Domenella,Ana Rosa (Author), Godinas,Laurette (Author), and Higashi,Alejandro (Author)
Format:
Book, Whole
Publication Date:
2002
Published:
Mexico City: Universidad Autónoma Metropolitana, Unidad Iztapalapa, División de Ciencias Sociales y Humanidades, Departamento de Filosofía: M.A. Porrua
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
A review of a Dash's book, which is compared favorably to Edouard Glissant's 'Caribbean Discourse' (1989) and Antonio Bentez-Rojo's 'Repeating Island' (1992)
Arnold,A. James (Author), Rodriguez-Luis,Julio (Author), and Dash,J. Michael (Author)
Format:
Monograph
Publication Date:
1994
Published:
Philadelphia: J. Benjamins
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
2 vols., This history for the first time charts the literature of the entire Caribbean, the islands as well as continental littoral, as one cultural region. It breaks new ground in establishing a common grid for reading literatures that have been kept separate by their linguistic frontiers.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Reflects the traumatic history of imperialism and its political, economic, and cultural manifestations ranging from the Negritude literary movement to post-independence novelists. There is also a political engagement aroused by independence and early statehood
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
214 p, "Examines the historical novel that has emerged in Francophone Africa and the Caribbean since the late 1930s and includes such writers as Edouard Glissant of Martinique and Paul Hazoumé of Benin." (Amazon.com)
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
261 p, Contents: Map of the Caribbean -- Preface -- Chronology for Anglophone Caribbean poetry -- West Indian poetry and its audience -- The Caribbean neighbourhood -- Overview of West Indian literary histories -- The relation to 'Europe' -- The relation to 'Africa' -- The relation to 'America' -- Guide to further reading.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
183 p, "Prose fiction, mainly novels, written by people who were born or who grew up in the West Indies. The literary works to be approached usually have a West Indian setting. The books have all been written in the twentieth century." (Publisher)
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
230 p, Book Description: There has been an explosion of interest in Francophone studies, as postcolonial and diaspora literatures more generally have gained recognition both within and outside the academy. Identity, culture and history as well as issues relating to class, race, and colonialism, and the literary production itself have always been central to Caribbean Francophone culture and are matters currently of hot debate. From the growth of the negritude movement, principally associated with poetry, through to the rise of the novel, contributors to this book explore the theoretical, political and philosophical debates that have informed, and continue to inform, the rich and varied tradition of Caribbean Francophone literature. In recent years, the number of Francophone Caribbean women writers has increased significantly and experimental writing has featured more prominently. Contributors explore these and other trends, mainly in the literatures of Guadeloupe and Martinique. In providing the only available overview of this important literature and in positioning it critically, this book makes an invaluable contribution to students and scholars alike. (www.seekbooks.com.au);
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
218 p, Contents: Origins of the divestiture trope in selected literature of the African diaspora -- Diaspora as a trope for the existential condition -- Resonances of the African continent in selected fiction and non-fiction by Zora Neale Hurston -- Orphanage in Simone Schwarz-Bart's The bridge of beyond and Alice Walker's The third life of Grange Copeland -- Polyphonic texture of the trope "junkheaped" in Toni Morrison's Beloved -- Sociological implications of female abandonment in Buchi Emecheta's Second class citizen and The joys of motherhood -- Success phobia of Deighton Boyce in Paul Marshall's Brown girl, Brownstones -- Madness as a response to the female situation of disinheritance in Mariama Bâ's So long a letter and Scarlet song -- Exile of the elderly in Beryl Gilroy's Frangipani house and Boy-Sandwich -- Conclusion: abandonment as a trope for the human condition;
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
191 p, "[E]xplores the articulation of diasporic consciousness in two domains of post-colonial diaspora discourse: cultural critical theory and literature. Examined in the domain of cultural critical theory is a corpus of writings produced by Stuart Hall, Paul Gilroy, Kobena Mercer and Homi Bhabha. The literary texts examined are Buchi Emecheta's Second-Class Citizen, Joan Riley's The Unbelonging, Marlene Nourbese Philip's Harriet's Daughter, and Bharati Mukherjee's Jasmine." (author)
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
256 p., This book explores the common links and differences between the works of two modern Caribbean poets, Kamau Braithwaite and Dereck Walcott. The study focuses on the engagement of the two with the mythology of the Caribbean's African experience, defining each poet's contribution to the development of modern Caribbean poetics.
Berrian,Brenda F. (Author) and Broeck,Aart (Author)
Format:
Book, Whole
Publication Date:
1989
Published:
Washington D.C.: Three Continents Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
360 p., First International Conference on the Women Writers of the English-speaking Caribbean, April 198. Lists creative works by 1067 women writers. Arranged into four sections
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
274 p, "A model for theatre scholarship on racial impersonation."—Theatre Journal Blackface Cuba, 1840-1895 offers a critical history of the relation between racial impersonation, national sentiment, and the emergence of an anticolonial public sphere in nineteenth-century Cuba. Through a study of Cuba's vernacular theatre, the teatro bufo, and of related forms of music, dance, and literature, Lane argues that blackface performance was a primary site for the development of mestizaje, Cuba's racialized national ideology, in which African and Cuban become simultaneously mutually exclusive and mutually formative." (Doris Sommer, Harvard University)
James,C. L. R. (Author), McLemee,Scott (Editor), and Le Blanc,Paul (Editor)
Format:
Book, Whole
Publication Date:
1994
Published:
Atlantic Highlands, N.J.: Humanities Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
252 p, Contents: Part 1 : Remembering C.L.R. James with chapters by Charles van Gelderen, Martin Glaberman, John Bracey and Paul Buhle -- Part 2 : Writings for the Trotskyist Press (1939 -- 1949) -- Afterword by Scott McLemee.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
147 p, The Caliban-Prospero encounter in Shakespeare's "The Tempest" has evolved as a metaphor for the colonial experience. The present study utilizes the Caliban symbol in examining the influence of colonialism in Caribbean literature, focusing on the works of three major writers from the Caribbean islands: Jean Rhys, of British descent from Dominica; George Lamming, of African origin from Barbados; and Sam Selvon, of mixed Indian and Scottish heritage from Trinidad.
