Shepherd,Verene A. (Author) and Beckles,Hilary (Author)
Format:
Monograph
Publication Date:
2000
Published:
Princeton, NJ: Markus Wiener
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
1120 p, "Revised/ expanded version of the text 'Caribbean Slave Society and Economy.' Comprehensive, made up of 17 sections (each with its own introduction) of more than 70 articles." (Publisher)
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
1 videocassette (57 min.), Highlights the historical journey of an Afro-Cuban family, from Jamaica, to Cuba, to the Bronx, revealing that the Cuban-American experience is more diverse, racially and ideologically, than we are often led to believe. Diana, Ruben, and Pablo reveal stories of growing political awareness, overcoming the dangers of the streets, and coming into their own as Afro-Latinos.
"In our Cold War fight with Castro, (we were) willing to subsidize Cubans to leave to come here and at the same time lock Haitians out. That is not fair, and we deserve a different policy," [Jesse L. Jackson Sr.] said. He said the U.S. pays to bring Cubans here, subsidizes them, but pays to send Haitians back to Haiti. "That's not fair," he stated. "Haiti fought for our freedom." "The Cubans are political refugees looking for political freedom, and they're given money to come, but, the Haitians are economic refugees so they must go back. There are more Haitians who've died... than Cubans," Jackson said calling for an end to the double standard of refugees between Cuba and Haitians seeking to come to America.
Then the charismatic Sundar Popo, who championed "chutney" music, or Indian soca, died of heart failure in May at the age of 57. Sundar Popo is remembered for "Your Mother's Love" and other hits. "People here are very superstitious," said businessman Danny Montano. They conclude "something has swept the country, something is wrong, and that's why so many bad things are happening."
I am referring to prejudice against those who are both Latino and black, whose ancestors arrived on Spanish or Portuguese Slave ships. Living in Los Angeles, it might be easy to think that most Latinos are brown-skinned and of Mexican descent; after all, the majority of our city's Latino population identify as Mexican. Latin American scholars and historians agree that about 95 percent of the Africans forcibly brought to the Americas were bought to what is now Latin America. They are concentrated in the Caribbean, Colombia and Brazil, where half of the population is of African ancestry. And many dark-skinned Latinos also live in the United States. A black Latina wrote recently in Hispanic Magazine that Latinos see blackness as a liability in this country because the Latino community seems to be perpetuating the long-standing racism in South America. In Peru, blacks are sill being used as ornamental images ... chauffeurs valets and servants and blacks in Brazil are still considered marginal members of society. And it was reported that "Batista's skin was not pink enough to gain membership to some Cuban elite clubs."
Randall Robinson, founder and president of TransAfrica will speak at 12:30 p.m. at the Black Business and Professional Association's (BBPA) 4th Annual African American Economic Summit to be held Saturday, May 20 at the Renaissance Long Beach Hotel from 8 a.m. to 5 p.m. Robinson is a noted activist and author of Defending the Spirit: A Black Life in America. He is best known for his leadership in spearheading the movement to influence United States policies toward Africa and the Caribbean. Robinson played a significant role in the dismantling of apartheid in South Africa in the 1980s and the restoration of Democracy in Haiti.
Focuses on the role of women and women's bodies in Trinidad Carnival. Information on the book 'Afro-Creole: Power, Opposition and Play in the Caribbean; Views on the Janus-faced effect of women's bodily performance; Collusion of global capitalism in the marketing and commodification of Caribbean popular culture.
I am not sure what the reasons why "the arena on Vezina" was left empty on Carifiesta weekend while fans of Caribbean culture had to travel all the way to the West Island from place as far as the South Shore, Cote des Neiges, and La Salle to get a taste of Machel, Tall Pree, Traffik, and others. And perhaps the reasons are really not that important. The CCFA, as public trustees, are in no position to allow private and personal issues to get in the way of denying its use to anyone who wishes to use it for the benefit and promotion of Caribbean culture (save for the fact that they might cause material damages for which the CCFA might be held liable). given the fact that the CCFA is in no position to organize expensive parties (because of current and past financial losses) the next best thing would be to allow private individuals that opportunity. This is something which has been done in the past with some kind of honoraria going to the CCFA.
