African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
207 p., Fosters a dialogue across islands and languages between established and lesser-known authors, bringing together archipelagic and diasporic voices from the Francophone and Hispanic Antilles. In this pan-diasporic study, Ferly shows that a comparative analysis of female narratives is often most pertinent across linguistic zones.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
207 p., Fosters a dialogue across islands and languages between established and lesser-known authors, bringing together archipelagic and diasporic voices from the Francophone and Hispanic Antilles. In this pan-diasporic study, Ferly shows that a comparative analysis of female narratives is often most pertinent across linguistic zones.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Papers presented at the conference organized by the European Association for Commonwealth Literature and Language Studies held in 2005 in Sliema, Malta., 412 p., Includes Jogamaya Bayer's "Crossing the borders in Monica Ali's Brick lane and V.S. Naipaul's Half a life," Gen'ichiro Itakura's "Jewishness, goyishness, and blackness : Zadie Smith's The autograph man," and Lourdes López-Ropero's "The pleasures of slave food : the politics of creolization in Austin Clarke's Pigtails 'n breadfruit."
251 p., Analysis of characteristic traits of Afrodescendants in the Atabaque and the Conférence Haïtienne des Religieux et Religieuses research work. These publications are used to bring to light the Afro-Brazilian and Haitian theological reflection as an expression of their commitment to multicultural and mestizo Brazil as well as black Haiti. Based on the comparative study of the content of these theologies developed in Brazil and in Haiti, highlights two separate currents from 1986 to 2004 in theological databases. This delimitation corresponds to the phase of publication of results of three consultations about black theologies in Brazil in 1986, in 1995 and 2004. The CHR's works date from 1991 to 1999. This study aims to trace their practice of the Christian faith, as well as their development and their evolution.
168 p., Explores Caribbean literature that contests the privileging of nation and diaspora community models, and instead presents the spontaneous and productive formation of communities through praxis. Conceptualizing community through this lens challenges systemic emphases on unity, shared history, and shared identity, while it simultaneously incorporates difference at its very foundation. The author draws on Caribbean and postcolonial theory, subaltern studies historiography, and feminist theory in my analysis of Caryl Phillips's The Atlantic Sound , Erna Brodber's Louisiana, Zee Edgell's Beka Lamb , and Maryse Condé's I, Tituba, Black Witch of Salem.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
256 p., This book takes as its premise that the basic configuration of the plantation, in terms of its physical layout and the social relations it created, was largely the same in the Caribbean and the American South. Essays written by leading authorities in the field examine the cultural, social, and historical affinities between the Francophone Caribbean and the American South, including Louisiana, which among the Southern states has had a quite particular attachment to France and the Francophone world. The essays focus on issues of history, language, politics and culture in various forms, notably literature, music and theater.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
203 p., Argues for grounding the concept of global subaltern resistance in the legacy of the 1966 Tricontinental in which delegates from the liberation movements of 82 nations came together in Havana, Cuba to form an alliance against imperialism. This alliance, called the Organization of Solidarity of the Peoples of Africa, Asia and Latin America (OSPAAAL) quickly became the driving force of international political radicalism and the primary engine of its cultural production. Because the Tricontinental represents the extension into the Americas of the anti-imperialist union of Afro-Asian nations begun at the 1955 Bandung Conference, it points to a moment in which a diverse range of radicalist writers and artists in the Americas began interacting with its discourse. By tracing the circulation of the Tricontinental's ideology in its cultural production and in related texts from Third Cinema, Cuban Revolutionary film, the Nuyorican Movement, and writings by Young Lords and Black Power activists, Beyond the Color Curtain outlines how tricontinentalists laid the groundwork for a theory of power and resistance that is resurfacing in the contemporary notion of the Global South.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
296 p., Examines how changes in political, economic, and social structures have produced different sets of possibilities for writers to imagine their relationship to the institutions of the public sphere. In the process, he provides a new context for rereading such major writers as Mary Seacole, José Martí, Jacques Roumain, Claude McKay, Marie Chauvet, and George Lamming, while also drawing lesser-known figures into the story.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
517 p., Focuses on the period after the Second World War, when a significant number of Caribbean countries gained their independence, and the character of the region's post-colonial politics had become clear. The survey of political thought in this collection is divided into four sections: theories of the post-colonial state, theorizing post-colonial citizenship, Caribbean regionalism and political culture.
