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2. Brazilian popular music and citizenship
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Avelar,Idelber, (Ed.And Intro.) and Dunn,Christopher, (Ed.And Intro.)
- Format:
- Book, Whole
- Publication Date:
- 2011
- Published:
- Durham, NC: Duke University Press
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Notes:
- 376 p, Covering more than one hundred years of history, this multidisciplinary collection of essays explores the vital connections between popular music and citizenship in Brazil. While popular music has served as an effective resource for communities to stake claims to political, social, and cultural rights in Brazil, it has also been appropriated by the state in its efforts to manage and control a socially, racially, and geographically diverse nation. The question of citizenship has also been a recurrent theme in the work of many of Brazil's most important musicians. These essays explore popular music in relation to national identity, social class, racial formations, community organizing, political protest, and emergent forms of distribution and consumption.
3. New dialogues, old routes: Emergent collaborations between Brazilian and Angolan music makers
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Moehn,Frederick (Author)
- Format:
- Journal Article
- Publication Date:
- May, 2011
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- Popular music
- Journal Title Details:
- 30(2) : 175
- Notes:
- As Angola restructures following a long civil war and Brazil takes a leading role among the rapidly developing BRIC nations, new questions arise pertaining to the African heritage in Brazilian music and to Brazil's role in Angolan cultural initiatives and musical markets. Through examination of Brazilian discourse about such exchanges, combined with a comparative analysis of three versions of Angolan musician Teta Lando's 1974 song, Angolano segue em frente—the original, a recent Brazilian re-recording, and a Brazilian remix—new attention is given to the South-South dialogue that builds on historical connections yet also establishes new resonances in musical evocations of Atlantic affinities.