Astor Piazzolla (Composer), Claire Hallmark (Soprano saxophone), Victor Kononenko (Alto Saxophone), Tim He (Tenor Saxophone), Erik Elmgren (Baritone Saxophone), and Phil Pierick (Coach)
Considers the potential contribution of traditional construction techniques and materials to rebuilding in Port-au-Prince and other areas in Haiti that were devastated by the 2010 earthquake. Based on different examples of housing that collapsed or was damaged by the earthquake, it shows how traditional construction systems often demonstrated better resilience to earthquakes than buildings constructed with modern materials.
Avelar,Idelber, (Ed.And Intro.) and Dunn,Christopher, (Ed.And Intro.)
Format:
Book, Whole
Publication Date:
2011
Published:
Durham, NC: Duke University Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
376 p, Covering more than one hundred years of history, this multidisciplinary collection of essays explores the vital connections between popular music and citizenship in Brazil. While popular music has served as an effective resource for communities to stake claims to political, social, and cultural rights in Brazil, it has also been appropriated by the state in its efforts to manage and control a socially, racially, and geographically diverse nation. The question of citizenship has also been a recurrent theme in the work of many of Brazil's most important musicians. These essays explore popular music in relation to national identity, social class, racial formations, community organizing, political protest, and emergent forms of distribution and consumption.
Examines Caribbean representations of race, gender and ethnicity, and how these influenced the labor allocations of female migrant workers in St Maarten's tourism economy. From the late 1970s to the 1990s, thousands of poor women from Haiti and the Dominican Republic worked in the service sector of St Maarten's tourism economy. St Maarten's black population, and especially its male residents, interacted with the migrant women, and created gendered and social-sexual images that privileged the Latina/mulatta women over the black Haitian women. These gendered/racial stereotypes helped to incorporate the Haitian and Dominican women into specific and different labor sectors of the tourism economy.
Focuses on interrelations between popular music genres in the Spanish Caribbean exemplifying the Dominican Republic. The genre son has been the source of ideological conflicts for the middle and upper classes, particularly for Dominican musicians and intellectuals. The most urgent inquiry is about the local origin of the so considered primary authentic work, the “Son de la Ma’ Teodora'. Analyzing both historiographic and oral sources, the significance and the symbolic value of the musical genre son in the national history and context are discussed., unedited non–English abstract received by RILM] En este artículo se discuten las interrelaciones entre géneros musicales populares en el Caribe Hispánico tal y como aparecen en la República Dominicana. El género son ha sido fuente de conflictos ideológicos entre las clases media y alta dominicana, así como entre músicos e intelectuales. El asunto más polémico en este sentido gira alrededor del origen local de la así considerada primera obra documentada, el “Son de La Ma’ Teodora”. Haciendo uso de diferentes fuentes historiográficas y orales se discute el significado y valor simbólico del género musical son en relación a la historia nacional dominicana.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
239 p., Collection of profiles, interviews, essays and reviews on such well-known black writers and artists as Nalo Hopkinson, Dionne Brand, Austin Clarke, Lawrence Hill and Edwidge Danticat constitutes a frank conversation on the significance of race in contemporary Black Canadian and American literature.
Baker, Lauri M. (author), Settle, Quisto (author), Chiarelli, Christy (author), and Irani, Tracy (author)
Format:
Paper
Publication Date:
2011-02-01
Published:
USA
Location:
Agricultural Communications Documentation Center, Funk Library, University of Illinois Box: 188 Document Number: D01524
Notes:
Paper presented in the Agricultural Communication Section of the Southern Association of Agricultural Scientists annual meeting in Corpus Christi,Texas, February 6-7, 2011. 23 pages.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
The following contributions are cited separately in RILM: Godfrey BALDACCHINO, Yoko ORYU, French Caribbean: Adieu foulard, adieu madras: A sonic study in (post)colonialism (RILM ref]2011-12101/ref]); Sergio BONANZINGA, Sicily: Navigating responses to global cultural patterns (RILM ref]2011-12111/ref]); Kathryn A. BURNETT, Ray BURNETT, Scotland's Hebrides: Song and culture, transmission, and transformation (RILM ref]2011-12104/ref]); Jennifer CATTERMOLE, Fiji Islands: A sustainable future for sigidrigi? (RILM ref]2011-12107/ref]); Ijahnya CHRISTIAN, English Caribbean: When people cannot talk, they sing (RILM ref]2011-12099/ref]); Judith R. COHEN, Ibiza and Formentera: Worlds of singers and songs (RILM ref]2011-12113/ref]); Cristoforo GARIGLIANO, Aeolian Islands: Three singers, their folk songs, and the interpretation of tradition (RILM ref]2011-12112/ref]); Waldo GARRIDO, Philip HAYWARD, Chiloé: An offshore song culture (RILM ref]2011-12109/ref]); Maria HNARAKI, Crete—Souls of soil: Island identity through song (RILM ref]2011-12110/ref]); Henry M. JOHNSON, Jersey: Jèrriais, song, and language revitalization (RILM ref]2011-12105/ref]); Soraya MARCANO, Spanish Caribbean: Liquid identities (RILM ref]2011-12100/ref]); Owe RONSTRÖM, Gotland: Where folk culture and island overlap (RILM ref]2011-12114/ref]); Heather SPARLING, Cape Breton Island: Living in the past? Gaelic language, song, and competition (RILM ref]2011-12102/ref]); Deatra WALSH, Newfoundland: From Ron Hynes to Hey Rosetta! (RILM ref]2011-12103/ref]); Oli WILSON, Papua New Guinea: Popular music and the continuity of tradition—An ethnographic study of the songs by the band Paramana Strangers (RILM ref]2011-12106/ref]).
