169 p., Examines entanglements of race, place, gender, and class in Puerto Rican reggaetón. Based on ethnographic and archival research in San Juan, Puerto Rico, and in New York, New York, I argue that Puerto Rican youth engage with an African diasporic space via their participation in the popular music reggaetón. By African diasporic space, the author refers to the process by which local groups incorporate diasporic resources such as cultural practices or icons from other sites in the African diaspora into new expressions of blackness that respond to their localized experiences of racial exclusion. Participation in African diasporic space not only facilitates cultural exchange across different African diasporic sites, but it also exposes local communities in these sites to new understandings and expressions of blackness from other places. As one manifestation of these processes in Puerto Rico, reggaetón refutes the hegemonic construction of Puerto Rican national identity as a "racial democracy."
Albany, New York.: State University of New York Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
304 p, Rethinks the social processes that violently refashioned Puerto Rican society in the first half of the twentieth century. Drawing on recent theorizations of post-structuralism, feminism, critical criminology, subaltern studies, and post-coloniality he examines the mechanisms through which colonized subjects become recognized, contained, and represented as subordinate. At issue are the cultural practices that necessarily accompanied and aided U. S. colonialist enterprises in Puerto Rico during a shift in the world capitalist market and in geopolitical hegemony with the Caribbean.
Discusses the ways in which Santeria gatherings produce an alternative use of otherwise stigmatized language for 'gay' practitioners. Through the use of distinctive language to reference all of these populations, we may rethink the relationship between identities and practices, and within that, gender presentations vis a vis identities.
This essay analyzes representations and imaginaries of blackness in contemporary Puerto Rico, by focusing on the debates raised by 'Raices'/(Roots) (2001), the Banco Popular video special about traditional Afro-Puerto Rican rhythms of bomba and plena. These debates divided public opinion in Puerto Rico and included members of academia, musicologists, bomba and plena groups, and the San Anton (Ponce) community residents. They refer to the ways Puerto Ricans 'speak the unspoken,' that is, the ways Puerto Ricans talk about race and its intersectionalities on the island and in the diaspora.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
270 p, Contents: 1898 : hispanismo y guerra / Arcadio Díaz Quiñones -- 1898 : a new beginning or historical continuity / Reinhard R. Doerries -- American expansion : from Jeffersonianism to Wilsonianism / Ralph Dietl -- Columbus, the Spanish-Cuban-American War, and the advance of U.S. liberal capitalism in the Caribbean and Pacific region / Thomas Schoonover -- The German challenge to American hegemony in the Caribbean : the Venezuela crisis of 1902-03 / Ragnhild Fiebig-von Hase -- La crítica martiana del concepto del panamericanismo de James G. Blaine / Josef Opatrný -- Los trabajadores urbanos y la política colonial española en Cuba desde la Paz de Zanjón hasta la Guerra de Independencia (1878-1898) / Joan Casanovas Codina -- Cuba en el período intersecular : continuidad y cambio / Elena Hernández Sandoica -- The year 1898 in Puerto Rico : caesura, change, continuation? / Ute Guthunz -- Miles & more : 1898 and "caballeros líricos" : Luis Muñoz Rivera and José de Diego / Wolfgang Binder -- Fin de siglo en Colombia : la Guerra de los mil días y el contexto internacional / Thomas Fischer -- 1898 y Panamá : cesura, cambio o continuidad? / Alfredo Figueroa Navarro -- La inclusión de un estado caribeño en la doctrina de la "western hemisphere" : el caso de Haiti / Walther L. Bernecke
The African heritage hypothesis posits that the substantial African ancestry of Puerto Ricans explains why this group is less segregated from African-Americans than non-Hispanic whites. This pattern is unlike that of other Hispanic groups, who have been found to be highly segregated from African-Americans but modestly segregated from whites. The research presented here shows that Dominicans, another Hispanic group with substantial African ancestry, are also less segregated from African-Americans than whites. Dominicans, therefore, also appear to be conforming to the African heritage thesis by residing in neighborhoods with greater proximity to African-Americans than whites.
