This paper provides a cross-cultural analysis of the experiences of Oxfam GB in supporting urban community-based disaster risk reduction in Haiti, Guyana and the Dominican Republic. The paper focuses on the efforts of Oxfam GB and its local partners to overcome the determining influence of local governance on who benefits from interventions, and the longevity of positive outcomes.
237 p., Arrivé en Haïti avec les Noirs d'Afrique aux 15e et 16e siècles, le vodou est depuis ce temps un élément de la culture haïtienne. Il y a aujourd'hui une coexistence des catholiques, des protestants avec les vodouisants d'où le problème de syncrétisme qui caractérise le vodou. Le silence entretenu à son sujet, dans divers milieux et pour. différentes raisons, renforce les préjugés vieux de plusieurs siècles et rend difficile l'évangélisation. Évangéliser la personne vodouisante suppose de bien connaître sa perception de Dieu et les valeurs véhiculées par le vodou. Un sondage auprès des jeunes et d'adultes a enrichi mes connaissances sur le vodou et les moyens d'une évangélisation en Haïti.
The author's thoughts on service work during a summer 2010 travel course to Haiti with a group from Saint Mary's College of California and reflections on the complexity of service learning and disaster relief work. A dilemma concerning the installation of a rainwater capture system on a house brought to light the issue of what the family thought they needed versus what the group thought they needed. The decision making process is discussed.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
6 p., David Roodman testifies before the House Financial Services Subcommittee on International Monetary Policy and Trade about supporting Haiti's private sector.
After [Jean-Jacques Dessalines]' death, [Henri Christophe] assumed leadership of Haiti, but the mulatto minority South set up its own republic under Pétion. Christophe committed suicide in 1820 amid an uprising over his forced labor policies. Pétion's successor, JeanPierre Boyer, reformed the two republics into one Haiti. Boyer ruled until his government collapsed in 1843 due to political rivalry. Until 1915, only two of the 21 governments since 1843 were not dismantled by coups d'états or political in-fighting. Except for agreement on the abolition of slavery, the state and nation were headed in opposite or different directions before the L'Ouverture adherents took over in 1804. The literature on Haiti, from Trinidadian C. L. R. James' classic book The Black Jacobins, to TransAfrica founder Randall Robinson's An Unbroken Agony, all tell the awful consequences of the "color curtain" in claustrophobic Haiti.
The representations of Haiti and Haitians that appeared in mainstream news coverage of the disaster reproduced narratives and stereotypes dating to at least the 19th century. Today, understanding the continuity of these representations matters more than ever.
Human Rights in Haiti: A Work in Progress" is a 22-minute abridged Cliffs Notes version of the history of Haitian unrest. Though it is beautifully edited and has some rather moving imagery, the film ends suddenly, which quite frankly took the audience off guard. During the Q&A session following the films, the un-packed audience of 10 people (which included the filmmakers) had a few burning questions, some of which were not completely answered. "Who's the opponent? Who's the evil person here?" "It doesn't make that clear," "There are things that aren't really clear here" were just a few questions the audience members asked.
This year's Miami concert is a continuation of this ongoing goodwill project, bringing together a host of internationally renowned celebrities, reggae, R&B, and hip-hop artists in an all-day Carnival event with food, arts, crafts, and a vast array of entertainment. Proceeds from the event will benefit the Wyclef Jean Foundation and be donated to charitable organizations. Proceeds from last year's Miami Carnival were given to VHI's "Save The Music" and Oeuvres de Petites Ecoles de P. Bohnen (through Fondation Artistes Creation, a not-for- profit Haitian organization). "Guantanamera," a single from "Wyclef Jean Presents the Carnival," featuring Celia Cruz and Jeni Fujita, was nominated for the Best Rap Performance By A Duo or Group. The following year, Wyclef Jean's single, "Gone Till November," was nominated for a Grammy in the Best Rap Solo Performance category.
Wyclef Jean - the trailblazing hip-hop artist and Haiti's answer to Jamaica's Bob Marley and Ireland's Bono - last month unveiled an ambitious new philanthropic effort aimed at bringing the power and wealth of his own celebrity - and the collective muscle of the Haitian Diaspora - to bear to help his native land. Wyclef christened the emerging non-profit "Yéle Haiti" during a tour of Haiti last month, in which he announced plans to help fund the reconstruction of schoolhouses and a vast scholarship program, among other initiatives.
"In our Cold War fight with Castro, (we were) willing to subsidize Cubans to leave to come here and at the same time lock Haitians out. That is not fair, and we deserve a different policy," [Jesse L. Jackson Sr.] said. He said the U.S. pays to bring Cubans here, subsidizes them, but pays to send Haitians back to Haiti. "That's not fair," he stated. "Haiti fought for our freedom." "The Cubans are political refugees looking for political freedom, and they're given money to come, but, the Haitians are economic refugees so they must go back. There are more Haitians who've died... than Cubans," Jackson said calling for an end to the double standard of refugees between Cuba and Haitians seeking to come to America.
