Presents the essay Decentering a Discipline: Recent Trends in Latin American Literary Studies, based on a number of books. Cultural Diversity in Latin American Literature, by David William Foster; Do the Americas Have a Common Literature?, edited by Gustavo Perez Firmat; Reclaiming the Author: Figures and Fictions From Spanish America, by Lucille Kerr; Other books used in the essay.;
Examines the book Violated by Guitele Jeudy Rahill and the film Dancehall Queen directed by Don Letts. It sites that both works explore the politics of black female sexuality related to upward mobility and economic survival in Caribbean settings. It also examines female sexuality as marketplace and analyzes the use of the black female body for mobility purposes.
This essay examines the production of cultural voice in the work of Linton Kwesi Johnson,the African/Caribbean/European dub poet. It suggests that the double-displacement of an African-Caribbean Black living in England, diaspora upon diaspora, comes with a double-indemnity-making and history.
"[Examines] le développement historique et socio-économique des Caraïbes dans le roman de Paule Marshall: The Chosen Place, The Timeless People (publié en 1963), à travers la relation de deux femmes, l'une noire, l'autre blanche, dont les destins et l'héritage sont liés à l'histoire particulière des relations de genre caractéristiques de l'esclavage et de la vie sur les plantations." (Refdoc.fr)
Part of the vision depicted in the novels Middle Passage and Mimic Men is that the image local history is the scenery and landscape. Expresses idea that colonization creates nothing. It is obvious in a place, thrives there then disappears.
African American Research Center, Library, University of Illinois at Urbana-Champaign
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Originally presented as the author's (Luiz Silva's) thesis (doctoral)--Universidade Estadual de Campinas, 2005., 294 p, Cruz e Souza and Lima Barreto works evince similar strategies to face historical circumstantial challenges relevant to the end of the 19th Century. Concerning the racial exclusion processes enrooted in the preceding centuries due to slavery, the authors developed the collective trauma consciousness and its further consequences on daily lives within the poetical and fictional areas.
African American Research Center, Library, University of Illinois at Urbana-Champaign
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72 p., Examines the recurrence of the image of sugarcane in Caribbean literature and traces a timeline of oppressive discourse. The image of the cane field represents a tension between silencing voice and identity independent of European nation-building ideologies. There is a history of silencing associated with sugarcane, even as Caribbean authors seek a potential to use this history to create a voice. While the authors examined employ the image of the cane field to create a voice outside of the dominant discourse, the voice of the Caribbean is nonetheless restricted.
Reviews Mullen's examination (Greenwood Press, 1998, 236p) of Afro-Cuban literature. Notes that this study is "perceptive" and "important" to the field of Afro-Hispanic literary criticism.;
Reviews books on Afro-Hispanic and Caribbean literature. Includes The Empire Writes Back: Theory and Practice in Post-Colonial Literatures, by Bill Ashcroft, Gareth Griffiths and Helen Tiffin; Fifty Caribbean Writers: A Bio-Bibliographical Critical Sourcebook, edited by Daryl Cumber Dance; Nicolas Guillen: Popular Poet of the Caribbean, by Ian Isidore Smart.;
African American Research Center, Library, University of Illinois at Urbana-Champaign
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251 p., Chapters: African and Afro-Cuban factors in the structure of Lydia Cabrera's black short stories -- The characters : gods, animals, humans, supernatural beings and objects -- The theme of the waters.
African American Research Center, Library, University of Illinois at Urbana-Champaign
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149 p, "This interdisciplinary study combines concepts of symbolic anthropology with traditional literary criticism to survey six novels by the Caribbean authors George Lamming and Wilson Harris." (Publisher)
Balutansky reviews C. L. R. James, the Artist as Revolutionary by Paul Buhle, C. L. R. James's Caribbean edited by Paget Henry and Paul Buhle, The C. L. R. James Reader edited by Anna Grimshaw, Special Delivery: The Letters of C. L. R. James to Constance Webb, 1939-1948 edited by Anna Grimshaw and C. L. R. James: His Intellectual Legacies edited by Selwyn R. Cudjoe and William E. Cain.;
African American Research Center, Library, University of Illinois at Urbana-Champaign
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256 p., This book explores the common links and differences between the works of two modern Caribbean poets, Kamau Braithwaite and Dereck Walcott. The study focuses on the engagement of the two with the mythology of the Caribbean's African experience, defining each poet's contribution to the development of modern Caribbean poetics.
