Findings indicated the common denominators for African, African American, and Caribbean women regarding breast cancer are that (1) they present at younger ages, (2) they present having advanced-stage tumors, (3) they are often from lower socioeconomic levels, and (4) they lack knowledge regarding causes and treatment of breast cancer.
Using Black women's responses to same-race sexual assault, demonstrates how scholars can use interpersonal violence to understand social processes and develop conceptual models. African and Caribbean immigrants often avoid the language of social structure in their rape accounts and use cultural references to distance themselves from African Americans.
233 p., Analyzes three contemporary novels by Black women authors to argue that their daughter-protagonists gain a sense of their own subjectivities as women of African descent through their imaginative and creative responses to their respective muted paternal histories and legacies. These responses motivate the creation of ritualistic art forms rooted in communal practices such as storytelling, sculpting, music, dance-drama, folk medicine, and traditional cuisine. Maps the centrality of family, community, rituals, and art to the development of female subjectivity as represented in Marilene Felinto's As mulheres de Tijucopapo / The Women of Tijucopapo , Edwidge Danticat's The Dew Breaker , and Gayl Jones's Corregidora.
Lauderdale Lakes City Commissioner Hazelle Rogers has been named the new president of the Broward League of Cities. She was nominated by her peers to head the organization, comprising representatives from all of Broward's municipalities. "We try to identify issues affecting municipal government in Broward. I wanted to be a part of the planning that will shape what Broward, and my city, will be in 15 years," Rogers told The Broward Times. "We are living in a global world now. Broward needs to create partnerships with Caribbean countries. I want to organize trade missions and impress upon people how important the Caribbean Community (CARICOM) countries are to us, as far as trade is concerned," said Rogers, a native of Jamaica.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
187 p., Traces the development of the writer’s Afrocentric vision showing how Marshall’s creative sensibility has evolved—from American to African-American, African-Caribbean, and, finally, Pan-African—and how her distinctive literary style combines Western forms with elements from the African oral tradition.
Author discusses the complexities of identity representation in terms of her Afro Caribbean/"third" world background and her historically African-American university (HBCU) affiliation. Notes how her academic identity marked by her first and third world educational experiences as a Caribbean person of color in the U.S. positions her between the borders of insider/outsider.
295 p., Focuses on the function of black vernacular myths and rituals in three primary women's texts of the Americas: Toni Morrison's Song of Solomon (1977), Simone Schwartz-Bart's Pluie et Vent sur Telumee Miracle (1972) and Paule Marshall's Praisesong for the Widow (1983). My project codifies how the black vernacular expressions of mythology and ritual are used to negotiate power between the individual and their community. The author traces how the women in these texts used resources of the black vernacular tradition as social and cultural collateral to empower themselves within an alternative system of values that simultaneously validates self and communal worth.
