182 p., Grâce à une réflexion sur ma création poétique, cette thèse exploite; la poétique négro-africaine de l'exil & raquo; à travers cinq recueils de Césaire, Kayóya, Senghor et Tshitungu Kongolo. D'une part, mon recueil extériorise les joies et les peines du Burundi précolonial, colonial, postcolonial et d'un exilé francophone au Canada largement anglophone. Mes exigences esthétiques sont, premièrement, l'emploi des figures de style pour que mes poèmes soient des paroles plaisantes au coeur et à l'oreille. Deuxièmement, chaque poème véhicule une poly-isotopie. Troisièmement, pareil à mon identité hybride, mon recueil est un mariage de la poésie des vers courts français et des unités discursives burundaises. D'autre part, mon analyse critique examine la manière dont le poète exilé idéalise le pays perdu et suggère des réserves face au pays hôte qui lui impose une nouvelle identité. Ensuite, mon analyse révèle que l'écriture poétique est en elle-même un exil.
Newly arrived from Cuba, Angelica, Dora, Marina, and Damaris attempted to negotiate new surroundings and immigrant identities, building a sense of home for themselves and their families. Data from qualitative interviews, classroom observations, and focus group conversations revealed hopes that by acquiring English language skills, they would improve their quality of life in their new country. Struggles included personal factors situated in their pasts in Cuba and their new surrounds in the Miami Cuban exile enclave, contexts that were further complicated by uncertain expectations of new lives in Miami and the overwhelming task of learning a new language at a local adult education center.
African American Research Center, Library, University of Illinois at Urbana-Champaign
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147 p, The Caliban-Prospero encounter in Shakespeare's "The Tempest" has evolved as a metaphor for the colonial experience. The present study utilizes the Caliban symbol in examining the influence of colonialism in Caribbean literature, focusing on the works of three major writers from the Caribbean islands: Jean Rhys, of British descent from Dominica; George Lamming, of African origin from Barbados; and Sam Selvon, of mixed Indian and Scottish heritage from Trinidad.
On the roles of gender, migration, and sexuality in the concept of sexiles, or people who are geographically displaced because of their sexuality, in the Carribean. Analyzes the short story "La Cautiva" by Pedro Juan Soto, the novel "I Am a Martinician Woman" by Mayotte Capécia, and the novel "No Telephone to Heaven" by Michelle Cliff.
African American Research Center, Library, University of Illinois at Urbana-Champaign
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34 p., After 25 years in exile, former dictator Jean-Claude Duvalier returned to Haiti in January 2011. Within days, survivors of serious human rights violations and families of victims of his regime filed complaints of such abuses between 1971 and 1986. This report makes public the testimonies and other evidence gathered by Amnesty International during that time, demonstrating that these violations were widespread and systematic.
Discusses the themes of subjectivity and sexual, racial, and cultural identity in literature by LGBT Cuban authors, with particular focus given to the short stories "Piazza Margana" by Calvert Casey and "La más prohibida des todas" by Sonia Rivera-Valdés. The exiled status of the authors and its influence on their work is examined, and the different experiences of Cuban gay men and lesbians are explored.
