Examines the work of Jamaican writer Una Marson for her engagement with the ideas of modernity and her cultural expectations as she traveled from Jamaica to London, England in the 1930s. Topics include colonialism, race and gender, modernism, and the magazine "Cosmopolitan: A Monthly Magazine for Business Youth of Jamaica and the Official Organ of the Stenographer's Association."
For almost twenty years, Latin American and Caribbean "autonomous feminism", a small yet active movement, provokes debates and proposes important analysis which renew and deepen those proposed by dominant feminism. This movement, in which some indigenous and afrodescendant lesbian feminists play a very significant role, stems from a criticism of international institutions's role in the domestication of feminism (and especially the United Nations).
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
456 p., On January 12, 2010 a massive earthquake laid waste to Port-au-Prince, Haiti, killing hundreds of thousands of people. This narrative describes the incredible suffering and resilience of the people of Haiti. It explores the social issues that made Haiti so vulnerable to the earthquake -- the very issues that make it an "unnatural disaster." The account includes stories from other doctors, volunteers, and earthquake survivors.
To determine the stance of providers in Jamaica regarding the suggested change in abortion law, a face-to-face anonymous survey of 35 obstetrician-gynecologists and 228 general practitioners in Kingston was used to assess knowledge, opinions and practice.
Forman,Johanna Mendelson (Author) and White,Stacey (Author)
Format:
Pamphlet
Publication Date:
Nov 2011
Published:
Center for Strategic and International Studies
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
23 p., Discusses how in the immediate aftermath of the January 2010 earthquake in Haiti, the Dominican Republic launched a massive cross-border emergency assistance mission, providing critical medical assistance, logistics support, and humanitarian aid. In so doing, the Dominicans served as vital first responders to the crisis, reaching earthquake victims well before the arrival of any other international actors.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
13 p., When the January 12, 2010 earthquake hit Haiti, the country was in the midst of a second round of security and justice system reforms supported by the international community. The quake killed hundreds of thousands of people, including some who played a critical role in implementing these reforms. Damaged infrastructure and casualties in key justice and security positions hindered the existing security institutions' ability to respond to the problems caused by the destruction. This paper examines how the security and justice reforms were affected by the earthquake, and the new security challenges faced by the population in the post-earthquake period.
The recurrence of violence in Haiti since February 1986 has generated strong demands for reforms to the security and justice system, in the broader context and process of democratic construction. Important transformations have been implemented, but certain factors have hampered change. Challenges include an institutional culture that resists certain changes, weak links between the police and justice, inadequate support from international actors, and a deeply constraining economic context.
Literary criticism of the books "Corregidora" by Gayl Jones and "Lucy" by Jamaica Kincaid. Examines the novels' depictions of mother-daughter relationships and analyzes the cultural and psychosocial forces encountered by the protagonists.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
156 p., The reconstruction of Haiti following the earthquake of January 12, 2010 was institutionalized through the creation of the Commission Interimaire pour la reconstruction d'Haiti (Interim Commission for the Reconstruction of Haiti, CIRH). More than a year later, the outlook for human rights in Haiti has not changed despite the great promise and strong rhetoric of change. This study seeks to provide evidence for understanding the many facets of extreme poverty in Haiti from a human rights perspective.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
58 p., On January 12, 2010, a powerful earthquake struck Haiti, resulting in an estimated 230,000 deaths, including more than 16,000 Haitian government personnel, and the destruction of many ministry buildings. Congress appropriated 1.14 billion dollars in supplemental funds for reconstruction, most of which was provided to the US Agency for International Development (USAID) and the Department of State (State). This report addresses infrastructure construction activities, including (1) USAID and State obligations and expenditures; (2) USAID staffing; (3) USAID planning; and (4) potential sustainability challenges USAID faces.
Gootnick,David (Author) and Ragland,Susan (Author)
Format:
Book, Whole
Publication Date:
May 2011
Published:
United States Government Accountability Office
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
70 p., Congress appropriated more than 1.14 billion dollars in supplemental funds for reconstruction assistance following the earthquake in Haiti, most of which was provided to the US Agency for International Development (USAID) and the Department of State (State). The Haitian government created the Interim Haiti Recovery Commission (IHRC), a joint Haitian-international entity, for an 18-month term to coordinate donors, conduct strategic planning, approve reconstruction projects, and provide accountability. GAO addressed (1) the planned uses for US reconstruction assistance and the amounts provided so far, (2) USAID's internal controls for overseeing US funds, and (3) IHRC's progress establishing governance and oversight structures.
Between 1873 and 1917, the numbers of Barbadian women committed to penal custody on an annual basis surpassed those of men. Available figures for Jamaica and Trinidad over sections of the period hover around an 18–20 percent female proportion rate, while in Barbados the rate usually exceeded 50 percent.
Reviews the book "HIV-AIDS and Social Work Practice in the Caribbean: Theory, Issues and Innovation," edited by Adele D. Jones, Jacqueline A. Padmore, and Priya E. Maharaj.
