Examines economic dependency of Caribbean nations on the US, consequences of the Caribbean Basin Initiative, and likely effects of NAFTA and the Free Trade Area of the Americas (FTAA) on the Caribbean region.
Examines the sources of domestic political will for intervention, particularly the role of partisanship, ideology, and public opinion on Congressional members' willingness to support US intervention for humanitarian purposes. Analyzes several Congressional votes relevant to four episodes of US humanitarian intervention: Somalia, Haiti, Bosnia, and Kosovo. Finds that public support for humanitarian intervention increases Congressional support and that other political demands, primarily partisanship and ideological distance from the president, often trump the normative exigencies of intervention.
Part of a special journal issue focusing on the role of the U.S. Foreign Service in Haiti., Offers 21 stories describing American Foreign Service Association experiences in disaster relief in Haiti.
A light-hearted peregrination through some semantic assocations and comparisons arising from Eric Partridge's definition of 'cake' as a colloquialism for 'a fool, gull or dolt,' giving examples in illustration of such colloquialisms from England, Scotland, Greece, Black America, South Africa, West Africa, and Israel. The burning of the cakes by King Alfred clearly places him in the category of a 'clot.' The essay concludes with the tragic case of a naked bride found strangled in her kitchen by a baker rescuing a baked cake from her oven.
This paper begins by reviewing briefly at historical changes in the employment of geospatial technologies in major devastating disasters, including the Sichuan and Haiti earthquakes. It goes on to assess changes in the available dataset type and in geospatial disaster responders, as well as the impact of geospatial technological changes on disaster relief effort. Finally, the paper discusses lessons learned from recent responses and offers some thoughts for future development.
La Via Campesina asserts that sustainable, small-scale farming is more efficient at conserving and increasing biodiversity and forests than industrial agriculture.
A brief introduction about Mexican nativism as an obstacle to thinking about cultural diversity, especially the Afro-Mexican presence, and a short echo of Philip Tagg's Open Letter are followed by an outline of the socio-historical genesis of the cumbia and the chilena. A comparative musical study (of national and Afro-Mexican cumbia, indigenous chilena and Afro-Mexican chilena) seeks to establish whether these are distinct 'black' musical practices. Since this music is also dance and text, these other two elements are also examined to determine to what extent it is legitimate to discuss them as 'black' practices. It is also essential to learn whether these forms of music are influenced by the recording industry and if so, to assess the consequences in terms of commercial labelling. The results of these inquiries, placed in the context of the movement towards negritude presently emerging on the Costa Chica, provide aspects of an answer to the eponymous question, unedited non–English abstract received by RILM] Après une brève introduction sur l’indigénisme au Mexique comme obstacle pour penser la diversité culturelle, notamment les présences afro-mexicaines, l’article fera brièvement écho à la lettre ouverte de Philip Tagg, pour ensuite esquisser une genèse socio-historique de la cumbia et de la chilena. Puis, il sera nécessaire de procéder à une étude musicale comparative (entre la cumbia nationale et afro-mexicaine, la chilena indigène et la chilena afro-mexicaine) afin de voir si elles sont des pratiques musicales différenciées « noires ». La musique n’étant pas que musique mais aussi danse et texte, on interrogera de la même façon ces deux éléments pour voir aussi dans quelle mesure peut-on en parler de pratiques « noires ». En outre, il conviendra de voir si ces musiques sont soumises à l’industrie disquaire et si tel était le cas, mesurer les conséquences en termes d’étiquetage commercial. Finalement, au regard des résultats formulés, je tenterai d’apporter des éléments concrets de réponse par rapport à la question initiale en les mettant en perspective avec un mouvement de négritude qui est en train de voir le jour sur la Costa Chica.
