This is a narrative of Jamaica told on a musical crescendo, no 'bungar.ung'. Just the words of Jah. `Equal Rights: Reggae and Social Change' is seeking to transform the bare walls of the Jamaica Music Museum, stringing together notes of this truly Jamaican genre. "Since reggae is Jamaican, we have used it to convey the message," said Herbie Miller, director/curator of the Jamaica Music Museum. "It is a journey highlighting socio-political and spiritual sensibility." The realm of the `happy go lucky' Jamaica transitions to Ska depicting plain and modern art building the crescendo of social change as the legendary Bob Marley and the Wailers resonate 'Get Up Stand Up', evolution of musicians on the frontline of social change.
Collectively, these works, done in a burned-looking technique called 'soleil brulé', spell out Haiti. While visiting his daughters, who live in Inverrary, TIGA proudly displayed stacks of the paintings - each different and haunting, each either spiritual or personal portrayals of Haitian vodou gods and goddesses or his beloved relatives. Haiti through the lens of a camera is portrayed in "Haiti: Land of Contrasts," from May 7 to 29, at the African American Research Library and Cultural Center in Fort Lauderdale. It features the images of Roberto Stephenson, author of Les Interiors d'Haiti, and Daniel Kedar, whose books include Reflections, Haiti from Above, and Portrait of a Country. The final event of the month takes place at 7 p.m. on May 22 at the Broward County Main Library, when Dr. Alex Stepick will speak on "Perception of the Haitian Profile." He'll be followed by another lecturer, Terry Rey of Florida International University, who'll discuss "Religion and Politics in Haitian History."
Gazing at the amalgam of rich Caribbean artistic expression - bold colors intertwining on canvas, delicately woven wire sculptures, sheer pieces of cloth with intricate handmade designs - one might think she was roaming the corridors of the Metropolitan Museum of Art or the prestigious Guggenheim rather than viewing the one-bedroom Harlem apartment of Caribbean art dealer Anderson Pilgrim. "One of the reasons that Caribbean art has yet to penetrate the New York scene is that it has yet to be fully explored even among Caribbeans", Pilgrim said. "Because of the colonization of the Caribbean islands, and the stifling post-colonial effects, many native Caribbeans didn't begin to explore their abilities until the 1970s, which was a period of real artistic revolution on the islands". A few of the artists he represented were medal winners at the prestigious Biennial Caribbean Festival, held in the Dominican Republic and featuring artists from the Caribbean and Countries in Central America which border the Caribbean.
[Jean Louis]' photography's diverse portrayal of Haiti is why [Eveline Pierre] chose to showcase his work during the week of the internationally renowned art exhibit, Art Basel. "We just felt it was really important to capitalize on this time," explained Pierre, "to...give the community an understanding of who the Haitian community is through this artist."
"IBM is honored to sponsor this spectacular exhibition that tells the story of a nation's history while giving all of us a broader view of Haiti's cultural heritage," said Gregg A. DeMar, general manager, Great Lakes Area, IBM Corporation. "Through the study of diverse cultures we often learn more about ourselves, our beliefs and values, as well as gain insight into those whose heritage is represented in an exhibition such as `Sacred Arts of Haitian Vodou.'" The predominant religion of the Haitian people, Vodou was created by enslaved Africans who transformed their beliefs and rituals according to the conditions they had to face in the New World. These African traditions encountered European traditions -- the art and ritual practices of Roman Catholicism -- to emerge in an original form, Vodou. The word "Vodou," meaning "sacred," was borrowed into Haitian Creole from the Fon language of West Africa. Parallel African-derived religions now flourish in the Caribbean, South America and major cities of the United States and Canada.
Ms. [Adona] is a photographer utilizing the visual medium to tell stories of cultures from around the world, with the hope of creating a better understanding of diverse people through the visual arts. Last summer Ms. Adona introduced "CUBA, Reflections of Life" during a speech at the United Nations in Geneve, Switzerland, where she spoke on the necessity utilizing a single, powerful image to tell the story of a nation.