Considers how dance, rhythm and the body become forces of social differentiation. In Cuba, many Afro-Cuban cultural practices, such as rumba, have been subject to social and spatial exclusion. In this context, sites such as the home, the street and the family emerge as highly significant for the learning and performance of Afro-Cuban music and dance.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
78 p., This documents the lack of access to reproductive and maternal care in post-earthquake Haiti, even with unprecedented availability of free healthcare services. The report also describes how hunger has led women to trade sex for food and how poor camp conditions exacerbate the impact of sexual violence because of difficulties accessing post-rape care. It looks at how recovery efforts have failed to adequately address the needs and rights of women and girls, particularly their rights to health and security.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
19 p., Warns that a dysfunctional justice system continues to pose significant obstacles to the democratic process in a post-earthquake Haiti where security and stability remain fragile.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
19 p., Discusses how Haiti's porous land and sea borders remain susceptible to drug trafficking, smuggling and other illegal activities that weaken the rule of law and deprive the state of vital revenue. Post-quake insecurity underscores continued vulnerability to violent crime and political instability. Overcrowded urban slums, plagued by deep poverty, limited economic opportunities and the weakness of government institutions, particularly the Haitian National Police (HNP), breed armed groups and remain a source of broader instability. If the Martelly administration is to guarantee citizen safety successfully, it must remove tainted officers and expand the HNP's institutional and operational capacity across the country by completing a reform that incorporates community policing and violence reduction programs.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
22 p., Discusses how a year and a half after a deadly earthquake devastated its capital, 650,000 victims still wait for permanent housing in more than 1,000 unstable emergency camps across Haiti as a new hurricane season arrives. If reconstruction is to right the many imbalances that have made Haiti poor and prone to disasters, violence and conflict, it is paramount that the Martelly government set out a resettlement policy rapidly that engages the victims and is less about closing the camps, more about building stable, less violent communities and not only in the capital. The pilot plan for closing six camps and resettling their residents his administration has put forward is an important first step that deserves support, but the most vulnerable camps should be added to it quickly.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
4 p., This issue brief reviews a draft report [PDF] on Haiti's November 28, 2010 presidential elections from the Organization of American States' (OAS) "Expert" Mission - which recommends changing the result of the first round of the election. It finds the OAS Mission's report to be methodologically and statistically flawed, and its conclusions to be arbitrary. The brief notes that over 1,300 tally sheets, or about six times the amount thrown out by the OAS, were missing or quarantined; and that these tally sheets would very likely have given a different result from that of the OAS mission. Also, the OAS Mission's report is based on an analysis of just 919 vote tally sheets - without any reported statistical inference -- whereas CEPR counted and analyzed all 11,181 tally sheets from the first round of elections.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
15 p., This report describes the results of an independent recount of vote tally sheets from Haiti's November 28 presidential election. These 11,181 election tally sheets from across Haiti were posted online by Haiti's Provisional Electoral Council (CEP). It finds that for some 1,326 voting booths, or 11.9 percent of the total, tally sheets were either never received by the CEP or were quarantined for irregularities. This corresponds to about 12.7 percent of the vote, which was not counted and is not included in the final totals that were released by the CEP on December 7, 2010 and reported by the press. It also found many more tally sheets that had irregularities in the vote totals that were sufficient to disqualify them, and a large number of clerical errors that further undermines the credibility of the vote count. The report finds that based on the numbers of irregularities, it is impossible to determine who should advance to a second round. If there is a second round, it will be based on arbitrary assumptions and/or exclusions.
Discusses donations made by the US to developing countries. Often companies in the US donate leftover or unwanted merchandise to developing countries, and regularly these are products that the poor in those countries need or can use. Shipping leftover inventory as a donation also hurts the local economies in remote and poorer areas.
Klasing,Amanda M. (Author) and Brody,Reed (Author)
Format:
Pamphlet
Publication Date:
Apr 2011
Published:
Human Rights Watch
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
47 p., This report examines the legal and practical questions surrounding the case of Jean-Claude Duvalier and concludes that Haiti has an obligation under international law to investigate and prosecute the grave violations of human rights under Duvalier's rule. This report also addresses Haiti's capacity to carry out the trial, the question of the statute of limitations, and Duvalier's personal involvement in alleged criminal acts. Tables, Figures.
Although 97.9% of women expressed a desire for family-planning counseling before discharge from the postpartum ward, only 6.0% of women received such counseling. Most women wanted to space or limit their pregnancies; 79.8% of women, including those with only 1 child, wanted to choose a contraceptive method before discharge. Providers expressed concern for the volume of induced abortions and maternal deaths within the hospital, which many felt could be averted by improving postpartum family planning.
The author's thoughts on service work during a summer 2010 travel course to Haiti with a group from Saint Mary's College of California and reflections on the complexity of service learning and disaster relief work. A dilemma concerning the installation of a rainwater capture system on a house brought to light the issue of what the family thought they needed versus what the group thought they needed. The decision making process is discussed.
The prevalence of underweight and stunting among children less than 5 years of age was calculated for 13 countries in Latin America and the Caribbean by applying the WHO Child Growth Standards to nationally-representative, publicly available anthropometric data.
Discusses the imperative to establish a functioning education system and explores how the earthquake exacerbated perennial challenges to the Haitian education system, while also perhaps offering some hope. Analyzes reconstruction efforts involving the Government of Haiti and such organizations as the World Bank and the Inter-American Development Bank, arguing that an education system premised on local ownership and focused on sustainability is Haiti's best hope.
On the roles of gender, migration, and sexuality in the concept of sexiles, or people who are geographically displaced because of their sexuality, in the Carribean. Analyzes the short story "La Cautiva" by Pedro Juan Soto, the novel "I Am a Martinician Woman" by Mayotte Capécia, and the novel "No Telephone to Heaven" by Michelle Cliff.
Conducts a case study that examines public and nonprofit organizations that partnered during the 2010 Haiti earthquake. The case study results show that communication, trust, and experience are the most important partnership inputs; the most prevalent governance structure of public-nonprofit partnerships is a lead organization network. Time and quality measures should be considered to assess partnership outputs, and community, network, and organizational actor perspectives must be taken into account when evaluating partnership outcomes.
Provides a brief background of Haiti's economic development over the last several decades, along with the status of women's rights and gender-differentiated socioeconomic outcomes. Analyzes how policy neglect of gender equity in Haiti has contributed to failed economic development and identifies ways that other developing countries have successfully incorporated a focus on gender equity in their development strategy, particularly in the face of natural disaster and financial crisis.
Discusses the popular notions of sexuality that lay behind the women's bodily displays during Trinidad Carnival, the iconic Carnival experience in the region, and contrasts these to some Christian notions of the body and sexuality, which see the body ('the flesh') and sexuality, as problematic even sinful.
