Peek, Philip M. (Editor) and Yankah, Kwesi (Editor)
Format:
Book, Section
Publication Date:
2004
Published:
New York: Routledge
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
593 p, Written by an international team of experts, this is the first work of its kind to offer comprehensive coverage of folklore throughout the African continent. Includes Maureen Warner Lewis' "Caribbean verbal arts."
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
327 p., These 107 tales come from the canefields of the antebellum South, the villages of Caribbean islands, and the streets of contemporary Philadelphia. They includes stories set down in travelers' reports and plantation journals from the early 19th century, tales gathered by collectors such as Joel Chandler Harris and Zora Neale Hurston, and narratives tape-recorded by Roger Abrahams himself during extensive expeditions throughout the American South and the Caribbean.
Wintersteen,Benjamin (Author) and Browne,Katherine E. (Author)
Format:
Book, Whole
Publication Date:
2010
Published:
Lewiston, NY: Edwin Mellen Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
136 p., Examines the religious, mythological and performance elements of the Afro-Caribbean street festival. Using the theories of performance, political economy and symbolic analysis, this work shows how elements of African, European and South American cultures interact to produce a unique understanding of the colonial and post-colonial experience.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
251 p., Chapters: African and Afro-Cuban factors in the structure of Lydia Cabrera's black short stories -- The characters : gods, animals, humans, supernatural beings and objects -- The theme of the waters.
Focuses on African American and Afro-Hispanic literature and folklore. Employs Fernando Ortiz's theory of transculturation. Ortiz makes the case that a new Afro-Cuban identity is created with the intermingling of African, Spanish and native inhabitants of Cuba. Using Ortiz's critical framework as the foundation of this study, critiques of Zora Neale Hurston's portrayal of African American identity. Examines the parallel between her work and that of Lydia Cabrera, a Cuban ethnographer whose work represents Afro-Cuban identity as a transcultural one.
Dantas,Beatriz Góis (Author) and Berg,Stephen (Translator)
Format:
Book, Whole
Publication Date:
2009
Published:
Chapel Hill: University of North Carolina Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
198 p., Compares the formation of religious traditions and ethnic identities in the Brazilian states of Sergipe and Bahia, revealing how they diverged from each other due to their different social and political contexts and needs.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
302 p, Outlines the key research in Caribbean studies from history, anthropology, sociology, linguistics, and folklore, examining classic ethnographies as well as new scholarship. Highlights the major concepts and debates in the anthropology and history of the Caribbean, including its unique Anglo, French, and Hispanic communities. Offers an overview of the strong traditions of art, literature, music, dance, and architecture in the Caribbean.