Kingston, Jamaica: University Of West Indies Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
292 p, Presentation of empirical historical data on Britain’s transatlantic slave economy and society supports the legal claim that chattel slavery as established by the British state and sustained by citizens and governments was understood then as a crime, but political and moral outrage were silenced by the argument that the enslavement of black people was in Britain’s national interest. Slavery was invested in by the royal family, the government, the established church, most elite families, and large public institutions in the private and public sector. Citing the legal principles of unjust and criminal enrichment, the author presents a compelling argument for Britain’s payment of its black debt, a debt that it continues to deny .
Grégoire,Henri (Author), Hermon-Belot,Rita (Editor), and Little,Roger (Editor)
Format:
Book, Edited
Language:
French
Publication Date:
2009
Published:
Paris: Harmattan
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
2 vols., Henri Grégoire, often referred to as Abbé Grégoire, was a French Roman Catholic priest, constitutional bishop of Blois and a revolutionary leader. He was an ardent abolitionist.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
208 p., Illustrates the way enslaved Africans lived and helped to shape Jamaican society in the three decades before British abolition of the slave trade. Audra Diptee's in-depth investigations reveal unexpected insights into the demographics of those captured in Africa and legally transported on British slave ships.
225 p., Drawing attention to poets whose writing on this subject has received little critical attention, this study examines contemporary poetry of the black Atlantic in particular focusing on work by Kwame Dawes, David Dabydeen, Lucille Clifton, and Elizabeth Alexander. In exploring poetic treatment of the Middle Passage, primarily through the lyric, epic, and long poem, the author identifies four interrelated poetics that reveal the dynamism of this legacy: lamentation, retribution, rupture, and re-membering. While critical analysis of texts that rewrite slave experiences has tended to focus on narrative, and that primarily on plantation slavery, "Sea of Bones" advocates attention to the way black Atlantic poetry renders the Middle Passage as a complicated and haunting personal heritage.
