193 p., Kwame Dawes coined the term "reggae aesthetic" to explain the paradigm shift in 1960s-70s Caribbean literature that also dovetailed the rise of reggae music in Jamaica. By exploring the impact of popular music on the social developments in late 1960s and early 1970s Jamaica, Dawes offered a new method of Caribbean literary analysis reminiscent of the extant blues tradition in African American literature--similar to the way that reggae music borrows from the blues--and in so doing, highlighted the artistic and cultural influences that link people of color across the "Black Atlantic." This dissertation builds on Dawes's theory by exploring the history and function of music as an aesthetic form and narrative trope in literature of the Black Atlantic. Blues and reggae in contemporary fiction manifest the oral tradition in African storytelling.
480 p., By the end of 1825, 6,000 African Americans had left the United States to settle in the free black Republic of Haiti. After arriving on the island, 200 immigrants formed an enclave in what is now Samaná, Dominican Republic. The Americans in Samaná continued to speak English, remained Protestant (in a country of devout Catholics), and retained American cultural practices for over 150 years. Relying on historical archaeological methods, this dissertation explores the processes of community formation, maintenance, and dissolution, while paying particular attention to intersections of race and nation.
Explores the relationship of family and demographic factors to the frequency of receiving emotional support and the frequency of engaging in negative interactions with family members (i.e., criticism, burden, and being taken advantage of). Overall, no significant differences were found between African Americans and Caribbean Blacks in the frequency of emotional support or negative interaction; several significant correlates (e.g., age, family closeness) were found for both groups.
Lucea,Marguerite B. (Author), Stockman,Jamila K. (Author), Mana-Ay,Margarita (Author), Bertrand,Desiree (Author), Callwood,Gloria B. (Author), Coverston,Catherine R. (Author), Campbell,Doris W. (Author), and Campbell,Jacquelyn C. (Author)
Format:
Journal Article
Publication Date:
May 2013
Published:
Thousand Oaks, CA: Sage Publications
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Explores the relationship between intimate partner violence (IPV) and resource use, considering sociodemographics and aspects of IPV by presenting results from a study conducted with African American and African Caribbean women in Baltimore, Maryland, and the U.S. Virgin Islands.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
309 p., Drawing from Haitian Vodou and New Orleanian Voudou and from Cuban and South Floridian Santería, as well as from Afro-Baptist (Caribbean, Geechee, and Bahamian) models of encounters with otherness, this book reemplaces deep-southern texts within the counterclockwise ring-stepping of a long Afro-Atlantic modernity. Includes "Down to the Mire : Travels, Shouts & Fe Chauffe, Balanse, Swing : Saint Domingue Refugees in the Govi of New Orleans."
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
309 p., Offers a corrective to some of America's institutionalized invisibilities by delving into the submerged networks of ritual performance, writing, intercultural history, and migration that have linked the coastal U.S. South with the Caribbean and the wider Atlantic world. Draws from Haitian Vodou and New Orleanian Cuban and South Floridian Santería,and Afro-Baptist (Caribbean, Geechee, and Bahamian) models of encounters with otherness.
