The daytime workshops will be complemented by evening community programs held at the Historic Lyric Theatre, 819 NW Second Avenue in Overtown. On Monday, June 18 at 5:30 p.m. a special "Maroon Double Feature" film showing will celebrate the Pan African spirit of resistance with a presentation of "Maluala" by Cuban filmmaker Sergio Giral and "Quilombo" by Brazilian filmmaker Carlos Diegues. Both have become modern classics. Based on historical fact, these powerful dramas depict the struggle of those who dared to escape from slavery and establish independent, fiercely defended Maroon communities. Time will be allowed for discussion after the films. June 19 is officially celebrated in several states as "Juneteenth," commemorating that date in 1865 when the last of the enslaved African American population in East texas received word of the Emancipation Proclamation at the end of the Civil War. Because "No one was really free until everyone was free," this date, shortened by custom over the years to "Juneteenth." was considered the true end of the institution of slavery in the United States.
"Our goal is to make sure that we have the most accurate and updated listing of Black media in the industry. We pride ourselves on that fact," said Nakia Bowling, Media Specialist for Black PRWire. "We work consistently to build and sustain relationships in the Black community. Our massive database and community tide is the lifeline of our company. We understand that we can never falter on either of these factors and that is what makes us unique."
A number of high-profile posts were to follow and Guyana's independence in 1966 brought fresh demands on his time. First he became Attorney-General and then, after a series of ministerial positions during the late '60s and early '70s, he was appointed Secretary-General of the Commonwealth. It has been speculated that his relentless pursuit for just international relations, and for trade based on justice, ultimately hindered his chances of being appointed Secretary-General of the United Nations. But to this day, Sir Shridath presses on. Sir Arthur Lewis IN 1979, Sir Arthur Lewis became a standard-bearer for Black intellectuals. He became the first person from the Caribbean ever to gain a Nobel Prize, winning the award for economics in 1979.
CAFTA is also a step backward for labor rights. Under CAFTA, Central American countries are only obligated to uphold their own labor laws, which have been judged inadequate by the International Labor Organization in more than 20 ways. What's more, the enforcement of these deficient laws cannot be encouraged through the use of dispute settlement, fines or trade sanctions. Even putting labor conditions aside, CAFTA is bad the health of people of co south of the U.S. border. The countries of Central America have high rates of infection of HIV/AIDS and other diseases, rates that go up even more if you look at just the Afro-Latino communities. Provisions in CAFTA would actually delay or limit the introduction of cheaper, generic drugs to combat or cure many diseases and other health conditions. The result? Many of the 275,000 Central America living with HIV/AIDS will not be able to afford antiretroviral drugs. This impact will hit especially hard on Afro-Latinos, who make up a third of Latin America's population but represent 40 percent of Latin America's poor Maybe that's why Doctors Without Borders, the American Public Health Association and many others have come out strongly against CAFTA.
Eastern Caribbean nationals will feel at home, as their region's music seems to dominate the lineup. Brother Marvin, Singing Sandra and Crazy are all from T&T. Each offering a different style of delivery, they represent calypso's many flavors. To add to that element, ADLIB Steel Orchestra will add instrumentation to the islands' unique genre. Winners of last year's steel band and calypso competitions at the West Indian-American Day Carnival Association's Labor Day gala on Eastern Parkway in Brooklyn, the 30-member, 11-year-old group promises youth from 7 years old to deliver the beat. St. Paul's J.O.B. Young Adult Choir represents New York in drama, song and dance. Traditional island-style Christmas carols are promised by Charles Dougherty and Circle of Friends Caribbean ensemble.
CIN TV, the only Caribbean TV network in the US, in association with Harlem Week 2004, is proud to announce the launching of the annual CIN Caribbean Lecture Series. The event takes place this year on Sunday, September 19 at the Schomburg Center, 515 Malcolm X Blvd., New York starting at 3 p.m. sharp. Hill's lecture will focus attention on the strategic role that Harlem and New York played in the making of the modern Caribbean, culturally, politically, and economically and the importance that Marcus Garvey and the Universal Negro Improvement Association (UNIA) occupies in the history of this relationship. Garvey and the UNIA are a window through which to view the whole New York-Caribbean axis. Hill will also explore some intriguing aspects of this story that have been overlooked in asking - Why Garvey? Why Harlem? Why New York?
Not rooted or identified as a Brazilian martial art, Capoiera Angola is the foundation of which African-Brazilians adapted the rhythmic form of self-defense and offense called Capoiera. The indigineous Capoiera Angola is the mother/father of Brazil's Capoeira, which was formed when Africans from Central Africa were brought to South America in bondage. Capoeira Angola goes further.
Gazing at the amalgam of rich Caribbean artistic expression - bold colors intertwining on canvas, delicately woven wire sculptures, sheer pieces of cloth with intricate handmade designs - one might think she was roaming the corridors of the Metropolitan Museum of Art or the prestigious Guggenheim rather than viewing the one-bedroom Harlem apartment of Caribbean art dealer Anderson Pilgrim. "One of the reasons that Caribbean art has yet to penetrate the New York scene is that it has yet to be fully explored even among Caribbeans", Pilgrim said. "Because of the colonization of the Caribbean islands, and the stifling post-colonial effects, many native Caribbeans didn't begin to explore their abilities until the 1970s, which was a period of real artistic revolution on the islands". A few of the artists he represented were medal winners at the prestigious Biennial Caribbean Festival, held in the Dominican Republic and featuring artists from the Caribbean and Countries in Central America which border the Caribbean.
Another question is why Shaggy's "Hot Shot" was overlooked by voters. Released last summer, the album made it under the Sept. 30, 2000, deadline and fulfills the requirements with original material. The fact the album went virtually ignored for almost a half-year probably contributed to its absence on the list of finalists. Reportedly, the single "It Wasn't Me" gained life when a KIKI-FM deejay down-loaded the tract from the Internet and put it on the radio. The Honolulu station played the track, winning appeal from all of Hawaii. These months later, BET and MTV have spirited the video to return the Boombastic Lover Lover to the charts. The album is now No. 3 on Billboard Magazine's album chart, but nowhere on the Grammy list of five selections. Favored to place, show or win, The Baha Men of the Banamas were a sure bet. Their baseball-friendly "Who Let the Dogs Out" is awaiting verdict in the dance recording category.
In 1984, the association opened an expanded Historical Museum at the Miami-Dade Cultural Center in downtown Miami. This 40,000-square-foot facility includes a permanent exhibition that traces the history of South Florida and the Caribbean, a temporary exhibition gallery that features several new exhibitions each year, a theater and classroom area for variety of educational programs, and storage areas for the museum's extensive collections of artifacts and archival materials, including books, manuscripts, maps and more than one million photographs related to the region. In recent year, the Historical Museum has directed increasing attention to Miami's role as a gateway of the Americas. To explore Miami's multifaceted connections with the Caribbean and Latin America, a new program series, Miami: The Gateway City, was introduced in Spring 1999. The objective of the 12-month series is to use the museum as a central forum for public dialogue about current issues facing Miami and as a space for related artistic presentations.
