Commenting on the sanctity of the family, the president delivers a clear message in the song, "Pap Divoce," for which his cabinet has already delivered an entertaining video. [Mickey] has taken note of the disposition of the nation's young in regard to Haiti's current state and delivered a very club friendly response in the melodious "Non, non, non". Presidential advisor Wyclef Jean makes a bullet-riddled entrance in "Men nou" that should have dedicated supporters either rushing for shelter or the nearest ballot box. Djazz La Vol. 5 is probably the very best effort this talented drummer/producer has ever released.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
78 p., This documents the lack of access to reproductive and maternal care in post-earthquake Haiti, even with unprecedented availability of free healthcare services. The report also describes how hunger has led women to trade sex for food and how poor camp conditions exacerbate the impact of sexual violence because of difficulties accessing post-rape care. It looks at how recovery efforts have failed to adequately address the needs and rights of women and girls, particularly their rights to health and security.
480 p., This dissertation examines the role of the Haitian Revolution and Haiti's national history in the construction of Black Internationalism and Black Atlantic intellectual culture in the first half of the twentieth century. The author argues for the centrality of Haiti in the genesis of Black internationalism, contending that revolutionary Haiti played a major place in Black Atlantic thought and culture in the time covered. Suggests viewing the dynamics between the Harlem Renaissance, Haitian Indigenism, and Negrtude and key writers and intellectuals in terms of interpenetration, interindepedence, and mutual reciprocity and collaboration.
Explores the way writers address the formation and fate of the contemporary American working class in an age of neoliberal globalization. Specifically, the essay examines Russell Banks's 1985 novel Continental Drift, which interweaves the stories of two characters who pull up stakes and head to Florida in search of a better life: an oil furnace repair man from New Hampshire and a young, single mother from Haiti.
Personal reactions of women to the January 2010 earthquake in Haiti. Discusses the psychic trauma of living in the Haiti's displacement camps after the earthquake regarding poor access to water, violence against women and instances of forced eviction.
"Haiti's New Bad Boy President," "Carnival King is New Leader of Haiti" are just two of the headlines in local and national news. Many Haitians here in the U.S. feel that the newspapers are making a spectacle of the election of Michael "Sweet Mickey" [Michael Martelly] to the highest political office in Haiti, the Presidency. Martelly beat his opponent Lady Mirlande Manigat, 67.57 percent to 31.74 percent but in accordance with the electoral process complaints can be filed up until April 16 when the votes will be closed. His flamboyant attire and sometimes raucous performances endeared him to some but distanced him from others. At first, his notoriety as an entertainer made it almost impossible for him to be accepted into a party to declare his political aspirations and to be thought of as a viable candidate.
Who are they? [Raoul Peck] works primarily with an ensemble made up of [Sarah]'s family and members of the infamous TonTon Macoute. It's these men operating outside civilian and military law, who imbue "The Man By The Shore" with its thick taste of dread and fear. For it quickly becomes obvious that they can threaten, maim, even kill anyone at anytime for the least of slights. Janvier (Jean Michel Martial), the chief of the Macoutes here, wields unbridled power, making him one of the most fearsome screen villians in recent times. "The Man By The shore" combines the terror of the Duvalier regime and Haiti's natural beauty in a gripping story. Audiences may leave questioning whether it's better to remember or to forget!
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Focuses on cultural manifestations of pan-Americanism through the development of Haitian folkloric dance by the Haitian-born dance director Jean-Léon Destiné and the U.S. African American dance educator Lavinia Williams. As early as the mid-1930s, the Haitian government began to support the advancement and consumption of Haitian cultural arts to increase tourism to the country. In fact, many Caribbean administrations encouraged similar investments in tourism during this time to complement industrialization and to answer the dilemmas of debt, unemployment, and failing economies. The work of Destiné and Williams sought to modernize Haitian dance or, rather, to discipline it, classify it, and theatricalize it so Haiti’s original art form could be exhibited on the world stage and educate audiences about Haitian history and culture. The establishment of cultural institutions and the training of Haitian dancers by a U.S. African American choreographer affirmed not only the spirit of pan-Americanism’s cultural exchange programs, but also the creation of an alternative world by black dancers in which African-based art forms were celebrated and in consistent dialogue with Western culture.