Discusses food aid organization Numana's community-based strategies for organizing food packaging events for Haiti and coordination of nongovernmental organizations for distributing emergency food. A feminist analysis of Numana's principles is compared to a culture-centered, community agency model.
Drawing on original case studies of police reform in Burundi, Haiti and Southern Sudan, this article demonstrates that developmental approaches to security system reform have more scope for application in fragile states that are not at war or involved in the War on Terror.
Barbara Higbie (Composer), Michael Bump (Arranger), Ricardo Flores (Director), Charles "Chip" McNeill (Saxophone), Chris Hanning (Drum set), Chris Tanner (Steel drum), and I-Pan (Performers)
9 pages., via online journal., European consumers are faced with a myriad of food related risk and benefit information and it is regularly left up to the consumer to interpret these, often conflicting, pieces of information as a coherent message. This conflict is especially apparent in times of food crises and can have major public health implications. Scientific results and risk assessments cannot always be easily communicated into simple guidelines and advice that non-scientists like the public or the media can easily understand especially when there is conflicting, uncertain or complex information about a particular food or aspects thereof. The need for improved strategies and tools for communication about food risks and benefits is therefore paramount. The FoodRisC project ("Food Risk Communication - Perceptions and communication of food risks/benefits across Europe: development of effective communication strategies") aims to address this issue. The FoodRisC project will examine consumer perceptions and investigate how people acquire and use information in food domains in order to develop targeted strategies for food communication across Europe.
American Carmelita Jeter winning the women's 100 metres final in 1 0.93 seconds at the Samsung Diamond League meet at Crystal Palace Stadium in London, yesterday. Jamaica's Shelly-Ann Fraser-Pryce right) was third in 11. 10 seconds. Trinidad and Tobago's Kelly-Ann Baptiste was second in 1 0.97 while Jamaicans Schillonie Calvert (11.23) and Aleen Bailey (11.36) were fourth and seventh respectively.
217 p., A comparative study of late 20th-century migration narratives by African American and Afro-Caribbean women, such as Paule Marshall, Toni Morrison, Jamaica Kincaid, and Loida Maritza Pérez. Informed by critical race theory, postcolonial, and feminist approaches to literature, this dissertation intervenes in literary studies of the African diaspora by underscoring the cultural and political implications that class and national differences have on intra-racial relations among Blacks.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
227 p, In Women in Caribbean Politics Cynthia Barrow-Giles and her co-contributors profile 20 of the most influential women in modern Caribbean politics who have struggled and excelled, in spite of the obstacles. Divided into four parts, this volume looks at women who led the struggle for freedom; those who agitated for equal rights and justice in the pre-independence period; postcolonial trailblazers; as well as a group which Cynthia Barrow-Giles refers to as ‘Women CEOs.’ The profiles cover women from 12 territories, with varying political, ethnic and socio-economic issues.
Basinger, Michael L. (author), Aagard, Steven D. (author), and Association for International Agricultural and Extension Education
Format:
Abstract
Publication Date:
2011-07
Published:
International
Location:
Agricultural Communications Documentation Center, Funk Library, University of Illinois Box: 185 Document Number: D00414
Notes:
Abstract of article in proceedings of the annual meeting of the Association for International Agricultural and Extension Education in Windhoek, Namibia, July 3-7, 2011.
