African Consciences is a Parisian based initiative of artistes from the `Black Atlantic' and Africa. They use music to shape a discourse on their identity in relation to Africa, strongly bound to consciousness. The musical itinerary provided by reggae and hip hop constitutes what they see as a means for action to bring alive a "global African network". In this chapter I will reconsider the practice of repatriation, and the meanings it conveys now. I will try to analyse it through African Consciences' "Door of no Return" where they intend to travel back the road of the trans Atlantic trade in Africans. African Consciences has a mediated relation to Africa through roads that join their musical practice to their understanding of African history and tradition. It also carries an ideological intent to bring forth a global Africa through the articulation of routes and roots. [ABSTRACT FROM AUTHOR].
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
250 p, Drawing from a wide spectrum of disciplines, the essays in this collection examine in different national contexts the consequences of the "Latin American multicultural turn" in Afro Latino social movements of the past two decades.
Avelar,Idelber, (Ed.And Intro.) and Dunn,Christopher, (Ed.And Intro.)
Format:
Book, Whole
Publication Date:
2011
Published:
Durham, NC: Duke University Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
376 p, Covering more than one hundred years of history, this multidisciplinary collection of essays explores the vital connections between popular music and citizenship in Brazil. While popular music has served as an effective resource for communities to stake claims to political, social, and cultural rights in Brazil, it has also been appropriated by the state in its efforts to manage and control a socially, racially, and geographically diverse nation. The question of citizenship has also been a recurrent theme in the work of many of Brazil's most important musicians. These essays explore popular music in relation to national identity, social class, racial formations, community organizing, political protest, and emergent forms of distribution and consumption.
Hall,Kenneth O. (Author) and Chuck-A-Sang,Myrtle (Author)
Format:
Book, Whole
Publication Date:
2011
Published:
Georgetown, Guyana: Commonwealth Secretariat
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
503 p, pt. 1. Globalization and CARICOM external policy options -- pt. 2. South-South cooperation -- pt. 3. External trade negotiations: concerns and convergence -- pt. 4. Caribbean imperatives and concluding reflections.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
284 p., Explores Cuba's hip hop movement as a window into the racial complexities of the island's ongoing transition from revolutionary socialism toward free-market capitalism. Centering on the music and lives of black-identified raperos (rappers), the author examines the ways these young artists craft notions of black Cuban identity and racial citizenship, along with calls for racial justice, at the fraught confluence of growing Afro-Cuban marginalization and long held perceptions of Cuba as a non-racial nation.
Hutchinson,George (Editor) and Young,John K. (Editor)
Format:
Book, Edited
Publication Date:
2013
Published:
Ann Arbor: University of Michigan Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
236 p., Always haunted by the commodification of blackness, African American literary production interfaces with the processes of publication and distribution in particularly charged ways. This collection ranges across the history of African American literature, and the authors have much to contribute on such issues as editorial and archival preservation, canonization, and the "packaging" and repackaging of black-authored texts. Includes "More than McKay and Guillén: The Caribbean in Hughes and Bontemps's The Poetry of the Negro (1949)."
Chicago: University of Chicago, Dept. of Political Science
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Journal Title Details:
p. 239 leaves
Notes:
239 p., "Despite the popular adage that blacks do not vote for blacks, using original survey data, I find that Afro-Brazilians in Salvador and São Paulo who identify as black (preto or negro ) vote for black politicians more than Afro-Brazilians who claim lighter colors. This is a significant finding because it means that Afro-Brazilians do not choose identities idly. Rather, identifying as black is a form of black consciousness." --The Author
Chicago: University of Chicago, Dept. of Anthropology
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
272 p., Analyzes the relations between macropolitical changes and the lives of people in Alcantara. Chapters detail: (1) the changing social, economic, and ecological lives of Alcantara's villagers; (2) the contested effects of recent multicultural governance in Brazil--specifically remanescentes das comunidades dos quilombos (escaped-slave descended communities); (3) how state-sanctioned experts in Alcantara help shape people's understanding of the region's deep social inequality; and (4) the circulation of rumors of US plans to undermine Brazil's space program and invade the Amazon forest.
Philadelphia, PA: University of Pennsylvania Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
283 p., Using travel and tourism as sites where the pleasures of imperialism met the politics of empire, Christine Skwiot untangles the histories of Cuba and Hawai'i as integral parts of the Union and keys to U.S. global power, as occupied territories with violent pasts, and as fantasy islands ripe with seduction and reward. Grounded in a wide array of primary materials that range from government sources and tourist industry records to promotional items and travel narratives, The Purposes of Paradise explores the ways travel and tourism shaped U.S. imperialism in Cuba and Hawai'i.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
302 p, Illuminates the profound role sports play in the political and cultural processes of an identity that developed within a political tradition of autonomy rather than traditional political independence. Significantly, it was precisely in the Olympic arena that Puerto Ricans found ways to participate and show their national pride, often by using familiar colonial strictures--and the United States' claim to democratic values--to their advantage. Drawing on extensive archival research, both on the island and in the United States, Sotomayor uncovers a story of a people struggling to escape the colonial periphery through sport and nationhood yet balancing the benefits and restraints of that same colonial status.