Presents a case study with background information to assess the gender structure of trade unions under the Jamaica Confederation of the Trade Unions (JCTU) to better understand the relationship between gender and leadership in trade union organizations.
Argues that the historical boycott of Haiti's government in the 19th and 20th centuries by the international community, the constant internal struggle among the members of the elite for the control of state power, and the weakening of state structures through the creation of nongovernmental organizations have weakened the government's capacity to deal with major catastrophe and meet the needs of its citizens.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
14 p., This paper has to do with a question that is important for the future of the Hemisphere: namely, what to do about the Organization of American States (OAS)? On February 23, 2010, heads of state from throughout Latin America and the Caribbean met in Cancun and formed a new organization: the Community of Latin American and Caribbean States (CELAC). It has the same membership as the OAS, but without the United States and Canada, and it includes Cuba.
Personal reactions of women to the January 2010 earthquake in Haiti. Discusses the psychic trauma of living in the Haiti's displacement camps after the earthquake regarding poor access to water, violence against women and instances of forced eviction.
Discusses the themes of subjectivity and sexual, racial, and cultural identity in literature by LGBT Cuban authors, with particular focus given to the short stories "Piazza Margana" by Calvert Casey and "La más prohibida des todas" by Sonia Rivera-Valdés. The exiled status of the authors and its influence on their work is examined, and the different experiences of Cuban gay men and lesbians are explored.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
20 p., Haiti has concluded its latest election cycle, although it is still finalizing the results of a few legislative seats. The US provided 16 million dollars in election support through the US Agency for International Development (USAID). Like many of the previous Haitian elections, the recent process has been riddled with political tensions, violence, allegations of irregularities, and low voter turnout. Other issues include the destabilizing presence of former dictator Jean-Claude "Baby Doc" Duvalier and former President Jean-Bertrand Aristide, and the newly elected government's ability to handle the complex post-earthquake reconstruction process and its relationship with the donor community.
Examines changes in enslaved women's working lives as planters sought to increase birth rates to replenish declining laboring populations. Establishes that enslaved women in Jamaica experienced a considerable shift in their work responsibilities and their subjection to discipline as slaveholders sought to capitalize on their abilities to reproduce. Enslaved women's reproductive capabilities were pivotal for slavery and the plantation economy's survival once legal supplies from Africa were discontinued.
Discusses the January 2010 earthquake that struck in Haiti, focusing on the name of Goudougoudou which Haitians have given the natural disaster. Topics include the onomatopoeic nature of the name which resembles the destruction of buildings, the psychological impact the earthquake has had on Haitian women, and Haiti's efforts to relieve the psychological trauma of the event for children.
Reflects on women's health and rights in Latin America and the Caribbean amid new realities in today's globalized world. Explores the role of states towards ensuring equity and equality of outcomes in health between men and women, emphasizing the unmet obligation of most states to ensure full enjoyment by women of their right to health.
Examines changing relations of accumulation taking shape in the garment export industry in the Dominican Republic and Haiti. Draws upon a framework called "the coloniality of power" to consider the reworking of the social and spatial boundaries between hyper-exploited wage work and the people and places cast out from its relations.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
9 p., The US has historically provided assistance to support development in Haiti. Over the last several years, Congress has attempted to promote Haiti's economic development through the use of trade preferences for Haitian products. In 2000, Congress extended preferences under the Caribbean Basin Economic Recovery Act to allow for duty-free treatment of apparel through the Caribbean Basin Trade Partnership Act (CBTPA). This report responds to a mandate in the Food, Conservation, and Energy Act of 2008, which requires GAO to review Earned Import Allowance Program (EIAP) annually and conduct an evaluation of the program.
11 p., This publication is Caribbean Export Development Agency’s contribution to the WTO/OECD Aid for Trade Case Story project as set out in the Call for Case Stories in July 2010
1. It reflects on the contribution of the Agency to export development and trade promotion on behalf of CARIFORUM States during the period 2008‐2010.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
396 p, Contents: Foreigners : Sao Paulo, 1900-1925 -- Fraternity : Rio de Janeiro and São Paulo, 1925-1929 -- Nationals : Salvador da Bahia and São Paulo, 1930-1945 -- Democracy : São Paulo and Rio de Janeiro, 1945-1950 -- Difference : São Paulo, Rio de Janeiro, and Salvador da Bahia, 1950-1964 -- Decolonization : Rio de Janeiro, Salvador da Bahia, and São Paulo, 1964-1985 -- Epilogue : Brazil, 1985 to the new century.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
341 p., Examines the long-running debate between the proponents of Afro-Cuban cultural manifestations and the predominantly white Cuban intelligentsia who viewed these traditions as "backward" and counter to the interests of the young Republic. Includes analyses of the work of Felipe Pichardo Moya, Alejo Carpentier, Nicolás Guillén, Emilio Ballagas, José Zacarías Tallet, Felix B. Caignet, Marcelino Arozarena, and Alfonso Camín.
