The urban and territorial changes caused by tourism are well-studied topics in contemporary scientific literature. This article uses an integrative approach that lies between the scientific traditions in urban geography and the geography of tourism to present a case study of a socialist city. Tourism is a strategic economic activity in Cuba, and the country's most popular sun and sand tourist destination is Varadero. At first consideration, its tourism model is not very different from those of other areas in the region (Dominican Republic, Riviera Maya, etc.), but the uniqueness of the Cuban government and emphasis on planning introduce several distinguishing features. The combined analysis of the development of tourism in the city and the recent history of territorial planning leads to conclusions regarding the role of tourism in urban development, which has resulted in the creation of a dual-city model, and the role land planning is playing.
Gerber,Jane S. (Author) and Bodian,Miriam (Author)
Format:
Book, Whole
Publication Date:
2014
Published:
Oxford: The Littman Library of Jewish Civilization
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
409 p, "This volume emerged from an international conference, "The Jewish Diaspora of the Caribbean," convened in Kingston, Jamaica, from 12 to 14 January 2010"--Introduction.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
216 p, A history of the Black Church as it developed both in the United States and the Caribbean after the arrival of enslaved Africans. Examines the parallel histories of these two strands of the Black Church, showing where their historical ties remain strong and where different circumstances have led them down unexpectedly divergent paths.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
286 p., Examines how texts by Diaz, Danticat, and Garcia render coloniality visible and how they offer strategies of plurality and border crossings as a means of liberation and epistemic decolonization, contesting absolute and universal positions of power. This book demonstrates that Caribbean and Western knowledge systems can be read in dialogue, which yields new strategies for solving complex problems such as intercultural conflicts and asymmetric power relations.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
447 p., Traces the story of the Caribbean area from the northern rim of South America up to Cuba, and from discovery through colonialism to today, offering a vivid, panoramic view of this complex region and its rich, important history.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
239 p., Since 1492, the distinct cultures, peoples, and languages of four continents have met in the Caribbean and intermingled in wave after wave of post-Columbian encounters, with foods and their styles of preparation being among the most consumable of the converging cultural elements. This book traces the pathways of migrants and travelers and the mixing of their cultures in the Caribbean from the Atlantic slave trade to the modern tourism economy.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
257 p, "Gad Heuman provides a comprehensive introduction the history of the Caribbean, from its earliest inhabitants to contemporary political and cultural developments. This new edition is fully revised and updated, with new material on the pre-Columbian era and the Hispanic Caribbean. It takes account not only of the political and social struggles that have shaped the Caribbean, but also provides a sense of the development of the region's culture." --Provided by publisher.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
341 p, Studying cultural memory of the Grenada Revolution as it surfaces in literature, music, the visual arts, law, landscape, and everyday life, this book approaches the 1979-1983 Grenada Revolution as a pan-Caribbean event. Argues that in both its making and its fall, the 1979-1983 Revolution was a transnational event that deeply impacted politics and culture across the Caribbean and its diaspora during its life and in the decades since its fall.
Sutherland,Patsy (Editor), Moodley,Roy (Editor), and Chevannes,Barry (Editor)
Format:
Book, Edited
Publication Date:
2014
Published:
New York, NY: Routledge
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
264 p., Draws on the knowledge of prominent clinicians, scholars, and researchers of the Caribbean and the diaspora, exploring healing traditions in the context of health and mental health.
[Stephanie Balmir-Villedrouin] said the site of the village is known for its historic values to Haiti "and the idea is to create another form of attraction and give a value to the visitors when they go to the destination".
Blanes,Ruy Llera (Editor) and Espirito Santo,Diana (Editor)
Format:
Book, Edited
Publication Date:
2014
Published:
Chicago: University of Chicago Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
305 p., By stripping symbolism from the way we think about the spirit world, the contributors of this book uncover a livelier, more diverse environment of entities--with their own histories, motivations, and social interactions--providing a new understanding of spirits not as symbols, but as agents.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
223 p., Investigates the exilic literature of Caribbean-born and Caribbean-descent writers who, from their new location in Northern America, question their cultural roots and search for a creative autonomy.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
209 p., Collects interviews with queer Caribbean writers, activists, and citizens and challenges the dominance of Euro-American theories in understanding global queerness.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
192 p., Argues that postcolonial critics must move beyond an identity-based orthodoxy as they examine problems of sovereignty. Harrison describes what she calls "difficult subjects”--subjects that disrupt essentialized notions of identity as equivalent to sovereignty. She argues that these subjects function as a call for postcolonial critics to broaden their critical horizons beyond the usual questions of national identity and exclusion/inclusion.
To honor our sacred heritage, to bear the burden and glory of our history, we must self-consciously resume our vanguard role in the midst of the liberation struggles of the world.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
261 p., Examines sexualities, violence, and repression in the Caribbean experience. Analyzing the sexual norms and expectations portrayed in Caribbean and diaspora literature, music, film, and popular culture. Demonstrates how many individuals contest traditional roles by maneuvering within and/or trying to change their society's binary gender systems. These transgressions have come to better represent Caribbean culture than the "official" representations perpetuated by governmental elites and often codified into laws that reinforce patriarchal, heterosexual stereotypes.
155 p., Explores the interweaving of colonial and post-colonial British and Jamaican Laws and the interpretive legalities of sexuality, compulsory heterosexuality, and queerness. The research project begins by exploring the ways in which the gendered colonial law produces black sexualities as excessive and in need of discipline while also noticing how Caribbean peoples negotiate and subvert these legalities. The work then turns to dancehall and its enmeshment with landscape (which reflects theatre-in-the round and African spiritual ceremonies), psycho scape (which retains African uses of marronage and pageantry as personhood), and musicscape (which deploys homophobia to demand heterosexuality), in order to tease out the complexities of Caribbean sexualities and queer practices.
367 p., Examines the lasting consequences of the anticolonial, antislavery discourses of the Haitian Revolution on the way in which postcolonial Haitians understood the narrative structure of their national history from Independence (1804) to the end of the American Occupation of Haiti (1934). In this study Haitian intuitions of historical time are apprehended through an analysis of nineteenth and early twentieth century Haitian literary and historical works. These texts are scrutinized with respect to (a) formal narrative features such as truncation, ellipsis, elision, prolepsis and analepsis which reveal an implicit understanding of the disposition of the metahistorical categories of "past," "present," and "future" and (b) the analysis of the explicit reflections on history provided by narrators or authors. This dissertation argues, primarily, that the event of the "Haitian Revolution" (1791-1804) was fundamental to Haitian understandings of the emplotment of the whole of Haitian history.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
226 p., Argues that a repeated engagement with the Caribbean’s iconic and historic touchstones offers a new sense of (inter)national belonging that brings an alternative and dynamic vision to the gendered legacy of brutality against black bodies, flesh, and bone. Using a distinctive methodology she calls "feminist rehearsal" to chart the Caribbean’s multiple and contradictory accounts of historical events, the author highlights the gendered and emergent connections between art, history, and belonging.
243 p., Analyzes three novels by contemporary female Caribbean and Latin American Afro-descendent writers of the diaspora: Peruvian Lucía Charún-Illescas' Malambo (2001), Brazilian Ana Maria Gonçalves' Um defeito de cor (2006), and Puerto Rican Mayra Santos-Febres' Fe en disfraz (2009). In these texts, the old and the new intermingle in the space of the narrative. The colonial past is reexamined and reconstructed out of the need to understand its reminiscences into the present and the necessity to transform the future.
