Reviews Mullen's examination (Greenwood Press, 1998, 236p) of Afro-Cuban literature. Notes that this study is "perceptive" and "important" to the field of Afro-Hispanic literary criticism.;
Interviews Afro-Costa Rican writer Quince Duncan. Discusses the lack of critics who are familiar with Black literature in Costa Rica; asks Duncan to compare North American and Latin American criticism of his work, asks Duncan about his latest projects and the direction of his work; and compares Duncan's work with that of Alejo Carpentier and Manuel Zapata Olivella. Also touches upon language usage, the theme of literature of combat, and Duncan's future plans.;
"In this paper I should like to discuss a particular geographical area in Venezuela which has been heavily influenced by black populations stemming from colonial trans-Atlantic slave trade, i.e., the region known as Barlovento, which lies east-southeast of Caracas." (author);
Examines the role of abolitionist and feminist ideals in Gertrudis Gómez de Avellaneda's novel Sab. Highlights the power and gender relations in Sab, suggesting that previous interpretations of the novel have not addressed the role of these relations as a function of race relations in the slave colony of Cuba. Discusses the themes of interracial relationships and personal identity.;
Discusses the poem, Mujer negra (1975), by Caribbean writer Nancy Morejón. Focuses on how the poem departs from the traditional aesthetic and sexual discourses which lead to the mythification and marginalization of black women. Highlights the methods by which the black female persona subverts these established discourses and creates a counter-discourse to re-define herself and her New World experience. Details the ideological underpinnings involved in this process.;
Examines the use of and changes to the Spanish language in Equatorial Guinea. Explores reasons for the non-creolization of Equatorial Guinean Spanish. Discusses the arrival and spread of Pidgin English on Fernando Poo (Bioko). Reviews literature on the Spanish language in Equatorial Guinea.;
Discusses the emergence of Afro-Hispanic literature over the past 25 years. Details the many social and political factors that have influenced the literary movement. Argues that the emergence of Afro-Hispanic literature is timely in its challenging of traditional views of what is admissible into the literary canon.;
Discusses the emergence of an Afro-Cuban aesthetic. Notes the major contributions of Cuban writers Félix Tanco, Antonio Zambrana, Nicolás Guillén, Miguel Barnet, and others to the literary movement. Remarks that these authors give us a view of Latin American history from "below the deck of a slave ship" - a view that is very different from the traditional one.;