Anderson,William M., (Ed.And Pref.), Campbell,Patricia Shehan, (Ed.And Pref.), and Seeger,Anthony, (Foreword)
Format:
Book, Whole
Publication Date:
01/01; 2011
Published:
Lanham: Rowman & Littlefield Education
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
The following contributions are cited separately in RILM: William M. ANDERSON, Michael B. BAKAN, Patricia Shehan CAMPBELL, Jackie Chooi-theng LEW, Phong NGUYỄN, Pornprapit PHOASAVADI, Music of Southeast Asia (RILM ref]2010-13857/ref]); William M. ANDERSON, Patricia Shehan CAMPBELL, Teaching music from a multicultural perspective (RILM ref]2010-13846/ref]); William M. ANDERSON, Kuo-huang HAN, Tatsuko TAKIZAWA, Ricardo D. TRIMILLOS, Music of East Asia (RILM ref]2010-13856/ref]); William M. ANDERSON, Kristin Olson RAO, Music of South Asia: India (RILM ref]2010-13858/ref]); Sarah J. BARTOLOME, Pierre Cary (Kazadi wa Mukuna) KAZADI, Elizabeth OEHRLE, Music of sub-Saharan Africa (RILM ref]2010-13847/ref]); Bryan BURTON, Kay L. EDWARDS, Music of native peoples of North America (RILM ref]2010-13853/ref]); Milton L. BUTLER, Marvelene C. MOORE, Rosita M. SANDS, Linda B. WALKER, African American music (RILM ref]2010-13848/ref]); Patricia Shehan CAMPBELL, David G. HEBERT, World beat (RILM ref]2010-13855/ref]); Patricia Shehan CAMPBELL, Ellen MCCULLOUGH-BRABSON, Euro-American music (RILM ref]2010-13852/ref]); Patricia Shehan CAMPBELL, Music of Europe (RILM ref]2010-13851/ref]); Ann C. CLEMENTS, Peter DUNBAR-HALL, Sarah H. WATTS, Music of Oceania and the Pacific (RILM ref]2010-13854/ref]); David G. HEBERT, Jazz and rock music (RILM ref]2010-13850/ref]); Rita KLINGER, Christopher ROBERTS, George D. SAWA, Terese VOLK TUOHEY, Music of the Middle East (RILM ref]2010-13859/ref]); Dale A. OLSEN, Milagros Agostini QUESADA, Amanda C. SOTO, Music of Latin America and the Caribbean (RILM ref]2010-13849/ref]). The first edition is abstracted as RILM ref]1990-07600/ref], the second as RILM ref]1996-23510/ref].
Like many other phenomena, the history of the tango is steeped in the notion of a progressive evolution at once social, sexualized, and racial, a sort of three-fold whitening which is accompanied by the contemporary tendency to valorize its 'black roots'. One can only be amazed at the studies which strain to drag in blackness, although the historiography of Argentina is primarily one of whitening, and the growing international adoption and adaptation of the tango leave little room for minorities. These strange hybridizations provide useful illustrations for exploring the questions of identity surrounding the tango (dance) known as 'Argentinean' in the context of its globalization., unedited non–English abstract received by RILM] Comme bien d’autres expressions, l’histoire de la danse tango est imprégnée par l’idée d’une évolution progressiste à la fois sociale, sexuée et raciale, un triple blanchiment en quelque sorte, qui s’accompagne d’une tendance contemporaine consistant à valoriser ses « origines noires ». On ne peut que s’étonner des travaux qui s’efforcent de rapatrier de la négritude, alors que l’historiographie dominante de l’Argentine est dominée par le blanchiment et que les conditions d’actualisation de cette danse de par le monde offrent peu de place aux minorités. C’est à la faveur de ces curieux croisements que sont examinées les questions identitaires qui gravitent autour du tango dansé que l’on dit « argentin » dans le contexte de sa mondialisation.
Avelar,Idelber, (Ed.And Intro.) and Dunn,Christopher, (Ed.And Intro.)
Format:
Book, Whole
Publication Date:
2011
Published:
Durham, NC: Duke University Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
376 p, Covering more than one hundred years of history, this multidisciplinary collection of essays explores the vital connections between popular music and citizenship in Brazil. While popular music has served as an effective resource for communities to stake claims to political, social, and cultural rights in Brazil, it has also been appropriated by the state in its efforts to manage and control a socially, racially, and geographically diverse nation. The question of citizenship has also been a recurrent theme in the work of many of Brazil's most important musicians. These essays explore popular music in relation to national identity, social class, racial formations, community organizing, political protest, and emergent forms of distribution and consumption.
Drawing on original case studies of police reform in Burundi, Haiti and Southern Sudan, this article demonstrates that developmental approaches to security system reform have more scope for application in fragile states that are not at war or involved in the War on Terror.
Proposes to examine the aftermath of the "Goudougoudou," as Haitians now call the earthquake of January 12, 2010, relating it to other events that have taxed Haitian resolve over the course of two centuries.
60 p., Explores the legal means by which victims of natural disasters could qualify as refugees and thus benefit from the power of migration as a tool for disaster recovery.
The Afro-Uruguayan candombe exemplifies a creative processes reacting to the 'whitening' of its practice in the context of the national appropriation of music created by Afro-Uruguayans and long despised in this very eurocentric country. The group Afrogama which describes itself as traditional and militant, taking its inspiration from Africa and the African-American religions, is 'blackening' these musical features and choreographical gestures. The dynamics and the content of these games of color in the candombe should be understood in the national and transnational context of the definition of Afrodescendance in Latin America. The category 'Black music' acquires meaning if it is seen as an ethnomusicological category which articulates musical, social, and political dynamics, bearing in mind the specific nature of music and dance in the processes of identity building., unedited non–English abstract received by RILM] À partir de l’exemple du candombe afro-uruguayen, je propose d’analyser comment, dans un contexte d’appropriation nationale d’une musique créée par les Afro-Uruguayens et longtemps méprisée dans un pays très eurocentriste, on assiste à des processus de création en réaction à ce « blanchiment » de la pratique. Le groupe Afrogama, qui se définit comme traditionnel et militant, « noircit » le trait musical et le geste chorégraphique en s’inspirant de l’Afrique et des religions afro-américaines. Les dynamiques et le contenu de ces jeux de couleurs dans le candombe doivent être compris dans un contexte national et transnational de définition de l’afrodescendance en Amérique Latine. La catégorie « musique noire » prend son sens si on l’envisage comme une catégorie ethnomusicologique qui articule dynamiques musicales, sociales et politiques, tout en considérant la nature particulière de la musique et de la danse dans les processus de construction identitaire.
Blackett,Adelle (Editor) and Lévesque,Christian (Editor)
Format:
Book, Edited
Publication Date:
2011
Published:
New York, NY: Routledge
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
352 p., Essays by international specialists attempting to move beyond textual analyses of regional agreements to offer new accounts of regional integration by combing insights from developing countries with original analyses from the EU. Includes Rose-Marie Belle Antoine's "Mapping the social in Caribbean regional integration."
