Rio Piedras, R: Editorial de la Universidad de Puerto Rico
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
204 p, The author’s purpose of the twenty essays is to connect and revive the exchange of ideas, language and forms of thinkers from the 19th Century Puerto Ricans. This will reflect the regions traits through the studies of Literature, Social Sciences, Literary Critisim, History and languages.;
Gainesville, FL: University Press of Florida Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
328 p, Content: The scope and limits of West Indian historiography -- The novel as history: Edgar Mittelholzer and V.S. Reid -- History as loss: determinism as vision and form in V.S. Naipaul -- Lamming and the mythic imagination: meaning and dimensions of freedom -- Beyond realism: Wilson Harris and the immateriality of freedom -- Transcending linear time: history and style in Derek Walcott's poetry -- From myth to dialectic: history in Derek Walcott's drama -- Edward Brathwaite and submerged history: the aesthetics of renaissance -- Configurations of history in the writing of West Indian women -- Africa in the historical imagination of the West Indian writer.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
223 p, Ileana Rodriguez's House/Garden/Nation: Space, Gender, and Ethnicity in Post-Colonial Latin American Literatures by Women offers an insightful look into the role the feminine has played in the constructions of nation and nationalism in critical moments of Latin American history. Although feminism is at the center of the study, it is always predicated by concerns of ethnicity and social class. (BNET);
Bowling Green, OH: Bowling Green State Popular Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
365 p, "This book of essays - carefully written by twenty-four authorities on their subjects - provides a deep understanding of and appreciation for the coherence, primacy and, importance of the search for identity in the divergent areas of Latin America, the Caribbean, and the Continent." (Barnes & Noble);
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
184 p, Contents: Introduction : Island sounds in the global city / Ray Allen & Lois Wilcken -- Buscando ambiente : Puerto Rican musicians in New York City, 1917-1940 / Ruth Glasser -- Representations of New York City in Latin music / Peter Manuel -- From transplant to transnational circuit : merengue in New York / Paul Austerlitz -- Recapturing history : the Puerto Rican roots of hip hop culture / Juan Flores -- "I am happy just to be in this sweet land of liberty" : the New York city calypso craze of the 1930s and 1940s / Donald Hill -- Community dramatized, community contested : the politics of celebration in the Brooklyn carnival / Philip Kasinitz -- Steel pan grows in Brooklyn : Trinidadian music and cultural identity / Ray Allen and Les Slater -- Moving the Big Apple : Tabou combo's diasporic dreams / Gage Averill -- The changing hats of Haitian staged folklore in New York City / Lois Wilcken.;
La Habana, Cuba: Ministerio de Educación, Dirección de Cultura
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
477 p, Examines the musical traditions of the African population in Cuba, including rhythmic and melodic features, instrumentation, and vocal characteristics.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
489 p, Examines the musical traditions of the African population in Cuba, including rhythmic and melodic features, instrumentation, and vocal characteristics.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
363 p, "A reprint of this extensive study of Afro-Cuban music examines the musical traditions of the African population in Cuba, including rhythmic and melodic features, instrumentation, and vocal characteristics. It must be studied in conjunction with Ortiz's Los bailes y el teatro de los negros en el folklore de Cuba (1993) and Los instrumentos de la música afrocubana (1995), both of which have been reprinted. The three works have also been reprinted in Spain (Madrid: Editorial Música Mundana Maqueda, 1997)"--Handbook of Latin American Studies, v. 58.
Boadas,Aura Marina (Author) and Fernández Merino,Mireya (Author)
Format:
Book, Whole
Publication Date:
1999
Published:
Caracas: Asociación Venezolana de Estudios del Caribe, AVECA : Fundación Centro de Estudios Latinoamericanas Rómulo Gallegos, CELARG
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
El libro, compilado por Aura Marina Boada y Mireya Fernández Merino, posee interesantes aportes necesarios para entender la diversidad étnica en el Caribe y la participación negra en ella.(www.funredes.org);
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
350 p., In this second edition of "The Repeating Island," Antonio Benitez-Rojo, a master of the historical novel, short story, and critical essay, continues to confront the legacy and myths of colonialism. This co-winner of the 1993 MLA Katherine Singer Kovacs Prize has been expanded to include three entirely new chapters that add a Lacanian perspective and a view of the carnivalesque to an already brilliant interpretive study of Caribbean culture. As he did in the first edition, Benitez-Rojo redefines the Caribbean by drawing on history, economics, sociology, cultural anthropology, psychoanalysis, literary theory, and nonlinear mathematics. His point of departure is chaos theory, which holds that order and disorder are not the antithesis of each other in nature but function as mutually generative phenomena. Benitez-Rojo argues that within the apparent disorder of the Caribbean--the area's discontinuous landmasses, its different colonial histories, ethnic groups, languages, traditions, and politics--there emerges an "island" of paradoxes that repeats itself and gives shape to an unexpected and complex sociocultural archipelago. Benitez-Rojo illustrates this unique form of identity with powerful readings of texts by Las Casas, Guillen, Carpentier, Garcia Marquez, Walcott, Harris, Buitrago, and Rodriguez Julia.
Minc,Rose S. (Editor), Engelbert,JoAnne (Editor), Levine,Linda Gould (Editor), and McCormick,Robert (Editor)
Format:
Conference Proceedings
Publication Date:
1982
Published:
Gaithersburg, MD; [Montclair, N.J.]: Hispamérica; Montclair State College
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Journal Title Details:
p. 197
Notes:
Papers from the fifth conference on Hispano-american literature held at Montclair State College, 19 March 1982.Includes bibliographical references.Sponsored by David W. D. Dickson, the Department of Spanish and Italian ... [et al.].
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
229 p, Incorporating postcolonial theory, West Indian literature, feminist theory, and African American literary criticism, Making Men carves out a particular relationship between the Caribbean canon--as represented by C. L. R. James and V. S. Naipaul, among others--and contemporary Caribbean women writers such as Jean Rhys, and Jamaica Kincaid, Paule Marshall, and Michelle Cliff, who now live in the United States.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
131 p, Contents: Making West Indian literature -- Kamau Brathwaite -- Locating self : Dennis Scott interviewed -- Dennis Scott : a remembrance -- Interrogating irony : Mervyn Morris interviewed -- The all Jamaica library -- Jane's career and Susan Proudleigh -- Voices under the window -- Validating lives : Trevor Rhone interviewed -- Miss Lou, some heirs and successors -- In search of justice : Linton Kwesi Johnson interviewed -- Building awareness : Mikey Smith interviewed -- Orator Baugh -- Sounds and sense : West Indian poetry -- It was the singing -- Sir Vidia and the prize.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
199 p, "At the center of Jamaican-born Michelle, Cliff's novels is the exploration of the interplay between memory and history. Noraida Agosto examines Cliff's representation of memory as the part of history that has been suppressed because of its revolutionary potential. Memories of slave rebellions, for instance, were erased through omission from official historical accounts to discourage resistance among slaves. Cliff's novels are an attempt to recover these erased memories, which could generate resistance to modern oppressions. This recovery of devalued memories also entails a validation of non-elite beliefs, languages, and art forms in order to debunk dominant practices." (Book jacket);