Robertson examines how people in St. Lucia percieve emancipation. She argues that the circumstances of St. Lucia's colonial past made ideals of freedom pervasive and emancipation intensely complicated, with consequences that are felt in contemporary St. Lucian identity and in strongly African cultural foundations and continuities.;
Hardwick,Lorna (Editor) and Gillespie,Carol (Editor)
Format:
Book, Edited
Publication Date:
2010
Published:
New York: Oxford University Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
422 p., Classical material was traditionally used to express colonial authority, but it was also appropriated by imperial subjects and put to new uses. Includes Cashman Kerr Prince's "Divided Child, or Derek Walcott's post-colonial philology" and Emily Greenwood's "Arriving backwards : the return of The Odyssey in the English-speaking Caribbean."
"Recent examination of the content of Third World tourism marketing still lacks discussion concerning context. In this paper, an analysis of brochures representing different Third World countries reveals distinct patterns of marketing images occurring across these destinations. Postcolonial theory is used as a critical, contextual perspective to interpret these patterns. Three Third World tourism ‘Un’ myths are discussed: the myth of the unchanged, the myth of the unrestrained, and the myth of the uncivilized. It is shown that the representations surrounding these myths replicate colonial forms of discourse, emphasizing certain binaries between the First and Third Worlds and maintaining broader geopolitical power structures." (authors)
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
391 p., A comparative study of postwar West Indian migration to the former colonial capitals of Paris and London. It studies the effects of this population shift on national and cultural identity and traces the postcolonial Caribbean experience through analyses of the concepts of identity and diaspora. Through close readings of selected literary works and film, H. Adlai Murdoch explores the ways in which these immigrants and their descendants represented their metropolitan identities.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
196 p., Argues that cultural and literary expressions of illness, suffering, and subjectivity in the postcolonial context are always in dialogue with seemingly external discourses and practices of health. Thus, through sustained analyses of historical, biomedical and sociocultural currents in the context of eight Francophone novels from 1968 to 2003, the book advances a new theory of critical conditions. These critical conditions represent the conjunction of bodily, psychic, and textual states that defy conventional definitions of health and well-being.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
196 p., Focuses on Francophone women writers who offer striking commentaries on the experience of illness and/or disability and its attendant discourses: Haitian writer Marie Chauvet; Guadeloupian-Senegalese writer Myriam Warner-Vieyra; Guadeloupian writer Maryse Condé; Senegalese writers Ken Bugul, Fama Diagne Sène, and Fatou Diome; and Swiss-Gabonese writer Bessora.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
196 p., Argues that cultural and literary expressions of illness, suffering, and subjectivity in the postcolonial context are always in dialogue with seemingly external discourses and practices of health.
"In this essay I discuss the thwarted cultural translation of modernity across the Atlantic and how this process affected the cultural self-understanding of the Caribbean. I will frame my argument by referring to the Hegelian theme of the Subject insofar as this particular concept condenses and articulates the ideology of modernity as a Eurocentric drive for world domination." (author)
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
223 p, Ileana Rodriguez's House/Garden/Nation: Space, Gender, and Ethnicity in Post-Colonial Latin American Literatures by Women offers an insightful look into the role the feminine has played in the constructions of nation and nationalism in critical moments of Latin American history. Although feminism is at the center of the study, it is always predicated by concerns of ethnicity and social class. (BNET);
"This essay makes what may seem an obvious case: that authentic Black British God-talk needs to urgently engage with the diverse religious landscape of which it is a part. In the process, the essay seeks briefly to scrutinize past and present Black British theological discourse, explore the overtures with regard to engagement with multi-faith and interfaith issues and offer some tentative observations and practical suggestions on the way forward." (author)
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
192 p., Argues that postcolonial critics must move beyond an identity-based orthodoxy as they examine problems of sovereignty. Harrison describes what she calls "difficult subjects”--subjects that disrupt essentialized notions of identity as equivalent to sovereignty. She argues that these subjects function as a call for postcolonial critics to broaden their critical horizons beyond the usual questions of national identity and exclusion/inclusion.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
135 p., "Colonie britannique depuis 1655, la Jamaïque obtient son indépendance en 1962. Destination d'un voyage sans retour pour près d'un million d'Africains déportés, l'île est rongée par les cicatrices mémorielles de l'esclavage. Dominée par les Créoles, paupérisée et confrontée à une offre politique nationale inadaptée, la population africaine souffre de l'absence d'une identité noire revendiquée et institutionnalisée. De ce déni de reconnaissance officielle jailliront des mouvements alternatifs, dont la célèbre communauté rastafarienne. Incitant à réfléchir sur les mécanismes d'émergence des groupes identitaires, ce travail met en lumière l'importance de l'histoire et des problématiques de la mémoire dans le processus de construction des identités sociales et souligne le rôle central de la culture dans les luttes de pouvoir"--P. [4] of cover.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
235 p., Using contemporary literary representations of place, this study focuses on works that have participated in the emergence of new conceptions of place and new place-based identities. The analyses draw on research in cultural geography, cognitive science, urban sociology, and globalization studies. Includes chapter on "Evolution in/of the Caribbean Landscape Narrative."