Batiston,A. P. (Author), Tamaki,E. M. (Author), Souza,L. A. de (Author), Santos,M. L. de M. dos (Author), de M. dos Santos,M. L. (Author), de Souza,L. A. (Author), and dos Santos,M. L. de M. (Author)
Format:
Journal Article
Publication Date:
2011
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Objectives: To investigate knowledge of and practices regarding risk factors for breast cancer among users of the Family Health Strategy (FHS). Methods: A cross-sectional study was carried out among 393 women aged between 40 and 69 years using the FHS in the city of Dourados, in the Brazilian State of Mato Grosso do Sul. An interview was conducted using a semi-structured questionnaire to investigate socio-demographic variables, family history and awareness/practices regarding the risk factors for breast cancer. The variables were described using simple frequency and a percentage. The association between awareness of the risk factors and the variables was confirmed using Fisher's exact test and the chisquare with a level of significance of 5%. Results: The mean age was 52.58.1 years, the mean years of schooling was 4.43.6 years, 52.4% of the women were black/colored and 66.6% had a partner. Of the women, 86.5% had received some information on breast cancer. The risk factors for the disease are known by 54.2% of the women. Awareness of the risk factors was associated with family history (p=0.004) and years of schooling (p=0.01). Where the risk factors were known, 52.2% of the women took preventive measures. Conclusions: The identification of variables related to greater awareness of the disease may facilitate the adoption of strategies aimed at the most vulnerable groups.
Background Despite lower alcohol drinking rates of UK ethnic minority people (excluding Irish) compared with those of the white majority, events of racial discrimination expose ethnic minorities to unique stressors that elevate the risk for escapist drinking. Studies of ethnic density, the geographical concentration of ethnic minorities in an area, have found racism to be less prevalent in areas of increased ethnic density, and this study hypothesises that ethnic minority people living in areas of high ethnic density will report less alcohol use relative to their counterparts, due to decreased experienced racism and increased sociocultural norms. Methods Multilevel logistic regressions were applied to data from the 1999 and 2004 Health Survey for England linked to ethnic density data from 2001 census. Results Respondents living in non-White area types and areas of higher coethnic density reported decreased odds of being current drinkers relative to their counterparts. A statistically significant reduction in the odds of exceeding sensible drinking recommendations was observed for Caribbeans in Black area types, Africans in areas of higher coethnic density and Indian people living in Indian area types. Conclusion Results confirmed a protective ethnic density effect for current alcohol consumption, but showed a less consistent picture of an ethnic density effect for adherence to sensible drinking guidelines. Previous research has shown that alcohol use is increasing among ethnic minorities, and so a greater understanding of alcohol-related behaviour among UK ethnic minority people is important to establish their need for preventive care and advice on safe drinking practices.
Belafonte,Harry, (Author) and Shnayerson,Michael, (Collab.)
Format:
Book, Whole
Publication Date:
01/01; 2011
Published:
New York: Alfred A. Knopf
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
A personal account of an era of enormous cultural and political change, which reveals Harry Belafonte as not only one of America's greatest entertainers, but also one of our most profoundly influential activists. Belafonte spent his childhood in both Harlem and Jamaica, where the toughness of the city and the resilient spirit of the Caribbean lifestyle instilled in him a tenacity to face the hurdles of life head-on and channel his anger into positive, life-affirming actions. He returned to New York City after serving in the Navy in World War II, and found his calling in the theater, before transitioning into a career as a singer and Hollywood leading man. During the 1960s civil rights movement, Belafonte became close friends with Martin Luther King, Jr., and used his celebrity as a platform for his activism in civil rights and countless other political and social causes. This book tells the inspiring story of an original and powerful entertainer who has always engaged fiercely with the issues of his day.
'Environmental justice' refers to the human right to a healthy and safe environment, a fair share of natural resources, access to environmental information and participation in environmental decision-making. Some analysts have argued that environmental justice is undermined by the political economy of capitalism. This paper builds on this analysis by evaluating the environmental justice situation in Cuba, a country where there is little capitalist influence. Evidence is based on participant observation and interviews in Cuba, as well as secondary quantitative data. The research findings suggest that Cuba fares relatively well in terms of environmental justice, but still faces a number of challenges regarding the quality of its environment and some aspects of the environmental decision-making process. However, many of its ongoing problems can be attributed to global capitalist pressures.
Proposes to examine the aftermath of the "Goudougoudou," as Haitians now call the earthquake of January 12, 2010, relating it to other events that have taxed Haitian resolve over the course of two centuries.
Ben Allison (Composer), Sean Koga (Tenor Sax), Josh Torrey (Trombone), Easton Stuard (Piano), Will Yanez (Guitar), Mike Harmon (Bass), and Matt Endres (Drums)