Washington, DC: Brookings Institution, Bern Project on Internal Displacement
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
68 p., The tsunamis, hurricanes, and earthquakes, which hit parts of Asia and the Americas in 2004 and 2005, as well as the Haiti earthquake of 2010, highlighted the fact that affected persons may face multiple human rights challenges in the aftermath of natural disasters. A protection perspective can help in promoting and securing the fulfillment of human rights since the manner in which assistance is delivered, used and appropriated, as well as the context in which it is taking place, has an important impact on whether the needs and human rights of affected persons are being respected or fulfilled. Tables, Appendixes.
Burgwinkle,William E. (Editor), Hammond,Nicholas (Editor), and Wilson,Emma (Editor)
Format:
Book, Edited
Publication Date:
2011
Published:
New York: Cambridge University Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
798 p., From Occitan poetry to Francophone writing produced in the Caribbean and North Africa, from intellectual history to current films, and from medieval manuscripts to bandes dessinées, this History covers French literature from its beginnings to the present day. Includes Celia Britton's "Writing and postcolonial theory."
Chaparro,Juan Camilo (Author) and Graham,Carol (Author)
Format:
Book, Whole
Publication Date:
Mar 2011
Published:
Washington, DC: Inter-American Development Bank
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
87 p. p., This paper explores the effects of crime and insecurity on well-being -- both happiness and health -- in Latin America and the Caribbean. The authors posited that crime victimization and insecurity would have negative effects on both happiness and health, and having found that they did, tested the extent to which those effects were mitigated by people's ability to adapt to those phenomena.
In colonial Spanish America, there were immensely complex systems of identity and power. One aspect of this is the distinction between the Peninsular Spaniards, that is those who were born in Spain and allowed to travel to the New World only after having proved their purity of blood, and the white Spaniards born in the New World. The latter were known as criollos and as a body were designated as mantuanos. By revealing cultural and religious manifestations, as once public and allegorical, of the partisan conflict between the mantuanos and Peninsular residents in the pre-independence era, the documentation that traces the historical development of the Fiesta de la Naval—a commemoration of the Christian victory over the Turks in the Battle of Lepanto (1571)—affords the source of information of the greatest symbolic significance for the study of the social, religious, and musical repercussions that sustained criollo power between 1687 and 1810. An appendix lists payments made between 1709 and 1812 the three categories of musicians: the gallery musicians of the Caracas cathedral; the military band of the black and mixed-race battalions of the province; the musicians from confraternities of pardo freemen. The nature and employment of each of these groups is described. The list of payments shows that the Fiesta de la Naval involved the whole of urban society and shifted the center of religious power away from the cathedral and toward the space occupied by the manutanos. The Fiesta was thus an example of Venezuelan cultural ownership and social and racial identify that formed part of the legitimization of the mantuanos power as opposed to the power of the Peninsular Spaniards.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
16 p., The record of countries coming out of war or chaos is dismal: roughly half of them fall back into crisis. Among the other half, most end up highly aid dependent. The author of this Special Report was invited to develop her proposal for reconstruction zones as a way to jump-start the economies of conflict- and disaster-affected countries in a dynamic and inclusive way, by improving aid effectiveness and accountability. References.
Finds that elimination of agricultural import tariffs hurts both agricultural and non-agricultural households, via adverse factor-market effects, but impacts vary substantially by workers' gender and country of origin. Females and Haitian immigrants tend to fare better than Dominican males, and there are ramifications for both market and non-market activities.
Discusses the historical constructions effected by the social sciences and the institution of Carnaval which have contributed to establishing two forms of musical and choreographical expression from the Brazilian state of Pernambudo as opposing models: maracatu-nação, supposedly the Black or Afro model, traditional, ancient, urban, and religious, and maracatu-rural, the so-called syncretic, modern, recent, rural and magical-religious model. In the face of this categorization, the two maracatus prefer tp be distinguished on the basis of their specific rhythms, respectively de-baque-virado and de-baque-soltoxx. Practitioners identify more with their specific practice than with the ideas it conveys and seem to form their community around codifications and usages in which ethnicity is meaningless. Moreover, in Brazil culture, the term 'black' is inseparable from the term 'popular': conformism and resistance, performative mode, improvisation and continuum of a continually changing tradition. Its coherence is more about mastering an aesthetic activity than about a racial ontology confined in 'the Black experience'. Negra or popular, this music thus differs from the 'other music', where tradition figures as a threshhold to be crossed., unedited non–English abstract received by RILM] Cet article tente de montrer les constructions historiques opérées par les sciences sociales et l’institution carnavalesque ayant contribué à instituer en contre-modèles deux formes d’expression musicales et chorégraphiques de l’état de Pernambuco au Brésil : le maracatu-nação, modèle dit noir ou afro, traditionnel, ancien, urbain et religieux, et le maracatu-rural, modèle dit syncrétique, moderne, récent, rural et magico-religieux. Devant ces catégorisations, les deux maracatus préfèrent se distinguer par leur rythme spécifique, respectivement de-baque-virado et de-baque-solto. Les praticiens s’identifient davantage à leur pratique qu’aux représentations qu’elle véhicule et semblent former une collectivité autour de codifications et modes de faire dans lesquelles l’ethnicité ne fait pas sens. D’ailleurs, au Brésil, la caractérisation « noire » s’est confondue avec la caractérisation « populaire » de la culture : conformisme et résistance, mode performatif, improvisation et continuum de la tradition en permanente reformulation. Ses logiques concernent plus le savoir mener une conduite esthétique qu’une ontologie raciale recluse dans « l’expérience noire ». Negra ou popular, la musique se distinguerait ainsi de l’ « autre musique », où la tradition émerge comme un seuil à transgresser.
African American Research Center, Library, University of Illinois at Urbana-Champaign
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236 p., Addresses what it means to be black in Peru. Based on extensive ethnographic work in the country and informed by more than eighty interviews with Peruvians of African descent, this ground breaking study explains how ideas of race, colour, and mestizaje in Peru differ greatly from those held in other Latin American nations.
