Ideologies of masculinity and femininity in host and guest populations, social divisions of labor and power, sex as a tourist attraction, and other issues; international perspective
277 p., Afro-Cuban (Santería ) drummers are trained ritual specialists in minority religious communities, initiated through secret rites into homosocial community groups. Historically, women and non-heteronormative men have been excluded from playing consecrated batá drums. This dissertation investigates how drummers construct the sensual and physical essence of musical sound around gender and sexual hierarchies in Afro-Cuban diasporic contexts (Havana, Miami, New York, and New Jersey). Drummers possess a theory of power based on concepts of how the feeling of aché (from Yoruban language, "the power to make things happen") is channeled during performance. Considers colonial-period Afro-Cuban social societies (cabildos ) as a source of possible residual patriarchal authority in the current male drumming cult community.
An empirical study of 398 business people in the slums of Jamaica and Guyana. Explains that poor women organize local banks as a form of contestation against the threat of violence, partisan and informal politics. Argues that the banker ladies reorganize money markets for themselves and others. By organizing inclusive financial programs the banker ladies also build social capital through managing locally-based economic resources.
Examines the work of Jamaican writer Una Marson for her engagement with the ideas of modernity and her cultural expectations as she traveled from Jamaica to London, England in the 1930s. Topics include colonialism, race and gender, modernism, and the magazine "Cosmopolitan: A Monthly Magazine for Business Youth of Jamaica and the Official Organ of the Stenographer's Association."
"In this article, I revisit debates about so-called matrifocal societies as a way to critique the centrality of heteronormative marriage and family in anthropology. Using gender as a tool of analysis, I argue that anthropologists have relied on the trope of the dominant heterosexual man, what I call the "Patriarchal Man," to create and sustain concepts of "marriage" and "family." By examining the discourse on matrifocality in studies of Afro-Caribbean and Minangkabau households, I show how it is the "missing man," the dominant heterosexual man, who is the key to the construction and perpetuation of the matrifocal concept and, by extension, the motor of marriage, family, and kinship. This fixity on the dominant heterosexual man has led anthropologists to misrecognize other forms of relatedness as less than or weaker than heteronormative marriage. I suggest that, rather than positing a foundational model for human sociality, intimacy, or relatedness, researchers look for webs of meaningful relationships in their historical and social specificity." (author)
Discusses the stories of six girls to illuminate three broad types of gender performances that were observed: ‘beauties’, ‘geeks’ and ‘men-john’. Using Francis' concepts of gender ‘monoglossia’ and ‘heteroglossia’, the extent to which these girls were able to resist the normative gender–sexual order and the consequences of conformity/non-conformity are examined.
Examines the play The Case of Miss Iris Armstrong and documentary film Sweet Sugar Rage. Looks at the way the sexual division of labor on Jamaica's sugar plantations was based on the following gendered myths: women's labor capacity is lower than their male counterparts; and men are the breadwinners for their families.
Between 1873 and 1917, the numbers of Barbadian women committed to penal custody on an annual basis surpassed those of men. Available figures for Jamaica and Trinidad over sections of the period hover around an 18–20 percent female proportion rate, while in Barbados the rate usually exceeded 50 percent.