Examines the meanings of the marvelous in the context of the Afro-Brazilian ritual called the Reinado de Nossa Senhora do Rosário, according to the way it is applied in the song lyrics and in participants’ verbal discourses. Analyses were based on participants’ perspectives about the origin and history of their religious tradition, which is based on their enslaved ancestors’ experiences of pain. Those facts and events still highlight the sense of belonging to this tradition nowadays and make their performative acts meaningful, significant, and thus wonderful., unedited non–English abstract received by RILM] Os significados da ‘maravilha’ no contexto do Reinado de Nossa Senhora do Rosário, tal como o termo é utilizado nos cantos e nas elaborações discursivas dos congadeiros, são aqui abordados a partir da perspectiva desses participantes sobre a origem e o percurso histórico de sua tradição religiosa, calcada na experiencia da dor de seus ancestrais escravizados. Tais fatos e eventos ainda motivam o pertencimento a essa tradição no presente e preenchem de sentido, de significância e, consequentemente, de maravilha as ações performáticas atuais.
The Navy and Department of Defense are working with the academic and crisis-response communities in a series of exercises to explore and experiment with new coordinated information-sharing tools, techniques and procedures based on social science research on social media. The response to the January 2010 earthquake in Haiti demonstrated the value of information sharing during a disaster, whether it be in real time via Twitter, standard messaging service text messaging or in imagery posted on YouTube, Flickr or Facebook.
The singing of capeyuye (the Mascogo—Black Seminole people—equivalent of the U.S. spiritual) became a significant token of individual and communal identity in that population. The life and career of Gertrudis Vázquez are studied as emblematic of that tradition. The technical aspects of capeyuye are described and its performance is examined with the context of Mascogo society, particularly its connection with important events such as funerals, birthdays, and other festive occasions.
Examines the history of a genre that spans several continents and several centuries. Material from Mexico, Cuba, France, and Great Britain are brought together to create anew, expand upon, and critique the standard histories of danzón narrated by Mexico's danzón experts and others. In these standard histories, origins and nationality are key to the constitution of genres that are racialized and moralized for political ends. Danzón, its antecedents, and successors are treated as generic equivalents despite being quite different. From the danzón on, these genres are positioned as being the products of individual, male originators and their nations. Africa is treated as a conceptual nation, and Africanness as something extra that racializes hegemonic European music-dance forms. Political leanings and strategies determine whether these music-dance forms are interpreted, adopted, or co-opted as being black or white.
Disputes the idea that cultural/poetico-musical characteristics are integral to or combined with the biological criteria which define ethnicities and races. Samba was born at the turn of the 20th century in working-class, multiethnic neighborhoods of Rio de Janeiro. With its syncopated rhythm characteristic of celebrations in Black Brazilian communities, it is an urban genre associated with the early days of Carnaval which was widely broadcast on the radio in the 1930s. It thus lost its local and regional character and enjoyed worldwide recognition. Controlled by the Estado Novo, samba became 'civilized' and assumed an important symbolic role in building a Brazilian identity, both real and ideal. The result of a long and complex process of hybridization, the samba transcends and expresses more than a century of racial and social affiliations and tensions ubiquitous in Brazilian society, ultimately becoming an ideological matrix and a model of cultural fusion. The role and exceptional creativity of certain artists (Sinhô, N. Rosa, Zé Keti, C. Buarque...) and the social and aesthetic processes which contributed to the recomposition of the elements of samba are examined from a sociosemiotic standpoint which draws as well on a major audiovisual source and relevant works published in Brazil., unedited non–English abstract received by RILM] Cette contribution remet en question l’idée selon laquelle aux critères biologiques définissant les ethnies et les races se trouveraient intégrées ou agrégées des caractéristiques culturelles – poético-musicales en l’occurrence. Le samba naît au tournant du xxe siècle dans les quartiers populaires de Rio de Janeiro, marqués par leur composition pluriethnique. Rythme syncopé privilégié des célébrations pratiquées dans les communautés noires brésiliennes, ce genre urbain est associé aux débuts du Carnaval et abondamment radiodiffusé dans les années 1930. Il perd alors son caractère communautaire et régional et connaît bientôt une consécration mondiale. Contrôlé par l’Estado Novo, le samba se « civilise » et joue un rôle symbolique de premier plan dans la construction, réelle et idéelle, de l’identité brésilienne. Résultat d’un long et complexe processus d’hybridation, le samba transcende et articule sur plus d’un siècle les appartenances et les tensions raciales et sociales, omniprésentes dans la société brésilienne, au point de s’ériger en matrice idéologique et modèle de fusion culturelle. L’approche sociosémiotique de ce travail, qui repose sur l’écoute et visionnage d’un important fonds audiovisuel et sur l’étude des ouvrages publiés au Brésil, met en lumière le rôle et la créativité singulière de certains artistes (Sinhô, N. Rosa, Zé Keti, C. Buarque...) et les processus sociaux et esthétiques qui ont contribué à la recomposition de ses éléments.
