Reviews the book "World Crisis Effects on Social Security in Latin America & the Caribbean: Lessons & Policies," by Carmelo Mesa-Lago is presented.
Human Rights in Haiti: A Work in Progress" is a 22-minute abridged Cliffs Notes version of the history of Haitian unrest. Though it is beautifully edited and has some rather moving imagery, the film ends suddenly, which quite frankly took the audience off guard. During the Q&A session following the films, the un-packed audience of 10 people (which included the filmmakers) had a few burning questions, some of which were not completely answered. "Who's the opponent? Who's the evil person here?" "It doesn't make that clear," "There are things that aren't really clear here" were just a few questions the audience members asked.
Jamaica closed out the 13th IAAF World Championships in Athletics in explosive fashion, bringing down the curtains with the championships' only world record; a blistering 37.04 seconds run in the men's 4x100m relay. In a race not void of incident, Bolt kept his cool, collected the baton from 10Om champion Yohan Blake and powered through to the finish to better the country's own 37.10 world record, which was set at the Belling Olympic Games in 2008.
289 p., Argues that Caribbean writers challenge state notions of democracy and revolution by embracing ideological opacity (forms of political action that are not immediately legible) as a form of radicalism. Writers such as Merle Collins, Dionne Brand, and George Lamming narrated a new revolutionary consciousness using literary form and structure to express créolité (Caribbean cultural hybridity) and represent political resistance. This form of radicalism allows writers to explore political change in terms that are more subtle than discourses of outright revolution. The dissertation draws on the work of theorist Édouard Glissant who uses opacity as a critical term to articulate the right of Caribbean people to create their own forms of knowledge and to refuse Western epistemologies.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
260 p, Contents: Caribbean modernist discourse : writing, exile, and tradition -- From exile to nationalism : the early novels of George Lamming -- Beyond the Kala-pani : the Trinidad novels of Samuel Selvon -- Deformation of modernism : the allegory of history in Carpentier's El siglo de las luces -- Modernism and the masks of history : the novels of Paule Marshall -- Writing after colonialism : Crick crack, Monkey and Beka lamb -- Narration at the postcolonial moment : history and representation in Abeng