In April 1999, Dionne Brand, Leslie Sanders, and Rinaldo Walcott sat down to have a conversation about Brand's second novel At The Full and Change of the Moon. The
interview took place over a promised riposte, and was a conversation among friends.
The novel concerns itself with the contemporary lives of the descendents of Marie Ursule a slave who commits a rebellious and horrific act of mass poisoning on a plantation but saves her daughter Bolla.
New York elected officials and foreign dignitaries from the Caribbean and Africa among them were state Sen. Johns Sampson, Assemblymen Clarence Norman Jr. and Nick Perry, Councilwoman Una Clarke, Comptroller Alan Hevesi, Councilman Ken Fisher as well as Jamaican Consul General Dr. Basil Bryan and former Trinidad and Tobago Consul General Babooram Rambissoon. CACCI's founder and president, Roy A. Hastick Sr., said those honored as year 2001 visionaries were "recognized for their willingness to take the risk and accept the challenge to start and operate a small business in today's economy."
Oonya Kempadoo has been praised for her debut novel, Buxton Spice, a coming-of-age story set in the Caribbean. The book is a breathtaking glimpse into the inner life of Lula, a lively, highly imaginative girlchild growing up in a racially mixed family in Guyana in the 1970s. Kempadoo's unique and vibrant prose is the camera lens on the lushly exotic world that Lula inhabits. Through her eyes readers are introduced to the colorful denizens of Tamarind Grove. We see the village prostitutes (Sugar Baby, Bullet and Rumshop), the eccentric families, the gentle town spinsters, and Aunt Ruthy, the obeah voodoo lady.
The Organization of Africans in the Americas, a Washington DC-based organization, will sponsor a symposium entitled "Afro-Latinos and the Issue of Race in the New Millennium."
Storyteller, poet, and culinary anthropologist Vertamae Grosvenor displays the pleasures of African-Atlantic cooking in "Vertamae Cooks in The Americas' Family Kitchen," and in her new series debuting on PBS in October, In both the book and the series, Vertamae shows how African tastes and traditions have influenced the various cuisines of America, acquiring new flavors and ingredients along the way in Central America, South America, and the Caribbean. With humor, insight, and gusto, Vertamae shares anecdotes and history as she prepares more than a hundred mouth-watering, down-home recipes. The recipes range from the deliciously unique to the comfortingly familiar, from the spiciness of Bahian Shrimp Creole to the pleasure of sweet potato pie.
"`Faith in the Future' is a clarion call to these churches to look at the shape of faith in UK society - and the role they will play in it." A total of 60 speakers will appear in more than 50 sessions. Speakers will include Rev Arlington Trotman, Bishop Joe Aldred, Bev Thomas, Bishop Paul Jinado, Bishop John Sentamu, Les Isaacs and Bishop John Francis. "Over the last 50 years, the black majority churches have transformed the shape of churchmanship in the UK," he said, "as black churches represent many of the most vibrant and fastest growing congregations in the country.
"Back then," says [Glean], "Irie! was probably the first black dance theatre company to actually work to reggae music on stage, and to use traditional Caribbean folk dances as part of a performance piece. And everybody was really excited by it." "Our rehearsal period was like a training session, and so by the time you got to present the work on stage, the poor dancers were still trying to get to grips with the different styles and how they could fuse that with their contemporary training," recalls Glean. "So sometimes the essence of the artistic content could easily get lost." "You have to know about the culture and you have to have some kind of understanding and experience in order to execute the dance forms, because it really it about style," she explains. "And if you're talking about the traditional forms as well, it's about the traditional forms as well, it's about religion, it's about the rituals - you need to know all of that because that's the only way you'll be able to represent it fully and truthfully on stage. Everything is integral."