Argues that the underdevelopment of Dominican social policies reflects the political impact of international migration flows, including both Dominican emigration to the United States and the immigration into the Dominican Republic from neighboring Haiti. These flows have inhibited the development of progressive political actors, including the partisan left and organized labor, and facilitated the adoption of an economic production model that erects additional obstacles to the expansion of the country's social policies.
This article analyzes the role of Haitian migration and Haitian transnational engagement in the past 20 years. Shows that dependency on Haitian migrants' economic flows into their country has historically not been met by public policy leveraging these flows and that under the current economic recovery period, opportunistic views aside, it is unrealistic to expect a strategy drastically different from that of the pre-earthquake period.
Explores the neighborhood-based samba practices of working class Afro-Brazilians during the festas juninas (June festivals) in Bahia, Brazil. In contrast to Bahia's famous Carnival, a recognized site for activism, the festas juninas appear apolitical, seeming to lack overt resistance to color-based inequities that persist in Brazil despite national discourses of mestiçagem (mixing) and racial democracy. In recent years, however, June samba has (re-)emerged as a means for marginalized people to assert belonging in June events and festival narratives from which they have been excluded. Their activism draws on tactics used by Bahia's Afrocentric activist carnival organizations, but with important differences. Most notably, rather than placing Africa at the center of their interventions, June samba participants express new notions of Black Bahian subjectivity through the critically informed embrace of local Afro-diasporic traditions—especially a recently recognized UNESCO masterpiece known as samba de roda—and more cosmopolitan musical sensibilities.
Through an examination of the recording Gargalhada (pega na chaleira), a chansonnette sung by Eduardo das Neves, the origin of the expression 'pegar na chaleira' (bootlicking) is traced, while some inconsistencies in the online catalogue of the Instituto Moreira Salles are revealed. Probably recorded in 1906, six years before the establishment of the Odeon plant in Rio, the piece was labeled a lundu, a paradigmatically Afro-Brazilian genre, in the 1915–26 catalogues. The music and laughter that Neves appropriates for himself were created by George Washington Johnson, the first black star of early sound recording, and reused in other Casa Edison (Brazilian Odeon) recordings on sale from 1913 to 1919. But while the former North American slave ridicules himself in accordance with white stereotypes, the self-designated Creole stages a satire on the behavior of upperclass men in Rio de Janeiro. In this process, the coon song turns into its antithesis., unedited non–English abstract received by RILM] Um exame do fonograma Gargalhada (pega na chaleira), cançoneta por Eduardo das Neves, expõe a origem da expressão “pegar na chaleira” e revela incongruências nos critérios de catalogação online do Instituto Moreira Salles. Provavelmente datada de 1906, a gravação aparece como um “lundu” em catálogos comerciais de 1915–1926, e as mesmas ideias musicais foram reaproveitadas em outros registros sonoros da Casa Edison comercializados entre 1913 e 1919. A música e o gargalhar que Neves reaproveita foram criados por George Washington Johnson, o primeiro astro negro da gravação mecânica. Mas enquanto o ex-escravo norte-americano se auto-ridiculariza de acordo com estereótipos brancos, o autodenominado “crioulo” encena uma sátira ao comportamento masculino das classes dominantes do Rio. Neste processo, a coon song transforma-se na antítese do gênero.
