Agricultural Communications Documentation Center, Funk Library, University of Illinois Box: Byrnes2 Document Number: C12363
Notes:
Francis C. Byrnes Collection, Chapter 7 in Borton, Raymond E. (ed.), Case studies to accompany Getting Agriculture Moving. Agricultural Development Council, New York, NY. 1967. 302 p.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
241 p, In Blackness in the White Nation, George Reid Andrews offers a comprehensive history of Afro-Uruguayans from the colonial period to the present. Showing how social and political mobilization is intertwined with candombe, he traces the development of Afro-Uruguayan racial discourse and argues that candombe's evolution as a central part of the nation's culture has not fundamentally helped the cause of racial equality. Incorporating lively descriptions of his own experiences as a member of a candombe drumming and performance group, Andrews consistently connects the struggles of Afro-Uruguayans to the broader issues of race, culture, gender, and politics throughout Latin America and the African diaspora generally.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Journal Title Details:
VHS tape 1 videocassette (17 min.)
Notes:
Fernando Nunez, a black man, a musician, and a maker of drums, sees himself as the heir to "Candombe," an important social and cultural legacy from his slave forefathers in Uruguay. However, the official history and culture of Uruguay continues to marginalize expressions of black culture. Fernando Nunez and his friends from Barrio Sur, a back street quarter of Montevideo, fight to keep these important cultural roots alive in the consciousness of the Uruguayan people;
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
311 p., Works by Argentine and Uruguayan specialists in the study of the black population and its impact on cultural formation of the Río de la Plata intertwines. The central idea is to strengthen the dialogue and discussion on issues that were silenced by official cultures for many years.
Caracas: Instituto de Antropología e Historia Facultad de Humanidades y Educación Universidad Central de Venezuela
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
302 p, Contents: El negro brasileño. Arthur Ramos, semblanza hecha por un discipulo. La obra de Arthur Ramos. Arthur Ramos: el politico.--El negro paraguayo: bibliografia afroparaguaya. Apuntes críticos sobre algunas fuentes afroparaguayas. Antologia del negro paraguayo. Contribución al estudio de los negros paraguayos de campamento Loma.--El negro uruguayo: bibliografia afrouruuaya. Apuntes criticos sobre algunas fuentes afrouruguayas. La obra afrouruguaya de I. Pereda Valdés (Resumen). El candombe, una danza dramática del folklore afrouruguayo.
This article compares the transformation of carnival celebrations in Buenos Aires, Argentina and Montevideo, Uruguay at the beginning of the 20th century. It argues that changes in carnival practices in the River Plate region was linked to the rise of a vacation culture in Montevideo. The article also assesses the historiography on Montevideo's carnival which has cast a negative light on the impact of modernization and the festival. In comparison to Buenos Aires', carnival in Montevideo was fomented by governmental regulation. Finally, the article examines the relationship between carnival and each of the city's African-descent populations.
Montano,Oscar D. (Author) and Diarra,Fidèle (Author)
Format:
Book, Whole
Language:
Spanish
Publication Date:
2008
Published:
Montevideo: Mastergraf
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
1 vol., "En este primer volumen de Historia Afrouruguaya se abordan aspectos de las culturas africanas antes de la trata de esclavizados y sus costumbres. Se indica cuáles fueron los pueblos de África que estuvieron forzadamente aquí, su ubicación geográfica y los países que se beneficiaron con el tráfico humano. Ya en el Prólogo, realizado por Fidèle Diarra, Embajador de la República de Malí en Cuba, se comienzan a aportar aspectos en muchos puntos novedosos acerca de la presencia africana anterior a Colón en lo que sería luego llamado América. Oscar Montaño analiza censos y estadísticas para establecer la cantidad de población afro que habitaba Montevideo a comienzos del siglo XIX, las actividades que debieron realizar, la violencia que sufrieron y la forma en que lograron sobrevivir. El origen del Candombe y los primeros cantos de protesta de los africanos en estas tierras se abordan en el Capítulo final." --Back cover.