Prime minister Musa Said and his delegation highlighted the annual `Day in the Park' program sponsored by the Concerned Belizean Association at Hollywood Park in Inglewood on Sunday afternoon. "You should register to and vote in the United States," he said. "Your being active improves our capabilities in relations between the governments of the United States and the government of Belize. You can be an American, but you'll always be a Belizean!" In their comments, members spoke of progress toward their election goals of 15,000 thousand new jobs, 10,000 new homes and 1,000 new classrooms" to meet the needs of the Belizean people.
The term "world beat music" is less than a decade old. The music is a genre defined by the heads of a number of small London-based record labels who found that their records from Africa, Latin America and the Caribbean were not finding rack space. Major record stores had no obvious place for these unclassified sounds. The average listeners have not. Today the major record chains - Spec's, Best Buy, and others - have responded to buyers' demand to make available music from Africa, Cuba, Jamaica, Brazil and Latin America. Finding releases from Senegal's Kouding Cissoko or Baaba Maal is no problem. Finding the Afro-French, hip-hop sound of Les Nubians is simple; so finding the music of Nacio from Dominica, Gilberto Gil from Brazil, or Bamboleo of Cuba.
Curiously about the origins of the game has compelled the Anglo-Caribbean committee to begin research into one of the most enthralling pastimes. "We are looking to find out just where the game began," adds [Linton Blake]. "We are also trying to establish who the oldest player is so we can find out about the game's roots." "Most of the women are more passionate than the men," [Winston Bennett] admits. "They just want to be seen as another player and treated as such. It can be embarrassing for some of the chaps when they play against women and lose. It's wonderful to see!" Winston says: "There are some young fellows out there playing at the moment but unfortunately they don't take it seriously like the middle-aged or the older generation. We need good sponsorship to give them the interest. Without the money we can't really go into the fields we would like to."
Yvonne J. Graham, CEO of the Caribbean Women's Health Association, discussed the health disparities that continue to plague racial and ethnic groups in the New York City metropolitan area at the Brooklyn-based group's annual benefit reception. The CWHA's chief mission is to respond to problems affecting immigrants from the Caribbean region.
The Mystic Revelation of Rastafari, a group of Nyabinghi ceremonial drummers founded by the legendary Count Ossie in the 1950s, is not only making its New York debut but is raising the curtain on the Lincoln Center for the Performing Arts' "Caribbean Roots: Caribbean Routes" festival. Chris Combette, who has been collaborating with Mungal Patasar on several tracks for his new album, opened the show with his beautiful fusion of Caribbean styles - samba, salsa, soca, bossa nova, reggae and zouk sweeping over the auditorium like warm waves. Based in French Guiana, bordering Brazil, Combette has soaked up the melodies of the region, while his lyrics address the nostalgia or alienation of the immigrant, and racist murder in the metropole. Beneath his sinuous, sometimes ethereal music lurked incisive Kwéyol irony and melancholy metaphors. It was left to Kali and his banjo to bring down the curtain on the festival with his brilliant reworking of Martiniquan traditional music, mazurk, biguine, chouval bwa, gwo ka (from Guadeloupe) with reggae, funk and jazz. It was good to hear St. Lucian Luther François, one of the Caribbean's foremost contemporary composers and sax players, adding punch to this excellent band and the finale of a significant festival for Caribbean music.
Biographer Delia Jarrett-Macauley stumbled across Marson's name while doing research for another book. The book has been well-received throughout Britain. Copies have sold out during every one of Jarrett-Macauley's book-signings and scheduled talks. "I saw this clipping that said, `Una Marson, the well-known BBC producer is now on holiday in Jamaica.' And I said: `What! You mean we had a black woman producer at the BBC as early as 1945 and we don't know about it.' I decided her story must be known," she said. Marson joined the BBC in 1936 and made an immediate impact, rising rapidly through the ranks. In 1942 she became the West Indies producer and created the Caribbean Voices programme, which won exposure and respectability for Caribbean writers and poets.
