Agricultural Communications Documentation Center, Funk Library, University of Illinois Box: Byrnes2 Document Number: C12363
Notes:
Francis C. Byrnes Collection, Chapter 7 in Borton, Raymond E. (ed.), Case studies to accompany Getting Agriculture Moving. Agricultural Development Council, New York, NY. 1967. 302 p.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
241 p, In Blackness in the White Nation, George Reid Andrews offers a comprehensive history of Afro-Uruguayans from the colonial period to the present. Showing how social and political mobilization is intertwined with candombe, he traces the development of Afro-Uruguayan racial discourse and argues that candombe's evolution as a central part of the nation's culture has not fundamentally helped the cause of racial equality. Incorporating lively descriptions of his own experiences as a member of a candombe drumming and performance group, Andrews consistently connects the struggles of Afro-Uruguayans to the broader issues of race, culture, gender, and politics throughout Latin America and the African diaspora generally.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Journal Title Details:
VHS tape 1 videocassette (17 min.)
Notes:
Fernando Nunez, a black man, a musician, and a maker of drums, sees himself as the heir to "Candombe," an important social and cultural legacy from his slave forefathers in Uruguay. However, the official history and culture of Uruguay continues to marginalize expressions of black culture. Fernando Nunez and his friends from Barrio Sur, a back street quarter of Montevideo, fight to keep these important cultural roots alive in the consciousness of the Uruguayan people;
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
311 p., Works by Argentine and Uruguayan specialists in the study of the black population and its impact on cultural formation of the Río de la Plata intertwines. The central idea is to strengthen the dialogue and discussion on issues that were silenced by official cultures for many years.
Caracas: Instituto de Antropología e Historia Facultad de Humanidades y Educación Universidad Central de Venezuela
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
302 p, Contents: El negro brasileño. Arthur Ramos, semblanza hecha por un discipulo. La obra de Arthur Ramos. Arthur Ramos: el politico.--El negro paraguayo: bibliografia afroparaguaya. Apuntes críticos sobre algunas fuentes afroparaguayas. Antologia del negro paraguayo. Contribución al estudio de los negros paraguayos de campamento Loma.--El negro uruguayo: bibliografia afrouruuaya. Apuntes criticos sobre algunas fuentes afrouruguayas. La obra afrouruguaya de I. Pereda Valdés (Resumen). El candombe, una danza dramática del folklore afrouruguayo.
This article compares the transformation of carnival celebrations in Buenos Aires, Argentina and Montevideo, Uruguay at the beginning of the 20th century. It argues that changes in carnival practices in the River Plate region was linked to the rise of a vacation culture in Montevideo. The article also assesses the historiography on Montevideo's carnival which has cast a negative light on the impact of modernization and the festival. In comparison to Buenos Aires', carnival in Montevideo was fomented by governmental regulation. Finally, the article examines the relationship between carnival and each of the city's African-descent populations.
Montano,Oscar D. (Author) and Diarra,Fidèle (Author)
Format:
Book, Whole
Language:
Spanish
Publication Date:
2008
Published:
Montevideo: Mastergraf
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
1 vol., "En este primer volumen de Historia Afrouruguaya se abordan aspectos de las culturas africanas antes de la trata de esclavizados y sus costumbres. Se indica cuáles fueron los pueblos de África que estuvieron forzadamente aquí, su ubicación geográfica y los países que se beneficiaron con el tráfico humano. Ya en el Prólogo, realizado por Fidèle Diarra, Embajador de la República de Malí en Cuba, se comienzan a aportar aspectos en muchos puntos novedosos acerca de la presencia africana anterior a Colón en lo que sería luego llamado América. Oscar Montaño analiza censos y estadísticas para establecer la cantidad de población afro que habitaba Montevideo a comienzos del siglo XIX, las actividades que debieron realizar, la violencia que sufrieron y la forma en que lograron sobrevivir. El origen del Candombe y los primeros cantos de protesta de los africanos en estas tierras se abordan en el Capítulo final." --Back cover.