Chabela Ramírez, the black singer and activist born in Montevideo in 1958, is a singular personality of candombe, the only multi-form Afro-Uruguayan musical genre. Retracing her trajectory leads us through the history of Uruguay's black community (10% of the total population) and candombe, with particular attention on how this musical expression went from devalued practice to national heritage in a country deeply marked by a Eurocentric ideology. Ramírez founded and gave voice, with Afrogama, the choir and dance group that she leads, to a unique aesthetic thought that brought meaning to candombe via the field of Afro-religions (Umbanda and Batuque).
Ventura de Molina, Jacinto, b.1766 (Author), Acree,William G. (Editor), and Borucki,Alex (Editor)
Format:
Book, Edited
Language:
Spanish
Publication Date:
2010
Published:
Madrid: Iberoamericana
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
285 p., Contents: Mapa del Río de la Plata hacia 1800 -- Cronología sobre Molina -- El Río de la Plata en los años de Jacinto Ventura de Molina / Alex Borucki -- Un sueño realizado : un letrado negro y el poder de la escritura / William G. Akree, Jr. -- [Notas] -- Escritos de Jacinto Ventura de Molina, c. 1817-1837. Escritos históricos y autobiográficos. Los afrodescendientes en los escritos de Molina. Peticiones al poder. Molina en los escritos de sus contemporáneos / [various authors]. Defensor de los pobres. Escritos políticos y literarios.; Collection consists chiefly of works by Ventura de Molina: political, historical, literary, and legal.
Passo Fundo, RS, Brasil: Universidade de Passo Fundo, UPF Editora
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
271 p., Contents: Antigos quilombos, novos quilombolas / Adelmir Fiabani --
A aplicação da Lei de Terras de 1850 no norte do Rio Grande do Sul / Helen Scorsatto Ortiz --
Filhos de criação : uma forma de produção semi-servil / Agostinho Mario DallaVecchia --
O vaqueiro escravizado na fazenda pastoril piauiense / Solimar Oliveira Lima --
Esclavitud y hacienda pastoril en el Uruguay / Eduardo R. Palermo --
O cativo, o gaúcho e o peão : considerações sobre a fazenda pastoril rio-grandense (1680-1964) / Mário Maestri.
Mörner,Magnus (Author) and Conference on Race and Class in Latin America (1965: New York, NY.)
Format:
Book, Whole
Publication Date:
1970
Published:
New York: Columbia University Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
309 p, Includes Gonzalo Aquirre Beltrán's "The abolition of slavery and its aftermath. The integration of the Negro into the national society of Mexico"; Carlos M. Rama's "The passing of the Afro-Uruguayans from caste society into class society"; Richard Graham's "Action and ideas in the abolitionist movement in Brazil"; Harry Hoetink's "The Dominican Republic in the nineteenth century: some notes on stratefication, immigration, and race"; and Florestan Fernandes' "Immigration and race relations in São Paulo";
El artículo estudia el proceso histórico mediante el cual la música y la danza provenientes de África y Europa se mezclaron en los llamados "ritmos nacionales", configurando las identidades nacionales en América Latina. Este proceso implicó en cada país complejas negociaciones en asuntos de raza, etnicidad, género y clase social. A manera de ejemplo, el autor profundiza en el ritmo nacional conocido como el candombe uruguayo, pieza central del Carnaval anual de Montevideo desde mediados de 1800. [ABSTRACT FROM AUTHOR];
Buenos Aires, Argentina : New York, NY :: MG Producciones Distributed in the United States by Latin American Video Archives,
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Filmed in Uruguay, this production highlights Candombe, the African inluenced music and dance of the Rio de la Planta region of Argentina and Uruguay; Also available in VHS format.
Agricultural Communications Documentation Center, Funk Library, University of Illinois Box: KerryByrnes1 Document Number: D01322
Notes:
Kerry J. Byrnes Collection, Chapter 3: pages 43-58. Agricultural Extension Systems: An International Perspective Ing. Agr., INIA Instituto Nacional de Investigacion Agropecuaria, Uruguay