This paper provides a cross-cultural analysis of the experiences of Oxfam GB in supporting urban community-based disaster risk reduction in Haiti, Guyana and the Dominican Republic. The paper focuses on the efforts of Oxfam GB and its local partners to overcome the determining influence of local governance on who benefits from interventions, and the longevity of positive outcomes.
A benefit-cost analysis was performed on varying levels of standard buildings codes for Haiti and Puerto Rico. It was found that in the two areas studied, the expected loss of life was reduced the most by use of high seismic building code levels, but lower levels of seismic building code were more cost-effective when considering only building damages and the costs for code implementation.
"A change in attitudes toward nature and "natural persons" during the 1920's-30's in the United States led in part to a revision in North American attitudes toward Latin Americans. Insofar as the peoples of Latin America, including Indians, blacks, women, children, and the poor, symbolized natural folk - that is, those individuals not participating in mainstream capitalist culture - they became the substance of a stereotype made popular by a countercultural revolution in the 1920's-30's." (author)
Against the backdrop of a tremendous surge in ethnic identity politics and social movement organizing over the last two decades in Ecuador, two complementary musical trends are explored that have emerged in reference to the country's Afro-Ecuadorian population. The first showcases the traditional music and dance of the marimba as a symbol of Afro-Ecuadorian identity. The second features numerous popular music fusions of the marimba repertoire with genres including rock, salsa, reggaetón, and more, with broad appeal to audiences throughout the country and beyond.
Analyzes how identity construction and ethnic representation processes take place in a folkloric festival framed by the multicultural policies of the Colombian state. Accounts for how institutions and base Afrocolombian communities use bullerengue—a local musical tradition that is now strong in the Uraba zone—as a tool in this construction process.
Hamburg, Germany: Institut fur Iberoamerika-Kunde (IIK), GIGA German Institute of Global and Area Studies/Leibniz-Institut fur Globale und Regionale Studien
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
With the intensification of economic relations between the People's Republic of China and the countries of Latin America and the Caribbean, Beijing's role as a development donor has expanded in the region. The transparency of the Chinese donor services are limited since the transitions between development aid, investment and trade credits and direct investments are flowing. Focal points of Chinese engagement in Latin America and the Caribbean are upgrading the infrastructure projects in the extractive and energy sectors, education and training.
Hamburg, Germany: Institut fur Iberoamerika-Kunde (IIK), GIGA German Institute of Global and Area Studies/Leibniz-Institut fur Globale und Regionale Studien
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
The economies of Latin America and the Caribbean have quickly recovered from the global financial crisis. With growth rates exceeding 6 percent from the previous year in 2010, the economies outpaced the OECD, which grew only by 2.3 percent. The growth prospects for the region are further analyzed.
Hamburg, Germany: Institut fur Iberoamerika-Kunde (IIK), GIGA German Institute of Global and Area Studies/Leibniz-Institut fur Globale und Regionale Studien
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Most economies in Latin America and the Caribbean were supported primarily by exports in 2005, and economic growth, though slower than in 2004, was at more than 4 % and still above the average annual growth rate from 1996-2005. While slower but still relatively robust growth is anticipated for 2006, the outlook is not particularly favorable for approaching the remarkable growth in other developing nations and regions as serious economic risks threaten development.
Countries in this region have been able to maintain good growth rates over recent years; however the outlook for inflation has worsened and the area's dependence on foreign borrowing has grown markedly. The ability of these countries to adjust in the future will depend critically on good economic management.
Includes discussion of the beneficial impact on host countries in terms of employment creation, contribution to export earnings, and economic diversification.
The privatized, top-down approach to aid delivery in the camps for displaced Haitians has made possible all manner of abuse and coercion. Haitian activists are responding by demanding their human rights, even as they challenge dominant conceptions of those rights.
