Presents an article on Jamaican art and the early artistic production of Edna Manley and Albert Huie, two artists that are commonly identified in art historical accounts as pioneers in the development of a national Jamaican art. Problem of race and representation in Jamaica as perceived by Huie and Manley; Character which held a particular representational significance for Huie and Manley; Role of Ethiopianism, Rastafarianism, Garveyism, and cultural nationalism in Jamaica.;
This work describes cleavages of race, class and caste in the colonial Jamaican company. It tackles the question of the relation between race and culture.
The author examines race, language, and identity in Derek Walcott's poetry, reading Walcott's poetry as an extended meditation on the question of whether it is possible to exist within the English language and an Afro-Caribbean tradition, drawing poetic nourishment from each, or whether the attempt is a betrayal of both. Of mixed racial ancestry, a native speaker of French Creole who was formally educated in British colonial schools, raised Methodist on the Catholic island of St. Lucia, Derek Walcott occupies a peripheral place with respect to both English and Caribbean culture, it is noted. Throughout the course of his poetic career he has been criticized from both perspectives, either for "appropriating the Other" and putting it to use in the service of the dominant culture or for not assimilating that dominant (English) culture fully enough.;
"A single highway connects the Caribbean province of Limón to mainstream society in the highlands of Costa Rica. This paper explores the ways in which that highway affects the status hierarchy of mainstream society in Costa Rica, and how the construction of whiteness as an unexamined racial qualifier for total social incorporation constrains the perception of blacks as social liminars and blackness as a state of communitas. The argument elaborates the work of Victor Turner on ritual liminality to suggest the structural ambiguity of Afro-Latin Americans in the context of Costa Rica." (author"
Reviews Richard S. Dunn's Sugar and slaves; Keith Albert Sandiford's Cultural politics of sugar; Doris Y. Kadish's Slavery in the Caribbean Francophone World; C. L. R. James' The Black Jacobins