Prophet and loss: A [Bob Marley] documentary forms the centrepiece of a Channel 4 special series on the Caribbean The music continues on August 7 with Top Ten: Caribbean, a celebration of Latino, reggae, ragga, hip-hop and everything in between with the 10 most successful Caribbean chart acts in pop history. Representing the lighter side of Caribbean life is rising star Richard Blackwood in a one-off Caribbean special of his entertainment series, The Richard Blackwood Show.
Eastern Caribbean nationals will feel at home, as their region's music seems to dominate the lineup. Brother Marvin, Singing Sandra and Crazy are all from T&T. Each offering a different style of delivery, they represent calypso's many flavors. To add to that element, ADLIB Steel Orchestra will add instrumentation to the islands' unique genre. Winners of last year's steel band and calypso competitions at the West Indian-American Day Carnival Association's Labor Day gala on Eastern Parkway in Brooklyn, the 30-member, 11-year-old group promises youth from 7 years old to deliver the beat. St. Paul's J.O.B. Young Adult Choir represents New York in drama, song and dance. Traditional island-style Christmas carols are promised by Charles Dougherty and Circle of Friends Caribbean ensemble.
Vinette K. Pryce discusses bringing a new minority voice to the region through his new column and notes that the radio station WWRL has reshuffled its lineup.
Schwarcz,Lilia Moritz (Author) and Gomes,Nilma Lino (Author)
Format:
Book, Whole
Publication Date:
2000
Published:
Belo Horizonte: Autêntica
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
191 p, Contents:
Presentation - Introduction: History and Anthropology: clashes in the border region / Lilia K. Moritz Schwarcz - Jacques Le Golf: a new border between anthropology and history / Ailton Jose Agostini - The use of hermeneutic anthropology by Robert Darnton / Alessandra El Far - Anthropology and history in the consumer market / Ciméa Barbato Bevilaqua - the anthropological concept of structure and its openness to the historical event / Claude G. Papavero - the temporality "Kalunga" in the historic space of quilombo / Cleyde R. Amorim - Romero: myth and history in Brazilian social thought / Maria Jose Campos - Gilberto Freyre and the new story: a possible approach / Nilma Lino Gomes - Being "pasante" in São Paulo: ritual practice among Bolivian immigrants / Sidney Antonio da Silva.
I don't believe this is because cricket is an inferior game. But, in the eyes of the punters, football rules. This is true, not only in Britain but also in the Caribbean. I was therefore surprised that Channel 4 felt it could cash in on the enthusiasm shown for the Reggae Boyz by putting on a concert at Lords. West Indies tours to Britain in the '60s, '70s and '80s served a much wider purpose that went beyond hearing leather on willow. For those of us oppressed in the context of slavery and colonialism, the black body was something to be despised. It was particularly important for the Windrush generation and during the '50s and '60s, when the factory and the street were open season for racists.
Palherino sits right above the main docks where ships brought Africans into the country for slavery. The area was given the name Palherino because it was the place where African people were punished. When you walk into Palherino you are greeted by four large Catholic churches that rope off a section of Palherino where a main stage is usually built for free concerts. During the festivities, barbeque pits with seasoned chicken grilling are set up everywhere. And families sell fruit, foods, drinks and beer, all the while dancing to Rhumba or Merengue. Walking through Palherino you will see women of all sizes, shades and colors dressed in big, elaborate head wraps with full white skirts or dresses. This is the traditional Brazilian dress for black women, most of whom earn their living by assisting tourists to restaurants or around Palherino.