The author examines race, language, and identity in Derek Walcott's poetry, reading Walcott's poetry as an extended meditation on the question of whether it is possible to exist within the English language and an Afro-Caribbean tradition, drawing poetic nourishment from each, or whether the attempt is a betrayal of both. Of mixed racial ancestry, a native speaker of French Creole who was formally educated in British colonial schools, raised Methodist on the Catholic island of St. Lucia, Derek Walcott occupies a peripheral place with respect to both English and Caribbean culture, it is noted. Throughout the course of his poetic career he has been criticized from both perspectives, either for "appropriating the Other" and putting it to use in the service of the dominant culture or for not assimilating that dominant (English) culture fully enough.;
Discusses C.L.R. James's chronicle of the history of the Haitian revolution of 1843 in his book 'The Black Jacobins.' Contrast between the behavior of the Haitian slaves during the working day and their conversations around the supper fire; Conscious organization of the Caribbean nation; Processes of communication that took place in the midst of conflicts.
African American Research Center, Library, University of Illinois at Urbana-Champaign
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147 p, The Caliban-Prospero encounter in Shakespeare's "The Tempest" has evolved as a metaphor for the colonial experience. The present study utilizes the Caliban symbol in examining the influence of colonialism in Caribbean literature, focusing on the works of three major writers from the Caribbean islands: Jean Rhys, of British descent from Dominica; George Lamming, of African origin from Barbados; and Sam Selvon, of mixed Indian and Scottish heritage from Trinidad.
African American Research Center, Library, University of Illinois at Urbana-Champaign
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228 p, Poesía negra en Colombia; Based on the author’s thesis (doctoral--Indiana University) entitled La poesía negra en Colombia a través de la obra de Candelario Obeso.
Considers the second part of Eric Williams book Capitalism and Slavery, where he argues that "Britain's changing attitude to slavery and the slave trade was essentially a function of her changing economic situation and interest." Looks at the Williams' "interpretation of Pitt's conduct, of the abolition of the British slave trade in 1807, and of Palmerston and the suppression of the foreign slave trade."
"C.L..R. James' 1938 seminal text, The Black Jacobins, and Eric Williams' 1944 tour de force, Capitalism and Slavery, constitute much more than foundational works in West Indian nationalist historiography. Both authors, born in colonial Trinidad and writing Caribbean history within its Atlantic context, made significant contributions to development discourse within the traditions of Enlightenment Idealism. As critical realists they considered popular historiography indispensable to any attempt to root philosophical ideals within recognizable terms of everyday living. In The Black Jacobins, James documents the struggles of the enslaved peoples of St. Dominique, the mercantile showpiece of French colonial capitalism in the West Indies for freedom and social justice. In addition, he details the transformation of this successful anti-slavery rebellion into something much more elaborate in terms of Atlantic history--the creation of Haiti, the Caribbean's first nation-state. In Capitalism and Slavery, Williams expands and develops the paradigm of African labor enslavement and European capital liberation, first outlined by James in The Black Jacobins, that became the basis of the revolutionary reorganization of productivity for European economic development." (author)
"Condé's work seems to elicit a critical discourse saturated with spatial metaphors or reflections on the theme of space and travel. Critics state that is difficult to separate Condé's narrative from her concepts of home, homeland, ancestry." (Rosello)
"Recent West Indian literature by women offers a locus of debate over the retrieval of the body from and within western discursive erasure. This erasure of the female body and its possible reclamation is of course central to contemporary feminist debate, and has its own genealogy within feminist discourse. My interest in this question, however, is in the ways in which colonialism's discursive and institutional apparatuses obliterated and continue to obliterate the colonised (specifically female) body, and the counter-colonial strategies by which this 'lost' body might be reclaimed. In their fiction Erna Brodber and Jamaica Kincaid anatomize the body's erasure under a colonialist scriptive drive and explore potentials for the re/cognition of corporeality and sexuality." (author)
The erasure and denial of the female body and of female sexuality in the fiction of Erna Brodber and Jamaica Kincaid represent the erasure and denial of the colonized Caribbeans by their European colonizers. The female characters of both Brodber and Kincaid, however, retrieve their bodies through various means, from education to a realization of the power of their sexuality. This retrieval of the female body symbolizes freedom of the Caribbean body from colonization.