321 p., Locates contemporary articulations of afrofeminismo in manifold modes of cultural production including literature, music, visual displays of the body, and digital media. Examines the development of afrofeminismo in relation to colonial sexual violence in sugar-based economies to explain how colonial dynamics inflect ideologies of blanqueamiento/embranquecimento (racial whitening) and pseudo-scientific racial determinism. In this context, the author addresses representations of the mujer negra (black woman) and the mulata (mulatto woman) in Caribbean and Brazilian cultural discourse.
Glazer,Nathan (Author) and Moynihan,Daniel P. (Author)
Format:
Book, Whole
Publication Date:
1970
Published:
Cambridge, MA: MIT Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
363 p, Discusses the problems minority groups have faced in New York City and each group's special characteristics. Section The Puerto Ricans includes "The Migration," "The Island-Centered Community," "The Mobile Element," "Lower Income," "The Next Generation:
Family, School, Neighborhood," "Culture, Contributions, Color."
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
159 p, Discusses the importance of the role played by the Caribbean mother in her Latina daughters' negotiation of a hybrid identity as seen through the works of Julia Álvarez, Cristina García, and Esmeralda Santiago
221 p., Carmen (Mérimée 1845, Bizet 1875), the story about the (in)famous Gypsy dancer from Spain, is the second most adapted narrative in the history of world cinema, with over eighty global versions officially recognized to date. Despite the global reach of the Carmen phenomenon, many scholars claim that this tale has hardly been reworked in Spanish America and never in the Caribbean. Following Carmen from Spain to Spanish America, the author shows how the template of Carmen (a love story that reveals the racio-ethnic and gender stratification in Spain) has been artfully but unsuspectingly reappropriated and "creolized" in postcolonial Cuba in the controversial film María Antonia (1991) by Afro-Cuban filmmaker Sergio Giral, based on the landmark play María Antonia (1964) by Afro-Cuban playwright Eugenio Hernández Espinosa.
Special journal issue: New Perspectives on the Black Music Diaspora: Focus on the Caribbean., Includes Roger D. Abrahams, Questions of competency and performance in the black musical diaspora; Rose Mary Allen, Music in diasporic context: The case of Curaçao and intro-Caribbean migration; Nanette T. De Jong, Curaçao and the folding diaspora: Contesting the party tambú in the Netherlands; Elizabeth Mcalister, Listening for geographies: Music as sonic compass pointing toward African and Christian diasporic horizons in the Caribbean; and Raquel Z. Rivera, New York Afro-Puerto Rican and Afro-Dominican roots music: Liberation mythologies and overlapping diasporas.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
337 p, James Dietz examines the complex manner in which productive and class relations within Puerto Rico have interacted with changes in its place in the world economy (Biblio.com)
University of Puerto Rico (Río Piedras Campus). Centro de Investigaciones Históricas. (Author)
Format:
Book, Edited
Language:
Spanish
Publication Date:
2009
Published:
Río Piedras, P.R.: Departamento de Historia, Centro de Investigaciónes Históricas, Universidad de Puerto Rico, Recinto de Río Piedras
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Outgrowth of a seminar held at the University of Puerto Rico, Río Piedras Campus, in June 2006., 50 p., Contents: Presentación / Sharon Meléndez Ortiz y Rafael Díaz Díaz -- Del machete al hechizo : formas de resistencia entre los esclavos y esclavas de origen africano y afro-caribeño durante el periodo colonial / Sharon Meléndez Ortiz -- Sometiéndose para ser libres : el caso de la libertad pedida por los negros de los palenques de la Sierra de María, Cartagena, 1691 / César Augusto Salcedo Chirinos -- Mujer negra : resistir para construir : Nueva Granada siglo XVIII / Yanelba Mota Maldonado -- Las juntas como resistencia al sistema esclavista, Cartagena de Indias, siglo XVI / Frank Cosme Arroyo -- La magia negra, resistencia y seducción / Rubén Lasanta -- Los caminos a la manumisión : ley de 21 de julio de 1821 / Damaris J. Marrero Villali.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
221 p, In the 19th and 20th centuries, the Hispanic Caribbean was fundamentally a plantation economy dominated mainly by the world sugar market. The politics were shaped by revolutions, political coups, wars, and elections, resulting in an end of Spanish power, independent states, and the domination of the region by the United States. These developments led to changes in social values. The author follows these developments throughout the main Hispanic islands and provides a fascinating picture of a region in turmoil.