African American Research Center, Library, University of Illinois at Urbana-Champaign
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The definitive group biography of the Wailers—Bob Marley, Peter Tosh, and Bunny Livingston—chronicling their rise to fame and power and offering a portrait of a seminal group during a period of exuberant cultural evolution. Over one dramatic decade, a trio of Trenchtown R&B crooners swapped their 1960s Brylcreem hairdos and two-tone suits for 1970s battle fatigues and dreadlocks to become the Wailers—one of the most influential groups in popular music. A history of the band is presented from their upbringing in the brutal slums of Kingston to their first recordings and then international superstardom. It is argued that these reggae stars offered three models for black men in the second half of the 20th century: accommodate and succeed (Marley), fight and die (Tosh), or retreat and live (Livingston). The author meets with Rastafarian elders, Obeah men, and other folk authorities as he attempts to unravel the mysteries of Jamaica's famously impenetrable culture and to offer a sophisticated understanding of Jamaican politics, heritage, race, and religion.
Argues that geography and geology sparked the Haitian earthquake, but the extent of the destruction was due to the massive failure of Haitian institutions, in particular the state, and international policy, which predated the earthquake.
La Via Campesina asserts that sustainable, small-scale farming is more efficient at conserving and increasing biodiversity and forests than industrial agriculture.
A brief introduction about Mexican nativism as an obstacle to thinking about cultural diversity, especially the Afro-Mexican presence, and a short echo of Philip Tagg's Open Letter are followed by an outline of the socio-historical genesis of the cumbia and the chilena. A comparative musical study (of national and Afro-Mexican cumbia, indigenous chilena and Afro-Mexican chilena) seeks to establish whether these are distinct 'black' musical practices. Since this music is also dance and text, these other two elements are also examined to determine to what extent it is legitimate to discuss them as 'black' practices. It is also essential to learn whether these forms of music are influenced by the recording industry and if so, to assess the consequences in terms of commercial labelling. The results of these inquiries, placed in the context of the movement towards negritude presently emerging on the Costa Chica, provide aspects of an answer to the eponymous question, unedited non–English abstract received by RILM] Après une brève introduction sur l’indigénisme au Mexique comme obstacle pour penser la diversité culturelle, notamment les présences afro-mexicaines, l’article fera brièvement écho à la lettre ouverte de Philip Tagg, pour ensuite esquisser une genèse socio-historique de la cumbia et de la chilena. Puis, il sera nécessaire de procéder à une étude musicale comparative (entre la cumbia nationale et afro-mexicaine, la chilena indigène et la chilena afro-mexicaine) afin de voir si elles sont des pratiques musicales différenciées « noires ». La musique n’étant pas que musique mais aussi danse et texte, on interrogera de la même façon ces deux éléments pour voir aussi dans quelle mesure peut-on en parler de pratiques « noires ». En outre, il conviendra de voir si ces musiques sont soumises à l’industrie disquaire et si tel était le cas, mesurer les conséquences en termes d’étiquetage commercial. Finalement, au regard des résultats formulés, je tenterai d’apporter des éléments concrets de réponse par rapport à la question initiale en les mettant en perspective avec un mouvement de négritude qui est en train de voir le jour sur la Costa Chica.
African American Research Center, Library, University of Illinois at Urbana-Champaign
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Examines a variation of samba called pagode baiano in several peripheral neighborhoods of the city of Salvador. Dance parties organized around this genre provide the context for the affirmation of a racial identity discourse as well as the reterritorialization of 'easy women', 'dishonest and lazy people', jobless people, homosexuals, and blacks. Pagode reintegrates aspects of traditional African manifestations found in Brazil, such as dance, call-and-response song, and the emphasis on polyrhythm. It embraces a sub-altern gender (feminine) and sexuality (homosexual) and undermines the hegemony of the macho. It exists as a musical experience whose feelings are particular and shared amongst certain subjects. Musicians and the public share a language and a way of speaking about themselves and others that reveal an emergent, imperfect citizenship.
Examines the meanings of the marvelous in the context of the Afro-Brazilian ritual called the Reinado de Nossa Senhora do Rosário, according to the way it is applied in the song lyrics and in participants’ verbal discourses. Analyses were based on participants’ perspectives about the origin and history of their religious tradition, which is based on their enslaved ancestors’ experiences of pain. Those facts and events still highlight the sense of belonging to this tradition nowadays and make their performative acts meaningful, significant, and thus wonderful., unedited non–English abstract received by RILM] Os significados da ‘maravilha’ no contexto do Reinado de Nossa Senhora do Rosário, tal como o termo é utilizado nos cantos e nas elaborações discursivas dos congadeiros, são aqui abordados a partir da perspectiva desses participantes sobre a origem e o percurso histórico de sua tradição religiosa, calcada na experiencia da dor de seus ancestrais escravizados. Tais fatos e eventos ainda motivam o pertencimento a essa tradição no presente e preenchem de sentido, de significância e, consequentemente, de maravilha as ações performáticas atuais.
The Navy and Department of Defense are working with the academic and crisis-response communities in a series of exercises to explore and experiment with new coordinated information-sharing tools, techniques and procedures based on social science research on social media. The response to the January 2010 earthquake in Haiti demonstrated the value of information sharing during a disaster, whether it be in real time via Twitter, standard messaging service text messaging or in imagery posted on YouTube, Flickr or Facebook.
By reflecting on the intersections of race, nationality, and the body within the specificities of Black Seminole border culture and history, the essay problematizes Anne Anlin Cheng’s notion of racial melancholia, suggesting that self rejection might be a more strategic move than Cheng acknowledges it to be. In the end, the author coins the term dialectical soundings and proposes that the singing of spirituals among the Black Seminoles in fact operates as such, rendering blackness visible in the context of the Mexican border essentialist racial discourse.
