This anthology includes four works by Gabriel García Márquez: "La siesta del martes," "El ahogado más hermoso del mundo," "El rastro de tu sangre en la nieve," and "Sólo viene a hablar por teléfono." It also includes a short selection about Gabriel García Márquez on page 410.
Originally presented as the author's doctoral thesis at Universität Leipzig in 2003, this book discusses Latin American historical fiction, focusing on the named authors.
Secondary source, Dissertations and Theses on Gabriel García Márquez
Publication Date:
2005
Published:
Pennsylvania, United States : University of Pittsburg
Location:
Library, University of Illinois
Related Item Details:
346 p.
Notes:
(Abstract) "This dissertation examines one of the most dynamic fields of the recent literary production in Spanish language: the autobiographical discourse. It focuses on the notions of subjectivity, identity, temporality, truth, gender, race, ideology, image, memory, body, eroticism and ideology as represented in the symbolic space of autobiographical discourse of ten key authors (Reinaldo Arenas, Jorge Luis Borges, José Donoso, Salvador Elizondo, Gabriel García Márquez, Margo Glantz, Juan Goytisolo, Pablo Neruda, Severo Sarduy, Mario Vargas Llosa) of twentieth century literary tradition in Spanish/Latin American Literature." Ph.D. Dissertation.
Secondary source, Dissertations and Theses on Gabriel García Márquez
Publication Date:
2005
Published:
Hong Kong, Peoples Republic of China : University of Hong Kong
Location:
Library, University of Illinois
Notes:
(abstract) "This study examines the concepts of the archive and the manuscript, and how they are playfully raided by Barges, Puig and Márquez in Cervantes' shadow. At the same time, this study is on narrative theory, and also looks at Cervantes' influence on Latin American writers." Ph.D. Dissertation.
Secondary source, Dissertations and Theses on Gabriel García Márquez
Publication Date:
2005
Published:
California, United States : Stanford University
Location:
Library, University of Illinois
Related Item Details:
243 p.
Notes:
(Abstract) "This dissertation studies how textual representation can transform violence into a force that consolidates the affective and normative structures of a community. In the works studied here, violence is portrayed as a destructive and frightening phenomenon, but also as an experience of survival that strengthens communal ties. My analysis is based on theories of the nation as an entity constructed through narratives of violence, and my focus is Colombia, a country with a conflictive process of national consolidation...works included here are a textbook compiled in 1910 to teach national history in secondary schools, a sociological study of violence as a national problem from 1962, two early novels by Gabriel García Márquez, two compilations of testimonial narratives, by Alfredo Molano and Patricia Lara, a novel by Fernando Vallejo and another by Laura Restrepo." Ph.D Dissertation.
Secondary source, About García Márquez: The Man, the Reporter, the Writer
Publication Date:
2005
Published:
Pontificia Universidad Catolica de Chile, Instituto de Letras
Location:
Library, University of Illinois
Related Item Details:
(37) : pp. 23-50
Notes:
Cabezón writes, "el presente estudio se concentrará en la participación protagónica de Gabriel García Márquez, quien con su labor de paladín ha proporcionado suficiente material a la investigación de las interferencias e interdependencias entre la literatura y el cine latinoamericanos."
"El meollo de la obra es que, cuando se haya leído una obra de García Márquez, tengamos, a nuestro alcance, todos o casi todos los detalles de la obra para poderlos usar más tarde, en el momento adecuado y con la garantía de la seriedad de nuestras citas o referencias. No es un libro para leerlo de un solo tirón. No. Esa no es la finalidad."
"Tampoco lo fue el anerior sobre la zoologia. Puede decirse, si con ello nos damos a entender mejor, que este libro es un libro 'referencial' o 'institucional' para una mejor memoria de las obras de GGM, y sea para propios o extraños de su obra."