A review of a Dash's book, which is compared favorably to Edouard Glissant's 'Caribbean Discourse' (1989) and Antonio Bentez-Rojo's 'Repeating Island' (1992)
Arnold,A. James (Author), Rodriguez-Luis,Julio (Author), and Dash,J. Michael (Author)
Format:
Monograph
Publication Date:
1994
Published:
Philadelphia: J. Benjamins
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
2 vols., This history for the first time charts the literature of the entire Caribbean, the islands as well as continental littoral, as one cultural region. It breaks new ground in establishing a common grid for reading literatures that have been kept separate by their linguistic frontiers.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Reflects the traumatic history of imperialism and its political, economic, and cultural manifestations ranging from the Negritude literary movement to post-independence novelists. There is also a political engagement aroused by independence and early statehood
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
214 p, "Examines the historical novel that has emerged in Francophone Africa and the Caribbean since the late 1930s and includes such writers as Edouard Glissant of Martinique and Paul Hazoumé of Benin." (Amazon.com)
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
183 p, "Prose fiction, mainly novels, written by people who were born or who grew up in the West Indies. The literary works to be approached usually have a West Indian setting. The books have all been written in the twentieth century." (Publisher)
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
230 p, Book Description: There has been an explosion of interest in Francophone studies, as postcolonial and diaspora literatures more generally have gained recognition both within and outside the academy. Identity, culture and history as well as issues relating to class, race, and colonialism, and the literary production itself have always been central to Caribbean Francophone culture and are matters currently of hot debate. From the growth of the negritude movement, principally associated with poetry, through to the rise of the novel, contributors to this book explore the theoretical, political and philosophical debates that have informed, and continue to inform, the rich and varied tradition of Caribbean Francophone literature. In recent years, the number of Francophone Caribbean women writers has increased significantly and experimental writing has featured more prominently. Contributors explore these and other trends, mainly in the literatures of Guadeloupe and Martinique. In providing the only available overview of this important literature and in positioning it critically, this book makes an invaluable contribution to students and scholars alike. (www.seekbooks.com.au);
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
218 p, Contents: Origins of the divestiture trope in selected literature of the African diaspora -- Diaspora as a trope for the existential condition -- Resonances of the African continent in selected fiction and non-fiction by Zora Neale Hurston -- Orphanage in Simone Schwarz-Bart's The bridge of beyond and Alice Walker's The third life of Grange Copeland -- Polyphonic texture of the trope "junkheaped" in Toni Morrison's Beloved -- Sociological implications of female abandonment in Buchi Emecheta's Second class citizen and The joys of motherhood -- Success phobia of Deighton Boyce in Paul Marshall's Brown girl, Brownstones -- Madness as a response to the female situation of disinheritance in Mariama Bâ's So long a letter and Scarlet song -- Exile of the elderly in Beryl Gilroy's Frangipani house and Boy-Sandwich -- Conclusion: abandonment as a trope for the human condition;
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
191 p, "[E]xplores the articulation of diasporic consciousness in two domains of post-colonial diaspora discourse: cultural critical theory and literature. Examined in the domain of cultural critical theory is a corpus of writings produced by Stuart Hall, Paul Gilroy, Kobena Mercer and Homi Bhabha. The literary texts examined are Buchi Emecheta's Second-Class Citizen, Joan Riley's The Unbelonging, Marlene Nourbese Philip's Harriet's Daughter, and Bharati Mukherjee's Jasmine." (author)
Berrian,Brenda F. (Author) and Broeck,Aart (Author)
Format:
Book, Whole
Publication Date:
1989
Published:
Washington D.C.: Three Continents Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
360 p., First International Conference on the Women Writers of the English-speaking Caribbean, April 198. Lists creative works by 1067 women writers. Arranged into four sections
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
274 p, "A model for theatre scholarship on racial impersonation."—Theatre Journal Blackface Cuba, 1840-1895 offers a critical history of the relation between racial impersonation, national sentiment, and the emergence of an anticolonial public sphere in nineteenth-century Cuba. Through a study of Cuba's vernacular theatre, the teatro bufo, and of related forms of music, dance, and literature, Lane argues that blackface performance was a primary site for the development of mestizaje, Cuba's racialized national ideology, in which African and Cuban become simultaneously mutually exclusive and mutually formative." (Doris Sommer, Harvard University)