Recent mass death incidents in Japan and Haiti have again focused attention on the challenge of dealing with large numbers of dead. Focusing on mass death incidents involving large numbers of Canadian victims, including the Titanic, Halifax explosion, Air India bombing and the 2004 Tsunami, the paper researches incidents dating back to the beginning of the 20th Century. By examining each stage of the process including initial response, identification, funerals, communication, religious services and inquests, the paper identifies key changes in the way that mass death incidents are handled.
Part of a special journal issue dedicated to strategies for societal renewal in Haiti., Provides an account of the efforts by a humanitarian organization's efforts ot reestablish connectivity for other humanitarian organizations working in Haiti after the recent devastating earthquake. It outlines its plans for continued efforts to bring better infrastructure to the rest of the country, accelerate disaster preparedness efforts, improve the quality of education and health-care training and delivery, enable business development, and improve accountability and transparency for local government and organization.
Considers the role of music, both symbolic and material, in screen representations of Rio de Janeiro since the 1950s. The music of Rio's streets and hillsides has played more than a mere supporting role in the cinematic representations of the city across the last half-century. Embracing samba, bossa nova, MPB, soul, funk, funk carioca (a local variant of Miami bass), and rap, the heterogeneous voices of Rio's soundscape have arguably shaped audiences' understanding and imagination of its cultural geography and social dynamic as much as the films' visual narratives and dramas. The author discusses some key examples spanning the last 50 years, from Nelson Pereira dos Santos's Rio, Zona Norte (Rio, North Zone, 1957) and Marcel Camus's Orfeu negro (Black Orpheus, 1959), to Carlos Diegues's remake Orfeu (Orpheus, 1999) and Fernando Meirelles and Kátia Lund's Cidade de Deus (City of God, 2002). Taking as his point of departure the mythical narrative of Orpheus, he explores the representation of popular music as a force for social redemption, regeneration, and reconciliation. He interrogates the interplay of different musical styles and idioms, such as samba and bossa nova, on screen, and challenges one of the common assumptions about shifts in style and sound: the idea that the harder soundtracks of most recent films (centering on rap and funk carioca) correspond to a necessarily more realistic and truthful representation of the city, as opposed to the allegedly sentimentalized depictions associated with the bossa nova-influenced scores of Orfeu negro and Rio, Zona Norte. In cinematic representations of the city, Rio's musical identity continues to be performed in a dialogue between tradition and innovation, the local and the diasporic, with no song style being more real than any other.
"The state of Afro-Latin studies is reviewed, starting with questions about terminology and racial classification, then exploring issues of racism and the relation between race and class. The impact of black (and indigenous) social movements on the field of study is then examined and this raises the question of how ideologies and practices of mestizaje have changed in the wake of ethnic mobilization and challenges to nation-building narratives of mestizaje. Finally, some of the implications of the concepts of diaspora and globalization are examined in relation to approaches to black culture. Adapted from the source document." (author)
"Tells the story of the emigration of African Americans to Haiti and the Dominican Republic in 1824. Today an enclave of descendants live in Samaná in the Dominican Republic."
When the earthquake of 7.0 on the Richter scale struck Haiti on January 12, 2010, the forcibly displaced on and off the island were the object of emergency planning, but so too were the host populations in Haiti and the neighbouring Dominican Republic. This article seeks to examine the emergency response to the earthquake and ongoing challenges through the lens of critical mobilities, with special reference to forced migration island-wide. Who (men, women, boys and girls) is able to move, how, where, for how long and through which networks? What is the legal framework, if any, governing these movements? Who wants visibility and who prefers to move 'incognito', in the context, for example, of ambiguous migration policies in the Dominican Republic towards impoverished Haitian immigrants?
The case of Haiti's devastating earthquake and the reactions it has elicited sharply illustrate an array of seemingly dichotomous ways of understanding obligations of "international assistance and cooperation," which are taken up by authors in this issue.
Blacks; Women; Brazil; South America; Book reviews; PERRY, Keisha-Kkan Y; BLACK Women Against the Land Grab: The Fight for Racial Justice in Brazil (Book)
