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22. Inner Vision: A story that finds its time
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Wambu,Onyekachi (Author)
- Format:
- Newspaper Article
- Publication Date:
- 1996-07-16
- Published:
- London, UK
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- The Voice
- Journal Title Details:
- 711 : 12
- Notes:
- Watching Caryl Phillips' excellent The Final Passage was a difficult process. Not just because it was a brilliant exploration of the last 30 years or so, showing the achievements and limitations of the Windrush generation, but, more importantly, because it exposed how we have been starved of intelligent, well-made Black programmes which offer us the possibility of serious reflection on our condition in this country. Phillips achieves a wonderful thing in his drama - he converts all our individual stories of moving to Britain and setting up home into a mass celebration of common history. The Final Passage thus becomes a template of sorts of the recent beginnings of Black Britain. Whether we are from an African or Caribbean background, there were scenes and emotions which we all recognised from our own histories. Control Many people didn't like The Final Passage because they felt that it yet again reinforced the negative view of Black men. But they need to be reminded that this is a work of fiction, not reality. And Caryl Phillips' main achievement in the series is to give us, in [Michael], the first truly great tragic-heroic Black character on British television. The lessons of his life should resonate in our time - a sort of angled mirror. He will remain a constant reminder of the need to bury the `colonial creation' - the Black man who is only able to manifest himself through his dreams rather than through the reality of day-to-day action.
23. Kwame nose best: A new play reworks a classic French tale to celebrate early Caribbean forays into Britain
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Pinkerton,Lee (Author)
- Format:
- Newspaper Article
- Publication Date:
- 1999-08-30
- Published:
- London, UK
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- The Voice
- Journal Title Details:
- 872 : 46
- Notes:
- "I wanted to write a play that celebrated the journey of our parents," explains [Kwame Kwei-Armah]. "A lot of the previous plays tell us the old, grey story about `No Blacks, No Dogs, No Irish,' but that isn't very entertaining. "Growing up, I had a big nose but when Afrocentricty came in the '80s suddenly I had an African nose," recalls Kwame. "[Chris Monks] is White and together we have a play that is accessible to all communities," says Kwame. "It's not just about Black issues, it deals with universal themes like love, feeling inadequate and beauty."
24. Latin American-Caribbean Centre uniting two regions
- Collection:
- Black Caribbean Literature (BCL)
- Format:
- Newspaper Article
- Publication Date:
- 1998-05-31
- Published:
- Miami, FL
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- Caribbean Today
- Journal Title Details:
- 6 : S24
- Notes:
- The reception to the idea was favorable. In 1994, further discussions were held with Mexico, Columbia and Venezuela and with Argentina and Chile. The response was positive and to further support the idea, the ambassadors of the Latin American countries who were accredited to Jamaica, and Spain's ambassador, formed the Group of Latin America and the Caribbean as a forum for exchanging ideas and considering financial participation by their governments. In 1994, the Latin American-Caribbean Centre was created to facilitate economic, trade, research and cultural ties between the Caribbean and Latin America. The center's fundamental objective is to build strong commercial, cultural and academic ties between the Caribbean and Latin American regions and among the Caribbean countries. According to Ms. Insanally, "Economic development is one of the principal objectives of LACC. Expanding trade, investment, and tourism between the Caribbean and Latin American countries will generate income and employment, as well as stimulate technological modernization and international competitiveness. Academic and cultural development are important ends in themselves, and they also stimulate business relationships, and vice versa."
25. Let the Old Times Roll: Caribbean elders reflect on the pleasures of Christmasses past
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Watson,Sheila (Author)
- Format:
- Newspaper Article
- Publication Date:
- 2000-12-25
- Published:
- London, UK
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- The Voice
- Journal Title Details:
- 939 : 6
- Notes:
- "Nothing can bring back those days," Mrs [Letitia Rose] declared. "Everything has changed. Nowadays, I don't bother to do a lot of shopping because it is not as enjoyable." "The party was usually held in a big park," she recalled. "There would be lots of food and music playing until late into the night. While the big people danced we used to have our little secret boyfriends and a group of us would to go off and play hide and seek. "As children in Jamaica, we used to organise parties and collect gifts for needy children in the community," said [Iris Gordon], who helped set up the Jamaica Heart Foundation. "Making children happy is what I enjoy most about this time of the year."