African American Research Center, Library, University of Illinois at Urbana-Champaign
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317 p., While a great deal of postcolonial criticism has examined how the processes of hybridity, mestizaje, creolization, and syncretism impact African diasporic literature, Oakley employs the heuristic of the "commonplace" to recast our sense of the politics of such literature. Her analysis of commonplace poetics reveals that postcolonial poetic and political moods and aspirations are far more complex than has been admitted. African Atlantic writers summon the utopian potential of Romanticism, which had been stricken by Anglo-European exclusiveness and racial entitlement, and project it as an attain.
"It is my intention to explore the topic of Rene Depestre as love-poet, taking into account the recent prose works where they seem relevant. This author has so attracted more notice from critics as anti-imperialist than as troubadour, despite his prolific output of love-poetry." (author)
African American Research Center, Library, University of Illinois at Urbana-Champaign
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79 p, Paulo Leminski, escritor de intensa produção cultural em sua breve vida, conta a história do peta negro Cruz e Sousa, nascido em Florianópolis no ano de 1861: a vida problemática e atormentada de um negro genial, filho de escravos, que chegou a ser um dos maiores poetas do Braisl. o Cisne Negro, o Dante de Ebano, figura central do nosso simbolismo, que superou o dilaceramento entre os antagonismos de ser negro no Brasil e dispor do mais sofisticado repertorio branco de sua época.
This paper uses postcolonial theory to analyze Jamaica Kincaid's quasi-autobiographical book, A Small Place. Kincaid's critique of tourism in Antigua reverses traditional travel writing trends in which First World perceptions of the Third World dominate. She discursively dismantles the imaginative geographies of empire that cement binary oppositions, such as tourist/native and black/white. She collapses these binaries to illustrate the intricate ways in which the global neocolonial ethos created by economic dependencies manifest. Arguing that tourism is implicated in this hegemonic process, she utilizes the metaphor of a guided tour to redirect the imperial gaze. Kincaid argues that legacies of colonial oppression can change once tourist and host value the same things in the shared space of the contact zone.
Glissant "published in 1981 two books which, although primarily concerned with the crisis identity and productivity that prevails in the French West Indies, must command the attention of any reader interested in the future development of the Caribbean region. The first is a socio-political study entitled Le Discours antillais; its companion piece is a work of fiction, La Case du commandeur. Their importance...for the rest of the region lie in their author's unique of sense of the historical and cultural ties by which Martinique and Guadeloupe are inherently attached to the surrounding islands. This attachment, however-- for which he has coined the term antillanite --he considers to be imperilled by France's intention to 'assimilate' her Overseas Departments not only politically, but culturally and economically." (author)
African American Research Center, Library, University of Illinois at Urbana-Champaign
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369 p., This title includes discussions of Ernest Hemingway's life and works. Includes Philip Melling's "Cultural imperialism, Afro-Cuban religion, and Santiago's failure in Hemingway's The old man and the sea."
Adler,Joyce Sparer (Author), Adler,Irving (Author), and Jagan,Janet (Author)
Format:
Book, Whole
Publication Date:
2003
Published:
Kingston, Jamaica: University of the West Indies Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
106 p, Contents: Wilson Harris : the ideal of unity -- The art of Wilson Harris -- Tumatumari and the imagination of Wilson Harris -- Wilson Harris and twentieth-century man -- Melville and Harris : poetic imaginations related in their response to the modern world -- Wilson Harris's The womb of space : the cross-cultural imagination -- The evolution of female figures and imagery in Wilson Harris's novels -- Wilson Harris's cross-cultural dialogue with Melville -- Wilson Harris : an introduction
Focuses on the book "Casa-grande e senzala," by Brazilian sociologist Gilberto Freyre. In his book, Freyre introduces the idea of Brazilian racial democracy (democracia racial) and analyzes the views of black people in Brazil. Freyre and his ideas were said to be controversial and racist and many believed that these ideas created myths within society