Examines group consciousness among people of African descent in Miami-Dade County, Florida, and its possible impact on their political participation. Using an original survey of over one thousand respondents, the authors question whether African Americans and black ethnics (Africans, Afro-Caribbean Americans, Afro-Cuban Americans, and Haitians) possess a shared group consciousness and, if so, why. Second, does group consciousness or socioeconomic status most influence the political participation of our respondents? The authors find that these groups have a common consciousness because of their skin color, experiences with discrimination, common interests, similar ideological views, and leadership preferences.
Myriad new peoples emerged in Africa, America, and Europe during the first three centuries following Columbus’s arrival in the New World. By focusing on ethnogenesis as the product of the local as well as the global, we have sought to put the experiences of Africans and Amerindians at the center of Atlantic history.
"This research paper investigates the effect political institutions have on black racial identity. In particular, I study individual inculcation in contexts where political institutions institutionalize either of two forms of racial social structures - a pigmentocracy (the Dominican Republic), or the rule of hypodescent (the US South), and the effect such inculcation has on black racial identity." [ABSTRACT FROM AUTHOR];
The author examines race, language, and identity in Derek Walcott's poetry, reading Walcott's poetry as an extended meditation on the question of whether it is possible to exist within the English language and an Afro-Caribbean tradition, drawing poetic nourishment from each, or whether the attempt is a betrayal of both. Of mixed racial ancestry, a native speaker of French Creole who was formally educated in British colonial schools, raised Methodist on the Catholic island of St. Lucia, Derek Walcott occupies a peripheral place with respect to both English and Caribbean culture, it is noted. Throughout the course of his poetic career he has been criticized from both perspectives, either for "appropriating the Other" and putting it to use in the service of the dominant culture or for not assimilating that dominant (English) culture fully enough.;
Presents an article on Jamaican art and the early artistic production of Edna Manley and Albert Huie, two artists that are commonly identified in art historical accounts as pioneers in the development of a national Jamaican art. Problem of race and representation in Jamaica as perceived by Huie and Manley; Character which held a particular representational significance for Huie and Manley; Role of Ethiopianism, Rastafarianism, Garveyism, and cultural nationalism in Jamaica.;
Hintzen,Percy C. (Editor) and Rahier,Jean Muteba (Editor)
Format:
Book, Edited
Publication Date:
2003
Published:
New York: Routledge
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
210 p., This volume studies the invisibility of the black migrants in popular consciousness and intellectual discourse in the United States through the interrogation of actual members of this community. Includes Percy Claude Hintzen's "Whiteness, desire, sexuality, and the production of Black subjectivities in British Guiana, Barbados, and the United States"
