"Within the Caribbean region, racial identity forms a multicategory continuum from white to black, whereas in the United States it is a dichotomy of black versus white. Many Caribbean Hispanics, therefore, reject a strict racial dichotomy and select some category intermediate between black and white when asked to identify themselves racially on the U. S. census." (Author abstract)
Chicago: University of Chicago, Dept. of Political Science
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Journal Title Details:
p. 239 leaves
Notes:
239 p., "Despite the popular adage that blacks do not vote for blacks, using original survey data, I find that Afro-Brazilians in Salvador and São Paulo who identify as black (preto or negro ) vote for black politicians more than Afro-Brazilians who claim lighter colors. This is a significant finding because it means that Afro-Brazilians do not choose identities idly. Rather, identifying as black is a form of black consciousness." --The Author
"This article explores the changing form of white and black racial categories in North America. It argues that this transformation is being shaped by several, relatively distinct tendencies; including anti-immigrant sentiments, anti-black racism and the identity politics of racialized populations. The discussion focuses on two aspects of this transformation. First, the identity politics of Afro-Caribbean populations is used to illustrate how immigrant experiences contest and complicate the process of black racialization; second, the racialization of Latino populations is used to illustrate how normative definitions of whiteness are being redefined. The conclusion uses these examples to discuss the need for explanations of racial stratification that can account for multiple nodes of inclusion and exclusion." [ABSTRACT FROM AUTHOR];
"The problem involved in the description of Caribbean aesthetics is not only due to the heterogeneity of Caribbean culture - given its antecedents - but also the complex cognitive and social orientation of the individual Caribbean artist." (author)