Grassroots Haitian movements for social justice have set themselves a formidable task: not only addressing the ongoing humanitarian crisis, but also challenging the reconstruction effort to include their leadership and avoid reproducing the conditions that helped make the earthquake so disastrous.
"I think it's a joke," Miami-based Haitian business woman and [Jean-Bertrand Aristide] supporter Lucie Tondreau told The Times. "These same people talking about they are representing the industrial class are the ones that are paying people 68 U.S. cents a day for 17 hours of work. These are the same people who have just fired over 300 poor people without indemnity. These are the same people who over the years in Haiti have refused to pay taxes, electricity, who have not invested in the infrastructure, in the schools of Haiti, and today they are coming here talking about democracy?," Tondreau wondered. "He" (Aristide) "was at the basis of reinforcement of polarization," said [Apaid]. "He was prone to keep our country divided. He knew our mentality and rather than try to correct it he was accentuating it while making deals behind the palace door with the very people he was attacking. So there was a hypocrisy in it and it's just traditional political behavior. We want to go beyond that." While Apaid described the current situation in Haiti as slow with a lot of problems but moving in the right direction, Tondreau described Haiti as a place where people have no right to demonstrate without being killed. "We need the duly elected president back in Haiti," said Tondreau.
"First work of a young Haitian born author, How to Make Love to a Negro without getting tired is still valid seventeen years after its release. Meanwhile, the novel became a classic of Quebec literature and Dany Laferriere has been recognized as a major writer of French literature. Greeted by unanimous criticism and enthusiastic audiences, How to Make Love to a Negro Without Getting Tired was a resounding success in several countries, particularly in the Anglophone world in which we compared its author to Bukowski and Miller."
Part of a special journal issue dedicated to strategies for societal renewal in Haiti., Fonkoze, "the bank the poor can call their own," is a bank that provides more than just loans. It also sees access to reasonably priced savings, remittance transfer, and currency conversion as a right of even the poorest. This article tells the story of how -- after the devastation of the 2010 earthquake -- Fonkoze found itself positioned to serve Haiti's rural population before other banks were back on their feet.
This article analyzes the role of Haitian migration and Haitian transnational engagement in the past 20 years. Shows that dependency on Haitian migrants' economic flows into their country has historically not been met by public policy leveraging these flows and that under the current economic recovery period, opportunistic views aside, it is unrealistic to expect a strategy drastically different from that of the pre-earthquake period.
Part of a special journal issue focusing on the role of the U.S. Foreign Service in Haiti., The work USAID and the State Department have done in Haiti after the January 12 earthquake shows why these organizations should take the lead in disaster relief.
637 p., Utilizes perceptions and attitudes towards the Haitian Revolution as a means to resituate party conflict and the boundaries of American nationalism in the Early Republic. The concept of nationalism is utilized in both the shaping of political culture and in the institutional formation of the state. As a result, the Haitian Revolution generated contradictory factional responses between the Federalists and Democratic-Republicans to the emergence of revolutionary abolitionism in the Atlantic. On a more popular level, the ordeal of Haiti engendered a fear of black militant abolitionism that hardened American attitudes towards the possibility of further slave emancipation in the United States.
This article presents excerpts from the monthly Haitian journal 'Revue Indigene.' After an introduction by Meehan and Leticee, the pieces, published in 1927 and 1928, are presented in their original French and with a translation into English
On the fourteenth of July, the French Bastille Day, Ms. [Jacqueline Damour] will celebrate her 68th birthday. A vibrantly energetic widow, Jacqueline is proud of her Haitian heritage. She is the mother of six children whos-names are: Ossleine, Vaneek, Judith, Jacqueline, Amsden and James.