Examines the history of a genre that spans several continents and several centuries. Material from Mexico, Cuba, France, and Great Britain are brought together to create anew, expand upon, and critique the standard histories of danzón narrated by Mexico's danzón experts and others. In these standard histories, origins and nationality are key to the constitution of genres that are racialized and moralized for political ends. Danzón, its antecedents, and successors are treated as generic equivalents despite being quite different. From the danzón on, these genres are positioned as being the products of individual, male originators and their nations. Africa is treated as a conceptual nation, and Africanness as something extra that racializes hegemonic European music-dance forms. Political leanings and strategies determine whether these music-dance forms are interpreted, adopted, or co-opted as being black or white.
Disputes the idea that cultural/poetico-musical characteristics are integral to or combined with the biological criteria which define ethnicities and races. Samba was born at the turn of the 20th century in working-class, multiethnic neighborhoods of Rio de Janeiro. With its syncopated rhythm characteristic of celebrations in Black Brazilian communities, it is an urban genre associated with the early days of Carnaval which was widely broadcast on the radio in the 1930s. It thus lost its local and regional character and enjoyed worldwide recognition. Controlled by the Estado Novo, samba became 'civilized' and assumed an important symbolic role in building a Brazilian identity, both real and ideal. The result of a long and complex process of hybridization, the samba transcends and expresses more than a century of racial and social affiliations and tensions ubiquitous in Brazilian society, ultimately becoming an ideological matrix and a model of cultural fusion. The role and exceptional creativity of certain artists (Sinhô, N. Rosa, Zé Keti, C. Buarque...) and the social and aesthetic processes which contributed to the recomposition of the elements of samba are examined from a sociosemiotic standpoint which draws as well on a major audiovisual source and relevant works published in Brazil., unedited non–English abstract received by RILM] Cette contribution remet en question l’idée selon laquelle aux critères biologiques définissant les ethnies et les races se trouveraient intégrées ou agrégées des caractéristiques culturelles – poético-musicales en l’occurrence. Le samba naît au tournant du xxe siècle dans les quartiers populaires de Rio de Janeiro, marqués par leur composition pluriethnique. Rythme syncopé privilégié des célébrations pratiquées dans les communautés noires brésiliennes, ce genre urbain est associé aux débuts du Carnaval et abondamment radiodiffusé dans les années 1930. Il perd alors son caractère communautaire et régional et connaît bientôt une consécration mondiale. Contrôlé par l’Estado Novo, le samba se « civilise » et joue un rôle symbolique de premier plan dans la construction, réelle et idéelle, de l’identité brésilienne. Résultat d’un long et complexe processus d’hybridation, le samba transcende et articule sur plus d’un siècle les appartenances et les tensions raciales et sociales, omniprésentes dans la société brésilienne, au point de s’ériger en matrice idéologique et modèle de fusion culturelle. L’approche sociosémiotique de ce travail, qui repose sur l’écoute et visionnage d’un important fonds audiovisuel et sur l’étude des ouvrages publiés au Brésil, met en lumière le rôle et la créativité singulière de certains artistes (Sinhô, N. Rosa, Zé Keti, C. Buarque...) et les processus sociaux et esthétiques qui ont contribué à la recomposition de ses éléments.
African American Research Center, Library, University of Illinois at Urbana-Champaign
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6 p., Argues the extension of Temporary Protected Status (TPS) for Haitians -- and particularly the redesignation of the eligibility period -- demonstrates the best of what the Administration can do using its executive branch authority to improve the quality of people's lives. It demonstrates a commitment to good immigration policy and to "good government" policies such as greater transparency and coordination. In the Haitian context, the Department of Homeland Security should also implement a program to grant humanitarian parole to the estimated 105,000 Haitian already approved as beneficiaries of family-based visa petitions, just as has been done for Cubans under the Cuban Family Reunification Parole Program.
This article analyzes the role of Haitian migration and Haitian transnational engagement in the past 20 years. Shows that dependency on Haitian migrants' economic flows into their country has historically not been met by public policy leveraging these flows and that under the current economic recovery period, opportunistic views aside, it is unrealistic to expect a strategy drastically different from that of the pre-earthquake period.
Through an examination of the recording Gargalhada (pega na chaleira), a chansonnette sung by Eduardo das Neves, the origin of the expression 'pegar na chaleira' (bootlicking) is traced, while some inconsistencies in the online catalogue of the Instituto Moreira Salles are revealed. Probably recorded in 1906, six years before the establishment of the Odeon plant in Rio, the piece was labeled a lundu, a paradigmatically Afro-Brazilian genre, in the 1915–26 catalogues. The music and laughter that Neves appropriates for himself were created by George Washington Johnson, the first black star of early sound recording, and reused in other Casa Edison (Brazilian Odeon) recordings on sale from 1913 to 1919. But while the former North American slave ridicules himself in accordance with white stereotypes, the self-designated Creole stages a satire on the behavior of upperclass men in Rio de Janeiro. In this process, the coon song turns into its antithesis., unedited non–English abstract received by RILM] Um exame do fonograma Gargalhada (pega na chaleira), cançoneta por Eduardo das Neves, expõe a origem da expressão “pegar na chaleira” e revela incongruências nos critérios de catalogação online do Instituto Moreira Salles. Provavelmente datada de 1906, a gravação aparece como um “lundu” em catálogos comerciais de 1915–1926, e as mesmas ideias musicais foram reaproveitadas em outros registros sonoros da Casa Edison comercializados entre 1913 e 1919. A música e o gargalhar que Neves reaproveita foram criados por George Washington Johnson, o primeiro astro negro da gravação mecânica. Mas enquanto o ex-escravo norte-americano se auto-ridiculariza de acordo com estereótipos brancos, o autodenominado “crioulo” encena uma sátira ao comportamento masculino das classes dominantes do Rio. Neste processo, a coon song transforma-se na antítese do gênero.
