One of the things attracting tourists has taught us is to value the habit of preservation. We have to depend on devoted scholars and archeology diggers and always, tenacious individuals like Dr. Walter Roth. He was a medical man of German stock who moved to Guyana by way of Australia and was the moving spirit in the rise of Georgetown's museum of natural history. As a youth I made many trips to this museum and was fascinated by its presentation and displays; for instance the diorama of gold-digging operations in the far interior, the lighted fish tanks with fish such as the blood-thirsty pirai, a lifelike representation on the wall of the world's biggest freshwater fish, the arapaima, caught in Guyana. A huge live anaconda pans have all but vanished.
AFRICANDO Arts and Culture Festival, a collaboration between the Foundation for Democracy in Africa and Miami-Dade County, is a one-day event that will feature contemporary African, Afro-American, Caribbean & Afro-Latino cultures. MDCC and the Black Heritage Museum will display masks, statues and murals from the Caribbean, South America, Brazil and Cuba. A special "Children's Activities Village" will feature traditional African and Caribbean folk tales, puppet shows, African mask and instrument making, African textile weaving, Miami Metrozoo's exotic animal show and more. The festival, which is the closing event for AFRICANDO 2001, will be promoted in Africa, AFRICANDO organizers say. A trade delegation from Miami and Washington, D.C., will conduct trade seminars promoting the conference and festival in Nigeria, Mali, Ghana, Senegal, South Africa, Botswana, Zimbabwe, Kenya and Tanzania.
Gazing at the amalgam of rich Caribbean artistic expression - bold colors intertwining on canvas, delicately woven wire sculptures, sheer pieces of cloth with intricate handmade designs - one might think she was roaming the corridors of the Metropolitan Museum of Art or the prestigious Guggenheim rather than viewing the one-bedroom Harlem apartment of Caribbean art dealer Anderson Pilgrim. "One of the reasons that Caribbean art has yet to penetrate the New York scene is that it has yet to be fully explored even among Caribbeans", Pilgrim said. "Because of the colonization of the Caribbean islands, and the stifling post-colonial effects, many native Caribbeans didn't begin to explore their abilities until the 1970s, which was a period of real artistic revolution on the islands". A few of the artists he represented were medal winners at the prestigious Biennial Caribbean Festival, held in the Dominican Republic and featuring artists from the Caribbean and Countries in Central America which border the Caribbean.
Why? Because there is not a shred of doubt, as acknowledged by President George W. Bush's proclamation to mark the occasion last year, about the immense contributions made to the U.S. by people of Caribbean background. Not so long ago, former military General Colin Powell, a son of Caribbean-born parents, was Bush's secretary of state, one of the most powerful political posts in the U.S. Powell was even touted as a presidential contender. "But in communities (in the U.S.), where there are large concentrations of Caribbean people, for example in the South Florida area and in the New York metropolitan area, the Caribbean communities have all come together to do different things, sometimes collectively, sometimes individually, meaning individual associations..." Already some activists, who advocate on behalf of Caribbean interests in the U.S., have frowned on clauses of the proposed new immigration bill which they claim is a backward step for those wishing to see immigrant families united in the U.S. Also on the table for the leaders will be the issue of security in the Caribbean and the sensitive subject of deportations.
In 1984, the association opened an expanded Historical Museum at the Miami-Dade Cultural Center in downtown Miami. This 40,000-square-foot facility includes a permanent exhibition that traces the history of South Florida and the Caribbean, a temporary exhibition gallery that features several new exhibitions each year, a theater and classroom area for variety of educational programs, and storage areas for the museum's extensive collections of artifacts and archival materials, including books, manuscripts, maps and more than one million photographs related to the region. In recent year, the Historical Museum has directed increasing attention to Miami's role as a gateway of the Americas. To explore Miami's multifaceted connections with the Caribbean and Latin America, a new program series, Miami: The Gateway City, was introduced in Spring 1999. The objective of the 12-month series is to use the museum as a central forum for public dialogue about current issues facing Miami and as a space for related artistic presentations.
