African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
304 p., Exploration of literary and cultural exchanges between the United States and the Caribbean during the roughly eighty-year period of their greatest interaction, from the close of the Spanish-American War to the Cuban Revolution. The interconnected histories of colonization, migration, slavery, and political struggle thrust writers from both regions into a vibrant literary conversation across national borders.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
304 p., Shows how such movements as Pan-Africanism, the New Negro Renaissance, and pan-American modernism have significant Caribbean roots, although the United States has often failed to recognize them, effectively "purloining" those resources without acknowledgment.
Philadelphia, PA: University of Pennsylvania Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
283 p., Using travel and tourism as sites where the pleasures of imperialism met the politics of empire, Christine Skwiot untangles the histories of Cuba and Hawai'i as integral parts of the Union and keys to U.S. global power, as occupied territories with violent pasts, and as fantasy islands ripe with seduction and reward. Grounded in a wide array of primary materials that range from government sources and tourist industry records to promotional items and travel narratives, The Purposes of Paradise explores the ways travel and tourism shaped U.S. imperialism in Cuba and Hawai'i.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
598 p, This book includes information of Theodore Roosevelt and Latin America, the Panama Canal, the Roosevelt Corollary, the Dominican customs house, and the Cuba intervention of 1906
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
495 p., Investigates the diverse poetic manifestations of a sensibility that may be designated as French Caribbean through a close reading of a representative sample of poems. Many are presented here in translation for the first time. Contents: Marie-Magdeleine Carbet -- Léon-Gontran Damas -- Aimé Césaire -- Edouard Glissant -- Guy Tirolien -- Yves Padoly -- Joseph Polius -- Gilette Bazile, Marcelle Archelon-Pépin, Michèle Bilavarn.
295 p., Focuses on the function of black vernacular myths and rituals in three primary women's texts of the Americas: Toni Morrison's Song of Solomon (1977), Simone Schwartz-Bart's Pluie et Vent sur Telumee Miracle (1972) and Paule Marshall's Praisesong for the Widow (1983). My project codifies how the black vernacular expressions of mythology and ritual are used to negotiate power between the individual and their community. The author traces how the women in these texts used resources of the black vernacular tradition as social and cultural collateral to empower themselves within an alternative system of values that simultaneously validates self and communal worth.