227 p., Considers the often-silenced, tangible traces that the Haitian Revolution and radical anti-slavery have left in the greater Caribbean as they emerge in contemporary cultural productions. The author looks at national trends in the Dominican Republic, Cuba and Jamaica in order to formulate an understanding of the uses of gendered images of slavery and blackness in modern nation-building campaigns. Critically assesses what is left out of these narratives and how these gaps serve specific purposes. Argues for the centrality of the Caribbean in any true understanding of the history of modernity and the contemporary nation-state by investigating the after-shocks of the Haitian Revolution and of radical anti-slavery.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
161 p, Contents: Introduction : Who were the masters in the Americas? / Alexandra Isfahani-Hammond -- The sugar daddy : Gilberto Freyre and the white man's love for Blacks / César Braga-Pinto -- Writing Brazilian culture / Alexandra Isfahani-Hammond -- Authority's shadowy double : Thomas Jefferson and the architecture of illegitimacy / Helena Holgersson-Shorter -- Race, nation, and the symbolics of servitude in Haitian noirisme / Valerie Kaussen -- Fanon as "metrocolonial" flaneur in the Caribbean post-plantation/Algerian colonial city / Nalini Natarajan -- From the tropics : cultural subjectivity and politics in Gilberto Freyre / Jossianna Arroyo -- Hybridity and mestizaje : sincretism or subversive complicity? Subalternity from the perspective of the coloniality of power / Ramón Grosfoguel -- The rhythm of Macumba : Lívio Abramo's engagement with Afro-Brazilian culture / Luiza Franco Moreira -- Blood, memory, and nation : massacre and mourning in Edwidge Danticat's The farming of bones / Shreerekha Subramanian.
75 p., The aim of this project is two-fold: to discuss the limits of Frantz Fanon's postcolonial theories, and to then present a possible model for turning "the `thing' colonized [into] a new man" (Wretched 2) by liberating "him" from Fanon's desire for inclusion. Or, to put this in other terms, this investigation seeks to highlight one of the most limiting factors in Fanonian postcolonial theory: Fanon's grounding in European humanism.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
231 p, Contents: Postcolonial modernism/modernist postcolonialism --; "Not borrowers, but bearers of a tradition" --; Listening to Eliot : poetic revolution and common speech --; Public poets
Myrsiades,Kostas (Author) and McGuire,Jerry (Author)
Format:
Book, Whole
Publication Date:
1995
Published:
Albany, NY: State University of New York Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
415 p, Includes Patrick Taylor' "Narrative, pluralism, and decolonization: recent Caribbean literature" and Mara L. Dukats' "The hybrid terrain of literary imagination: Maryse Condé's black witch of Salem, Nathaniel Hawthorne's Hester Prynne, and Aimé Césaire's heroic poetic voice"
African American Research Center, Library, University of Illinois at Urbana-Champaign
Journal Title Details:
x
Notes:
317 p, Contains: Introduction : paradise and imperialism -- Caribbean wasteland -- Paradise is plantation? -- Naipaul's "Garden of hell" -- Walcott's postcolonial Adam -- World out of time -- Conclusion : the true history of paradise.