Davis' recipe of curried lamb and rice and peas proved to whet the most appetites and now supermarket giant Sainsbury's is preparing to sell it as a ready-made meal in its stores nationwide. "I don't know what will happen next, if something comes out of this it will be great and if it nothing does, then that will be my 15 minutes of fame. But I would love to be a full-time TV chef - I'm in a different world when I am there," he grinned. Check out the follow-up programme which sees Garfield's TV Dinner being created for Sainsbury's supermarket on BBC1 on June 3.
Beneficiaries thus far include: West Yorkshire's Cosmos, assigned L30,000 to stage a year-long exhibition for local ethnic communities; Liverpool's Nigerian Community Development Project, given L90,000 to refurbish its Grade II listed building; Wales's Gateway historic parks and gardens access project, granted L113,000; Brixton's National Museum and Archive of Black History, handed L302,000; and central London's Coram's Fields play area for children, awarded £1m for a complete restoration. [Helen Jackson] says there are many ways in which HLF can benefit the black community and that it is particularly keen to address issues such as social exclusion, depravation and young people's concerns. "We want to ensure lottery funding goes to all groups," she says. "We are aware we have more to do in really promoting equality of access to our funding.
Culture is a powerful tool for inspiring human beings and bringing them together in a concerted `family' action, says Prof [Marimba Ani], adding: "Our cultural roots are the most ancient in the world." This is very true and it is accepted that Egyptian science and technology laid the foundations for the development of Europe. It is also true that the finance to fund this development came from the proceeds of the barbaric slave trade. Black history is rich and diverse and knowledge of African achievements in education, politics, art, agriculture, medicine, science, religion, metallurgy, engineering, music and sports can help to boost our self-confidence no end. Records refer to the small population of `Negras' in Elizabethan London and even stretch back to the Roman Empire's occupation of Britain, when Africans were marooned at Hadrian's Wall in the third century AD. In the mid-'50s the Transport and General Workers' Union, now headed by Jamaican-born Bill Morris, insisted that no more than 52 of Wolverhampton's 900 bus workers should be black. This kind of colour bar was prevalent in many city transport companies from West Bromwich to Bristol.
"Nothing can bring back those days," Mrs [Letitia Rose] declared. "Everything has changed. Nowadays, I don't bother to do a lot of shopping because it is not as enjoyable." "The party was usually held in a big park," she recalled. "There would be lots of food and music playing until late into the night. While the big people danced we used to have our little secret boyfriends and a group of us would to go off and play hide and seek. "As children in Jamaica, we used to organise parties and collect gifts for needy children in the community," said [Iris Gordon], who helped set up the Jamaica Heart Foundation. "Making children happy is what I enjoy most about this time of the year."
Yet [Dennis Morris]'s `funny' speech not only attracted [Bob Marley] but helped to open a door into the exciting world of photography that would soon spiral him towards success. Now people will be able to get an eyeful of Morris's talent in Growing up Black, an exhibition in London depicting his life as a '70s teenager. "My black friends couldn't understand why I wanted to associate with a white punk band," Morris says.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
102 p., Psychic Unrest is full of the sea and rain, blues and golds, rhythm and revolution. This is Lillian Allen's long-anticipated book of poems her first book since 1993. Collected here is a mix of poems, songs and poetic essays. Allen creates and examines a new poetic style, blending traditional poetry with her inimitable lyrical style, resulting in abstract poems with rhythmic movement that shout out to be read aloud.
Conde,Maryse (Author) and Richard Philcox (Translator)
Format:
Book, Whole
Publication Date:
2000
Published:
New York: Soho
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
260 p., Desirada is the story of Marie-Noelle and her quest to understand the mother who abandoned her and to discover the identity of her father. It is also the story of generations of island women and the pursuit of a meaningful life despite a tainted personal history.
Antenor Firmin (1850-1911) is probably the first scholar of African descent to
write a systematic work of anthropology, one that anticipated the eventual scope and breadth of the new science well beyond the narrow, racialist physical anthropology that it critiqued.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
319 p., Peter Hulme and William H. Sherman assemble a stellar collection of original essays and visual materials that situate Shakespeare's play in both its original contexts and our own cultural moment. In a final section, the book traverses the Atlantic for a look at American and Caribbean readings of the play and its translation into colonial allegory. Includes Aimé Césaire, Pratricia Seed and Gorge Lamming.