Reviews several books. Not of Pure Blood: The Free People of Color and Racial Prejudice in Nineteenth-Century Puerto Rico, by Jay Kinsbruner; From Bomba to Hip-Hop: Puerto Rican Culture and Latino Identity, by Juan Flores; Listening to Salsa: Gender, Latin Popular Music, and Puerto Rican Cultures, by Frances R. Aparicio.;
Considers the ways of the placing of and playing with Puerto Rican flags constitutes a visual praxis of haciendo patria or nation building. Terms that affix paradigms of nationality, albeit a transitory nationality, onto the people of the non-sovereign nation of Puerto Rico; Idea of Puerto Rico for Puerto Rican artists who were not born or did not grow up on the island; Information on the work of art of Juan Sanchez, a Puerto Rican artist.;
"In eight urbanized areas Hispanic groups were highly segregated from Blacks, less from non-Hispanic Whites (an exception being northeastern Puerto Ricans, less segregated from Blacks than from Whites); less concentrated within central cities than Blacks; and with much segregation among themselves (significantly related to socioeconomic and nativity status)." (Author)
Mayagüez PR San Juan: Asociación Puertorriqueña de Historiadores Postdata
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
126 p, Género e historiografía (los relatos y las vidas) / Blanca Silvestrini -- Los discursos autobiográficos de mujeres en Cuba y Puerto Rico / Aileen Schmidt -- Sin hombre en la casa o el mito del matriarcado en el Caribe angloparlante / María I. Quiñonez Arocho -- Teosofía y modernización : el caso de Olivia Paoli de Braschi / Mario R. Cancel -- Las primarias de la alcaldesa : apoderamiento femenino en Guayama (1952) / Mary Frances Gallart -- Las mujeres y la higiene : la construcción de "lo social" en San Juan, 1880-1929 / Ivette Rodríguez Santana -- Angeles de la Caridad : mujer y beneficencia en Ponce, 1855-1885 / Thamar Lebrón Fernández -- Vienen tumbando caña (todavía) / Janis Palma; Includes bibliographical references.
Cobas,José A. (Editor), Duany,Jorge (Editor), and Feagin,Joe R. (Editor)
Format:
Book, Edited
Publication Date:
2009
Published:
Boulder: Paradigm
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
254 p., Includes Jorge Duany's "Racializing ethnicity in the Spanish-speaking Caribbean : a comparison of Haitians in the Dominican Republic and Dominicans in Puerto Rico."
Rivera-Batiz,Francisco L. (Author) and Santiago,Carlos E. (Author)
Format:
Book, Whole
Publication Date:
1996
Published:
New York, NY: Russell Sage Foundation
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
198 p, Contents: Island paradox : Puerto Rico in the 1990s -- Population growth and demographic changes -- Migration between Puerto Rico and the United States -- The socioeconomic transformation : income, poverty, and education -- The labor market and the unemployment crisis -- Immigration and the population born outside Puerto Rico -- The Puerto Rican population in the United States -- Between two worlds : Puerto Rico looks toward the twenty-first century -- Appendix 1. Census data -- Appendix 2. Measuring migration to the United States -- Appendix 3. Population of Puerto Rico by municipio -- Appendix 4. Multivariate regression analysis of the growth and presence of Puerto Ricans in 25 U.S. SMSAs, 1980-90.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
184 p, Contents: Introduction : Island sounds in the global city / Ray Allen & Lois Wilcken -- Buscando ambiente : Puerto Rican musicians in New York City, 1917-1940 / Ruth Glasser -- Representations of New York City in Latin music / Peter Manuel -- From transplant to transnational circuit : merengue in New York / Paul Austerlitz -- Recapturing history : the Puerto Rican roots of hip hop culture / Juan Flores -- "I am happy just to be in this sweet land of liberty" : the New York city calypso craze of the 1930s and 1940s / Donald Hill -- Community dramatized, community contested : the politics of celebration in the Brooklyn carnival / Philip Kasinitz -- Steel pan grows in Brooklyn : Trinidadian music and cultural identity / Ray Allen and Les Slater -- Moving the Big Apple : Tabou combo's diasporic dreams / Gage Averill -- The changing hats of Haitian staged folklore in New York City / Lois Wilcken.;
