This articles deals with the importance of the Sandinista Revolution and critiques the Latin American's "class-based radical movement." The author as well speaks about events that contradicts Nicaraguan mestizo representations of Creoles as "political passive subjects."
"Within the Caribbean region, racial identity forms a multicategory continuum from white to black, whereas in the United States it is a dichotomy of black versus white. Many Caribbean Hispanics, therefore, reject a strict racial dichotomy and select some category intermediate between black and white when asked to identify themselves racially on the U. S. census." (Author abstract)
"This article explores the changing form of white and black racial categories in North America. It argues that this transformation is being shaped by several, relatively distinct tendencies; including anti-immigrant sentiments, anti-black racism and the identity politics of racialized populations. The discussion focuses on two aspects of this transformation. First, the identity politics of Afro-Caribbean populations is used to illustrate how immigrant experiences contest and complicate the process of black racialization; second, the racialization of Latino populations is used to illustrate how normative definitions of whiteness are being redefined. The conclusion uses these examples to discuss the need for explanations of racial stratification that can account for multiple nodes of inclusion and exclusion." [ABSTRACT FROM AUTHOR];
"The problem involved in the description of Caribbean aesthetics is not only due to the heterogeneity of Caribbean culture - given its antecedents - but also the complex cognitive and social orientation of the individual Caribbean artist." (author)
Discusses the challenges faced by people of African descent during the slave era, who were forced to adapt to their surroudings while, at the same time, attempting to maintain their own cultural integrity. Focuses on the African Diasporic peoples of Brazil, and describes in detail the sisterhood of Nossa Senhora da Boa Morte and the brotherhood of Nossa Senhora do Rosario. Notes that these confraternities show the ingenuity of the Afro-Brazilian people as they maintained their cultural heritage.;
Discusses the poetry of Afro-Cuban writer Nancy Morejón, focusing on her poetry collection, Paisaje célebre (Fundarte, 1993). Compares the book to her previous work, and discusses the political and social influences that shaped it. Notes that this book marks an important stage in Morejón's poetry, in that it celebrates a new and different country and voice - one of indepedence and freedom.;
