"We shouldn't celebrate a scheme that brought women from the West Indies to Canada and kept many of them under domination and subordination by Canadian families," says Ms. [Antonia Sealy], a founding member of several community groups. "Personally, I regret making the decision to come on that scheme," she says. "I had a comfortable life in Barbados and a good job in the public service, but I was young and I wanted to travel and seek other opportunities. Had I known better I would have waited and sought out a commonwealth scholarship," she said. Ms. Sealy says that nothing she was told before leaving Barbados could have prepared her for the life of "subordination" at the homes of various families in Toronto.
The work of Haitian author Jacques Stephen Alexis is replete with examples of characters caught in the dilemmas of exile. The author focuses on Alexis's characters who go through a "true" expatriation, a movement out of Haiti and into another country, and considers how the various experiences of expatriation are represented, as well as how the presence of the Haitian exiles impacts the host country. Taking examples from Alexis's novel Compère Général Soleil, Monro argues that the Haitian exiles unwittingly, though inevitably, disrupt the illusion of oneness of national identity and culture and become a subversive force, creolizing culture in the place of exile, the Dominican Republic. This cultural creolization in turn is a threat to the monocultural, totalizing political discourses of the host country, it is argued.;
The presenters discussed topics ranging from democratic reform and transition in Haiti to health concerns in the Haitian diaspora. One presentation by Lunine Pierre-Jerome, Ed.D., titled "Identity Development among Low-Literacy Haitian Adolescent Newcomers: Collective and Integrative View of the Self" was particularly poignant. Dr. Pierre-Jerome's case study explored how low-literacy Haitian adolescent newcomers identify themselves; their perceptions of family, peer relationships, community and schooling; and their opinions about attending a literacy program.
Sisters and Brothers in the Diaspora outside Jamaica, Season's Greetings and remember in your prayers, in this time of fellowship and love, not just your own family and friends, but the larger family of Jamaicans and our homeland, Jamaica. In the coming year, we must, must have a conference of Jamaicans in Canada - and, before the middle of the year. Let us sit together, as many Jamaicans as possible, in workshops to thrash out the solutions. We know what the problems are. Time to stop talking about them and start dealing with solutions among ourselves, in a rational, quiet manner, as our forefathers did in order to end slavery and colonialism.
More than two hundred Haitian artists came together at "Russo's On the Bay" in Queens, New York on June 5th, 2005. They came from Haiti, Canada and throughout the USA. Namely painters, dancers, musicians, gospel singers, writers and poets, they came to celebrate the birth of the United Haitian Artists' Foundation. It was a glamorous endeavor with excited people of Haitian culture, united in their noble and national mission to bring about awareness, growth and excellence to Haitian artists as a whole, and to the world at large.
These new citizens know they made the right choice. This day also offers the time to meditate about those less fortunate than themselves, like families and friends left behind in their country of origin, where the plague of daily insecurity has decimated whatever lifestyle remained of their easy going beautiful paradise, and where participation in the electoral process is not so easily accomplished. Reflections abound -- then reality sets in. Indeed, Haitian-Americans are delighted and proud to have adopted America as their fatherland. At the same time they are sad that their country of origin is in such turmoil.
The way in which the Caribbean person is given emblematic status as the metropolitan migrant is made clear in James Clifford's declaration that ‘We are all Caribbeans now...in our urban archipelagos'. Examines the impact on the critical reception of Caribbean writings that has been made as a result of the fact that metropolitan diasporas are now the privileged places in which to be properly ‘postcolonial’.
Wyclef Jean - the trailblazing hip-hop artist and Haiti's answer to Jamaica's Bob Marley and Ireland's Bono - last month unveiled an ambitious new philanthropic effort aimed at bringing the power and wealth of his own celebrity - and the collective muscle of the Haitian Diaspora - to bear to help his native land. Wyclef christened the emerging non-profit "Yéle Haiti" during a tour of Haiti last month, in which he announced plans to help fund the reconstruction of schoolhouses and a vast scholarship program, among other initiatives.
