Develops data from interviews about stereotypes of Jamaican and Barbadian men and women. The popular music from Jamaica and Barbados is used as a lens for understanding the cultures within which the respondents develop their gender stereotypes. The stereotype data is then compared with the music that is popular during the interviews.
Fox discusses Lydia Cabrera, a novelist and short story writer many consider the mother of Afro-Cuban studies. Examined are her contributions to Cuba's Africanized popular culture, as well as her bridging the cultures of France, Africa and Cuba.;
Van Kempen discusses the songs and traditions of the Saramaccan peoples of the Upper Suriname. The music and lyrics of the Saramaccans depicts the troubles the ethnic groups have experienced in the 1990s from transmigration ordered by the government, typically lamenting or singing the praises of their old African villages, and cursing Western engineers for the uprooting of their cultures.;
This work describes cleavages of race, class and caste in the colonial Jamaican company. It tackles the question of the relation between race and culture.
Tillis explores the socio-political poetics of Blas Jiménez in the context of the negritude aesthetic in the Spanish-speaking world. The selected poems of Jiménez attest to the continuation of negritude ideology of Afrocentric thematic poetry in the Carribean and showed that the poet's social criticism is linked to an ideology of white supremacy resulting from colonialism and slavery.;
"In this paper I should like to discuss a particular geographical area in Venezuela which has been heavily influenced by black populations stemming from colonial trans-Atlantic slave trade, i.e., the region known as Barlovento, which lies east-southeast of Caracas." (author);
