[Nicole Brooks] says part of her mission as an artist, whether in film or theatre, is to really uphold looking at stories about her roots. "And so when I discovered that the catalyst of the witch trials was because a slave named Tituba from Barbados was accused of teaching obeah to young white women in the town, I sat back and reflected on how did these Puritans knew the word 'obeah'," says Brooks. Brooks says she is not breaking any rules or being untraditional because the definition of an opera is "a play that's sung." 'It doesn't have any attachment to say it has to be in classical form or that a particular genre of music makes it an opera," says Brooks who is giving a voice to these women. When she held a workshop of Obeah Opera she had to deal with some people who thought she was critical of the Puritan's Christianity and others, including her mother, who were concerned about her exploration of obeah. She answered them by noting that in the contact between captured Africans and white Puritans, there was a connotation that everything African was bad.