DeLoughrey,Elizabeth M. (Author), Gosson,Renee K. (Author), and Handley,George B. (Author)
Format:
Book, Whole
Publication Date:
2005
Published:
Charlottesville, VA: University of Virginia Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
303 p, Contents: Sugar and the environment in Cuba / Antonio Benítez-Rojo -- Isla incognita / Derek Walcott -- Shaping the environment : sugar plantation, or life after identured labor / Cyril Dabydeen -- Coffee and colonialism in Julia Alvarez's A cafecito story / Trenton Hickman -- Subjection and resistance in the transformation of Guyana's mytho-colonial landscape / Shona N. Jackson -- A long bilingual conversation concerning paradise lost : landscapes in Haitian art / LeGrace Benson -- "Caribbean genesis" : language, gardens, worlds (Jamaica Kincaid, Derek Walcott, Édouard Glissant) / Jana Evans Braziel -- "The argument of the outboard motor" : an interview with Derek Walcott / George B. Handley -- Cultural and environmental assimilation in Martinique : an interview with Raphaël Confiant / Renée K. Gosson -- Moving the Caribbean landscape : Cereus blooms at night as a re-imagination of the Caribbean environment / Isabel Hoving -- "Rosebud is my mama, stanfaste is my papa" : hybrid landscapes and sexualities in Surinamese oral literature / Natasha Tinsley -- "He of the trees" : nature, environment, and Creole religiosities in Caribbean literature / Lizabeth Paravisini-Gebert -- "Man fitting the landscape" : nature, culture, and colonialism / Helen Tiffin -- Flashbacks of an orchid : rhizomatic narration in Patrick Chamoiseau's Biblique des derniers gestes / Heidi Bojsen -- Landscapes, narratives, and tropical nature : Creole modernity in Suriname / Ineke Phaf-Rheinberger -- The uses of landscape : ecocriticism and Martinican cultural theory / Eric Prieto -- From living nature to borderless culture in Wilson Harris's work / Hena Maes-Jelinek -- Epilogue : Theatre of the arts / Wilson Harris
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
353 p, Contents: The unity of Caribbean literature -- Toward a Caribbean poetics -- Kamau Brathwaite and the Caribbean word -- Stages of the sacred in René Depestre -- Pedro Mir and the historical imagination -- Conclusion: the Caribbean in a decentralized literary order.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
228 p, Contents: Canonized hybridities, resistant hybridities: Chutney Soca, carnival, and the politics of nationalism / Shalini Puri -- Soca and social formations: avoiding the romance of culture in Trinidad / Stefano Harney -- Trinidad romance: the invention of Jamaican carnival / Belinda J. Edmondson -- All that is black melts into air: negritud and nation in Puerto Rico / Catherine Den Tandt -- Positive vibration? Capitalist textual hegemony and Bob Marley / Mike Alleyne --"Titid ad pèp la se marasa": Jean-Bertrand Aristide and the new national romance in Haiti / Kevin Meehan -- Shadowboxing in the Mangrove: the politics of identity in postcolonial Martinique / Richard Price and Sally Price -- Beautiful Indians, troublesome negroes, and nice white men: Caribbean romances and the invention of Trinidad / Faith Smith -- Homing instincts: immigrant nostalgia and gender politics in Brown girl, brownstones / Supriya Nair -- Derek Walcott: liminal spaces/substantive histories / Tejumola Olaniyan
Wellesley, Mass.: Calaloux Publications;Amherst : Distributed by the University of Massachusetts Press.
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
First International Conference on the Women Writers of the English-speaking Caribbean, April 1988, 382 p, In 1831, three years before England abolished slavery in the British Caribbean, the narrative of Mary Prince was published in London. It was the first account written by a Caribbean slave to be published. Although narratives and stories of Caribbean women have appeared sporadically in subsequent years, it is only since 1970 that a wave of women's writing has innudated the field, thereby changing the horizons of Caribbean literature.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
201 p, Focuses on the literature of Caribbean women writers in the 1980s and 1990s particularly the fiction of Jamaica Kincaid, Erna Brodber, Marlene Nourbese Philip, and Merle Hodge. (Amazon.com)
Glaser,Marlies (Author) and Pausch,Marion (Author)
Format:
Book, Whole
Publication Date:
1994
Published:
Amsterdam: Rodopi
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
The volume consists of a bilingual introduction of “parallelism of literary and cultural preoccupations” between Anglophone and Francophone Caribbean literatures. As well as English-and French-language articles on Caribbean poetry, novels, and theater. Also, includes interviews with six Anglophone and Francophone Caribbean authors and book reviews.;
"Caribbean literatures can claim a unique identity: they are one yet made of many, escaping easy categorization. But, to return to Kincaid, there is a way in which the Caribbean, in academic discourse, has become part of a larger picture which Caribbean inhabitants may not claim or recognize. At issue here is the extent to which academic discourse answers to the people of the region or ignores them." (author)
