African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
951 p., Story of an elderly African, blind and dying, traveling from Africa to Brazil in search of the lost son for decades. Along the journey, she will tell her life, marked by killings, rape, violence and slavery. Set in an important historical context in the formation of the Brazilian people and narrated in a way in which the historical facts are immersed in daily life and in the lives of the characters.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
951 p., A story of an African elderly who is blind, and on the verge of death, travels to from African to Brazil in a hunt for the lost child for decades.
Except for inroads made in the first 10 - 15 years after the revolution, what is black has been heavily stereotyped; and nowadays there are no black actors to speak of on Cuban television, which is easy to see by tuning in. [Alden Knight] is best - known for his performance poetry - especially that of Cuba's mulatto National Poet, the late Nicols Guill'en our kind of Langston Hughes, the two of them having been contemporaries and friends. He regrets that it makes little sense in 1995 to perform Guill'en's classic 1964 poem of social redemption for the black Cuban: "Tengo [I have] is the sum total of what was achieved in this country for blacks, for the poor... and now it's been lost. I have said that when that poem can be read again in all honesty. We shall have regained what we had won by the end of the 1960s. When we were poor but equal. She and her sisters - three doctors and a philologist who specializes on Africa - were known since they were little as the daughters of Lilliam and Unan Emilio. The four were born and raised in Santiago de Cuba, the island's second and most Caribbean city, renowned for its history of rebellion, heroism and hospitality, as well as its more predominantly black population.
