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2. Beyond recovery: The uses of history in contemporary African American and Caribbean literature
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- McMorris,Kristy K. (Author)
- Format:
- Dissertation/Thesis
- Publication Date:
- 2010
- Published:
- New York: New York University
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- ProQuest Dissertations and Theses
- Notes:
- 335 p., A central premise of this project is that individuals and communities perceive the significance of history differently depending on their historical conditions. Indeed, much of the emphasis on memory studies in the last two decades has been informed by an awareness of changing perspectives on the past. Thus, given its focus on black peoples in the United States and the Caribbean, this dissertation aims to illuminate an emergent historical consciousness in the African Diaspora in the late 20th century. This dissertation is divided into two sections. In Part I, "Ancestors: Exploring Historical Inheritances," I analyze Maryse Conde's Les derniers rois mages (1993) and Patrick Chamoiseau's Texaco (1993) as they interrogate the concept of familial lineage and query the significance of the past imagined as an inheritance. Whereas Chamoiseau questions the ability of written history to represent memory and experience, Conde empties the idea of heritage of all significance as new relationships to the past come to the fore. In Part II, "New Birth: Exploring Discourses of Reproduction," I focus on Gayl Jones' Corregidora (1975) and Audre Lorde's Zami: A New Spelling of My Name (1982) as they reveal the limitations of genealogical discourse. By creating their pasts and imagining their heritage, the characters in these texts challenge the primacy of lineage as they point toward other, more viable networks of community and belonging.
3. Gender, Conflict, and Community in Gayl Jones's Corregidora and Jamaica Kincaid's Lucy
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Fulani,Ifeona (Author)
- Format:
- Journal Article
- Publication Date:
- 2011-06
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- Frontiers: A Journal of Women Studies
- Journal Title Details:
- 32(2) : 1-30
- Notes:
- Literary criticism of the books "Corregidora" by Gayl Jones and "Lucy" by Jamaica Kincaid. Examines the novels' depictions of mother-daughter relationships and analyzes the cultural and psychosocial forces encountered by the protagonists.
4. Jolie-laide Sexual Poetics in the Fiction of Gayl Jones, Jamaica Kincaid, and Jackie Kay
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Taylor,Andrene M. (Author)
- Format:
- Dissertation/Thesis
- Publication Date:
- 2010
- Published:
- Washington, DC: Howard University
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Notes:
- 191 p., Conceptualizes the idea of jolie-laide ("the beautiful ugly") as a fully elaborated sexual poetics by three women writers of the African diaspora: Gayl Jones (USA), Jamaica Kincaid (Antigua, Caribbean), and Jackie Kay (Scotland, UK). The introductory chapter situates the study in a critical and cultural context and defines key terms. The chapters that follow analyze the thematic preoccupations and narrative strategies of the three writers' respective novels ( Corregidora and Eva's Man, The Autobiography of My Mother , and Trumpet ) and historicize the novels' explicit and implicit ideologies. With their jolie-laide portrayals of gender, the body and sex and sexuality, these three writers fashion complex representations of black female sexual subjectivity and critique the biased images, exaggerations, distortions, and silences of earlier representations. Recognizing that jolie-laide can be used to problematize racial, gender, and sexual binaries, these novelists exploit the structural possibilities of a jolie-laide sexual poetics to address culturally taboo topics in explicit, graphic, and imaginative language and with inventive jolie-laide tropes. They challenge white supremacist stereotypes of black sexuality as well as the sanitized characterizations of black sex found within the literary traditions of black respectability.
5. To Fanon, with love: Women writers of the African diaspora interrupting violence, masculinity, and nation-formation
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Tomlinson,Yolande M. S. (Author)
- Format:
- Dissertation/Thesis
- Publication Date:
- 2010
- Published:
- Georgia: Emory University
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- ProQuest Dissertations and Theses
- Notes:
- 239 p., Undertakes a critical task of "writing to" and "writing back to" Frantz Fanon on the issues of violence, masculinity, and nation-formation. The author deploys Brian Keith Axel's formulations of "national interruption" to position African diasporic women's novels--specifically Gayl Jones's Corregidora, Tsitsi Dangarembga's Nervous Conditions, and Edwidge Danticat's Breath, Eyes, Memory --as critical interruptions to Fanon's formulations.
6. Towards a transnational black feminist discourse: Women writing against states of imperialism, 1975--1989
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Harrison,Rashida L. (Author)
- Format:
- Dissertation/Thesis
- Publication Date:
- 2012
- Published:
- East Lansing, MI: Michigan State University
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Notes:
- 212 p., This dissertation project aims to contribute to the current scholarship on transnational black feminisms. The project adds to the refining of nuanced theoretical approaches to specific experiences of black women. The author engages in close readings of four black women writers, Michelle Cliff, Joan Riley, Gayl Jones and Audre Lorde, as well as writings from two Black British collectives, the Organisation of Women of Asian and African Decent (OWAAD), and the Outwrite collective, distributers of Outwrite a Women's Newspaper. The readings result in several tropes within black women's discourse of this period, which include belonging and unbelonging, visitation and dismemberment, and living affectivity. The writings and conscious articulations are critical for locating transnational black feminist discourse as a distinct area of theoretical inquiry.