Rodríguez,Jaime Arocha (Editor) and Quintero Barrera,Rosa Patricia (Editor)
Format:
Book, Whole
Language:
Spanish
Publication Date:
2009
Published:
Bogotá: Universidad Nacional de Colombia, Facultad de Ciencias Humanas, Centro de Estudios Sociales, Grupo de Estudios Afrocolombianos
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Papers from a seminar held Oct. 28-29, 2004, at the Biblioteca Luis Ángel Arango, Bogotá, Colombia., 293 p., A collection of personal tributes to the life and work of Nina S. de Friedemann, as well as writings related to her research on the black population in Colombia.
Traditional Maroon culture was, however, determined to be in need of safeguarding and protection because of several factors. Chief among these was the fact that transmission of traditional knowledge from elders to younger generations was not taking place on the scale it was used to and the fact that migration patterns saw large numbers of Maroon youth leaving the traditional sites of settlements. In response, UNESCO was petitioned to assist in safeguarding traditional Maroon culture in Jamaica, in particular, that of the Maroons of Moore Town, who were deemed to be the most remote. In November 2003, UNESCO declared the Maroon Heritage of Moore Town as a Masterpiece of the Oral and Intangible Heritage of Humanity. This action facilitated the implementation of measures geared toward documenting, for posterity, traditional Maroon cuisine, language, the Kromanti play and the craftsmanship associated with the creation of tools and implements such as their unique Prentin drum, fishpots, spears and the abeng.
Plans to celebrate Haiti's 2004 bicentennial were discussed recently by Minister Leslie Voltaire at the Center for Constitutional Rights in Manhattan NY. He said plans were underway to have a large exhibition commemorating the international slave trade and a symposium of African writers in the diaspora.
According to Sensbach, this is an important biography because it describes major themes connecting the eighteenth-century black Atlantic world, including the dramatic expansion of the slave trade and the Afro-Atlantic freedom struggle
225 p., Drawing attention to poets whose writing on this subject has received little critical attention, this study examines contemporary poetry of the black Atlantic in particular focusing on work by Kwame Dawes, David Dabydeen, Lucille Clifton, and Elizabeth Alexander. In exploring poetic treatment of the Middle Passage, primarily through the lyric, epic, and long poem, the author identifies four interrelated poetics that reveal the dynamism of this legacy: lamentation, retribution, rupture, and re-membering. While critical analysis of texts that rewrite slave experiences has tended to focus on narrative, and that primarily on plantation slavery, "Sea of Bones" advocates attention to the way black Atlantic poetry renders the Middle Passage as a complicated and haunting personal heritage.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
510 p, Sixteen papers chronicle and assess the exodus of Africans from their homelands and their responses to and status within their new environments in the Caribbean; Includes bibliographical references and index.