26. Live & Kicking: Cricket needs cash boost; Football is the game of the moment. So what hope does cricket have?
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Sewell,Tony (Author)
- Format:
- Newspaper Article
- Publication Date:
- 2000-06-19
- Published:
- London, UK
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- The Voice
- Journal Title Details:
- 913 : 9
- Notes:
- I don't believe this is because cricket is an inferior game. But, in the eyes of the punters, football rules. This is true, not only in Britain but also in the Caribbean. I was therefore surprised that Channel 4 felt it could cash in on the enthusiasm shown for the Reggae Boyz by putting on a concert at Lords. West Indies tours to Britain in the '60s, '70s and '80s served a much wider purpose that went beyond hearing leather on willow. For those of us oppressed in the context of slavery and colonialism, the black body was something to be despised. It was particularly important for the Windrush generation and during the '50s and '60s, when the factory and the street were open season for racists.
27. Live & Kicking: Stop the New Slavery; Black culture's dependence on the body beautiful is nothing less than fascism
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Sewell,Tony (Author)
- Format:
- Newspaper Article
- Publication Date:
- 2001-01-15
- Published:
- London
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- The Voice
- Journal Title Details:
- 943 : 9
- Notes:
- The irony of the black man with his top off - such as almost any black music star you care to mention - is that it doesn't say to me: "Look at this wonderful black man with his six-pack." We were never wanted for our minds, which was why it was illegal to teach slaves to read. We were flesh, a commodity, labour. As today's black man shows off his pride and joy, the modern billboard becomes the equivalent of yesteryear's slave stocks. The tragedy with the flesh doesn't end there. Too many of us are impressed by a black fascism which fails to question the oppressive power structures of idealised family structures or the obsession with genes, blood and national pride.
28. Live and Kicking: An age-old problem; Are Black elders passing on the benefit of their experience to the young?
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Sewell,Tony (Author)
- Format:
- Newspaper Article
- Publication Date:
- 1999-11-22
- Published:
- London, UK
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- The Voice
- Journal Title Details:
- 884 : 9
- Notes:
- Occasionally, a rare talent emerges, such as Lauryn Hill or Maxwell, whereas previously the talent came in hordes. Look at the way Lauryn Hill has gone back to Bob Marley and Stevie Wonder for inspiration and technique. She's still a rap artist but here is a woman who has learnt her trade. It's a question of feeling basically unsafe around a generation that has no respect for its elders.
29. Live and Kicking: Celebrating our roots; Get a lift as we remember the arrival of the Windrush
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Sewell,Tony (Author)
- Format:
- Newspaper Article
- Publication Date:
- 1998-01-05
- Published:
- London, UK
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- The Voice
- Journal Title Details:
- 787 : 8
- Notes:
- This means that we must find ways of re-making and continuing the Caribbean traditions that our forefathers brought with them when they got off the Windrush. For me, there are three important lessons. The first is what I call the anatomy of Black existence; put simply, the understanding of the key factors that shape one's life. Second, the ability to take no nonsense, particularly from White people and, thirdly, a sense of humour. This cry is not just for schools to do more Black history. They are actually saying that they have no road map, no narrative structure of their existence in this world as Black people. They are disconnected from the strength and depth of those folks who travelled on the Windrush. It's as if they were orphans connected to no meaningful history or narrative other than the White structures around them. These people were spiritual, not in the religious sense with denominations and heavy moralising, but in the way they used the Judeo-Christian tradition in trying to understand the Black story. The most powerful and popular way in which this was expressed was through Rastafarianism. The second Windrush value is the power to get vex and fight racism. One thing I can say for certain in 1998 is that a disproportionately high number of Black males will die in police custody under suspicious circumstances. My parents told me after the Notting Hill riots in the '50s, White people realised `you don't mess with a West Indian'. Schools, the police and politicians must not be allowed to take us for granted.
30. Local theater troupe wants to help unite Blacks, Haitians
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Brown,Melissa N. (Author)
- Format:
- Newspaper Article
- Publication Date:
- Sep 15-Sep 21, 2004
- Published:
- Miami, FL
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- Miami Times
- Journal Title Details:
- 3 : 1A
- Notes:
- "[Daniel Beauxhomme] comes from the lighter skin mixed class," said Kevin Johnson, who plays Daniel. "It's the story of two different people from two different worlds falling in love. Fate brings them together and fate takes them apart. It's similar to `Romeo and Juliet.'" "In Haiti, it's very confusing. It's fuzzier than here (the United States). A lot of it has more to do with money and name than this," said Shirley Julien, who is Haitian. "And that's what the musical focuses on. Ti Moune means `little orphan' in the play. But, in Haiti it means `little person.' That drives the theme more because she doesn't have a real name. In Haiti every little kid is called ti moune." "I don't think that there is that much of a difference," said Julien, who is also the musical's choreographer. "It's just highlighted more. The division is put on us and we accept it. It's up to us to say `I don't believe this' and take time to learn about Haitians, Jamaicans and Trinidadians. Our commonalities are so much stronger and deep inside of us."