Kingston Jamaica: University of the West Indies Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
335 p, Rock it Come Over describes the music and lore of slavery from the early sixteenth century through emancipation in 1838 to the mid twentieth century.
Mona Kingston Jamaica: University of the West Indies Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
240 p, Introduction : downtown stirs / The Henry Rebellion, counter-hegemony and Jamaican democracy / NUFF at the cusp of an idea : grassroots guerrillas and the politics of the seventies in Trinidad and Tobago / The harder dragon : resistance in Earl Lovelace's Dragon can't dance and Michael Thelwell's Harder they come / Carl Stone : political science as people's tribune / Remembering Michael Manley : 1924-1997 / Careening on the edge of the abyss : driving, hegemony and the rule of law in Jamaica / Conclusion : the Caribbean Left at century's end.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
341 p, A study of representations of Atlantic slavery in the visual arts between 1780 and 1865. It examines paintings, sculptures, prints, textiles, maps, ceramics, jewellery, needlework and theatre. The work also demands that we reconsider how slavery is culturally constructed in the West now.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Journal Title Details:
3.5 Linear Feet
Notes:
Collection documents the life and academic career of Inez Adams, most notably including fieldwork on the United States civil rights movement and school desegregation. Series 1: Biographical Material, 1922-1962 includes "Ephemera and itineraries pertaining to travel in the Caribbean"; Series 3: Faculty Appointments, 1949-1965 includes "Folder 3: Fisk University: Bibliographies in Caribbean studies, 1956"; Series 4: Field Notes, 1950-1965 includes notes dealing with he Caribbean island of Trinidad;
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
A discussion and information mailing list for the RSLP funded CASBAH project, Caribbean Studies - Black and Asian History. The project aims to identify and map national research resources for Caribbean Studies and the history of Black and Asian people in Britain.
This article presents an introduction to essays on the book Beyond the Melting Pot. The essays were originally presented at a symposium at the 1998 annual meeting of the Eastern Sociological Society. The essays touch on many points in the immigration landscape today, from immigration's impacts on African Americans to immigration transnationalism, and identify a number of continuities and discontinuities between contemporary metropolis and that of nearly four decades ago. Further, Nathan Glazer's response provides his reflections on how well the book's portrait and predictions have held u
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
422 p., A study of the politics of race, culture and identity among Garinagu in Honduras. Garinagu are a people of African and Amerindian descent deported by the British from St. Vincent to Central America in 1797. Within Honduras, they have been racially interpellated as “black” in contradistinction to the dominant mestizo, understood as the product of the racial-cultural fusion between the European and the Indian. Anthropological studies have failed to substantially investigate the relationship between Garinagu and the mestizo-dominated society and state. They have also neglected the construction of racial-cultural identity among Garinagu themselves.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
74 p, Trajetória, focalizando cada uma das campanhas políticas das quais participou: o abolicionismo, o federalismo, o manrquismo. Situa também sua evolução até o pan-americanismo.;
Blouet profiles author Eliza Fenwick. Fenwick, an articulate, intellectual Englishwoman, operated a private school in Bridgetown for the daughters of upper class Barbadian society in the early nineteenth century.;
Celton,Dora Estela (Author), Miró,Carmen A. (Author), and Sánchez-Albornoz,Nicolás (Author)
Format:
Book, Whole
Publication Date:
2000
Published:
Córdoba, Argentina: Universidad Nacional de Córdoba
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
763 p, "Este volument reúne las ponencias... en el Seminario Internacional sobre Cambios y continuidades en los comportamentos demográficos en América: la experiencia de cinco siglo, realizado en Córdoba, Argentina, entre los días 27 y 29 de octubre de 1998)." Articles chiefly in Spanish; one article in English and four in Portuguese
