African Consciences is a Parisian based initiative of artistes from the `Black Atlantic' and Africa. They use music to shape a discourse on their identity in relation to Africa, strongly bound to consciousness. The musical itinerary provided by reggae and hip hop constitutes what they see as a means for action to bring alive a "global African network". In this chapter I will reconsider the practice of repatriation, and the meanings it conveys now. I will try to analyse it through African Consciences' "Door of no Return" where they intend to travel back the road of the trans Atlantic trade in Africans. African Consciences has a mediated relation to Africa through roads that join their musical practice to their understanding of African history and tradition. It also carries an ideological intent to bring forth a global Africa through the articulation of routes and roots. [ABSTRACT FROM AUTHOR].
-, Jamaica, in 2007, led the call for the UN to erect a permanent memorial, which UN Secretary General Ban Ki-moon said would acknowledge the struggles of the millions of Africans who, over more than three centuries, 'were violently removed from their homelands, ruthlessly abused and robbed of their dignity'. As was the case in 2007, Jamaica took centre stage on Day One of the 68th session of the UN General Assembly. The country's permanent representative to the UN and chair of the Permanent Memorial Committee, Ambassador Courtenay Rattray, was the one who announced the Ark of No Return', done by Roger Leon, as the winning design.
Reviews a book that finds that Jews had a minuscule role in the slave trade and played only a minor role as slave owners wherever they resided in the New World
333 p., Examines both historical and contemporary attempts by the people of Ouidah, Benin Republic in West Africa and in the Caribbean country of Haiti to confront and reconcile their relationship via the transatlantic slave trade. Oral and visual narrative have been central to this process as people represent, reflect and interpret a past that is fraught with gaps, silences and erasures. Proposes that the process of remembrance mirrors a traditional rites of passage whereby one lives as part of a community, dies to the past and then is reborn anew in the community. Both Ouidahans and Haitians now occupy a liminal space--an exilic space--in which they struggle to remember a past that was for many years repressed and suppressed.
Mouser,Bruce L. (Author) and Mouser,Bruce L. (Editor)
Format:
Book, Whole
Publication Date:
2002
Published:
Bloomington, Indiana: Indiana University Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Based on Samuel Gamble’s ship’s log entitled ’A journal of an intended voyage, by God’s permission, from London towards Africa from hence to America in the good ship Sandown" by me Samuel Gamble Commander.Captain Samuel Gamble's log contains the record of a slaving venture to Africa and Jamaica that nearly failed. It is one of the best firsthand narratives of the slave trade to survive. Bruce Mouser's faithfully transcribed and carefully annotated edition of Gamble's log provides a haunting perspective on slave trading at the end of the 18th century. Gamble was captain of the British merchant Sandown. During 1793—1794, the ship embarked on a commercial venture from England to Upper Guinea in West Africa to buy slaves and transport them for sale in Kingston, Jamaica. Gamble describes shipping at the beginning of the Anglo-French war in 1793, naval and nautical procedures for the English-African-West Indian trade, and the slave-trading patterns and institutions on the African coast and at Kingston, Jamaica. He recounts as well a yellow fever epidemic that swept the Atlantic and crippled commerce on both sides of the ocean. Mouser's extensive annotations place Gamble's account in historical context and explain for the reader Gamble's observations on commerce, disease, and African peoples along the Upper Guinea coast; Based on Samuel Gamble’s ship’s log entitled ’A journal of an intended voyage, by God’s permission, from London towards Africa from hence to America in the good ship Sandown" by me Samuel Gamble Commander.
Relying mainly on the manuscript records of the Royal African Company, we explore the factors that contributed to the large gap between slave prices in Africa and the Caribbean. Twenty-two voyages from the mid-1680s are analyzed. These were conducted with hired ships and the payments to the shipowners and captains were recorded. In addition to transport costs, mortality and morbidity had a big effect on slave prices; while the earnings from the trade in gold and ivory had a moderating influence. The effect of mortality and transport costs on slave prices during the eighteenth century is also explored. [ABSTRACT FROM AUTHOR].
