Kwanzaa, an African-American holiday which celebrates family, community, and culture, is the fastest growing holiday in the U.S. An estimated 18 million Africans celebrate KWANZAA each year around the world, including celebrants in the U.S., Africa, the Caribbean, South America, especially Brazil, Canada, India, Britain and numerous European countries. Kwanzaa as an African-American holiday belongs to the most ancient tradition in the world, the African tradition. Drawing from and building on this rich and ancient tradition, Kwanzaa makes its own unique contribution to the enrichment and expansion of African tradition by reaffirming the importance of family, community, and culture. The Seven Principles of Kwanzaa. The central reason Kwanzaa is celebrated for seven days is to pay homage to The Seven Principles of Kwanzaa which in Swahili are: Umoja, Kujichagulia, Ujima, Ujamaa, Nia, Kuumba, and Imani. The principles are also known as The Seven Principles of African American community development and serve as a fundamental value system.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
160 p, Twentieth-century Black literary and political figures of the United States and the Caribbean related to Africa in complex and ambivalent ways that did not prevent them from denouncing the social, economic, and political oppressions of the West against Blacks of Africa and its Diaspora from slavery through colonialism and neocolonialism.
76 p., This preliminary Belizean racial project connects how Black identity was used as a political platform through a Pan-African framework to overthrow colonialism and neo-colonial aspects of what developed into a contemporary nationalist outlook. This project utilized a subjective outlook derived from historiographical materials, memoirs, periodicals and journal articles to show how Black collectivity as a tool for liberation (Pan-Africanism) was used as a racial project and later developed into a national project in Belize.
The recent performance featured five of the pieces from their repertoire. Three of the pieces, 'Sankofa-Ja' (choreographed by Professor Kariamu Welsh Asante), 'Evolution' (choreographed by Abeldo 'Tokie' [Monika Lawrence]) and 'African Nite' (choreographed by Monica Lawrence assisted by Orville Hall) were added to the ensemble's repertoire this year. '[Liza]' weaves together the stories and music from 'Linstead Market', 'Mout-a-Massie Liza' and 'Every time me Memba Liza' to tell the story of a young girl who becomes disaffected with country life and goes off to the city.
"The purpose of the International Black Summit is to provide an opportunity for participants to bring into being their vision for the black community and the world," Christian said.
178 p., This dissertation is about the role that conservative religious notions of racial ideology played in the historical origins of black nationalism and pan-Africanism. Focuses on the writings of an African Caribbean, Edward Blyden, as the centerpiece of the study. Blyden, a native of Saint Thomas (Virgin Islands) and considered one of the "fathers" of both pan-Africanism and African nationalism, was a particularly complex diasporic intellectual. Traveling first to the United States in the pre-Civil War period, then to Africa and Britain at the height of the European imperial venture - and Christian missionary efforts - Blyden served as a conduit between the West (the United States and Britain) and both a traditional and a Muslim Africa. He saw his role as one of mediating (critiquing/translating) these divergent voices and ideologies with the object of constituting a "modern," pan-African subject.
For most Ghanaians, the tenets of Pan-Africanism are remote principles that bear little relevance in daily life, in which kinship, linguistic, ethnic, and national affiliations are primary markers of identity. This presents challenges for repatriated Rastafarians from the Caribbean, United States, and Europe, who attempt to establish a home and a place within Ghanaian society while retaining Rastafarian ways of living and spiritual philosophies drawn from a Pan-African ethos.
Discusses Ethiopianism and Pan-Africanism as philosophies based on the premise that the alliances of the blacks of Africa and the diaspora are not limited by borders. These philosophies, both grounded in Atlantic crossings, are arguably part of the process of completing emancipation through their creation of a new discursive space for blacks, what Brodber terms "Blackspace." --Kezia Page, Transnational negotiations (2011, p. 68)
Included in the journal's special issue: The Plenaries: Conference on Caribbean Culture in Honour of Professor Rex Nettleford, Mona, Kingston, Jamaica (03/1996), edited by Barry Chevannes and George Lamming; 103 pp., Discusses Ethiopianism and Pan-Africanism as philosophies based on the premise that the alliances of the blacks of Africa and the diaspora are not limited by borders. These philosophies, both grounded in Atlantic crossings, are arguably part of the process of completing emancipation through their creation of a new discursive space for blacks, what Brodber terms "Blackspace." --Kezia Page, Transnational negotiations (2011, p. 68)