160 p., An analytical study of Burundanga or Cantata Antillana by Jack Délano (1914-1997). One of Délano's most ambitious choral-orchestral compositions, Burundanga was completed in 1989 in response to a commission from the Institute of Puerto Rican Culture and is based on Luis Palés Matos's (1898-1959) extravagant and elaborate poem Canción festiva para ser llorada (A Festive Song to be Wept). Burundanga stands at the foreground of Puerto Rican art-music in the twentieth century. With its neoclassical language and integration of Caribbean folkloric material, it emerges as a unique reflection of the highly complex geographical, social, cultural and musical reality of Puerto Rico and the Antilles. Discerns particular methods by which the composer utilized and adapted Afro-Antillean idioms and combined them with art-music components to portray idiosyncratic aspects of Caribbean culture in a universalistic musical language.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
336 p, Naturalist novel about peasant life in late nineteenth-century Puerto Rico includes a critical analysis of the book, an author biography, and the historical context of the work
147 p., Discusses how blackness, femaleness and Puerto Ricanness (national identity) is presented in commercial media in Puerto Rico. National identity, no matter how differently defined, is often constructed through claims to heritage, "roots," tradition, and descent. In the western world, these claims, almost inevitably allude to questions of "race." In Puerto Rico, it is the mixture of the Spanish, the Taino Indian, and the African, which come to epitomize the racial/traditional stock out of which "the nation" is constructed, defended, and naturalized. This mixture is often represented by images, statues, murals across the island that display the three racialized representatives, as the predecessors of the modern, racially mixed Puerto Rican people. In their portrayals of black women, figures as Mama Ines (the mammy) and fritoleras (women who cook and sell codfish fritters), Caribbean Negras (Black Caribbean women) contemporary media draw upon familiar representations to make black women bodies intelligible to Puerto Rican audiences.
A benefit-cost analysis was performed on varying levels of standard buildings codes for Haiti and Puerto Rico. It was found that in the two areas studied, the expected loss of life was reduced the most by use of high seismic building code levels, but lower levels of seismic building code were more cost-effective when considering only building damages and the costs for code implementation.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
176 p, "Based on examination of housing patterns in San Juan and demographic data from four of its 19th-century barrios, work provides a much-needed exploration of racial prejudice in Puerto Rico. Challenges commonplace denial of racial discrimination up to the present by showing that free people of color had limited economic, social, and political opportunities to advance their status"--Handbook of Latin American Studies, v. 58.
United States. Department of the Interior. National Park Service (Author)
Format:
Monograph
Publication Date:
2001
Published:
Washington, DC: U.S. Dept. of the Interior, National Park Service
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
152 p, Includes "Gardening, yard decoration, and agriculture among peoples of African descent in the rural South and in the Cayman Islands" and "Por la encendida calle antillana : African influence on Puerto Rican architecture."
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
332 p, Contents: 1. Introduction 2. A Concise History of Suriname and Marienburg 3. The Immigration of British Indians and Javanese 4. Demographic Impact of British Indians and Javanese Indentured Immigrants 5. Protection, Power, and Control 6. The Plantation Hierarchy 7. Tasks, Hours, and Wages 8. Social Provisions: Free Housing and Medical Care, and the Plantation Shop 9. Social, Religious, and Cultural Life of the Asian Immigrants 10. Resistance App. 1. Annual Immigration of British Indians and Javanese in Suriname App. 2. Labor on Sugar Plantations in Suriname, 1890 1930.
282 p., Challenges how critical scholarship on race and racism in Latin America has traditionally understood racial subalterns in Cuba and Puerto Rico as people who are prevented from acting as black political subjects because of the hegemonic power of discourses of nationhood premised on ideas of mestizaje and racial fraternity. By providing an intellectual history of several important yet largely ignored Cuban and Puerto Rican activists intellectuals of color who lived and worked between the Caribbean and the U.S. at the turn of the 20th century, the author shows that instead of being tricked by creole elite national narratives, they attempted to redefine ideas of nationhood to challenge racism, colonialism, and imperialism at local, national, and transnational levels.