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
224 p, A letter "en souffrance," in psychoanalytical terms, means a letter that has not been delivered; so Chancé's use of the term in relation to Caribbean authors means not so much that they are "suffering" as that they have not been heard by the ideal reader they seek to reach. Chancé examines the ways in which Caribbean writers such as Chamoiseau, Confiant, Glissant, Condé, and Maximin create texts that synthesize aspects of oral and written literature as well as the Creole and French languages in order to lend their narrators authority as storytellers, in an attempt to better communicate with this long-sought ideal reader. Includes an interview with Chamoiseau from 1997; a bibliography of literary and linguistic theory, anthropology, history, sociology, literary journals, and conferences; and an index of proper names.;
Dassanowsky,Robert (Author) and Lehman,Jeffrey (Author)
Format:
Book, Whole
Publication Date:
2000
Published:
Detroit: Gale Group
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
3 vols., Essays on approximately 150 culture groups of the U.S., from Acadians to Yupiats, covering their history, acculturation and assimilation, family and community dynamics, language and religion. Contents: v. 1. Acadians-Garifuna Americans -- v. 2. Georgian Americans-Ojibwa -- v. 3. Oneidas-Yupiat;
Provides information on the significance of the Underground Railroad, which carried slaves to freedom across the Rio Grande from Mexico. Overview of slavery in Mexico and Texas; Slave ownership in the United States; Demographic information on Texas; Informal network of transportation for the Black Seminoles and other Indians;
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
184 p, Faces of the Caribbean seeks to investigate the story behind the stock images of this unique region of sea and islands sandwiched between the New World continents. Acclaimed Caribbean expert John Gilmore gives an overview of the region and the complex historical forces that have shaped its extraordinary diversity and creativity. He examines the legacy of slavery and exploitation, reggae as cultural phenomenon and growth industry, the impact of Derek Walcott, sugar and cricket, volcanoes and the environment, Creole literature, the Anglican faith, and much more in this engaging volume. (Amazon);
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
342 p, First published in 1764, The Sugar Cane is a major work in the history of Anglophone Caribbean literature. It is the only poem written in the Caribbean before the twentieth century to achieve a place in the Western 'canon'. Grainger wrote a "West India Georgic", challenging assumptions about poetic diction and the proper subject matter of poetry, and boldly asserting the importance of the Caribbean to the eighteenth-century British empire. This is the first reliable text and critical study of the poem, setting it within the context of Grainger's life and work; Grainger interprets his own experience of the Caribbean through his wide reading of literature. This is a critical study of his poem "The Sugar-Cane." (Amazon)
Rodríguez Guglielmoni,Linda M. (Author), González Hernández,Miriam Mercedes (Author), and Linda M. Rodríguez Guglielmoni,Miriam M.González Hernández (Editor)
Format:
Book, Whole
Publication Date:
2000
Published:
Bronx, NY: Latino Press, Latin American Writers Institute, Eugenio María de Hostos Community College, CUNY
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
253 p, International Conference of Caribbean Women Writers (7th : 2000 : Mayagüez, P.R.); Conference held Apr. 3-7, 2000, in Mayagüez and Ponce, R.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Though only a small percentage of the quarter million Indians who came to Guyana, the South Indian Madrasis, now much dispersed through emigration to North America, played an influential role in Guyanese life. The Kali-Mai churches they established, for instance, now draw devotees from all Guyanese ethnic groups. At the heart of the narrative are the stories of the entrepreneurial Naga, like pot-salt in everything, his wife Chunoo, resolute in her sense of community and justice, and Hendree, Naga's sidekick, an idler, brilliant drummer and would-be healer. In their lives are played out the polarities which gave Madrasi life its extraordinary dynamism: its spirituality and earthiness, its respect for goodness - and delight in scampishness, its faithfulness to Madrasi culture and openness to the culture of others, particularly the Afro-Guyanese.
