonwealth Games gold medalist (Women's 400m).
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
614 p, Cuba has been central to popular music developments throughout the Caribbean, Latin America, the United States and Europe. Unfortunately, no one has ever attempted to survey the extensive literature on the island's music, in particular the vernacular contributions of its Afro-Cuban population. This unprecedented bibliographic guide attempts to do just that. Ranging from the 19th century to early 2009 it offers almost 5000 entries on all of the islandâ¿¿s main genre families, e.g. Cancion Cubana, Danzon, Son, Rumba, and Sacred Musics (Santeria, Palo, Abakua, and Arara), as well as such recent developments as timba, rap and regueton.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
289 p., Traces expressions of both aesthetic and experiential transcolonial black politics across the Caribbean world, including Hispaniola, Louisiana and the Gulf South, Jamaica, and Cuba.
With the new law instituted, the face of the population of the Caribbean evolved and whites eventually became a minority although they continued to hold their superior social status. According to a book called "Caribbean Islands - The Sugar Revolutions and Slavery," by the early 19th century, less than 5 percent of the population in Grenada, Nevis, St. Vincent and the Grenadines, Jamaica, Tobago were white. They accounted for less than 10 percent of the population of Anguilla, Montserrat, St. Kitts, St. Lucia and the Virgin Islands. Only in the Bahamas, Barbados and Trinidad were more than 10 percent of the population white.
"I don't know, I really hope that I am there though. I will be working hard and hopefully I can improve my times and start to run some really fast times again," [Asafa Powell] said. "But if I keep doing that, then I will be there (2016 Olympic Games)." "I would love to be in Brazil," said Powell Thursday, August 23 during an interactive online question and answer session with his fans through his sponsor LIME. A very light-hearted Powell, while joking about his age, says he will be working hard to give himself a chance of making the trip to Rio and he is hopeful that he will still be active by the time the next instalment of the Olympic Games comes around.
Focuses on the role of young women in the development of Latin America and the Caribbean (LAC). Mentions the pregnancy in LAC is caused by the low socioeconomic situation of young women. States that the lack of information on sexuality education and an inclusive system for health and social protection will increase the chance of poverty.
Reviewing the 22 years that have elapsed since Gifford's 1989 report labelled Liverpool as racist, the authors focus on the fact that in a city which has had a British African Caribbean community for over 400 years, there is minimum representation of that community in the city's workforce.
The story of Carmen (Mérimée 1845, Bizet 1875), the (in)famous Gypsy from Spain, is the second most adapted narrative in the history of world cinema with more than eighty global versions officially recognized to date; however, one significant and critical version has been overlooked, the controversial 1991 film María Antonia (Cuba), by Afro-Cuban filmmaker Sergio Giral.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
208 p., Illustrates the way enslaved Africans lived and helped to shape Jamaican society in the three decades before British abolition of the slave trade. Audra Diptee's in-depth investigations reveal unexpected insights into the demographics of those captured in Africa and legally transported on British slave ships.
