Manuel,Peter Lamarche (Author), Bilby,Kenneth M. (Author), and Largey,Michael (Author)
Format:
Book, Whole
Publication Date:
1995
Published:
Philadelphia: Temple University Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
272 p, "A guide to the cultural festivals, traditional culture, musical forms, dances, instruments, music education, government institutions concerned with music, and copyright mechanisms in Belize, the Bahamas, Jamaica, St. Kitts & Nevis, Antigua and Barbado, Montserrat, Dominica, St. Lucia, Barbados, St. Vincent and the Grenadines, Grenada, Trinidad & Tobago, and Guyana"--Handbook of Latin American Studies, v. 58." (authors)
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
256 p, Spotlights the religious performance practices that influence many popular and folk music traditions throughout the Caribbean and the Americas, as well as globally. Myriad styles of music–including rumba, salsa, latin jazz, and hip-hop–have their roots in the religious performance traditions of the African diaspora.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
116 p, Very few references to the participation of black women in Brazilian classical music throughout history. Sergio Bittencourt-Sampaio analyzes the career of two black performers rare success in this area - Joaquina Maria da Conceição Lapa (Lapinha) and Camila Maria da Conceição. These two precursors, distanced by exactly one century were women of remarkable determination and achieved wide recognition through talent, amid a slave and patriarchal society.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
173 p, Contents: O intérprete negro na música brasileira nos séculos XVIII e XIX -- Joaquina Maria da Conceição Lapa (Lapinha) -- Camila Maria da Conceição -- Principais apresentações e repertório de Joaquina Maria da Conceição Lapa (Lapinha) --Pincipais apresentações de Camila Maria da Conceição (1892-1908).