It may also have helped English-speaking migrants from the Caribbean that Florida served as a broad entry point for Caribbean migrants from Cuba, Haiti, and other countries: Where an area has a strong tradition of immigration, prevailing social attitudes are not likely to be as parochial as those in traditionally closed communities. Again, this is not to minimize the difficulties that particular migrants have faced; it is to acknowledge the fairly obvious point that some communities are less impenetrable for outsiders than others. A recent study by the British Cabinet Office has found that Caribbean women constitute a significant success story at the professional level. Specifically, for the generation born between 1940 and 1959, as many as 45 percent of the black women from the Caribbean, or who are of Caribbean heritage, now hold professional or managerial jobs, as against 27.3 percent of the black men in the same category. For the generation born between 1960 and 1979, 38.1 percent of the black women with Caribbean roots are professionals or managers, in comparison with 28.6 percent of the black men. These figures warn us that gender is now a significant factor in determining the prospects of Caribbean migrants to Britain, and they highlight the need for a broader examination of the factors that determine success for those who, in Claude McKay's words, may find themselves "a long way from home."
The genesis of these carnivals carries the intent of resisting on some level, by Caribbean migrants, the otherwise alienating conditions of life in migration, to "carnivalise" these landscapes with some of the joy and space commensurate with Caribbean carnival. Indeed, Caribbean intellectual contributions have had successful impact on the development of U.S., European and African thought. Still, the Caribbean in most imaginings, and in particular to those who do not know it well, is the place of "sun and fun," a vacation land devoid of serious engagement with the world. Caribbean carnival then is the climax of all those "sun and fun" constructions. Yet, there is a history and politics to carnival - a "carnival of resistance" beyond the outer face of "carnival of tourism" - that demands exposure.
They continued to avoid the racially-motivated behavior of many in the Cuban population in South Florida. In fact, the Caribbean (black?) organizers of the carnival care so little that they were happily prepared to give away the carnival's culture-driven economic and social enterprise to the Cuban community, even if the Cubans didn't really want anything to do with it, like Jewish Miami Beach and WASP downtown didn't. Does this mean that the huge economic infusion that was offered to other communities for acceptance is going to be realized by the people in Opa-Locka? Because, suddenly, it's as if some people belatedly became a little blacker; after all, they're home, they claim, to Opa-Locka. Yeah, right. The carnival organizers have some cojones, if not much sense of appropriateness. They outdid themselves in their fantasizing (but then, that's carnival). They opted for Hialeah and tried to hitch their wagon to Mayor Penelas' new coattail. Somebody needed to remind them of some of the politics involved. Seems Mayor Alex and Mayor [Raul Martinez] `don't tek tea', as we say in the Caribbean. Probably something to do with Alex backing the candidate who ran against Raul. Next stop, Hialeah City Hall. The rest, they say, is history.
At a recent conference in Martinique, entitled "36 hours for the Caribbean", that focused on better means of cooperation between French West Indian departments and their independent neighbors, Martiniquan lawyer Alain Manville spoke about "Law, judicial practices and human traffic in the Caribbean." "France wishes to maintain her Caribbean departments in a state of indifference towards their natural environment," said Mr. Manville. "For Nearly 10 years one has witnessed a complicity between the Prefecture of Martinique and the French embassy of St. Lucia to deny visas to nationals from St. Lucia and Dominica and when these visas are accorded, the time taken is exorbitant and stay periods are reduced to a minimum," says Mr. Manville.
The reception to the idea was favorable. In 1994, further discussions were held with Mexico, Columbia and Venezuela and with Argentina and Chile. The response was positive and to further support the idea, the ambassadors of the Latin American countries who were accredited to Jamaica, and Spain's ambassador, formed the Group of Latin America and the Caribbean as a forum for exchanging ideas and considering financial participation by their governments. In 1994, the Latin American-Caribbean Centre was created to facilitate economic, trade, research and cultural ties between the Caribbean and Latin America. The center's fundamental objective is to build strong commercial, cultural and academic ties between the Caribbean and Latin American regions and among the Caribbean countries. According to Ms. Insanally, "Economic development is one of the principal objectives of LACC. Expanding trade, investment, and tourism between the Caribbean and Latin American countries will generate income and employment, as well as stimulate technological modernization and international competitiveness. Academic and cultural development are important ends in themselves, and they also stimulate business relationships, and vice versa."
Talk to Richard Lue and it becomes clear that not nearly enough Caribbean people are heading `home'. Neither are enough African Americans trying to discover the Caribbean, although their connection with the culture has long been established in the U.S. That's why Lue was appointed Air Jamaica's regional manager for special markets in the southern U.S. Another Air Jamaica representative has been given similar responsibilities for the northern states. "It wasn't neglect," said Lue. "It just wasn't accountability. We've always been there. The problem was internally. We feel we can get more out of that (Caribbean) market." "To me it's no big deal," he said. "The problems in Jamaica are serious, but Jamaica has never been an easy sell. But it is a challenge. It is because of 9/11 that we realized we had to diversify our markets and give importance to all the markets. The challenge is there, but we just have to deliver."