This paper provides a cross-cultural analysis of the experiences of Oxfam GB in supporting urban community-based disaster risk reduction in Haiti, Guyana and the Dominican Republic. The paper focuses on the efforts of Oxfam GB and its local partners to overcome the determining influence of local governance on who benefits from interventions, and the longevity of positive outcomes.
Examines aspects related to the plural constitution of Afro-descendants informed by black discursiveness in Salvador, Bahia. This discursiveness is strongly marked by the role of black music and by the history of Afro-descendant Carnaval. This essay shows that these subjects are a product of modernization and operate in it, while giving it a specific configuration. Social agents as reflexive audience play a decisive role in the review and criticism of such modernity, pluralizing it and pushing the boundaries of democracy and of representation politics, in their demand for recognition and changes. Music, as discursive production and as sociability experience, plays a key part in this process.
Against the backdrop of a tremendous surge in ethnic identity politics and social movement organizing over the last two decades in Ecuador, two complementary musical trends are explored that have emerged in reference to the country's Afro-Ecuadorian population. The first showcases the traditional music and dance of the marimba as a symbol of Afro-Ecuadorian identity. The second features numerous popular music fusions of the marimba repertoire with genres including rock, salsa, reggaetón, and more, with broad appeal to audiences throughout the country and beyond.
African American Research Center, Library, University of Illinois at Urbana-Champaign
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458 p., Offers a contemporary approach to World Regional Geography, acknowledging the geographic changes that accompany today's rapid rate of globalization. Includes chapter on "The Caribbean."
African American Research Center, Library, University of Illinois at Urbana-Champaign
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335 p., This study offers in-depth discussion and a new approach to interpreting the failure of the nation state and the chronic weakness of economic development in Haiti. It illustrates, through presentations and recommendations, how the road to true democracy and the eradication of endemic poverty in Haiti has to go through the establishment of the rule of law and strong and sustained economic growth.
Hamburg, Germany: Institut fur Iberoamerika-Kunde (IIK), GIGA German Institute of Global and Area Studies/Leibniz-Institut fur Globale und Regionale Studien
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African American Research Center, Library, University of Illinois at Urbana-Champaign
With the intensification of economic relations between the People's Republic of China and the countries of Latin America and the Caribbean, Beijing's role as a development donor has expanded in the region. The transparency of the Chinese donor services are limited since the transitions between development aid, investment and trade credits and direct investments are flowing. Focal points of Chinese engagement in Latin America and the Caribbean are upgrading the infrastructure projects in the extractive and energy sectors, education and training.
Hamburg, Germany: Institut fur Iberoamerika-Kunde (IIK), GIGA German Institute of Global and Area Studies/Leibniz-Institut fur Globale und Regionale Studien
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
The economies of Latin America and the Caribbean have quickly recovered from the global financial crisis. With growth rates exceeding 6 percent from the previous year in 2010, the economies outpaced the OECD, which grew only by 2.3 percent. The growth prospects for the region are further analyzed.
Recent mass death incidents in Japan and Haiti have again focused attention on the challenge of dealing with large numbers of dead. Focusing on mass death incidents involving large numbers of Canadian victims, including the Titanic, Halifax explosion, Air India bombing and the 2004 Tsunami, the paper researches incidents dating back to the beginning of the 20th Century. By examining each stage of the process including initial response, identification, funerals, communication, religious services and inquests, the paper identifies key changes in the way that mass death incidents are handled.
Buenos Aires: Editorial Gorla (EPC: Ediciones de Periodismo y Comunicación)
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African American Research Center, Library, University of Illinois at Urbana-Champaign
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unedited non–English abstract received by RILM] The following contributions are cited separately in RILM: Héctor FERNÁNDEZ L'HOESTE, De música y colombianidades: En torno a una historia de la cumbia, la parrandera On music and Colombianicity: Around a history of cumbia—The parrandera] (RILM ref]2012-13010/ref]), and Todas las cumbias, la cumbia: La latinoamericanización de un género tropical All cumbias, the cumbia: The Latin Americanization of a tropical genre] (RILM ref]2012-13011/ref]); Eloís MARTÍN, La cumbia villera y el fin de la cultura del trabajo en la Argentina de los '90 The cumbia villera and the end of the work culture in 1990s Argentina] (RILM ref]2012-13012/ref]); Pablo SEMÁN, Pablo VILA, Cumbia villera: Una narrativa de mujeres activadas Cumbia villera: A narrative of activated women] (RILM ref]2012-13008/ref]); Malvina SILBA, La cumbia en Argentina: Origen social, públicos populares y difusión masiva The cumbia in Argentina: Social origin, popular publics, and mass diffusion] (RILM ref]2012-13013/ref]); Peter WADE, Construcciones de lo negro y de África en Colombia: Política y cultura en la música costeña y el rap Constructions of black and of Africa in Colombia: Politics and culture in coastal music and rap] (RILM ref]2012-13009/ref]).
African American Research Center, Library, University of Illinois at Urbana-Champaign
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1 videodisc (205 min.), A documentary on the life and career of Jamaica's fourth Prime Minister Michael Manley. Over 3 hours of historical footage and interviews. Its cast is a "who's who" list of persons who were closest to Manley during his lifetime, from members of his cabinet to members of his family.
African American Research Center, Library, University of Illinois at Urbana-Champaign
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241 p., Expanding on Audre Lorde's vision of embodied, even "useful," desire, Jafari S. Allen shows how black Cubans engage in acts of "erotic self-making," reinterpreting, transgressing, and potentially transforming racialized and sexualized interpellations of their identities. He illuminates intimate spaces of autonomy created by people whose multiply subaltern identities have rendered them illegible to state functionaries, and to most scholars. In everyday practices in Havana and Santiago de Cuba--including Santeria rituals, gay men's parties, hip hop concerts, the tourist-oriented sex trade, lesbian organizing, HIV education, and just hanging out--Allen highlights small but significant acts of struggle for autonomy and dignity.
