Portuguese and Spanish slavers supplied the Americas with "los Negros," the Blacks. Only those young and strong, impervious to European disease and able to withstand months of torturous living packed in the cruel quarters of slave shipholds survived the middle passage. Those who arrived, stunned and malnourished, lost in a foreign land, were easy prey to the slavers. Removed from a world that had nourished them, left to the mercy of those whose own lack of humanity prevented the recognition of theirs, they were utterly dependent and at the mercy of their captors. Vestiges of racism threaten to dismantle further progress in South America, as they do here. The prophecies of Willie Lynch, a slave owner who created a divisive plan to keep Blacks separate by fostering dissent among them, are coming true. Lynch outlined the differences in physical characteristics among the slaves-skin shade, hair texture, height, etc. By playing up these differences, Lynch promised, "The Black slave, after receiving this indoctrination, shall carry on and will become self-refueling and self-generating for hundreds of years, maybe thousands." Throughout North and South America, Lynch's plan lives on. Color lines rule, with the predominantly European strains remaining in power, and those of darker skin and crisper hair texture continue to be oppressed. It is a chilling reality that echoes down from the brutal suppression of the native peoples of Chiapas to the continued repression of Mexicans here and in their own country, to the harsh discrimination shown the Blacks of Brazil and America.
Enrique Patterson, a columnist at Miami's El Nuevo Herald, recently spoke at Baruch College in New York City about racial discrimination in Cuba. Patterson, who is Cuban-American, said Cuban culture has a tradition of racism that developed before Fidel Castro and has not ended under Castro's reign. Patterson said racism is preventing a transition to democracy.
Telephone surveys with national probability samples of English-speaking adults have suggested that popular support for punitive policies toward people living with HIV/AIDS (PLWHA) declined in the 1990s, but AIDS-related stigma persists in the United States. Our aim was to assess the prevalence and impact of AIDS-related stigma in non-Hispanic Black and Hispanic communities. A cross-sectional computer-assisted telephone-interview survey was conducted in summer 2003 with African-American, Afro-Caribbean, Haitian, and Hispanic 18–39 year-old residents of 12 high AIDS-incidence areas in Broward County, Florida. Stigma items were adopted from national surveys, but interviews were conducted in Spanish and Haitian Creole as well as in English.
Analyses the feminist content of Afra-Hispanic literature written by Black Spanish-speaking women of the Caribbean and the Central and South America. Reconstruction of discursive tradition of Afra-Hispanic literature through archaeology; Presence of literate Afra-Hispanic writers during the slavery era; Prominence of Afra-Hispanic writers Nancy Morejon and Aida Cartagena Portalatin.
The African heritage hypothesis posits that the substantial African ancestry of Puerto Ricans explains why this group is less segregated from African-Americans than non-Hispanic whites. This pattern is unlike that of other Hispanic groups, who have been found to be highly segregated from African-Americans but modestly segregated from whites. The research presented here shows that Dominicans, another Hispanic group with substantial African ancestry, are also less segregated from African-Americans than whites. Dominicans, therefore, also appear to be conforming to the African heritage thesis by residing in neighborhoods with greater proximity to African-Americans than whites.
The term "world beat music" is less than a decade old. The music is a genre defined by the heads of a number of small London-based record labels who found that their records from Africa, Latin America and the Caribbean were not finding rack space. Major record stores had no obvious place for these unclassified sounds. The average listeners have not. Today the major record chains - Spec's, Best Buy, and others - have responded to buyers' demand to make available music from Africa, Cuba, Jamaica, Brazil and Latin America. Finding releases from Senegal's Kouding Cissoko or Baaba Maal is no problem. Finding the Afro-French, hip-hop sound of Les Nubians is simple; so finding the music of Nacio from Dominica, Gilberto Gil from Brazil, or Bamboleo of Cuba.