In this essay Glenn A. Elmer Griffin adopts a January 2009 parricidal attack in St. Lucia as an instantiation of the escalating problem of fratricidal crime in the postcolonial Eastern Caribbean. Following the work of Kamau Brathwaite, Griffin argues that this violence constitutes the nonarrival of postcoloniality as it is anticipated by Frantz Fanon's periodization of fraternal violence. The familial murder embodies an unbroken period of self-killing that warrants a critical reexamination of the provisions of our postcoloniality and the terms of West Indian identity formation.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
274 p., Examines the career, oeuvre, and literary theories of one of the most important Caribbean writers living today. Chamoiseau's work sheds light on the dynamic processes of creolization that have shaped Caribbean history and culture. The author's diverse body of work, which includes plays, novels, fictionalized memoirs, treatises, and other genres of writing, offers a compelling vision of the postcolonial world from a francophone Caribbean perspective.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
410 p, Contents: Erotic autonomy as a politics of decolonization : feminism, tourism, and the state in the Bahamas -- Imperial desire/sexual utopia : white gay capital and transnational tourism -- Whose new world order? : teaching for justice -- Anatomy of a mobilization -- Transnationalism, sexuality, and the state : modernity's traditions at the height of empire -- Remembering This bridge called my back, remembering ourselves -- Pedagogies of the sacred : making the invisible tangible
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Searchable site on postcolonial literature and the history, politics, and religion of those geographic areas. Covers Africa, Australia, India, Singapore, New Zealand, Canada, the Caribbean, United Kingdom, and Ireland. The sites have been cross referenced under Authors, History, Religion, Postcolonial Theory, Gender Matters, and Diasporas.
Joseph-Vilain,Mélanie (Editor), Misrahi-Barak,Judith (Editor), and Turcotte,Gerry (Author)
Format:
Book, Edited
Publication Date:
2009
Published:
Montpellier: Presses universitaires de la Méditerranée
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Essays from an international conference held at Paul-Valéry University, Montpellier III, in November 2007, organised by the Cerpac (Centre d'étude et de recherches sur les pays du Commonwealth/Research Centre on the Commonwealth)., 481 p., Includes Anthony Carrigan's "Haunted places, development, and opposition in Kamau Brathwaite's The Namsetoura papers," Maurizio Calbi's "Writing with ghosts : Shakespearean spectrality in Derek Walcott's A branch of the Blue Nile," Martine Hennard Dutheil de la Rochère's "Rattling Perrault's dry bones : Nalo Hopkinson's literary voodoo in Skin folk,"
Prudence Layne's "Reincarnating Legba : Caribbean writers at the crossroads,"
Timothy Weiss' "The living and the dead : translational identities in Wilson Harris's The tree of the sun," and Kerry-Jane Wallart's "The ghost in Wilson Harris's The Guyana quartet : matter that matters."
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
301 p., Brings together scholarship bridging ecocriticism and postcolonialism. Includes Sabine Wilke's "South America and the Caribbean. Performing tropics : Alexander von Humboldt's Ansichten der natur and the colonial roots of nature writing" and Bonnie Roos' "Rewriting Eden in Walcott's Omeros : a sea change of stories in visible silence."
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
196 p, Includes chapters "Of mangoes and maroons : language, history, and the multicultural subject of Michelle Cliff's Abeng," "Toward a new antillean humanism: Maryse Condé's Traversée de la mangrove," "Inscriptions of exile: the body's knowledge and the myth of authenticity in Myriam Warner-Vieyra and Suzanne Dracius-Pinalie," and "Geographies of pain: captive bodies and violent acts in Myriam Warner-Vieyra, Gayl Jones, and Bessie Head"
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
359 p, Includes Kitzie McKinney's "Memory, Voice, and Metaphor in the Works of Simone Schwartz-Bart," Joan Dayan's "Erzulie: A Women's History of Haiti?," and Elisabeth Mudimbe-Boyi's "Narrative "je(ux)" in Kamouraska by Anne Hebert and Juletane by Miriam Warner-Vieyra"
Hornung,Alfred (Author) and Ruhe,Ernstpeter (Author)
Format:
Monograph
Publication Date:
1998
Published:
Atlanta, GA: Rodopi
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
263 p, Revised manuscripts of the Anglophone workshops at the symposium on "Postcolonialism & Autobiography" which took place at Wurzburg, June 19-22, 1996
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
241 p., An examination of the importance of international cross-influences between modernist poets in the Americas. Includes "From Harlem to Haiti: Langston Hughes, Jacques Roumain and the avant-gardes," "Signifying modernism in Wilson Harris's Eternity to season" and "Beyond apprenticeship: Derek Walcott's passage to the Americas."
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
284 p., An anthropological study of music as social activism and postcolonial identity development. The research for this dissertation was conducted in Trinidad and Tobago during an extended period of fieldwork from August 2003-February 2005, and during subsequent research trips from 2005 through 2008. This dissertation is a social history of the evolution of rapso, a genre of music that is heavily oriented toward poetic lyrics that advocate for social justice and the upliftment of the oppressed in Trinidad and Tobago. Grounded in oral and archival history and performance analysis, this study addresses the complex interconnections between the political economy of cultural production in Trinidad and Tobago, the politics of racial, gender, and national identity, and the individual quest for self-affirmation and meaning in life through the pursuit of artistic and activist work.
