African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
322 p., Kweh-kweh is an African Guyanese pre-wedding ritual system that emerged among African slaves in Guyana and historically functioned as a medium for music-centered matrimonial instruction for soon-to-be-married couples. The ritual is executed on the eve of a wedding ceremony and encompasses music, dance, proverbial speech, and a plethora of ritual practices that allow participants to chide, praise, and instruct the bride and groom and their nations (relatives, friends, and representatives) on matters of marriage. However, kweh-kweh performances also reveal embedded values of the Guyanese community, such as what it means to be a "real man" or a "proper woman." African Guyanese hold conflicting views on kweh-kweh, but at the onset of a wedding, they devise ways to celebrate kweh-kweh, a "pagan" ritual they also regard "our culture." This work demonstrates how African Guyanese manipulate the kweh-kweh ritual, their religious values, and themselves to articulate the complex of their identities, particularly racial and gendered identities.
The Caribbean branch of the Toronto-based Global Afrikan Congress (GAC) this week welcomed British Prime Minister Tony Blair's comments on the horrors of slavery, saying he has done much more for the cause than "our own" Black-led governments in the region on the issue. Maxie Fox, a spokesman for the GAC formed in Barbados in 2002, said the GAC and other Afro organizations have been trying for years to persuade regional governments to "have a discourse" on slavery, its effects on Blacks and even reparations, but only Guyana's President Bharrat Jagdeo, a Hindu, has seen it fit to acknowledge correspondence.
Up to the last minute CIS' Irwine Clare was still awaiting a response to a formal request sent weeks ago to Guyana's Consul General to New York, Bretnold Evans and a subsequent follow-up sent to the President of Guyana, Bharrat Jagdeo; and the country's Home Affairs Minister, Gail Texeira. Clare, who flew to Guyana on Wednesday night in hopes that the approval would have been secured at the last minute, voiced disappointment but said he's optimistic that the team will be able to present the forums in the future, given the numerous queries and requests he has received from nationals there for such seminars.
210 p., This project examines the ways in which several texts written in the late 20th century by African American and Caribbean writers appropriate history and witness trauma. Analyzes the writings of Toni Morrison, Ernest Gaines, Paule Marshall, and Fred D'Aguiar as they offer distinct approaches to history and the resulting effects such reconstituted, discovered, or, in some cases, imagined histories can have on the affirmation of the self as a subject. Explores the values of the African diaspora cross-culturally as manifested in the representational practices of these writers.
377 p., Examines the representation of history in the Caribbean novel during the era of decolonization. Exploring the period from the 1930s to the 1970s, primarily in Trinidad, Barbados and Guyana, the author argues that the predominance of historical thinking in many of the exemplary novels and works of the time was not only a response to the denial by colonialism of the history of Caribbean peoples. Such prevalence was also to be found in new class relations, which began to appear during the inaugural moment of decolonization in the 1930s when, throughout the British Caribbean, popular rebellions effectively meant the end of colonial rule.