There's tendency among some reggae fans to tune out most of today's dancehall deejays, dismissing them as untalented shysters. While that's an essentially justifiable reaction, there are deejays - mostly of the conscious variety - who are worthy of our attention. One in particular is Prezident Brown. Tune out his new release - To Jah Only - and you'll deprive yourself of a relevant body of work that's likely to sway and have you listening for more of this style. To Jah Only is a neat package that adroitly intertwines the traditional with the contemporary. The title track, which leads the album, gently combines slow guitar picks with Nyabinghi drumming, amid Brown's assiduous delivery of some trusty Rasta melodies. The familiar Duppy Conqueror rhythm by Bob Marley is acquired on In This Life, and it's superimposed with a message that counsels mankind about his covetous ways. This theme is also continued with Pomps and Pride. One of the livelier tracks is Micro Chip, and Brown does a nice job keeping pace with a very demanding tempo. But the strongest is undoubtedly Faith - an instant classic that unveils Brown's versatility and true talent. His encyclopedic expressionism sets him apart from the ordinary, and he's truly one of our best links between the past and the present. [Dean Fraser]'s latest album - Retrospect - is a delightfully appetizing reminiscence of classic hits that are masterfully reproduced for everyone's listening pleasure. With 12 tracks, this album takes you back to mento, through ska, roots, and up to the present.
"We're not a Jamaican station. We're not a Trinidadian station. We're not a Bajan [Barbadian] station. We're not an African-American station," [Carl Nelson] says of his station, which broadcasts from Davie, near Fort Lauderdale. "Our target audience is the entire Caribbean [community], and that includes second-generation Caribbean Americans and people [of other nationalities] who like Caribbean-American music." Nature of service "We don't see the radio as a juke box," he says. "We're here to serve the community and just because you put some music on the radio doesn't mean you're serving the community." "Everybody who's advertised with us has reported good results," he says. "That's because they're getting a mix of people. They [reach] people from all the different islands. They get African Americans. They get whites. For them [the advertisers]it's a plus."
Today, Grace, Kennedy & Company is aggressively moving forward to meet new goals with a range of policies and programs designed to ensure its pr-eminent position in both the Caribbean and the world. These efforts include an ambitious brand "re-launch" complete with new logo, vibrant new label designs, and a new advertising campaign driven by a positioning statement reinforcing the company's pre-eminence: "Grace Foods, Genuine Caribbean Taste. Enjoyed Worldwide." While its first priority will always be towards serving the nutritional needs of its Caribbean home and "family," Grace, Kennedy & Company has now embarked on an aggressive new push into another world market, with plans to expand its sales to West Indian "expatriates" living abroad, as well as to the burgeoning number of people everywhere who desire the genuine taste of the Caribbean. Thus, the re-launch of the Grace brand, as a true "world brand" began in May of this year with this new positioning line as its corner stone. The advertising campaign, crated in conjunction with Michigan based consultants Stone & Simons Advertising, includes an overall theme, "The New Face of Grace," designed to address the brand's new logo and labeling, as well as the new "faces" around the world who are choosing Grace Foods for their "Genuine Caribbean Taste."
Another established Caribbean tradition runs counter to the claim that racism there is unusual and of recent origin. This is the tendency to account for a person's character by identifying the racial identity of that individual's parents. West Indians, quite spontaneously, account for each other's personality traits with statements such as "Well, after all, his father was white," or "His father was quite dark you know. In Guyana and Trinidad, one hears frequently that East Indians are by nature "cheap". Elsewhere, Syrians and Jews are, reportedly, successful merchants because of their "clannishness". The Caribs of Dominica are described as Creoles as "lazy drunkards", and the Caribs accuse Creoles of being "mean" and "immoral". Throughout the islands, Creoles who are dark are said to be less motivated for success, and those who are lighter are accused of being snobbish and too sober for their own good. Since independence, racial discrimination has been systemically condemned, and with a good deal of success. But racism (at least in the form of the belief that "once we know a person's racial background, we then know much about that persons' abilities and character traits,") is very much ingrained in the thinking of many West Indians. This style of racism has met with no effective challenge comparable to the American Civil Rights Movement of the 1960's. In the absence of racial segregation or the North American type of racial polarization, and with what scholars call the Caribbean "myth of racial harmony," most leaders throughout the region seldom address this insidious racism.