205 p., Analyzes the poetry of the African American Langston Hughes and the Jamaican Louise Bennett during the 1940s. Through an examination of the unique similarities of their poetic projects, namely their engagement of performance to build their audiences, their experiments with poetic personae to represent vernacular social voices, their doubleness as national and transnational figures, their circulation of poetry in radio and print journalism and their use of poetry as pedagogy to promote reading, this dissertation establishes a new perspective on the role of poetry in decolonizing language practices. While Hughes and Bennett are often celebrated for their representation of oral language and folk culture, this project reframes these critical discussions by drawing attention to how they engage performance to foster an embodied form of reading that draws on Creole knowledge systems.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
412 p, Includes Thomas Bonnici' "Diaspora in Caryl Phillips's Crossing the river (1993)" and Adrian Grima's "They are us": interview with Caryl Phillips"
319 p., Examines the psychological and socio-cultural factors that influence the practice of skin bleaching in the postcolonial society of Jamaica. Additionally, the study outlined the nation's efforts to combat the skin-bleaching phenomenon. The naturalistic paradigm of inquiry was used to frame the study and to collect and analyze data. The sample consisted of fifteen participants--twelve participants (six males and six females) with a history of skin bleaching; a retailer of skin lightening products; a local dermatologist who has written and published in local newspapers on the practice; and a representative from the Ministry of Health who was integrally involved in the national educational efforts to ban the practice. The overall findings show that there is a bias in Jamaica for light skin over dark skin and these values are taught in non-formal and informal ways from very early in life.
203 p., Examines the presence of slave vocality in Black Atlantic literature, placing the North American tradition of slave narrative against works from authors throughout the United States and the Caribbean. Challenges existing approaches to slave narrative by viewing the genre as one based on the fundamental impossibility of expressing black subjectivity under the political, ethical, and psychic conditions of slavery. The slave narrative thus ceases to represent an attempt by former slaves to access freedom and agency through writing, along with its promises of reason and autonomy, but rather signals (or sounds) a process of expression built not upon meaning, but upon signification. In other words, rather than crafting themselves into legible objects for the sake of narration and perception, slave narrators performed their roles as exchangeable units, both discursive and political, in ways that exposed the underlying lacunae of being a slave-narrator, a significative protocol that persists in contemporary black fiction throughout the Atlantic, even in areas in which the slave narrative did not historically emerge.
In characterizing the desperate journeys undertaken by African and Haitian refugees as today's "middle passages," Caryl Phillips's A Distant Shore and Edwidge Danticat's "Children of the Sea" complicate the idea of a single origin to a transatlantic black Diaspora. The term 'middle passage' is more recently used to describe multiple crossings that transform the meaning of Diaspora into a vital and ongoing process.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
336 p, Joseph Conrad, Jean Rhys, and Pramoedya Ananta Toer are writers renowned for crafting narratives of great technical skill that resonate with potent truths on the colonial condition. Yet given the generational and geographical boundaries that separated them, they are seldom considered in conjunction with one another. The Passage of Literature unites the three in a bracing comparative study that breaks away from traditional conceptions of modernism, going beyond temporal periodization and the entrenched Anglo-American framework that undergirds current scholarship.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
336 p., Traces a trio of interrelated modernist genealogies. English modernism as exemplified by Conrad's Malay trilogy, Indonesian modernism of Pramoedya's Buru quartet, and creole modernism of the Caribbean in Rhys's Good Morning, Midnight and Wide Sargasso Sea.
Gafaïti,Hafid (Author), Lorcin,Patricia M. E. (Author), and Troyansky,David G. (Author)
Format:
Book, Whole
Publication Date:
2009
Published:
Lincoln: University of Nebraska Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
460 p, Includes Joseph Militello's "Madwoman in the Senegalese Muslim attic: reading Myriam Warner-Vieyra's Juletane and Mariama Bâ's Un chant écarlate"
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
245 p, Contents: The politics of postcolonial nationalist literature / The nation as problem and possibility / Caribbean space: Lamming, Naipaul, and federation / The novel after the nation: Nigeria after Biafra / The persistence of the nation: literature and criticism in Canada / National culture and globalization
