"We put that deal together with [Sheri-Ann Brooks] because we believe that her commitment to Caribbean sports, to Jamaica and to young people is consistent with what Solotel wants from its brand ambassadors and also mirrors Solotel's commitment to providing support and quality service throughout the Caribbean as well," [Kenneth Lewis] added.
Gacitúa-Marió,Estanislao (Author), Norton,Andrew (Author), and Georgieva,Sophia V. (Author)
Format:
Book, Whole
Publication Date:
2009
Published:
Washington, DC: World Bank
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
270 p., Examines the validity of a social guarantees approach as a framework for evaluating, monitoring, and improving the design of social policy. Social guarantees are defined as sets of policy mechanisms that determine citizens' entitlements related to basic services and ensure their fulfillment on the part of the state. Includes Rachel Hannah Nadelman, Lavern Louard-Greaves, and Carol Watson Williams' "Achieving equitable and inclusive citizenship through social policy : the case of Jamaica and St. Kitts and Nevis."
234 p., This dissertation examines the various discursive expressions of black agency that formed the stereotypical representations of African descendants found in Victorian racial discourse. It is, therefore, an analysis of the discursive practices of peoples of African descent and not of the actual stereotypes frequently associated with Victorian racial discourse. A close reading and analysis of the discursive practices of peoples of African descent subject to British rule will generate more focused critical narratives about the fantasies that plagued the British imagination well into the 20sth century. This study also suggest that contemporary scholars should look at Victorian racial discourse as an active dialogue and conversation with the Other, rather than a description of the psychology of power.
[Veronica Campbell-Brown] found herself back in seventh place at one stage in the race, but powered her way past the field, which included longstanding nemesis Allyson Felix, to win in 11.01 seconds. Felix (11.13) placed fifth, with Trinidad and Tobago's KellyAnn Baptiste (1 1 .06) second and Jamaica's Carrie Russell (11.08) third. "I felt a little bit of energy in my last couple steps to push forward. It was so electrifying (inside the stadium), I could hear people in the stands saying, 'It is your home, don't let anybody beat you." It is always good to compete here, it is very fun and the crowd motivates me a lot, so it is great."
223 p., Argues that certain iconic poems have shaped the canon of American poetry. Not merely "canonical" in the usual sense, iconic poems enjoy a special cultural sanction and influence; they have become discourses themselves, generating our notions about American poetry. By "iconic" the author means extraordinarily famous works like Henry Wadsworth Longfellow's "Paul Revere's Ride," Walt Whitman's "Song of Myself," and Claude McKay's "If We Must Die," that do not merely reside in the national memory but that have determined each poet's reception and thus have shaped the history of American poetry.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
238 p, A reaffirmation of the validity of that persistent quest by the Jamaican and Caribbean people for place and purpose in a globalised world of continuous change. In post-colonial societies like Jamaica, the issue of cultural identity is as important as political independence and economic self-sufficiency. Rex Nettleford goes further by declaring that cultural identity is as fundamental a reality as food, shelter, clothing and job opportunities and is not a mere abstract preoccupation. For this reason, cultural ‘action’ is central to effective social change. Caribbean Cultural Identity analyses and illustrates the dynamics of cultural evolution in the Caribbean. Nettleford focuses on the problems of identity, particularly as it relates to cultural pluralism and Eurocentricity and describes in detail the role that the performing arts have played in shaping the general development of Jamaica as well as the Caribbean in general.