Jamaica's other medal winners included Veronica Campbell and Michael Frater, who earned a silver in the women's and men's 100 meters, respectively. St. Kitts and Nevis's Kim Collins won a bronze in the men's event as well. The Bahamas finished second and Jamaica third in the men's 4x400 meters relay to earn silver and bronze, respectively. Jamaica's women won a silver medal in that event, while Trinidad and Tobago won its only medal of the meet, a silver in the 4x100 meters for men. Cuba's Osleidys Menendez set a new world record in the women's javelin on her way to the gold medal. Cuba also won gold in the 800 meters for women, and silver medals in the men's and women's triple jump, men's high jump and women's hammer throw.
Each session runs for three to four weeks and involves two courses covering such topics as: English and the Caribbean Child; Arts and Culture in Trinidad and Tobago; Caribbean Dance; Caribbean History and Politics; Heritage Studies on Barbados; Caribbean Marine Environment; Gender in the Caribbean Society; Languages and Dialects of the Caribbean; and, Reggae, Rastafari and Jamaican Culture. Depending on the courses chosen, students may find themselves in Barbados, Jamaica or Trinidad and Tobago. However, Caribbean Marine Environment is a regional course which takes participants to at least two countries in the region. Accommodation is offered in the residence halls of each campus. [Summer] in any of the Caribbean islands presents a wonderful opportunity for participation in cultural activities. These include the various emancipation and independence celebrations, Crop Over (a Barbados carnival) and other festivals, including folk and popular music festivals such as Sumfest (Jamaica's largest reggae festival).
"As a West Indian student, I rather prided myself not only on my spoken English - as all West Indians, at least of my generation do - but also on my French accent, which was often commended. It so happened that at a French summer school in Nice in 1947, I translated `il ne pleuvait plus' orally as `the rain had held up' and was given a clear negative finger signal by my tutor. The next speaker said `it had stopped raining' and was told to continue. I was stung, but rather annoyed (with myself) when my English buddies, after class, sided with the tutor. My problem was that I had used standard Guianese (and East Caribbean) idiom, which was not standard English. The difference lay in Caribbean English usage. That was the beginning." "I can only marvel at the number of times I came near to believing the views of others - that the work would never be finished, "Dr.Allsopp said. "It is therefore in a spirit of great thanks to God and cautious optimism that I offer this dictionary to all Caribbeans." One finds words such as "touched" (soft or spoiling in parts); "force- ripe" (precocious, usually a child); "dead house" (the house where a deceased person lived); and "deal" (to practise witchcraft of the kind that involves trading living souls or dealing with the devil).
The term, "To run a boat," originated in the Caribbean. A group of boys or grown men would trump up whatever they had, little flour, bully beef, corn, cassava for bammy, salt pork, sugar, lime and water. Each person would bring one item and the firewood or stove would be lit. The resulting cornucopia would be most pleasing and satisfying, both to the palate and the gullet. The success would be measured by the hearty belches and the question, "So when we going to run the next boat?" Very much like the camel and its' hump. "Lord, Miss Gwen, de baby need to fatten up; mek sure him eat four bowl of porridge every day, plus two quart of milk, plus four boil eggs. Remember, a fat baby is a healthy baby." No function succeeds without plenty food, and in fact the measure of its status and success is the abundance of food that is served. Not even the dearly departed is spared. Nine days after a person dies, a wake or "nine night" is held. Just another excuse to wolf down the family's food. Other cultures burry the corpse within 24 hours, but not us, who choose to keep it until enough food can be bought to feed the ravaging hordes that are expecting to descend on the premises.
The term "world beat music" is less than a decade old. The music is a genre defined by the heads of a number of small London-based record labels who found that their records from Africa, Latin America and the Caribbean were not finding rack space. Major record stores had no obvious place for these unclassified sounds. The average listeners have not. Today the major record chains - Spec's, Best Buy, and others - have responded to buyers' demand to make available music from Africa, Cuba, Jamaica, Brazil and Latin America. Finding releases from Senegal's Kouding Cissoko or Baaba Maal is no problem. Finding the Afro-French, hip-hop sound of Les Nubians is simple; so finding the music of Nacio from Dominica, Gilberto Gil from Brazil, or Bamboleo of Cuba.
